The Lake House

I stand on the white planks of the dock, listening to the gentle sloshing of water against the grassy shore. The sun is setting behind me on this mid-August evening, earlier than it did last night, and the windows of the cottages on the eastern shore of Lake Chautauqua reflect its rosy glow.

Behind me, I hear the faint clink of wine glasses being refilled. The murmur of after-dinner conversation is punctuated with wild giggles from five-year-old Isaiah as his dad tickles him, doing his best to rile him up before bedtime.

lake-2016-bAs I walk back to join my friends on the shady side porch, I hear the teenagers laughing together from the kitchen. They have finished clearing the picnic table of ravaged corncobs and remnants of hamburger fixings, used paper plates and empty tortilla chip bags.

Once upon a time, I would have been the one standing at that sink, stowing leftovers, choosing dish duty as an introvert’s temporary retreat from the stimulation of too many people. But on this evening, I am content to lower myself into a cushioned deck chair and join the twilight conversation circle with my friends.

One combination or another of us have been gathering in this place over the course of so many summer evenings over so many decades—since we were barely older than the teenagers who are in the house now. They are singing selections from the U2 catalog, the soundtrack of their young lives—a legacy from their parents and their parents’ friends.

***

I was barely 18 when I first visited this cottage on this lake.

It was mid-October, a little over a month into my first year of college, and the Christian fellowship group hosted a weekend retreat at Lake Chautauqua in western New York State, an hour or so away from my northwestern Pennsylvania campus. There were too many of us to fit into one house, so a student’s family offered up beds and floor space in their vacation cottage for the overflow.

Little did I know then that the student whose house this was would become one of my best friends. And little did I suspect how many times I would return to this cottage on this lake and be comforted by how little it changed, while so many other things changed too much.

***

In our 20s, our lakeside reunions were carefree and action-packed. After many hours spent on the water, skiing and tubing, swimming and sunbathing, mealtimes were dictated by our hunger pangs, and bedtimes put off as long as possible as we basked in each other’s company. There were often more bodies than beds, and so sleeping bags and tents popped up on the side lawn. Those of us lucky enough to end up on the living room sofa bed were the last to sleep and the first to wake, as early-risers stumbled into the kitchen for morning coffee.

In our 30s, we negotiated whose turn it was to go out on the boat by calculating the appropriate ratio of adults to children, and then negotiating whose turn it was on the skis or the tube or the raft. Others of us stayed on shore to stand guard during toddlers’ nap times or to keep dinner preparations on schedule for the sake of the little ones. Bedrooms were assigned based on family sizes and necessary floor space for sleeping bags. The grownups cooked and the older kids took turns cleaning up.

This is the place we celebrated college graduations and engagements and anniversaries—and mourned broken relationships and divorces and losses of many kinds. It’s where we laughed together over shared memories and oft-repeated stories. It’s where we comforted each other during hard seasons that seemed like they may never end.

And always, the twilight conversation circle.

***

Isaiah has been tucked into bed. The singing teenagers are still in the house, busy with projects which will keep them occupied into the wee hours of the morning and cause them to sleep until noon the next day. And we—the grownups—sip wine and solve the world’s problems by the yellow glow of a citronella candle.

Tonight, a month shy of my 50th birthday, I soak in the familiar summer ritual. I listen to updates about friends’ “kids” who once-upon-a-time were with us at the lake, but who are now newly married or starting a first job after graduating from college. We commiserate about the most divisive presidential race of our lifetime. We pass around smart phones to share photos—and drugstore reading glasses so that we can pull them into focus. We joke about graying hair and thickening waists and, with broad yawns, our regrettable need for a full eight hours of sleep.

I think about friends who aren’t with us this year and how I wish they were. I think about singleness and marriage and divorce and remarriage and blended families and grief and brokenness and love and redemption. I think about the ways life has turned out how we hoped it would and the ways it has not.

I think about the grace of another late-summer evening at the lake house.

***

Amy bio YAH

Outer Banks

Tears streamed down my face as I huddled in my corner of the backseat of our wood-paneled station wagon. I was crying as quietly as I could, not wanting to attract concerned attention from my parents, or ridicule from my two younger brothers. As the car sped north and west—across the causeway to the mainland, away from the Atlantic Ocean and toward my western Pennsylvania home—I was convinced that my 12-year-old heart would break.

The Best Week of the Year had come to an end.

***

I was nine years old the first time my family vacationed on the Outer Banks of North Carolina. That first year, it was me, my parents, my two younger brothers, and the family of a man my dad worked with. Three years later, my dad’s three brothers and their families had joined us on what would become an annual pilgrimage and a de facto family reunion.

Every year, we journeyed to Kill Devil Hills, to The Cavalier by the Sea motel at milepost 8.5 of Beach Road. It was a week I looked forward to all year, when I would reconnect with cousins who were so cool, they probably would never notice me in the school hallways if (a) we lived near each other and (b) were not related.

***

A typical day in my life during the Best Week of the Year went something like this:

The aromas of brewing coffee and frying bacon would greet me when I awoke, mixing with the scents of saltwater and Coppertone suntan lotion.

