Chicago’s Uptown

A fire engine shrieked through the stoplight, casting a light show in my room and spraying the bare white walls with color. Even through closed windows, the sound was deafening. Within minutes, an ambulance from the hospital in the other direction bayed and bounded through the intersection. I rubbed my eyes. The city had assaulted me through the night, pushing away any hope of restful sleep. The thought of coffee propelled me out of bed.  

As new college graduates, my two roommates and I were fresh from the sweetly singing suburbs. Having recently secured jobs in Chicago, we moved into a two bedroom apartment above a tuxedo shop doubling as a dry cleaner in Uptown, at the corner of Clark and Wilson. Our landlords owned the block. The father, an Arab from Palestine who worked tirelessly at the dry cleaner, was a large silver-haired man with bushy eyebrows and kind black eyes. He gave us a 10 percent discount for being his tenants. His burly son lived across the hall from us and owned the cell phone shop next door, which sold a variety of wares during our four years living there. The uncles worked across the street at the liquor store where we dropped off our rent.

My first Saturday morning, robed and ready for the sacred morning space I was used to, I cradled my mug and stared out the window. “Rayan’s Liquor” spread out in faded white letters and wrapped along the maroon awning across the street. A homeless man, gesturing and shouting expletives to the air, stood under a golden tree that had gingerly begun dropping its leaves. Car brakes squealed as they screeched to a stop at the light. Every other car speeding through the green would hit the edge of a loose manhole cover and send a loud pop ricocheting off the two-story buildings.

My father called from my childhood home in Florida later in the day. “What!?” I shouted into the phone, a chorus of sirens parading through our living room. “Hold on!” I said. When the noise subsided, I could hear him chuckling on the other end.

“That was the third one since we started talking ten minutes ago!” he said. “How is everything really?” he asked.

“Fine,” I said. “I love it here.”

WilsonctaredlineAnd I did. Everything about our situation was different from the life I had known. The city challenged my five senses to reinvent themselves as they began to adapt to a world of constant stimulation.

I went for a jog in the afternoon, heading down Wilson Street’s gum-stained sidewalk towards Lake Michigan, less than a mile down the road. Passing people of every color, shape, size and design, I weaved between trudging homeless, clean-cut men in skinny jeans and Hispanic mamas pushing strollers. The L train roared overhead as I ducked under the tracks, the dark urine-saturated street littered with trash and pigeon droppings. Pigeons scattered as I ran through, my blond ponytail wagging in rhythm with my steps. I would come to learn that this particular L station was known for crime, and that pedestrians saw the stoplights as arbitrary suggestions rather than accepted rules.

As I jogged in place at the intersection, a woman catty-corner from me was in a full-body leotard with her pink panties and bra on the outside of her clothes. Holding a juke box, she twisted, jived and swayed without reservation. A grimy MacDonald’s was across from mini-castle-like Uptown Baptist church, the sign “Christ Died for Our Sins” punctuating the sky. Next to it was a fried chicken shop, an African hair braiding salon, a wig shop and the Friendly Towers, home to a Christian commune called JPUSA. After passing a run-down middle school and more bundled homeless under the Lakeshore Drive underpass, I finally glimpsed gem-like Lake Michigan.

1024px-Chicago_skyline_from_Montrose_HarborArriving at the lake, I halted and took a breath. The vast open space and comparative silence were an abrupt change after the city chatter. The lake was a glassy emerald, swaying and shimmering. The cars on Lakeshore Drive were a soothing hum behind me. I couldn’t see the other side of the lake, which was a comforting reminder of the mighty ocean that had raised me as a child.

In my nine years living in Chicago, this water would become my serenity in the noise. It would be my Sabbath rest after the six previous days of rush and motion. Coming here would provide the margins I needed to stand aside and make sense of the jumbled words on the page—the scribblings, run-on sentences, and scratched out thoughts of my 20s. Here, my senses would reconvene. I paused a moment more before turning back to the throbbing metropolis.

(Photo of the Wilson L station by Graham Garfield; Lake Michigan view from Montrose Harbor by John Picken.)

