Winding Clocks

The world looked calm and vivid and possible.
~ A. Alvarez

The New Year brought sun. I awake to a teeny rainbow projected on our bedroom wall, courtesy of the light reflected off a prism-shaped rod hanging from our blinds. Even with the blinds closed, the light peeks through, catching a corner of crystal and bending, working its magic on the morning. It is joy.

I go through the rest of the house opening blinds, and a memory comes to me of Mom and her morning routine. Mom in her robe and slippers, hair still up in bobby pins, lighting lamps, opening drapes, winding old clocks with old keys. She’s done this every day for umpteen years, and today I see her again heading for the fireplace, finding the key, removing the glass dome, winding the back of the clock. Two or three turns, maybe it was more. I begin to wonder: What became of that old clock?

That bright, January morning I find myself wondering about other things, as well. About what it was like to be in the home she loved, in the neighborhood that was just right, in the middle of the family that depended on her. What was it like to leave all that and start over at age seventy?

Mom did not say. I’m sure she felt she didn’t have to. She probably sold the old clock, along with the baby grand and organ and other things she loved, including the house, in order to make way for the next stage of her life. The car would go next, and, with it, a lot of her independence. I’m not sure she was sad to see them go, but I’m not sure she wasn’t. Mom did not say.

If Mom was making a statement by selling away her former life, item by item, it was totally lost on me. In 1996 I was only forty-two, so I was young. I still had a few kids at home, and one about to be married. Yes I remember 1996, not because of what was happening to me but more because of what was happening around me. But time has moved us along and now I have a “child” the same age as I was back when Mom sold the family home along with most of its contents and moved into a retirement village. Mom made a decision to change her life. It was her decision to make, even if none of us kids agreed or understood.

Doreen2And believe me, we didn’t.

Oh, we made our opinions known. We argued with the folks. Mom was not interested in our opinions, nor was Dad, who seemed content to simply do it Mom’s way for once.

Now time has moved us all on. Twenty years have come and gone and I’m the mom making life-changing moves that are probably quite curious to my children. My grown children who argue with me. And make their opinions known.

And do I listen to them? Yes. And no. Because of Mom I’ve been educated into the world of moving on. Mom was strong enough to do what she felt she needed to, even if we saw it as giving up something she loved. I’m the same girl she raised and then let go, I’m the daughter always reaching for more life, not less.

Perhaps I still don’t understand why Mom wanted to let go of the old house, but then I don’t really need to know. I knew Mom. I know myself. And that’s all that’s needed.

 *  *  *  *  *

DoreenFrick“Winding Clocks” is by Doreen Frick, a 61-year-old Baby Boomer who was born in Philadelphia. She moved away in 1976 (at age 22) to live in a bus in Washington State (see her book, Hodgepodge Logic). In doing so, she looked at life through a whole new set of values and with a whole new appreciation for the place of her youth. This year, she again pulled up roots and moved, this time to the Heartland. Doreen lives in Ord, Nebraska and has been published at Boomer Cafe.

 

Rooted to Rise

Maybe it’s because I moved a lot as a kid–I’m talking five cities in my first decade. Maybe it’s because I’m an only child, and I’ve learned to expect constant entertainment. Maybe expiring quickly is just a character flaw: I seek serendipity over stability, whimsy over work, daydreams over doldrums.

But to say I fit the millennial stereotype of always going, never staying wouldn’t do justice to my DNA–I’m a master of zipping through zip codes. So it probably won’t surprise you that after ten years in Minneapolis, a city I love (with one tiny hiccup of a detour in Texas), I up and left. Two months ago, my family and I made a cross-country move for my dream job in a city that just happens to be somehow warmer and cheaper than Minnesota. But let’s not talk about why I left or where I went. I want to talk about staying, because that’s where the real story is.

People like me are good at leaving; the “let’s get up and go while we can/you only live once/Minneapolis will still be here when I get back” comes a little too easily. The the real risk is in the staying. So, in varying degrees, I had been plotting this move for years. First, it was Seattle, where my in-laws moved after I got married. Next, it was San Francisco and Austin, where our good friends and good coffee lived. I even considered a jaunt over to small-town Wisconsin, where I grew up, with student-loan payoff as an excuse. Really, whatever city looked good on Instagram that day was the next destination.

My unstable relationship to place is no surprise to me, since historically, the same has been true of my human relationships. But through the confines of marriage and mothering, I’ve learned a few things about staying, and more than that, about loving. Even when it takes work.

As a new mom, I haphazardly resigned to the slight possibility of postponing my whimsy in favor of offering my son a stable childhood (he’s lucky, right?). So we found a house on a street that felt like Narnia. We joined a church community that felt like home. We got to know the servers at our neighborhood restaurants. Little by little, year by year for almost three years, I grew some roots. I learned how to have a home.