I would emerge from my bedroom, hair hastily combed, swimsuit on, to find Mom and Dad sitting in bamboo chairs at the Formica table of the main room, finishing breakfast and watching morning TV. My bare feet would shuffle across the grainy, sandy texture of air-conditioned linoleum. After slurping up a bowl of cereal, I would be out the door, a brightly colored beach towel slung around my neck.

A quick stop at the pool in the courtyard to see who was already swimming, and I’d continue on, under the archway and onto the beach. Stumbling across the already hot sand toward the crashing waves of the Atlantic, I would drop my towel next to the cluster of beach umbrellas where my tribe had already set up camp for the week.

nags-head-family-picUncle Mike and Aunt Mary would be sipping their morning coffee. Uncle Paul and Aunt Barb would be slathering suntan lotion on my littlest cousins. Cousins closer to my age would be stretched out on towels—exposed skin glistening with baby oil, as was the naive custom of the 1970s—or jumping the waves.

After lunch, my cousin Mike would start his latest sand sculpture masterpiece, and my brothers would help our younger cousins fill plastic buckets with plastic shovels-full of sand, building castles and digging moats.

As shadows grew longer, we would wander back to our rooms to shower and change clothes before dinner—hot dogs and watermelon by the pool, or fresh seafood at a nearby restaurant, or spaghetti and meatballs prepared in one of the kitchens.

Later, we would return to the pool, or pile into cars for a trip to ride go-carts or bowl or see a movie. We would play cards until bedtime.

Then the aromas coffee and bacon and Coppertone would signal the beginning of the next day.

***

Around the time I graduated from high school, our family stopped going down every year—but the uncles and aunts and cousins did not.

While I loved these beach vacations, and so did most of my family, my mother was never a fan of the sand, and she wasn’t a swimmer. She didn’t like the beach, but she knew what this week meant to the rest of us.

The last time my whole family made that trip together was in the mid-’90s. My brothers and I were now young adults. It was a hotter-than-usual summer, and biting sand flies and stinging sea lice and the lack of a discernible ocean breeze served as the proverbial heavy last straw. Mom made it clear that we were welcome to go back again—but she was done with beach vacations.

***

In July 2007, it had been more than a decade since I had spent that summer week with my cousins. As we approached the first anniversary of losing Mom to cancer, my family returned.

Everything felt so much the same. And completely different.

The swimming pool and the beach were mostly unchanged, as were the Cavalier’s cottages—even with cosmetic upgrades of indoor-outdoor carpeting and fancy new pleather furniture. Traffic on the Beach Road was heavier, and there were more restaurants and hotels and houses between the causeway and milepost 8.5. Cousins I had played with as children were now husbands and wives and parents, and their children looked forward to this week as eagerly as we had at their age. Our tribe still set up camp under the rented umbrellas near the ocean, and we now spanned three generations and seven decades.

But even as we made new memories, introducing my new sister-in-law to the Atlantic Ocean and teaching my 12-year-old niece to play euchre, I missed my mom. I was aware that memories had been made in my absence that would never be mine. I was 40 years old and way past the age of wanting to live in my bathing suit.

At the end of the week, driving my own car across the causeway, away from the Outer Banks and toward western Pennsylvania, I let the tears flow.

This was still The Best Week of the Year for my cousins. It just wasn’t mine anymore.

***

Amy bio YAH

Ash and Light

Sometime in between “we are through” and actually being through, I got a new job and moved to “his town,” the town where my (now ex-) boyfriend lived during part of the time we were dating. He lived in an apartment above a store that sold brightly colored men’s suits. One of a handful of stores and restaurants in the downtown main street square of a small Georgia town.

After I moved there, I drove downtown and parked in one of the nose-in angled spots on the street where he used to stand by my car and kiss me good-bye. I strolled past the storefronts, saw the entrance to the apartments above with the push button intercom where I would call up and he’d buzz me in. He was no longer there but that was his building. Up those stairs, we would laugh and talk and I would roll my eyes at his corny puns. On the nights we watched a movie, cuddled on the couch, he’d stand up as the credit music began to play and offer me his hand, pulling me into a slow dance under the skylight above our heads.

*******

A couple of months after he moved away from that town and our relationship gained geographical distance, he called me one weekend to say he was in town. He wasn’t there to see me, not specifically anyway. There had been a small fire at his old apartment. The landlord had called him. I was confused as to why he was notified, why any of his stuff was there.

“Oh. I just kept renting the apartment,” he said.

By this point in the relationship I was used to convincing myself to believe what he said. Used to ignoring questions in my gut and flipping down red flags. So, I accepted the explanation and jumped straight into planning when and where to meet up for an impromptu date, swept up in the romance of the unexpected.

*******

That day I moved to the town there was still a long aluminum chute that emptied into a dumpster hanging from one of the back windows of his building, evidence of the fire clean up.

I stared at it – wondering what blackened belongings of his had been thrown down it.  Did the couch where we dreamed about the future survive or was it in ashes?  What was left of the kitchen counter where I would sit and listen to him narrate his way through preparing dinner as if he had his very own Food Network show?