  *   *   *   *   *

Leslie Verner“Chicago’s Uptown” is by Leslie Verner, a goer who is learning how to stay. She has her BA in elementary education and MA in intercultural studies. She has traveled all over the world and lived in northwest China for five years before an unexpected U-turn brought her back to the U.S. to get married. Leslie currently resides at the foothills of the Rocky Mountains in Colorado with her husband (an audio book narrator) and two devious yet delightful children. She writes regularly about faith, family and cross-cultural issues at www.scrapingraisins.blogspot.com. Follow her on Twitter at Scraping Raisins@leslie_verner and on Facebook as Leslie Verner.

 

Tongue Depressors and Other Teaching Relics

I curate a small store of relics from my years teaching in Chicago—

cMerediths-In-Her-Shoes-Pencilsrayon-drawn cards, apology notes with misspelled superlatives, and portraits where the size of my head dwarfs my torso. In one early drawing, a student depicted me with flowing red hair and a bikini. I have two guns in holsters at my hips and a rainbow behind me.

I’ve packed away most of my memorabilia in a catchall file in our spare bedroom, trying to organize and place memories from a time that spilled outside of any boundaries I tried to create for it. One lone tongue depressor has made it through three apartment relocations and three school changes. Each time, I considered tossing the stick, but I always ended up keeping it, laying it back amongst my pens. It’s small enough, important enough to keep.

It’s Corvell’s stick. I met Corvell in my first year of teaching, and he was my first student to disappear.

I showed up to teach in Chicago’s inner city with more experience teaching stuffed animals than actual children. I took the alternative certification track to gain my teaching credentials along with many non-teacher types who cared about social justice and/or had seen the documentary “Waiting for Superman.”

We came tugging our Photo 217liberal arts educations behind us, hailing from some of the top universities in the country and swearing our scout’s honor that we worked hard and could make it through a few years teaching in the inner city.

By my second week student teaching, my childhood expectations of education came undone. When I played school as a kid, I propped my stuffed animals into position, neatly stacking papers and fastening them with paper clips. I taught my plush class whatever I wanted, and ears full of cotton, they still listened. Back then, I mimicked the lessons delivered by my own teachers, tidy women with pant suits and coordinating jewelry.

My teaching experience looked nothing like this, I looked nothing like this.  My days didn’t form into an inspirational narrative, but instead finished with a sense of mere survival. Instead of matching jewelry, I wore hardened streaks of oatmeal on my coat from eating on the way to school.

Teaching overflowed into every corner of my life. Jayla’s empty stomach leaked into my thoughts at night and lesson plans edged into spare weekend hours. Carefully constructed reading activities got interrupted and sloshed aside to be buried under math tests and leveled readers. The education system proved much sloppier than I ever imagined. And yet, Corvell’s disappearance still knocked the wind out of me.IMG_1580

His Dad picked him up for an early dismissal, and by 3:00 p.m., we got his transfer papers. Someone at the school called DCFS on Corvell’s parents. This report added to many others on file, and as had become their custom, the family moved onto a new school, away from the prying eyes of the well-meaning teacher who called in the report of neglect.

The principal and case manager did not bat an eye. They told me the news as a point of business. The school secretary laughed at my shock and said, “One less copy to make!” Corvell’s story was a familiar one in Chicago, but I was still a newbie.

That day after school, I cleaned out his desk, slid his reading circle book back into the classroom library, and cancelled other evidences of him around the classroom. I pulled Corvell’s stick from the small tin bucket with a whole class set of tongue depressors inscribed with each student’s name. My co-teacher and I rifled through the sticks when eyes got sleepy during a read aloud or when only a few hands darted up in a math lesson. If I drew your stick, you were on the line, responsible as the next person for our classroom learning.

The last time I worked with Corvell, I made him cry. I told him he wasn’t trying hard enough on his reading test. As I chided him and repeated the test question again, his usually swinging legs held still. He traced over his name with his pencil again and again as he let tears splash on his paper. And that was the end of our story.