Finally, I had let a city romance me, and like any love does, it messed up all my paradigms. What was once a launching pad for my future adventures became a home. Nights down the street at Tracy’s Saloon with a baby in one arm and a margarita in the other became my upgraded version of excitement. A quick jaunt to Northeast Minneapolis became a little escape when I needed a change of scenery. Baristas at Peace Coffee who knew my name and my order added an exciting sense of rhythm to my week. Familiar became my new normal, and I kind of loved it.

15390947801_a764a2bb13_oSo when I was offered a writing job across the country, I knew what I needed to do. I didn’t wrestle with the same doubts as I once did. I said yes to a life change that would affect me and my family profoundly. Because moving wasn’t about fixing my life anymore. It wasn’t about my next round of entertainment. It wasn’t about running away. Because really, how could I have run away from home when I had never let myself have a home in the first place?

Minneapolis, I’ve left you, but you will forever be my home and my soft place to land. My backdrop for finding out, at the ripe old age of twenty-seven, that the best kind of adventure isn’t uprooting, but staying put and learning to love something and let it love you. And most of all, you’ll always be the soil where I grew into the brightest, most beautiful version of myself–because without roots, what flower can blossom?

* * * * *

aw9EpOYxNtQ_5wD5vr8XWXzPa6Iro_jnVEzyv2-XODAAshley Abramson’s natural habitat is any combination of words and people. By day, she crafts content for a creative agency, and by night, she writes stories for blogs like Huffington Post and RELEVANT. She, her husband, and their toddler son make their home in Redding, CA, but you can find her online at ashleyabramson.com.

Flower photo by Halocastle in Creative Commons

 

Outer Banks

Tears streamed down my face as I huddled in my corner of the backseat of our wood-paneled station wagon. I was crying as quietly as I could, not wanting to attract concerned attention from my parents, or ridicule from my two younger brothers. As the car sped north and west—across the causeway to the mainland, away from the Atlantic Ocean and toward my western Pennsylvania home—I was convinced that my 12-year-old heart would break.

The Best Week of the Year had come to an end.

***

I was nine years old the first time my family vacationed on the Outer Banks of North Carolina. That first year, it was me, my parents, my two younger brothers, and the family of a man my dad worked with. Three years later, my dad’s three brothers and their families had joined us on what would become an annual pilgrimage and a de facto family reunion.

Every year, we journeyed to Kill Devil Hills, to The Cavalier by the Sea motel at milepost 8.5 of Beach Road. It was a week I looked forward to all year, when I would reconnect with cousins who were so cool, they probably would never notice me in the school hallways if (a) we lived near each other and (b) were not related.

***

A typical day in my life during the Best Week of the Year went something like this:

The aromas of brewing coffee and frying bacon would greet me when I awoke, mixing with the scents of saltwater and Coppertone suntan lotion.

I would emerge from my bedroom, hair hastily combed, swimsuit on, to find Mom and Dad sitting in bamboo chairs at the Formica table of the main room, finishing breakfast and watching morning TV. My bare feet would shuffle across the grainy, sandy texture of air-conditioned linoleum. After slurping up a bowl of cereal, I would be out the door, a brightly colored beach towel slung around my neck.

A quick stop at the pool in the courtyard to see who was already swimming, and I’d continue on, under the archway and onto the beach. Stumbling across the already hot sand toward the crashing waves of the Atlantic, I would drop my towel next to the cluster of beach umbrellas where my tribe had already set up camp for the week.

nags-head-family-picUncle Mike and Aunt Mary would be sipping their morning coffee. Uncle Paul and Aunt Barb would be slathering suntan lotion on my littlest cousins. Cousins closer to my age would be stretched out on towels—exposed skin glistening with baby oil, as was the naive custom of the 1970s—or jumping the waves.

After lunch, my cousin Mike would start his latest sand sculpture masterpiece, and my brothers would help our younger cousins fill plastic buckets with plastic shovels-full of sand, building castles and digging moats.

As shadows grew longer, we would wander back to our rooms to shower and change clothes before dinner—hot dogs and watermelon by the pool, or fresh seafood at a nearby restaurant, or spaghetti and meatballs prepared in one of the kitchens.

Later, we would return to the pool, or pile into cars for a trip to ride go-carts or bowl or see a movie. We would play cards until bedtime.

Then the aromas coffee and bacon and Coppertone would signal the beginning of the next day.

***

Around the time I graduated from high school, our family stopped going down every year—but the uncles and aunts and cousins did not.

While I loved these beach vacations, and so did most of my family, my mother was never a fan of the sand, and she wasn’t a swimmer. She didn’t like the beach, but she knew what this week meant to the rest of us.