The last few months he lived in that apartment I was never inside of it. He called me one day and won my heart a little more by saying, “I think we should make sure that we don’t hang out alone in my apartment anymore. I want to be better at honoring you.” Reluctantly, but admiringly, I agreed. I treasured his leadership in our relationship.   “Honoring,” in our shared vocabulary at the time, meant no more kissing (or more) in private.

I had been raised to believe that men lead and pursue and I wait and follow. I was told that a godly man would lead in godly ways.  More than one youth group story had centered on a young man who went to pick up his date and then turned around and left when he saw her, because he was lusting so they needed to not spend time together in order to honor God.  And here I was with my very own godly leader who put God above me.

Yet there was that aluminum chute and a dumpster full of ash and rubbish.

I wondered what belongings of hers were in the dumpster. The other girlfriend that had moved in a few months before he left. The one that stayed to finish out the year at her teaching job while he took his new job a few hours away. The one who called and told him about the fire. The woman he was living with while he was “honoring” me.

*******

After the fire but before I knew about the other woman, I called him and choked out, “I can’t do this anymore. I can’t feel like this anymore.”

“Are you breaking up with me?” he asked, surprised.

“Yes.” He didn’t fight, he just got mad and hung up.

I blamed myself. Over and over, the same message played in my mind: I wasn’t strong enough to make the distance work, to make him work.  After trying for years,  I was tired.

A couple weeks later, he called and renewed my hope by saying he wanted me back. I drove two hours to surprise him, my stomach in knots the entire way down because subconsciously I knew the one who was more likely to be surprised was me. I needed to not be able to lie to myself anymore. I needed to physically see and hear and know so that I could move on.

A woman yelled from inside for him to answer the door. With wide eyes he called inside to her, “It’s someone from work! I’ll be back!”

creative commons free - unsplashWe sat near a river bank and I watched with the muddy water flow by as he told me that he chose her, that he wanted someone who was physically close, that the long distance was too much.

“Why didn’t you just break up with me?” I questioned.

“I didn’t want to hurt you,” he said.

I drove home in tears. Mad at him. Mad at God. Mad at myself because the signs littered the road for the past three years.

*******

I stayed in my new, his old, town for two and a half years. The aluminum chute was still there when I left.  

He visited once.  I visited once.  He called often.  I blocked and unblocked his number. He stayed with the other woman. He told me I was better than her. I begged him to let me be, to let me go. I told him I didn’t know how to walk away. I was addicted.

My brain  didn’t know how to stop forgiving him, to stop believing that the good outweighed the bad, to stop my heart from trusting that things would improve and that my fantasy would come true.

I didn’t reclaim that town those years. I didn’t even reclaim my life.

*******

Ten years after the fire, I drove through that town again. The aluminum chute was gone. In the years between, I had learned to sort truth from lie from unknown in the jumbled web of memories from the years spent with him.  I had quit my addiction and gained a clarity about myself that is perhaps only possible when forged in fire.

 

Nicole bio YAH

 

Riding in Cars With Myself

Some people affectionately name their cars. I vow to drive my car into the ground.

I am not impressed with color or shine or seat warmers or the increasingly techy sound systems or those commercials where silver-tongued announcers say words like “driving experience” or “performance” or “driving modes.” These are all lost on me. I’ve always said as long as it gets me around I don’t care what it looks, feels or smells like.

When I was little, my parents drove my brothers and me around in a blue ‘86 Chevy Celebrity station wagon. The paint job couldn’t hold up, and it ended up peeling and curling in long strips down the hood. I was so embarrassed by it I asked my father over and over again not drop our family off in front of the church on Sunday mornings. “Please, can you just park in the back and then we can all walk in?” I begged. My dad would give me a quizzical look and kept right on dropping us off at the door.

When I was in high school instead of being embarrassed by a car, one embarrassed me. I was at a youth group picnic when one of the new youth leaders drove up in his car. It was small and black and so shiny it blinded me in one eye as I went up to greet him and the other kids. I leaned casually against the hood. He promptly turned white as did several of the boys.

“What? What’s wrong?” I asked.

“You’re leaning on my car.”

“So?” I got up and the group gave a little collective sigh of relief. One of the boys saw the shame and confusion on my face and explained to me that it was a Maserati 3200 GT, a special object costing over a year’s salary that was allowed outside for car shows only. I backed away and tried not to roll my eyes. I thanked heaven I was going away to college the next week where presumably no-one would drive a $90,000 car for me to smudge accidentally.

Without having the money to afford a nice car, I have always simply driven hand-me-down little four-doors. In college I drove two cars: one that had been abandoned so long a nest of mice had taken up residency in the engine (there was a small, unpleasant surprise for me when I had to replace the dome light), and a navy Celebrity wagon so like my parents’ car, I nicknamed it “The Blue Bastard”. Cars have alternately been a source of embarrassment and a source of indifference to me over the years.

classic-car-574864_1280

For the past ten years I have been driving a tiny Corolla. There’s nothing very special about it—but then there is something special about it to me. This was a car I bought at 22 and had a very long payment plan on, but I managed to pay it all myself in my twenties. It became a badge of adulthood for me. Responsibility, too.