There was no shiny ending, no epiphany. I stowed the stick in my desk, to remember Corvell always, to remember the lesson learned that day, that kids sometimes disappear.

I grew accustomed to Corvell’s story or one’s like it.

I stopped keeping mementos for each student. Corvell’s stick has become the tomb of the Unknown Soldier, the memento to represent my utter lack of control over the faces in all of my classrooms. For a year, or sometimes less, I poured my whole self into my students, thought about them, fixed their hair, wiped their tears, went to bat for them, drew smiley faces with ketchup on their burgers, and then they disappeared into chaos.

My last year teaching, I lost track of Corvell’s stick and found it while drawing sticks out of the jar of tongue depressors in my first grade classroom. My co-teacher must have found it and decided to repurpose itIMG_0162 for another student in our room. Like any relic, its meaning was held in the knowledge of the one who owned it, like the rag of an apostle’s robe or the heel bone of a saint.


I looked at the faces of my first graders and thought of the ones already missing from their rug spots. Now my fourth year in the classroom, I’d better learned how to rise above the rubble and teach in the moment, but I still mourned my Corvells.

He was every student I couldn’t help enough, couldn’t reach, couldn’t follow, or hold forever. He was every student from my years in CPS, kids I cared for deeply and will likely never see again.

***

Meredith-bio-YAH-1024x327

The Divine Secret of the Ho-Ho Sisterhood

Their husbands didn’t get it.

Lauren, Mary, Suzy, and I made plans to meet at Beth’s house near Chicago for a long April weekend. Lauren would drive in from Indianapolis, and Mary could handle the six-hour drive from St. Louis. Naturally, Suzy and I decided to make the trip to Beth’s together, from Pennsylvania.

Which is why we booked flights to St. Louis so that we could drive north to Beth’s house with Mary. Because, road trip.

This is what their husbands (and probably mine, if I had one) could not understand. It’s all about the journey.

*****

Our story really starts nearly 100 years ago.

In the early 1920s, Peter met Catherine at a church picnic. Peter was a young Ukrainian immigrant coal miner. Catherine, twelve years his junior, was the oldest daughter of Ukrainian immigrant parents.

Peter and Catherine married in 1923, and over the course of the next three decades, they had 12 children. My dad, John, was number nine. They eventually welcomed 36 grandchildren—I am number 22.

Mary and Suzy are the daughters of number eight, Patty. Lauren and Beth were born to Sonia, number ten. All five of us were born in the mid- to late-1960s, and although we’ve known each other all our lives, we were deeply into adulthood before we took the initiative to spend time together apart from the rest of our families.

*****

hostess-ho-hosLauren, Beth, and I dubbed ourselves “The Ho-Ho Sisterhood” in 2002, after an ill-advised trip to a Hostess Outlet store near Indianapolis. We had gathered at Lauren’s house to help prepare for a family reunion, and while running party-related errands, we each purchased a box full of our preferred snack cake. We then challenged each other to devour its entire contents on our way back to Lauren’s house.

None of us succeeded, although Beth insisted that she would have won the contest easily had we stopped to pick up a gallon of milk to wash them down.

We all felt a little ill, and our sides hurt. I think I managed to ingest four or five Ho-Hos—which was clearly three or four too many. But the stitch in my side had less to do with the volume of snack cakes and everything to do with the laughter.

We later inducted Mary and Suzy into the Sisterhood, minus the disgusting initiation ritual.

*****

Our inaugural Ho-Ho Sisterhood gathering at Beth’s house fell, appropriately, around April Fool’s Day.

Suzy and I ended up with a two-hour layover in Chicago’s O’Hare airport en route to meet up with Mary in St. Louis. The next day, we would drive six hours. To Chicago.

At this point, we wondered if maybe the husbands had a point.

Then we dismissed that idea. It’s all about the journey. We made this our new mantra.

But it was really all about the laughter. It started early between me and Suzy. On our boarding passes, our names were in all caps, and our first names and middle initials had been condensed into a single word. Suzy thought I was nuts when I first called her SUSANE. To this day, she calls me AMYL.