The last time my whole family made that trip together was in the mid-’90s. My brothers and I were now young adults. It was a hotter-than-usual summer, and biting sand flies and stinging sea lice and the lack of a discernible ocean breeze served as the proverbial heavy last straw. Mom made it clear that we were welcome to go back again—but she was done with beach vacations.

***

In July 2007, it had been more than a decade since I had spent that summer week with my cousins. As we approached the first anniversary of losing Mom to cancer, my family returned.

Everything felt so much the same. And completely different.

The swimming pool and the beach were mostly unchanged, as were the Cavalier’s cottages—even with cosmetic upgrades of indoor-outdoor carpeting and fancy new pleather furniture. Traffic on the Beach Road was heavier, and there were more restaurants and hotels and houses between the causeway and milepost 8.5. Cousins I had played with as children were now husbands and wives and parents, and their children looked forward to this week as eagerly as we had at their age. Our tribe still set up camp under the rented umbrellas near the ocean, and we now spanned three generations and seven decades.

But even as we made new memories, introducing my new sister-in-law to the Atlantic Ocean and teaching my 12-year-old niece to play euchre, I missed my mom. I was aware that memories had been made in my absence that would never be mine. I was 40 years old and way past the age of wanting to live in my bathing suit.

At the end of the week, driving my own car across the causeway, away from the Outer Banks and toward western Pennsylvania, I let the tears flow.

This was still The Best Week of the Year for my cousins. It just wasn’t mine anymore.

***

Amy bio YAH

Queen of the Woods

A small creek ran through our neighborhood of manicured lawns and look-alike condominiums. Thick walls of gray rock under wire-mesh netting sat on either side of the water’s edge, containing it, keeping all things wet and wild within its borders. When I was a child, I loved to explore there. I loved to escape the stale air-conditioned spaces of our two-bedroom unit and feel the submerged rocks, slick with algae, slip under my feet.

We creek-walked in the shallow places, but the water grew deep near the neck of the small woods bordering the development. There, the neighborhood kids and I spent hours sitting on thick rocks jutting out of the water watching sunfish and crayfish and water striders scuttle by. “The Woods” became the backdrop for every summer day adventure and autumn walk. In the safety and sameness of our suburbia, we were brothers and sisters, sons and daughters, friends and neighbors. In The Woods, we became adventurers and curiosity seekers. We were kings and queens, intrepid explorers, the heroes and heroines of our own stories. We became hosts to the wild inside and out.

As a child, The Woods and the creek gave me worlds to explore. My stomach turned somersaults every time I stepped into the dappled depths of the wooded paths, because I sensed it belonged to a world I could never fully understand. The water and the whispering trees sang a song of freedom to us in an ancient, unknown language. At home I worried about getting things right, in The Woods I just listened to the murmurs, no translation necessary.

As I entered my teens, The Woods no longer lured me in as they did before. I chose time with friends or the swimming pool or, more and more often, I chose books. I began to read about adventures rather than live them. The Woods lost their sense of magic, instead becoming the route I took to arrive, just as the bell rang, at my local high school. Then my mother, after hearing rumors of abandoned beer cans and makeshift shelters hidden among the trees, insisted I stop walking the well-worn path to school. I had to walk the long way around, on the main road, where cars rushed by and kids yelled obscenities out of open windows from big yellow buses.

When I defied my mother due to bad weather, and walked through The Woods on my way home, my stomach clenched in fear. I wondered who might be lurking in the shadows. It was no longer a place of freedom, but a place I must pass through to reach the other side of safety.

The Woods became the passage through which I left behind the simple wonder of my childhood and entered into the complexities of adulthood and maturity.

My parents no longer live in the condominium by the creek, so I can no longer visit. I can’t remember the last time I sat on the jutting rock beside the creek in the sunshine and watched the secret life of water float by. I don’t recall the last walk through The Woods or what I saw there. But, I remember the feeling it gave me as a child. It was the feeling of endless possibility, and I have chased it from state to ocean to country to continent. I may never reclaim The Woods, but I have discovered I can reclaim the feeling it gave me.pasted image 0 (1)

The closest I have come to possibility, to remembering this sense of serendipity and freedom, was in a small forest tucked into the mountains of Horgenberg in Switzerland. I moved to Switzerland in my thirties, no longer a child, but with three children of my own in tow. I began to walk and run in the forest. I discovered its central lake, its tree lined paths covered in leaves and dropped fir needles. I walked in snow, I ran in blazing heat, I prayed and cried and laughed and adventured. It healed me in ways I didn’t know I needed healing. It brought back a sense of childlike wonder I believed was lost forever.