For several years, I had a job where I would spend my lunch hour in my car. I sat in the parking lot reading books by Lauren Winner, Susan Howatch, and Rob Bell, thankful for a whole hour inside a quiet, familiar space with beloved authors.

Some of my coworkers would go to mid-day Mass, some would spend the hour shopping at the mall the next town over. But my spot was in my car. It was a place to pray in, to reflect, to take time out from hard or boring work situations. If I had a late night, I’d eat my sandwich, crank the seat down and take a nap.

Eight months ago, my husband Dan and I drove my little car from Cape Cod to Denver. I was doubtful it would make it. It’s now fourteen years old and New England winters are tough on cars, with five months of gravel and salt under the wheels every year. But we decided to put our money into repairs, rather than buy a new car just yet.

You see, I’m really attached to it.

I’ve never cared for cars because of what they stand for. Wealth or poverty. You can tell by looking at someone’s car how they live, possibly guess at their monthly payment, and judge what they value. I value my four wheel fortress of solitude. The paint is peeling so that’s a little embarrassing—the old feelings of shame well up! But I’ve reclaimed my car and cars in general because of their potential as a quiet box, a room I can take anywhere with me. I’ll be sorry to say goodbye to my car because she and I have had a lot of good moments together. It’s a bit of home that’s with me still even as everything else has changed.

Elena bio YAH

An Unmatched Life

At 15, I read in a home décor magazine that you were only supposed to fill things two-thirds full in order for it to look neat and orderly. So when I got my new bedroom at 16, a room I helped build on to the house, I intentionally left some of the walls and closet shelf space empty to try and create that feel.

Once the room was finished, I picked a blue-floral bedspread and curtains from the J.C. Penney catalog and took a pillowcase to Home Depot to have the color matched. I sponged the gray-blue paint onto the baseboard and molding before we nailed it to the walls.

I was trying to keep it all together, I think. Trying to make it right. I am the child of a parent with chronic mental and physical illnesses. As a child, that meant taking on the responsibility of taking care. I wanted things stable and orderly and, above all, correct.

For a few years before I moved to college my junior year, those empty spaces and coordinating color scheme were a retreat. The aesthetics calmed and centered me.

************

 

bedroom

My first apartment

After landing a full-time job after college, I moved into my first all-my-own apartment. I dove into decorating it just the way I wanted. Things matched less, but they still coordinated. I bought sofas and curtains, lamps and end tables brand-new from the store. I wanted it decorated and soon. I bought fabric and made my own upholstered headboard and hunted down antique picture frames for the walls of my bedroom.  I took a page from an interior design magazine and recreated a wall collage behind my dining room table.

When Christmas came, I bought new decorations that sparkled and shone in perfect complement to my décor.

It was common for me to lock myself in my apartment from the time I got home from work on Friday until I left for work on Monday. “Introvert re-charge,” I would say. And sometimes that is needed. But in truth, it was easier to just stay in, not interact with anyone, and piddle away on some new home décor project. I even started a short-lived blog full of recipes and decorating tips.

************

When I was 29, I moved into graduate on-campus housing, complete with an R.A. and roommates. The apartments were built in the 1930s and, aside from the random rules that come with campus housing, I rather enjoyed the cozy wood floors and the old bathroom mirror with the flower scroll etched across the glass.

Perhaps the thing I was most nervous about as I prepared to move to grad school was that my home would feel like a dorm. That I would feel like a kid. I was afraid of ugly furniture and plastic storage bins and cramped spaces. I was afraid it was all going to feel like a mess.

And things didn’t matchexcept for the industrial, boxy, bedroom furniture. My bedspread was black and white, my roommate’s was bright neon colors. The bathroom linen closet was stocked with a haphazard collection of multi-colored towels in various states of wear. The empty wall of the small galley kitchen was a jigsaw puzzle of mismatched shelves holding extra dishes and cookbooks and pantry staples. Every third of the bedroom walls were lined with furniture. Desk, dresser, bed, repeat. Shelves were stuffed full of textbooks and binders and picture frames of family and friends in other states. There was no money to spend on new, matching furniture. There was too little space for all of my things.

Yet, that apartment was home to one of my most well-lived years. There was nothing more satisfying than to find the sink full of mismatched coffee mugs, evidence of another night of friends studying together or talking.

Mismatched Dinner Table

An Easter table

On Sunday evenings, friends and neighbors gathered and we made dinner. One person would cook, filling the small sink of the small kitchen with pans and cutting boards and wooden spoons.Then we’d eatmismatched chairs crowded around a table with mismatched glasses in front of matching plates, the thin blue and white Corelle dishes I had inherited from my grandmother.  

As the year went on, dining together just became a habit, no matter the meal.  We had a French toast feast as the snow piled deep outside. On the days it never stopped raining, there was a crock pot of soup ready and warm.  We decided JFK’s Birthday needed celebrating, so we researched and recreated his favorite meal.  One warm night, we picked up a few “gourmet” ingredients from the grocery store, put on a record of classical music, opened all the windows, and laughed and talked and ate as the cross breeze drifted through our impromptu dinner party in that mismatched, unrefined, no-color-palette home.  