Mary picked us up at the St. Louis airport, and promptly took me to a local Urgent Care to treat my brand new sinus infection. She was the one suffering a bad head cold, which would likely have prevented her trip altogether had we not planned our group pilgrimage to Chicago.

ho-ho-sisters-trollsSUSANE and I congratulated ourselves for our combined intuition and foresight in routing our trip from Pennsylvania to Illinois through Missouri. The next morning, Mary and her box of Kleenex climbed into the backseat of her sedan, and Suzy and I took turns driving north to Beth and Lauren.

The itinerary of our weekend ended up having very little to do with Chicago. We did eventually visit the city’s IKEA store—but only after a pilgrimage to Hebron, Wisconsin, where we posed for photos with trolls and visited The Mustard Museum, where we witnessed Mary’s commencement from “Poupon U.”

We ate giant cinnamon rolls at The Machine Shed Restaurant before returning to Wisconsin to visit The Mars Cheese Castle, where an older gentleman complimented Lauren on her beautiful blue eyes. The rest of us reassured each other: “And you have eyes, too!”

Beth’s husband, David, dubbed himself the “Ho-Bro,” and graciously served as our chauffeur and photographer throughout the weekend.

In retrospect, it seems evident that we were just following the example set for us by our parents at every extended family event we ever attended. Whether a wedding, a holiday, a reunion, or even a funeral, only one element is as omnipresent at Maczuzak family gatherings as pierogies and coolers full of beer.

The laughter. It’s the lasting legacy of Peter and Catherine.

*****

 

She Will Grow on Laughter

When my mother was pregnant with my older sister, she was a visiting nurse. She drove around Aurora, Illinois in her blue Plymouth Horizon, stopping at the Dairy Queen drive through on the way home from work. She’d slurp banana milk shakes while listening to the instrumental theme from St. Elmo’s Fire.

While pregnant with me, she chased around my toddling sister. She exercised weekly at a local Christian workout class called “Believercise.” That is, until mom lunged too far, causing significant bleeding; the doctor ordered at least a week of bedrest. She had to pee in a bucket, another reason she’s the best mom of all time. In her third trimester, she survived summer days by scarfing down dripping slices of watermelon, a fruit I still consider to be one of my favorites.

There’s something sacred and terrifying about the way babies go wherever their mothers go. They eat the same foods, hear the same noises, and even pump the same blood. They can benefit or be harmed from the womb they inhabit, which is why pregnant women aren’t supposed to eat Subway or drink cocktails. Now that I’m pregnant, I worry my tiny has been anchored to a sinking ship.

You see, I’m not the best at being pregnant.  

For half my pregnancy, my body rejected prenatal vitamins. I either vomited them up in fits of sweats and shivers, or they seared my esophagus with heartburn, fighting their way down the digestive tract. Everyone offered solutions, chewables, more organic options, and even a liquid green sludge that needed chased down with orange juice, but all produced the same result.

My first trimester, I survived on a diet of brown sugar Pop Tarts and Barq’s root beer. When I tried to joke with others about my nutrition free diet, they looked at me like a candidate for a morning talk show featuring teen moms who aren’t fit to be mothers. Giving nervous laughs, their countenance seemed to ask, “should you be joking about this?”IMG_1291

People ask if I’m excited, and I choke out the right kinds of answers. When I was younger, I pictured myself wearing pregnancy like a veil of honor, rosy cheeks and a delightful little bump showing under a flowy peasant blouse, but it turns out, I’m not the glowing kind of pregnant.

Some days I’m a nauseous, sweaty animal, sprouting a new layer of acne on my back; on these days, it’s hard to put how I feel into a pleasant statement. Instead, I lead with my signature defensive humor and make offhand comments about the anti-depressants that I continue to take while pregnant. “I would drink an occasional glass of wine, but I figure the baby already gets the Zoloft,” I say with a wink and a nudge.

This punchline hangs in the air for a few moments of painful silence before I try to reel it back in, “but you know, the doctors are monitoring the baby, and I got a special ultrasound, and…” This is when the nice person who asked me about how I’m feeling smiles through anxious eyes and clenched teeth, nodding their head to try and keep things polite.