I no longer live in Switzerland, and once again I’ve lost the woods and the water. I live in the suburbs of New Jersey, where concrete and mini-malls surround look-alike housing developments. I haven’t given up hope though. I walk through parks with curated paths of poured cement, and in gardens with glacial rock formations surrounded by manicured lawns. Again, I’m a wild queen contained in a tower, an explorer trapped in a maze of concrete, but I haven’t stopped looking for the door. I believe with enough searching, I will discover a place that I will claim and call mine, where I will once again know freedom. I’ll know it by the way my stomach twists with excitement when I discover it. I’ll know it in the way it makes me believe in endless possibilities.

* * * * *

pasted image 0Kimberly Coyle is a writer, mother, and gypsy at heart. She tells stories of everyday life and the search for belonging while raising a family and her faith at kimberlyanncoyle.com. She writes from the suburbs of New Jersey, where she is learning how to put down roots that stretch further than the nearest airport. Connect with her on Twitter @KimberlyACoyle or her FB page Kimberly Coyle

At Home With My Mom

I spent a few days back home recently. At my mom’s house in a suburb outside of Houston. I’ve actually never lived there. Not in that house, not on that street or in that town.

DSCN6768.JPGI’ve never scaled those walls in the hallway. The back bedroom doesn’t have two different styles of wallpaper. The newer one from my high school years; a strip of the older wallpaper, from before the basement fire, in the closet still. The cement on the back porch doesn’t have my younger handprint engraved in it. The familiar items in the kitchen aren’t all in their right spot exactly. I mean, I can still find the sugar and flour in their Tupperware canisters to the right of the stove. The notebook, pens and scissors still have their exact spot so you can always find one when needed. But the cereal is now kept in the pantry closet, not in the cabinet above the dishwasher.

It’s a little unsettling seeing the stuff from my childhood in another setting.

Even though I’ve only frequented the suburbs of Houston in my adult years, I do have my list of favorite places to eat when I visit. Of course, it’s not the Hy-Vee grocery on the edge of my hometown where there’s a tenderloin sandwich special on Tuesdays. Or the Chinese buffet that makes the best American-style chicken strips because my friend’s dad, who owns the restaurant building, taught the owners how. Or the new donut shop that opened recently. I frequent all of these when we go back to spend time with extended family still there.

We have our list though. My favorites in her new town don’t hold the childhood memories that I have of that small town in rural Missouri. But they’re new memories I’m making with my mom.

We were sitting in her living room one afternoon and I mentioned how at home I felt in that moment. She reacted with great surprise. In a shaky voice, she said, “Really? Because it always makes me feel bad that we can’t meet up at the old home place. I never imagined leaving there.” My mom grew up in a town so small it didn’t even have one stoplight. She married young and knew no greater joy than being a wife and raising a family. In that one statement, she expressed her ongoing incredulity at where life had taken her.

When Dad died suddenly in 2006, everything changed. Actually, things had been changing years before that. Divorce always changes things. But when Dad passed away and we uncovered the debt he’d been incurring, it became clear pretty quickly that the family property outside of my hometown would need to be sold. Mom already lived in town by then but I think we’d all thought the property would ultimately be our gathering place. Even though my brother and I lived in other states. Even though my mom had left behind her lifelong dreams some time ago along with the house they had built together.

I think a part of her never forgave herself for walking away from it all. She really had no choice. We understood that. But the heart always wonders.

Mom,” I said. “Since the divorce you’ve lived in a few different places. They’ve all felt like home to me because you’re there. When I visit, my heart knows I’m going to see my mom.

There will always be a part of me that wishes my mom still lived in the little ranch house on Route 4. I’d enjoy watching my daughter set up a picnic under one of the trees in the front yard. We planted them in the 70‘ so they’re probably mature by now. It would give me endless pleasure to set out walking on the dirt road of my childhood, three generations across. We’d take a walk to the old Methodist church, although its doors are closed for good now. On the way back, maybe we’d swing by the cemetery and have a short visit with dad. But it wasn’t meant to be.

Life takes us so many places. I’ve learned this along the way. Wherever it takes mom, my heart will find a home there.

11923208_10206213051718939_6918748677159137139_n-3My name is Traci. I live in southwest Michigan, somewhere in a triangular section connecting Kalamazoo and Grand Rapids with all things Lake Michigan. My husband and I parent one daughter. We have dogs, cats, pigs and chickens. Their number is always changing, as farm animal counts tend to do. I enjoy watching sports, reading, cooking and all things Bible study. I am a writer.  When I first started blogging, I wondered about what unique voice I could bring. I’ve landed on this one line: A country girl goes to church.

Ash and Light

Sometime in between “we are through” and actually being through, I got a new job and moved to “his town,” the town where my (now ex-) boyfriend lived during part of the time we were dating. He lived in an apartment above a store that sold brightly colored men’s suits. One of a handful of stores and restaurants in the downtown main street square of a small Georgia town.