That year, we managed to live life together instead of just being roommates or neighbors. It happened with overcrowded shelves and walls and it never once felt like a mess.

**********

Nicole bio YAH

Tongue Depressors and Other Teaching Relics

I curate a small store of relics from my years teaching in Chicago—

cMerediths-In-Her-Shoes-Pencilsrayon-drawn cards, apology notes with misspelled superlatives, and portraits where the size of my head dwarfs my torso. In one early drawing, a student depicted me with flowing red hair and a bikini. I have two guns in holsters at my hips and a rainbow behind me.

I’ve packed away most of my memorabilia in a catchall file in our spare bedroom, trying to organize and place memories from a time that spilled outside of any boundaries I tried to create for it. One lone tongue depressor has made it through three apartment relocations and three school changes. Each time, I considered tossing the stick, but I always ended up keeping it, laying it back amongst my pens. It’s small enough, important enough to keep.

It’s Corvell’s stick. I met Corvell in my first year of teaching, and he was my first student to disappear.

I showed up to teach in Chicago’s inner city with more experience teaching stuffed animals than actual children. I took the alternative certification track to gain my teaching credentials along with many non-teacher types who cared about social justice and/or had seen the documentary “Waiting for Superman.”

We came tugging our Photo 217liberal arts educations behind us, hailing from some of the top universities in the country and swearing our scout’s honor that we worked hard and could make it through a few years teaching in the inner city.

By my second week student teaching, my childhood expectations of education came undone. When I played school as a kid, I propped my stuffed animals into position, neatly stacking papers and fastening them with paper clips. I taught my plush class whatever I wanted, and ears full of cotton, they still listened. Back then, I mimicked the lessons delivered by my own teachers, tidy women with pant suits and coordinating jewelry.

My teaching experience looked nothing like this, I looked nothing like this.  My days didn’t form into an inspirational narrative, but instead finished with a sense of mere survival. Instead of matching jewelry, I wore hardened streaks of oatmeal on my coat from eating on the way to school.

Teaching overflowed into every corner of my life. Jayla’s empty stomach leaked into my thoughts at night and lesson plans edged into spare weekend hours. Carefully constructed reading activities got interrupted and sloshed aside to be buried under math tests and leveled readers. The education system proved much sloppier than I ever imagined. And yet, Corvell’s disappearance still knocked the wind out of me.IMG_1580

His Dad picked him up for an early dismissal, and by 3:00 p.m., we got his transfer papers. Someone at the school called DCFS on Corvell’s parents. This report added to many others on file, and as had become their custom, the family moved onto a new school, away from the prying eyes of the well-meaning teacher who called in the report of neglect.

The principal and case manager did not bat an eye. They told me the news as a point of business. The school secretary laughed at my shock and said, “One less copy to make!” Corvell’s story was a familiar one in Chicago, but I was still a newbie.

That day after school, I cleaned out his desk, slid his reading circle book back into the classroom library, and cancelled other evidences of him around the classroom. I pulled Corvell’s stick from the small tin bucket with a whole class set of tongue depressors inscribed with each student’s name. My co-teacher and I rifled through the sticks when eyes got sleepy during a read aloud or when only a few hands darted up in a math lesson. If I drew your stick, you were on the line, responsible as the next person for our classroom learning.

The last time I worked with Corvell, I made him cry. I told him he wasn’t trying hard enough on his reading test. As I chided him and repeated the test question again, his usually swinging legs held still. He traced over his name with his pencil again and again as he let tears splash on his paper. And that was the end of our story.

There was no shiny ending, no epiphany. I stowed the stick in my desk, to remember Corvell always, to remember the lesson learned that day, that kids sometimes disappear.

I grew accustomed to Corvell’s story or one’s like it.

I stopped keeping mementos for each student. Corvell’s stick has become the tomb of the Unknown Soldier, the memento to represent my utter lack of control over the faces in all of my classrooms. For a year, or sometimes less, I poured my whole self into my students, thought about them, fixed their hair, wiped their tears, went to bat for them, drew smiley faces with ketchup on their burgers, and then they disappeared into chaos.

My last year teaching, I lost track of Corvell’s stick and found it while drawing sticks out of the jar of tongue depressors in my first grade classroom. My co-teacher must have found it and decided to repurpose itIMG_0162 for another student in our room. Like any relic, its meaning was held in the knowledge of the one who owned it, like the rag of an apostle’s robe or the heel bone of a saint.


I looked at the faces of my first graders and thought of the ones already missing from their rug spots. Now my fourth year in the classroom, I’d better learned how to rise above the rubble and teach in the moment, but I still mourned my Corvells.

He was every student I couldn’t help enough, couldn’t reach, couldn’t follow, or hold forever. He was every student from my years in CPS, kids I cared for deeply and will likely never see again.

***

Meredith-bio-YAH-1024x327

Stumpy the Christmas Tree

“It’s going to be a small Christmas this year, kids.”  

My mom. Almost every year. And yet, I never remember small Christmases.

Perhaps they were small in comparison to the expensive gifts or the multi-hundreds of dollars in cash and gift cards our classmates talked about receiving each year. But even then, I just found it odd that they received so much.