But among all the things that I know I’m already doing wrong as a mother, I’ve come to enjoy bringing the baby to the places I go. I may not do great with leafy green veggies, but my baby will grow on laughter.

My baby’s momma is a comedian. I perform in Chicago as a comedic improviser, staging twenty five minute pieces with seven to nine teammates. My three teams perform at several different theatres around the city, which averages out to two or three shows a week.IMG_2428

I take her with me to the bar for a drink with my teammates after a tough show with low audience attendance, trading in my gin and tonics for Shirley Temples and diet Roy Rogers. She gets the consoling pats on the back my castmates offer me, and I imagine they reverberate through my body and hit her like a wave of Vitamin D.

I take her on the stage to the sound of a quickening slow clap, which she must think is for her. Receiving biweekly applause has to be good for brain development. She goes with me into rehearsal rooms where we shriek, snort, and guffaw at each other’s moves. She’s the unseen tenth player on stage, kicking to be noticed during my scene work. I often hold my belly when I laugh, as if to make sure we’re both awake to the blessing of these joy filled spaces.

She is with me when we’re the only women on stage. As my body changes to hold her growing form, we shapeshift into diverse characters with their own points of view and treasure troves of specifics. On one night, I played a petite daughter stowed away in her father’s suitcase. I crouched low, tightening my body into a ball to simulate the cramped quarters and the baby tucked in to the warm curve of my body.

When I worry about the way my depression must seep into the womb, tears dripping through the umbilical cord and sorrow carried through my bloodstream, I revel in a night where I’m out late at a cabaret table, watching my heroes and friends on stage. Many of us are deeply sad people, but for a night, we are artists and poets who have discovered the hilarious underbelly to the tragedy.

So I’m glad  that as my baby grows to the size of various vegetables, that she is growing up with laughter, that her adopted aunts and uncles are some of the funniest people in Chicago.

When I fail in so many ways that I lose count, I know the baby must know well the vibrations of her mama’s laughter, punctuated with my drawn out snorts and the fog horn blats I let out when laughter catches me unexpectedly.

I cherish this special time when I take the stage with a tiny teammate. As my friends and I wait in the wings to make our entrance, we participate in the ritual of assuring one another, we’ve got each other’s backs. I place my palms over my growing belly and say to my girl, “We’ve got this WIlla.” Together we laugh and make others laugh, and for a moment in time, we have everything we need.

***

Meredith-bio-YAH-1024x327

 

Three Years as “Mom”

If you’ve never picked up your life and moved hundreds of miles away to a place where you know no one, I highly recommend it.

At 26, I was burnt-out on teaching after only three years, uncertain of what my future looked like, and my always-dreaming-of-new-places heart was ready to take a leap.  I got on the computer. After a few hours on google, I applied for three jobs, got an interview for one, and within a few months  had whittled the contents of my apartment down into what would fit into a small SUV– rented, one-way, from Atlanta to Chicago.

I moved into a 125 year old house that came with the job, a short walk from the shores of Lake Michigan.  Already living in the house were three other adults and eight teenagers. The easiest way to explain my new job is that I worked for a nonprofit boarding school. I was one of four “house moms” to a group of smart, dedicated, and brave young women who made the choice as 7th, 8th, or 9th graders to live mostly away from their families in order to make their education a priority.  In many ways, the people in that house lived as a family.

My favorite parts of the job were easily things like waking up  a little earlier on cold mornings so the kids had cups of tea or hot chocolate to take with them to the school. I would often stand just inside the front door and say good-bye, shivering against the cold Chicago wind, as they walked out the door with smiles on their faces and gloved-hands clutching mugs. The highlight of the day was almost always dinner. At least four nights a week we gathered around the extra long dining room table and there was a chorus of “please pass the . . .” as dinner plates were filled and then stories from the day began.

Our dining room table, set for a Christmas Party.

Our dining room table, set for a Christmas Party.