After I moved there, I drove downtown and parked in one of the nose-in angled spots on the street where he used to stand by my car and kiss me good-bye. I strolled past the storefronts, saw the entrance to the apartments above with the push button intercom where I would call up and he’d buzz me in. He was no longer there but that was his building. Up those stairs, we would laugh and talk and I would roll my eyes at his corny puns. On the nights we watched a movie, cuddled on the couch, he’d stand up as the credit music began to play and offer me his hand, pulling me into a slow dance under the skylight above our heads.

*******

A couple of months after he moved away from that town and our relationship gained geographical distance, he called me one weekend to say he was in town. He wasn’t there to see me, not specifically anyway. There had been a small fire at his old apartment. The landlord had called him. I was confused as to why he was notified, why any of his stuff was there.

“Oh. I just kept renting the apartment,” he said.

By this point in the relationship I was used to convincing myself to believe what he said. Used to ignoring questions in my gut and flipping down red flags. So, I accepted the explanation and jumped straight into planning when and where to meet up for an impromptu date, swept up in the romance of the unexpected.

*******

That day I moved to the town there was still a long aluminum chute that emptied into a dumpster hanging from one of the back windows of his building, evidence of the fire clean up.

I stared at it – wondering what blackened belongings of his had been thrown down it.  Did the couch where we dreamed about the future survive or was it in ashes?  What was left of the kitchen counter where I would sit and listen to him narrate his way through preparing dinner as if he had his very own Food Network show?

The last few months he lived in that apartment I was never inside of it. He called me one day and won my heart a little more by saying, “I think we should make sure that we don’t hang out alone in my apartment anymore. I want to be better at honoring you.” Reluctantly, but admiringly, I agreed. I treasured his leadership in our relationship.   “Honoring,” in our shared vocabulary at the time, meant no more kissing (or more) in private.

I had been raised to believe that men lead and pursue and I wait and follow. I was told that a godly man would lead in godly ways.  More than one youth group story had centered on a young man who went to pick up his date and then turned around and left when he saw her, because he was lusting so they needed to not spend time together in order to honor God.  And here I was with my very own godly leader who put God above me.

Yet there was that aluminum chute and a dumpster full of ash and rubbish.

I wondered what belongings of hers were in the dumpster. The other girlfriend that had moved in a few months before he left. The one that stayed to finish out the year at her teaching job while he took his new job a few hours away. The one who called and told him about the fire. The woman he was living with while he was “honoring” me.

*******

After the fire but before I knew about the other woman, I called him and choked out, “I can’t do this anymore. I can’t feel like this anymore.”

“Are you breaking up with me?” he asked, surprised.

“Yes.” He didn’t fight, he just got mad and hung up.

I blamed myself. Over and over, the same message played in my mind: I wasn’t strong enough to make the distance work, to make him work.  After trying for years,  I was tired.

A couple weeks later, he called and renewed my hope by saying he wanted me back. I drove two hours to surprise him, my stomach in knots the entire way down because subconsciously I knew the one who was more likely to be surprised was me. I needed to not be able to lie to myself anymore. I needed to physically see and hear and know so that I could move on.

A woman yelled from inside for him to answer the door. With wide eyes he called inside to her, “It’s someone from work! I’ll be back!”

creative commons free - unsplashWe sat near a river bank and I watched with the muddy water flow by as he told me that he chose her, that he wanted someone who was physically close, that the long distance was too much.

“Why didn’t you just break up with me?” I questioned.

“I didn’t want to hurt you,” he said.

I drove home in tears. Mad at him. Mad at God. Mad at myself because the signs littered the road for the past three years.

*******

I stayed in my new, his old, town for two and a half years. The aluminum chute was still there when I left.  

He visited once.  I visited once.  He called often.  I blocked and unblocked his number. He stayed with the other woman. He told me I was better than her. I begged him to let me be, to let me go. I told him I didn’t know how to walk away. I was addicted.

My brain  didn’t know how to stop forgiving him, to stop believing that the good outweighed the bad, to stop my heart from trusting that things would improve and that my fantasy would come true.

I didn’t reclaim that town those years. I didn’t even reclaim my life.

*******

Ten years after the fire, I drove through that town again. The aluminum chute was gone. In the years between, I had learned to sort truth from lie from unknown in the jumbled web of memories from the years spent with him.  I had quit my addiction and gained a clarity about myself that is perhaps only possible when forged in fire.

 

Nicole bio YAH

 

Pretending that Nothing has Changed

I married a beautiful woman and we moved away, across state lines and  dark oceans and into new skin. Ten years passed—ten years of having children and getting lost and finding ourselves over and over again. After those ten years passed, we moved back. We moved home.

I was introduced to home when I was six years old and my family moved from the scorching, dusty heat of Laredo, Texas, back to the cold, wintry farmland of Lancaster, Pennsylvania, where my ancestors had farmed and lived for hundreds of years before me. It was December, and the sky was low. The slate grayness of it scraped the tops of the rounded silos and tugged on the rooster weather vane standing watch at the peak of the tallest barn.