Some of the early Christmas photos of my family show our tree in the background – an 18” high green ceramic tree with colored pegs that glowed from a light bulb stuck inside. We put our gifts under and around the small table it sat on. We hung garland in a scallop from the ceiling and hung our ornaments from that. I remember being particularly enthralled by the ornaments and how certain I was that no one else decorated for Christmas in quite that spectacular way.  Blame it on my steady diet of  Little House on the Prairie and The Waltons, but I was just genuinely the kid who was (mostly) thankful for what I had. I thought of Laura Ingalls treasuring her tin cup and peppermint stick for Christmas and I knew our celebration was lavish.

One year, there was a knock on the door and I answered it to see Pastor Bill standing there. He asked for my parents and then gave them an envelope. “This is for Christmas” he said. Inside – money for gifts for us and food for Christmas dinner. Mom tells me that was the difference between having those things and not that year. But most years weren’t like that, at least not that my memory recalls.

**********

On a summer Saturday when I was about six or seven my mom and I woke up early to track down garage sales in our town as we often did. At one we found a treasure – an artificial Christmas tree selling for cheap. The top part that makes the point of the tree was missing, but we got it anyway. That next Christmas the tree earned the affectionate nickname “Stumpy.” We bent the branches of the top layer up and into a point and stuck the red Christmas angel on top. As a child, the tree seemed massive, but it didn’t even come to the top of the window.

Stumpy one year with presents piled around.

Stumpy one year with presents piled around.

On the day after Thanksgiving we’d get out our ornaments and hang them on her branches one-by-one, telling the story of each ornament. Mom bought us a new ornament each year – something that represented our year. They were our travels, our dreams, our interests, our talents. There were curled papers covered in glitter that had resembled angels at some point. Hallmark collection figure skaters. Silly snowmen. Model cars.The ornaments were the stories of our lives and Stumpy held them well. As much as I had loved the ornaments hanging from the garland on the ceiling, I thoroughly embraced and enjoyed our upgrade to Stumpy.

We eventually got rid of Stumpy when I was around 11 years old and bought a brand-new artificial tree. This tree had full, fluffy branches, a top piece that scraped the ceiling in our short-walled living room, and no name. I suppose I would have done the same thing as an adult, but as a kid I missed Stumpy. She was part of my Christmas, part of the magic and wonder that we found such a treasure. She was short enough that I could reach the tip top and stick the angel in her place.

Stumpy was enough for my child-heart. And really, Stumpy was more than enough. The scalloped garland hanging from the ceiling and the ceramic tree on the end table were enough.  

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I was better at it as a kid, but I still strive to maintain that seemingly unshakeable contentedness. I’m currently the poster child for the boomerang generation: 30-something. Grad degree. Back living with my parents. I’m working and my business is growing, but money is tight. As I’ve struggled the past 18 months with the fact that this is my reality, I’m constantly reminding myself that this is enough.I have parents gracious enough to accept my home-cooked meals and contributions towards the utilities as rent. I have a bed, a dresser filled with clothes, a car that runs, a cabinet full of food, and a computer on which to make an income.

My life is a little haphazard. If I compare my current reality to the dreams, my life seems to be missing that crowning piece that makes it look complete. But, I know, what I have is more than enough.

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Nicole bio YAH

While We’re Renting

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Old houses have a way of making themselves dirty, they crumble pieces of rusty radiators and cracking tile grout. My husband and I rent a place like this. In beams of sunlight, I can track fuzzy dust trails intertwined with all kinds of hairs and particles from disintegrating flooring. Clumps cling to the baseboards and slip under doorways, blown by invisible air currents.

After living here for well over a year, certain quirks get my particular attention. I can get quite distracted by the kitchen flooring, a 1980s white linoleum that turns mop heads and rags black, even on the tenth scrub. The dirt captured by its textured surface has been sealed in by grease and time, yielding just enough to fool me into thinking I’ve made progress by attacking it on hands and knees.

Under the cabinets, the edge of the linoleum curls up, a page of history begging to be turned. Splattered, brown grime creeps up in the crevice between the base of the cabinets and the well-worn flooring. This inevitably sends me into panic, a deep heaving, sweaty fear of mold and the other things that lurk in nooks and crannies.

We have made small improvements on the house, ones that seem appropriate for those only leasing the property. There’s the shower; I cried the first time I used it. We worked for hours with an X-ACTO knife to remove the floral grips someone had stuck on the floor of the tub now outlined with black and dark shades of green. Drew squirted a squiggly line of caulk over the deep crack between the tub and shower wall.

IMG_2120We tackled the back porch in the spring, removing the calico of welcome mats and rugs covering the floor and stapling down a single sheet of indoor/outdoor carpeting. We’ve replaced the light fixture in the bathroom, painted a yellow stripe around the wall in the dining room, and hung some heavy shelves on the plaster walls. And yet, sometimes even our elbow grease seems too much to give to this place that isn’t ours. The landlord seems determined to run his property into the ground, which is working because some of the house is literally sinking.

I tire of the sense that I live a collapsible life, the kind I’ve lived since leaving for college. My existence feels cobbled together from Swedish-named IKEA parts, propped up picture frames, and other signs that I will leave each room without a trace.