One late spring day one of “my” kids came home to say that she needed to take fruit to a school function the next week. The morning of the event I pulled out a fruit platter with oranges and kiwi and grapes and strawberries arranged in an alternating, symmetrical color pattern. She looked at the tray and then back at me and said, “Did you buy this?”

“No. I made it last night.”

“Wow. It’s so pretty! Thank you!”

When I was a kid, the thing that I most wanted was to be a mom. There were a few years in college where my life seemed to  moving towards my dream of  “get married young and start a family.” While that didn’t happen, my desire to be a mom remained. But there, with fruit tray in hand, I realized something.  It was a simple moment in the midst of a life that included dishes and laundry and “turn down that music” and checking on homework and a million things that were very mom-like, but it was that moment when I knew that I had found my place. Somehow, my always-wanted-to-be-a-mom heart was getting to live its dreams.

At the beginning of November I was back in Chicago for a few short days as part of a work trip. I drove past the old house and paused for just a few moments, giving thanks for what I learned those three years and have continued to live out since: I am a person who wants to make spaces safe and welcoming. That is a passion and a desire that can be lived out no matter if anyone calls me “mom” or not.

***

Nicole bio YAH

When Your Bedroom Disappears

Days before, I found the phone number by searching the address on the Internet. A young woman answered, listened, and graciously agreed to give us a tour of our childhood home.

When the day arrives, my older sister and I drive familiar roads in a rental car. We’ve traveled from opposite sides of the country to this point in Illinois; she from Massachusetts, me from Colorado. Park Ridge is one big suburban grid of long, mature tree-lined streets and sidewalks on the northwest edge of Chicago. I roll down the window and whiff the familiar aroma of fresh cut grass mixed with airplane exhaust from nearby O’Hare Airport. It is the smell of roots and flight.

The rental car engine goes quiet by the curb in front of the two story brick bungalow at 704 South Crescent Avenue. Our parents raised the four of us kids here; three sisters and a brother. This was the address on all official forms and most letters addressed to me from 1973 to 1989; from Gerald Ford to George H.W. Bush.

We ring the doorbell on schedule, and a young, upper-class mom answers the door, smiles, and invites us in. We politely walk through renovated rooms where I am tossed between a sense of happy familiarity and disorienting displacement.

We walk through room upon room of fresh paint and updated designs: The front entry minus the cuckoo clock, the living room minus the teal carpet and large flowery wallpaper, the front sitting room minus the TV and plaid couch, the upstairs plus air conditioning, the kitchen plus new appliances and a stunning renovation. We linger in the kitchen and I notice the one big minus. They knocked out this wall, she points and explains, we wanted to make the whole space bigger. That wall once divided the kitchen from my bedroom. Every morning I used to lay in my bed on the other side of that wall, listening to my mom’s early morning WMBI radio programs and dishwasher clatter.

music-box-ballerinaNow the wall has disappeared and my bedroom evaporated entirely, replaced by functional upgrades and a redesigned floor plan. I lost the container that had been crammed full of my girlish years,

the hanging macramé plant holders,

clouds of Love’s Baby Soft Jasmin’ perfume,

the sound of tiny nocturnal pet hamster feet running on a creaking wheel,

the wind-up jewelry box ballerina spinning in front of a tiny mirror,

the puffy pink gingham quilt my mom sewed,

and the way I always slept beneath it facing the door,

the muted bass of bands like Boston booming from my brother’s bedroom,

a closet full of off-limits clothes my little sister borrowed anyways,

that one spot on the floor by the cast iron radiator where I sobbed over boys that I loved,

a secret drawer full of seashells and saved letters,

midnight poetry taped to my window.

Gone. The inner sanctum of my childhood entirely dematerialized.

Why do I feel so sad? It’s just a room, I say to my sister as we drive away. She nods. Gets it. Siblings hold pieces of each other’s’ history.

We head out of town and curve through neighborhood streets, past the red and white marquis of the Pickwick Theater and the stadium lights at Maine South High School. By that park swing, I feel the sway and twirl of the six-year-old version of myself. In that parking lot by the high school band door, I feel the wild heartbeat rush of my first kiss; under that one elm tree, the between-two-worlds melancholy of twenty-something. And somewhere around the corner on my way back home, I find the room of my childhood again.