That was the year I learned what a cousin was, and how to tie my skates together so that I could hike through deep snow all the way to the frozen pond. That was the year my father taught me how to ride a bike by letting me drift over the steep bank in the front yard, where two tall oak trees watched over my shoulder. That was the year I learned how to put a wriggling worm on a small hook and cast it into the creek without snagging the low branches.

That was where I learned a place can feel as familiar as the wrinkled hand of your first child the moment they’re born. You can know a place before you even live there.IMG_1034

I’ve wondered for years now how that can happen.

* * * * *

Not long after returning to these familiar back roads and broken road signs, still not fixed or set straight, I decided I wanted to take my children to the creek that runs behind the old church, the one across the street from the farm where I grew up. It was a small, brick, steepled church with a parking lot full of fool’s gold that I had, once upon a time, pried from the macadam with an old dime.

So we drove there, and as we drove, I told them all the old stories about what made the loud breathing sounds in the deep shadows of the barns, and what flashed just out of sight in the empty other half of the farmhouse, and how the cemetery beside the church where we played hide-and-seek shifted and sighed, and how we always ran home scared of ourselves.

Some things had changed. The two old oak trees were gone. The church parking lot was newly paved and painted with fresh white lines, and other trees had been taken away. We slid down the steep bank behind the church and I realized the field along the creek, the one that used to be full of grazing cattle, now stood tall with late-summer corn, seven feet high and staring at us. The creek moved slower, as if old age had mellowed it.

But other things were there waiting to be reclaimed. The old tree, for one—the same one that used to steal our fish hooks—stood with its hands outstretched. The smell of the mud. The snagging tug of a small fish on the line, and the way it gasped for breath while we carefully removed the hook, the way it paused in the shallows, elated at this chance at new life. The way the time passed, slow and heavy in the heat.

It is a relief to me, and it is a sorrow, the way these places wait for us to come back, the way they welcome us as if nothing important has been lost. And we go about our business, trying not to look directly at the empty space that once held a crucial thing: an old oak tree, or a fishing buddy.

I tell my children to cast in the line one last time. I fix my stare on the small plastic bobber, and I pretend that nothing has changed.

shawn bio YAH

Bridges and Steel

I couldn’t believe I was crying. “Stop it,” I chided myself internally,     trying to stem the flow, “it’s just a song for kids. You’re being ridiculous.” I shifted in my folding chair, brought my sleeve up to my cheek, and hoped that no one was looking. “C’mon. Hold it together.”

I knew the song well; they were coming up on the last refrain. Soon it would be over. Soon the first-graders would file off the stage and sit with their teacher.

If I could just get through the last refrain, I would be okay.

* * * * *

It didn’t begin this way. That day, the crying day, was a Thursday afternoon in mid-March, and I was attending the dress rehearsal for my daughter’s annual spring musical. She goes to the Pittsburgh Urban Christian School, or PUCS, where each year students, staff, and volunteers create and perform an impressive all-school musical production. Its theme coincides with that year’s all-school unit, which have been, in our K-2 tenure; ‘Superheros’, ‘Farms’, and now, ‘Bridges and Steel.’

IMG_0047This year’s theme is particularly appropriate for Pittsburgh–a city that has almost as many bridges as Venice, a city that once ran on the steel mills, and a city where many key institutions (Carnegie museums and libraries, Frick and Mellon parks) pay homage to industrial barons of the last century. In Pittsburgh, bridges and steel are everywhere, connecting everything.

However, when it came to the musical, the theme didn’t seem so promising. Last year, during ‘Farms’, our daughter got to be a singing chicken–a hard act to follow. “This year is going to be so booore-ing,” she pronounced, sometime in grey January. “How can you even write a musical about bridges and steel?” To add insult to injury, her class was assigned a song about the physics of bridge-building, which, she reminded us often, was not her favorite.

Still, by early March, our whole family was chanting lyrics about tension and compression over our daily oatmeal. This is something I love about Spring Production. Every year there are songs about scientific concepts, historical figures and events, and literary references. The kids hardly realize they’re learning, or, even better, they come to associate learning with enjoyment.

PUCS is one sneaky school.

And so, by mid-March, when we saw the entire production, I wasn’t surprised to learn–through bouncy tunes and exuberant choreography–about the composition of steel, working conditions in the mills, and the history of several local bridges. Also, because many of the steel workers came from other countries, there was this song about immigration.

Like all Spring Production songs, I first heard it over breakfast. It was the first-graders’ number, but every kid learned every song, and this one was particularly catchy. It also had a lot of big words in the verses, so it required lots of practice.

They traveled from Czech Republic, China and Japan. Others came on boats from Poland and Ireland. Scandinavians came to work with their strong hands. Hungarians worked in the mills with the Africans.