We will be renting for a long time. Financial experts have advised some millennials to never buy at all, offering online calculators and formulas to figure out if owning property makes sense in their financial bracket and geographical location.

But, I was raised to want land. I’m a midwestern girl, descended from European immigrants clamoring for a new start and middle American farmers who didn’t have running water, but owned a homestead and a clump of pear trees. The residue of my ancestors’ dreams still course through my veins, and before we go to bed each night, I speak of a future home like a promised land: “When we own a house someday…”

And now a baby is entering into this equation, and I’m more lost than ever. In the early days of sickness and fatigue, I’d lie in bed unable to tend to the everyday messes of dishes and dirty clothes. I watched shows on television where families knocked down walls and pried up carpet floors, installing subway tile backsplashes and farm basin sinks.

I’d walk into our kitchen holding my breath to avoid the odor of the rotting vegetables going to waste from our CSA due to the preferences of my nausea-riddled stomach. I couldn’t even take care of this place, it’s crumbs growing greater than its charms. I resisted planning the nursery. I resisted the stacks of paper and piles of former teaching supplies. I refused to make this home.

But a few weeks ago, a dear professor passed away at forty two, reminding me that we are all renters on this earth, exiles planting gardens and pouring cement foundations for temporary shelters. The night after Dr. Foster died, I moved closer to Drew in our bed, suddenly feeling like this might be our last moment on earth.IMG_1556

I realized how much I’ve held myself back from the places I’ve rented, refusing to be wasteful with transient things. But perhaps, in doing so, I’ve been truly wasteful, letting days and years slip through my fingers.

I lay my palm across Drew’s chest and in his sleep, he lays his palm over mine. I feel his inhale and exhale of breath. Home is here, this bed could be anywhere.

Why do I worry about the peeling linoleum or whether it’s worth it to paint the walls grey? Moving is in the future, now we are here, now I’m feeling Drew’s heartbeat and hearing the faint beginnings of his snoring. Part of me wants to stay up all night, feeling life in my love, but my pregnant body grows tired of my left side.

I pry my hand from his sleepy grip and turn over, now listening for the rise and fall of my own breathing. As I drift off to sleep, time seems such a fleeting thing, and I resolve to make this our home, even if it feels like we’re squatters.

Let’s dig a hole in the back yard, I think,  and lose our security deposit because we danced so much on the floors they’ve bowed under the weight of our living and breathing. Let’s carve our names in the closet and leave the baby’s height etched into a doorway. Let someone else paint over our memories, let them last for a second as we throw the dust of this life as confetti.

 

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Meredith bio YAH

The Grown Up

Two years ago, I entered adulthood. Not by virtue of turning eighteen; I’d already done that. I found myself at thirty-one, untethered. Until then, I’d led a life of quiet habit and order, hoping that eventually I’d be recognized as a great talent. But I tired of waiting and so I quit my normal routine, church, and several lifelong friends.

There were now gaps in my weekly habits. I went around industriously filling them up by hanging out with people I hoped would become my friends, getting involved in bad romances, and spending money I didn’t have. I tried to get several people to marry me. Along the way I learned that the last thing that will endear you to someone is to suggest marriage in the first three weeks of a relationship.

My problems were threefold: I was not married (and badly wanted to be), I was a writer who did not write, and I was not in the kind of job I dreamed, when I was in college, that I’d have at thirty-one. Instead, I worked in a sleepy realty office, reading ebooks all day long, and dreaming of being the next Barbara Pym.

I tried to solve these problems by switching to a new job in downtown Hartford that promised a more lively environment, and moving back to my parents’ house. I’d spent the previous five years with roommates who married and moved regularly, which meant I always had to find a new place to live. Living with my parents again—in the basement no less—felt like a big step backwards. I continued seeing one of the well-intentioned but frightened men I was trying to convince to marry me.

But what had happened? Why had my life curdled and become so wretched? Why was I walking around in a desolate daze of dreariness?

Most days at at my new job, in the well-appointed office on the eleventh floor of a posh skyscraper, I forced back tears while balancing spreadsheets. My job performance suffered, something that had never happened before. I grew despondent.

I could not sleep, partially due to perpetually analyzing my life with its dearth of accomplishments and partially because I spent most of my non-work hours with the boyfriend I was afraid to leave alone for fear he’d have time to assess me and conclude we’d be better off apart.

I wanted peace, but I was heading toward an internal crisis of massive proportions. It was like drowning but not wanting to call attention to the shameful fact that I couldn’t swim.

Finally, in a fit of desperation, I told the boyfriend that I needed to be alone for good. I told my bosses I would start work an hour later in the mornings and make up for it in the evenings—I decided that time to read and write in the mornings was essential for my recovery. I began reading Madeleine L’Engle’s book Two-Part Invention, a memoir of her early artistic development and later marriage to her husband, the actor Hugh Franklin. I began writing in earnest. I began to listen to the advice of my worried parents asking me to sleep and eat more and go to writers workshops.

photo-1428790067070-0ebf4418d9d8The nascent grown-up in me began to move, struggling for breath and life.