Rooms are the containers that hold the past, for good or ill. They are the spaces that store roots and fragments of who we were, the lives we have lived. Writer, author, Frederick Buechner describes it this way:

“But there is a deeper need yet, I think, and that is the need—not all the time, surely, but from time to time—to enter that still room within us all where the past lives on as a part of the present, where the dead are alive again, where we are most alive ourselves to turnings and to where our journeys have brought us. The name of the room is Remember—the room where with patience, with charity, with quietness of heart, we remember consciously to remember the lives we have lived.” *

Sometimes my little sister and I end our texts or emails with the first line from Harry Connick’s song, “Forever, for Now.” “Meet me on the corner of close and soon,” we write. Then, “oxox” we sign off. Over the years, we’ve come to shorthand it. “Meet me,” we say and understand in a way only siblings can.

Meet me.

Meet me in the place with no address.

Meet me where the remnants of a past still live in pieces and fragments unclaimed, shared by few, in a room no longer contained by walls.

The name of the room is Remember.

* Quoted: Frederick Buechner, A Room Called Remember: Uncollected Pieces (1992)

*   *   *   *   *

unnamed-2“When Your Bedroom Disappears” is by Kelley J. Leigh. Kelley is a mid-life writer and mom of four sons.  Kelley’s home base is a quirky little mountain town in Colorado where she writes openly about intimacy issues and recovery in marriage and faith. Find her over at www.kelleyjleigh.com and on Twitter: twitter.com/KelleyJLeigh

 

 

The Writing on the Stall

I am on the toilet, my black dress pants scrunched down around my ankles. I am not using the bathroom, but I want to keep up appearances. Or maybe de-pantsing is a reflex in bathroom stalls. I got up in the middle of improv class to check a missed call and voicemail from an unknown number on my phone.

If it’s someone from the Playground Theatre, I will be ecstatic. If it’s an automated message from the teacher’s union or my bank, I will probably crumple up and die on the bathroom floor, or at least, that’s what I am thinking in this moment. I take a deep breath and read the sharpie on the wall:

“Your jokes are better the more you love yourself.”IMG_0933

Many times in this stall I had repeated those words to myself, penance for plodding onto stage with cement feet and pandering for the approval of my classmates. The stall served as my place to recover from wounds on and off the stage.

Someone had sharpied this phrase on the stall door, right at my eye level. The stalls in the girls bathroom were covered with pen and sharpie graffiti, but those words always grabbed my attention first, usually with prophetic timing.

The stall sat in the far corner of the Del Close Theatre in the old iO building, the place I fell in love with and learned longform improvisational comedy. I started taking classes in 2010, somewhere in the depressive stupor of a difficult breakup. The place felt like a speakeasy for quirky folks–dingy, dark, and cramped. It did not provide a home for shiny-polished things, but a fertile ground for magic.

IMG_0932The iO building was located at 3541 North Clark, kitty-corner from Wrigley Field. It was not the ideal place for a theater. To get there, I nudged my way through Chicago Cubs foot traffic and mobs of bros who reminded me of my ex-boyfriend. I’d snake between cooing street vendors offering tickets from their back pockets and water bottles from blue coolers.

When I arrived at the theatre, purified by the incense clouds of cigarette smoke, I got swallowed into the crowd gathered in the lobby. I always think of people piling into that building; the walls pushed in on us and narrowed the margins between our bodies, teaching us to come together in the way tall ceilinged cathedrals invite visitors to crane their necks to the heavens. The building nudged us to huddle in, to listen to stories, and to perform in a way that made the audience lean forward and nod in recognition.

Before my graduation shows, our instructor counseled my class to walk on stage during the blackout so the lights went on as we entered, catching the momentum of our team moving forward onto the stage and into the light.IMG_0935

It was fitting advice for living too, after all, comedians are notoriously familiar with darkness of all kinds. We all tried so desperately to walk together into the light spaces, but the building held the darkness too, brightly painted blue walls and dark corners with ghost stories of depression and overdoses. There were nights when the building shook with laughter and others when it groaned from the weight of the heavy things we carried in our pockets.