“Daddy is a Scandinavian” I told the girls, “see his strong hands?” I smiled, but the kids didn’t. “Mama, this is serious,” my eight-year-old informed me, “I have to practice.”

Eastern Europe was the home of the Slovakians. Eager workers from the mountains were the Carpathians. From down south came Cubans and Mexicans. Expecting jobs and good wages were Italians.

And every morning, the girls’ singing was mixed with news from the radio. I suspect this contrast was the seed of my tears.

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The first-graders were, of course, adorable.

Each carried a sign representing a place. One by one, they came forward and bowed proudly to the audience. Ireland and Hungary; Slovakia and Cuba. Several kids represented the continent of Africa. The first-graders were diverse too, though not matched ethnically to their signs. A precocious girl with dark skin got a big laugh when she threw an exaggerated kiss into the air. Italy!

I laughed with the crowd, but the refrain was coming, and so I braced myself. I had to. I was already shaken.

Just twelve hours before the Spring Production dress rehearsal, there was a horrible shooting in Wilkinsburg, the neighborhood where PUCS is located. The ‘urban’ in the school’s name is no accident; the school intentionally exists in a distressed area of the city, attempting to integrate people as well as it integrates curriculum. The latter is far easier than the former. 

And this morning, the tragic Wilkinsburg news had been mixed with the national and global news, now too familiar. The rhetoric of the politicians, the fear of those who are not like ‘us’, the refugees and tragedies, the call for walls. All the actions and reactions, all mixed up, turning everything I believed into a children’s song–cute, but irrelevant.

The last refrain came.

Men and women, boys and girls. They all came for a better life. Many feared the differences in others, and that caused lots of strife. If America is a melting pot, then we are all equal. So God, please help us all build bridges between people.    

This time, it got me.  I tried to keep from embarrassing myself. “Stop it… It’s just a kid’s song… just a kid’s song.” But even as struggled for control, I prayed the last line. Or. Maybe the last line prayed me.

Even now, I can’t seem to get it out of my head.

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jen bio YAH

Song lyrics by Suzie Salo; music by Rachel Matos.

Riding in Cars With Myself

Some people affectionately name their cars. I vow to drive my car into the ground.

I am not impressed with color or shine or seat warmers or the increasingly techy sound systems or those commercials where silver-tongued announcers say words like “driving experience” or “performance” or “driving modes.” These are all lost on me. I’ve always said as long as it gets me around I don’t care what it looks, feels or smells like.

When I was little, my parents drove my brothers and me around in a blue ‘86 Chevy Celebrity station wagon. The paint job couldn’t hold up, and it ended up peeling and curling in long strips down the hood. I was so embarrassed by it I asked my father over and over again not drop our family off in front of the church on Sunday mornings. “Please, can you just park in the back and then we can all walk in?” I begged. My dad would give me a quizzical look and kept right on dropping us off at the door.

When I was in high school instead of being embarrassed by a car, one embarrassed me. I was at a youth group picnic when one of the new youth leaders drove up in his car. It was small and black and so shiny it blinded me in one eye as I went up to greet him and the other kids. I leaned casually against the hood. He promptly turned white as did several of the boys.

“What? What’s wrong?” I asked.

“You’re leaning on my car.”

“So?” I got up and the group gave a little collective sigh of relief. One of the boys saw the shame and confusion on my face and explained to me that it was a Maserati 3200 GT, a special object costing over a year’s salary that was allowed outside for car shows only. I backed away and tried not to roll my eyes. I thanked heaven I was going away to college the next week where presumably no-one would drive a $90,000 car for me to smudge accidentally.

Without having the money to afford a nice car, I have always simply driven hand-me-down little four-doors. In college I drove two cars: one that had been abandoned so long a nest of mice had taken up residency in the engine (there was a small, unpleasant surprise for me when I had to replace the dome light), and a navy Celebrity wagon so like my parents’ car, I nicknamed it “The Blue Bastard”. Cars have alternately been a source of embarrassment and a source of indifference to me over the years.

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For the past ten years I have been driving a tiny Corolla. There’s nothing very special about it—but then there is something special about it to me. This was a car I bought at 22 and had a very long payment plan on, but I managed to pay it all myself in my twenties. It became a badge of adulthood for me. Responsibility, too.

For several years, I had a job where I would spend my lunch hour in my car. I sat in the parking lot reading books by Lauren Winner, Susan Howatch, and Rob Bell, thankful for a whole hour inside a quiet, familiar space with beloved authors.

Some of my coworkers would go to mid-day Mass, some would spend the hour shopping at the mall the next town over. But my spot was in my car. It was a place to pray in, to reflect, to take time out from hard or boring work situations. If I had a late night, I’d eat my sandwich, crank the seat down and take a nap.