I had tried to extend my adolescence for years: the naive expectation of what I thought life should  be. I thought it’d be an easy, pain-free way toward accomplishment, like the stories of people getting discovered by a famous producer and becoming famous overnight.

I quietly put the adolescent away in a shopping bag I used to deliver used clothes to the thrift store. She would be happier companioning a younger person, anyway.  

My grown-up was far more peaceful than the adolescent had been. Yet real peace was elusive for me. I think it is stated best by Gerard Manley Hopkins who wrote: “O surely, reaving Peace, my Lord should leave in lieu/ Some good!/ And so he does leave Patience exquisite,/ That plumes to Peace thereafter”. I clung to patience as a new adult. Peace could come later after patience laid its groundwork. Patience helped me start writing a book. Patience sat with me when loneliness made its frequent visits.

My grown-up showed me how to sit, to work, to choose to be alone, to be silent sometimes, to avoid bad relationships, to say “no thank you”. She showed me how to accept sleep as a friend and not a thief of time. To not get tipsy every time there was wine present. She showed me the promise of good work that only my hands could do.

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image1 (1)“The Grown-up” was written by Elena Shekleton. Elena lives in Denver with her husband, the artist Dan Sorensen. She is currently working on a novel and a book of fairy tale short stories. Elena loves hiking in the Rockies, and exploring the breweries and book shops in her city.  Her apartment is now free of roaches.  

A room of my own

Even before we were married, Ben and I enjoyed dreaming together about where we might live someday. Sometimes we explored the possibilities of different geographical locations, but more often we discussed the details of our future house. While we plotted ideal but realistic spaces for each of Ben’s many creative interests, I struggled to know what I would do in a room of my own.

I was a very imaginative child, but even from a young age I set impossible standards for the things I created. As I grew older, I took classes to teach me the “correct” way to create. I enjoyed art, writing, and music, but there was always someone better than me. I grew weary of feeling like a mediocre imitation of someone else.

After college, life was filled with expectations to meet—job interviews, performance reviews, housework, bills. I wanted something that was mine, with no one telling me what to do or how to do it. I didn’t fully realize it at the time, but as I struggled to find where I fit in the adult world, I needed a place where I felt free to experiment, make mistakes, and try again.

Simply the act of verbally setting aside space for me to create, even before Ben and I had the means to make it a physical reality, was powerful. The point wasn’t to be fair, making sure each of us occupied an equal allotment of square footage. Instead, it was about recognizing me as a creative being. We were investing in who I was and what I could create, without guaranteed results. My room was a gift of possibility, not something I had to earn. I was entrusted with resources before proving I would use them wisely and well.

Knowing I had space with no strings attached gave me permission to take my time and explore. I didn’t have to try to measure up to anyone else’s standards. I could rediscover my creativity my own way. Setting aside physical space to create gave me the internal space to start believing in my creativity again.

00030In our 525 square foot newlywed apartment, we carved out slivers of creative space. Our bedroom was small, but it became more than a place for our bed and our clothes. Amidst Ben’s drawing easel, computers, and musical instruments, I found room for a sewing machine I purchased from a thrift store. Choosing a less common pastime relieved some of the pressure to perform, and, as a tall woman generally unimpressed with fashion trends, the possibility of making my own clothes appealed to me.

A heather gray pencil skirt was one of the first projects I tackled. I even sewed a back vent instead of just a slit, not realizing it was a more advanced option. I just preferred the way it looked. I didn’t have any sewing patterns and didn’t know how to use them anyway—I made things up as I went, cutting into a 25-cent piece of clearance fabric after examining a skirt I already owned. The resulting skirt isn’t fit to be worn in public—the seams are unfinished, the hem is crooked, and the zipper insertion is appalling—but it still makes me immensely proud.

When the time came to move from our first apartment into our first house, we only looked at homes with at least three bedrooms. Of course we needed somewhere to sleep, but we also wanted to finally each have a room of our own. The house we purchased was old and the bedrooms were small, but they were ours to arrange and use however we wanted—places to experiment freely without worrying about the mess. After the crowded drabness of our apartment, our house was full of character. Built in 1926 in a logging town, it had beautiful birdseye maple floors and decorative molding above the doors and windows. I painted the walls of my room a soothing mid-tone blue and furnished it with dumpster dives, free finds from Craigslist, and anything that made me smile.

It was hard to leave my room behind when we moved to a new city, but I still have a room of my own. For now we’re renting and I’m not allowed to paint the dingy white walls. Bits of thread and fabric beneath my sewing table tangle in the utilitarian brown carpet. But when I feed the coral colored satin and lace of the bridesmaids dresses I’m making for my sister’s wedding under the presser foot of my thrift store sewing machine, I feel completely at home.

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JohannaSchram“A Room of My Own” is by Johanna Schram. Johanna feels most comfortable in places that are cozy and most alive in places that are spacious. Though the city changes, Wisconsin has always been the state she calls home. Johanna is learning to value wrestling with the questions over having all the answers. She craves community and believes in the connecting power of story. Johanna writes at her blog joRuth to help others know themselves and find freedom from the “shoulds” keeping them from a joyful, fulfilling life. She can be found on Twitter @joRuthS.