Eight months ago, my husband Dan and I drove my little car from Cape Cod to Denver. I was doubtful it would make it. It’s now fourteen years old and New England winters are tough on cars, with five months of gravel and salt under the wheels every year. But we decided to put our money into repairs, rather than buy a new car just yet.

You see, I’m really attached to it.

I’ve never cared for cars because of what they stand for. Wealth or poverty. You can tell by looking at someone’s car how they live, possibly guess at their monthly payment, and judge what they value. I value my four wheel fortress of solitude. The paint is peeling so that’s a little embarrassing—the old feelings of shame well up! But I’ve reclaimed my car and cars in general because of their potential as a quiet box, a room I can take anywhere with me. I’ll be sorry to say goodbye to my car because she and I have had a lot of good moments together. It’s a bit of home that’s with me still even as everything else has changed.

Elena bio YAH

Creeping Myrtle

I’m puttering happily in my yard, hand-picking dead leaves from around newly-sprung bulbs and perennials. Sometimes a new shoot bursting from the earth has, in its green exuberance to reach the sun, pierced a dead leaf: a sword slaying winter. Those are my favorite leaves to gently remove—an affectionate greeting, like tucking a wisp of hair behind a daughter’s ear upon her arrival home from school.

IMG_4155Hello there, fierce beauty. It’s good to see you again.

Late spring is my favorite time to garden. It’s more leisurely and satisfying than early spring, when there is at once so much to do—so many soggy leaves and fallen branches to gather—and so little you can do other than wait for the sun to do its work. And by mid-summer the heat has risen and I’ve lost much of my initiative; all I want to do is sit back and sip iced tea, not face the dull but pressing work of weeding and watering.

But in April and May, nature has begun to give the garden shape. Visits to my yard remind me which returning plants I’ve rooted where, while the gaps between them spark ideas about new plants I might want to try. I’m energized both by what’s there and what’s possible, and the dreaming takes me often to the brick patio where my iced tea and go-to gardening book wait.

13162129724_05e0aa9e05_bAs I sit at the table flipping through the “Annuals” section of my book, the groundcover that borders the patio on two sides seems non-threatening and innocent. It has no plans for the summer, it seems, no big goals or bucket lists. It’s just hanging out, looking green like it should and showing off the pretty little blue flowers that earned it the name “Periwinkle.” For the moment I’m able to forget another name the plant is known by: “Creeping Myrtle.”

So I ignore it. I’m busy deciding how many flats of annuals I can reasonably justify buying to add spots of color to our shady property. I’m also daydreaming about our family’s first al fresco meal of the season, and what I might ask my husband to cook on the grill. Meals on the patio are, to me, the closest city dwellers can get to a family getaway without packing up the car and leaving home.

There’s something about physically separating ourselves from the dirty dishes in the kitchen, the laptops, our separate places behind separate closed doors, that touches on the many meals of my childhood that were cooked and consumed under the shade of tall trees at campground picnic tables, and the playground picnics we spontaneously put together when our girls were little. Meals outside are meals that say, “This is just about us, here and now. Everything else can wait.”

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If only time and nature knew how to wait.

In my garden, by late June, the Periwinkle has morphed into Creeping Myrtle mode and is well into its insidious advance into my territory. The precious borders of the patio begin to diminish. Gradually, as the vines inch onto the bricks, chairs are inched away by guests. As a result of the shifting chairs, the large rectangular table eventually gets pushed out to make more room.

It’s an imperceptible migration from one week to the next, until, one day, I walk out to the patio with plates and silverware and notice the table seems almost centered on the rectangle of bricks rather than shifted to the south edge, as intended. In fact, that rectangular foundation is looking rather square. I set the plates down and walk over to grab and lift a handful of vines.

They look as if they’re rooted where they lay, but they easily lift up, exposing a surprisingly wide swath of bricks below. I keep lifting the tangled growth, revealing more and more bricks, until finally the roots—in soil, where they belong—are exposed.

Those territory-hungry plants can infringe on a foot of patio in a month, it seems! What they see in bricks is beyond me, but it seems they haven’t put much thought into it. They’re motivated only by a vague sense of world dominance, without any concern for the path they’ll take or what they’ll do when they arrive.

“You can’t turn your head to focus on the flowers for even a couple of weeks without some aggressive vine trying to ruin everything,” I think to myself, heading to the garage for gardening gloves and clippers.

I ruthlessly attack the Creeping Myrtle, extreme in my hacking as I know it’s only a matter of time before nature’s wild, raw inclinations begin again to dominate, erasing subtlety, variation, and any boundaries I’ve decided to draw. It is, of course, worth it—all the battles waged against the encroaching weeds as well as all the coaxing and care of what I find beautiful. In the end, it’s all about the table we set and sit down around, to claim what is ours.

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Kristin bio YAH