My graduating class only got to perform three or four times at the theatre on Clark before the whole operation moved to Kingsbury street in the Lincoln Park neighborhood. The new theatre building has potential, but it’s sterile and easier to get lost in with no cave paintings on the bathroom stalls.

I tried to alter my daydreams of playing on the stages of the old theatre, relocating them a couple miles south, but my mind’s eye is slow to catch on.

As they say, you can’t go back.

Right now, the old iO theatre sits as an empty relic on Clark street, waiting to be knocked down and made into a CVS, which isn’t even as good as a Walgreens.

Our theatre will be disposed of much like the shows we performed on its stages and in its classrooms, carefully constructed, lived in, worn out, and then demolished– a flash in the pan, utterly forgettable.  And yet, there were those nights–those glorious nights–that we carried the show out as a glowing gift only visible to those who gathered that night to listen to stories. Playing improv at the old iO theatre felt like performing near the earth’s core while the patron saints framed on the wall watched on.

When I think of a fitting end to that beloved blue building, I think of us pushing it out to sea, towards some heaven-like land, something Lord of the Rings-like, Gandalf being set loose towards an elvin heaven. I wish to baptize every nook and cranny as sacred ground, to annotate hallways and stairwells with my memories. But maybe the best I can do is to take all that the building taught me, and bring its lessons into new spaces, whose walls don’t yet whisper.

* * * * *

IMG_1781“The Writing on the Stall” was written by Meredith Bazzoli (center with tank top, hands in pockets). Meredith has spent her whole life orbiting around Chicago and its suburbs. She currently resides just west of the city with her husband Drew, who grew up a hoosier. She never thought she could marry one of those. Meredith writes, performs improv comedy, and teaches in West Garfield Park (all stories for another day). She seeks to start conversations about the life we stuff under the bed and keep off our Instagram feeds.

 

Alone in the City Again

In one of the final moments my Chicago community gathered together, I knelt on a swiveling armchair and squeezed my shoulders in next to Caitlyn and Ben’s.  We peered out the window in the boys’ Logan Square apartment; its angle pointed to the intersection of Kedzie and Schubert Ave where rain fell on the aftermath of a car crash.

Alone in the City AgainThe crash had thrown a cooler from the back of a truck, and now, the contents of a summer picnic spilled on the pavement. The doors of the truck remained open, the driver long since run away.

As sirens bent around buildings toward the scene, the sky opened to sheets of water and timpani thunder. Spectators hurried inside, looking back over their shoulders, hoping to catch a last glimpse of the action. Maybe like me, they found it easier to look on the wreckage of someone else’s life than to face their own.

Lord, I don’t want to be alone in the city again.

There were eight of us, expatriates of our college suburb in some stopgap Alone in the City Again 2time between college and the rest of life: six boys who lived together in Logan Square, their around the block neighbor Caitlyn, and myself.

My first year in Chicago, I fell into the trap of urban loneliness; it is easy to remain anonymous in a city—wake up, go to work, return to your little compartment, and shut the door behind you, waiting for an invitation to join the bustle. I was a first year teacher, falling asleep to episodes of “Mad Men” at 7:30 p.m., clinging to perceptions that I could not “fit in” with the cool kids.

By my second year in the city, my unhappiness persuaded me to try something different; I resolved to fashion Chicago into a home. I began to invite people over, rationalizing that perhaps others wanted someone to organize togetherness as much as I did.

With fluttering heart beats and shallow breath, I pushed all the chairs in my apartment into the living room and rigged up a digital antenna to broadcast the 2012 summer Olympics. Amidst my good intentions were less noble feelings of desperation: “like me,” “love me,” “stay with me.”

Talking myself into courage, I clung to a Field Of Dreams like promise that if I built the parties, meals, and traditions, the community would gather. And it did.

In summer, friends propped themselves on pillows that leaned against the rails of the back porch. We watched movies on a wobbly projector screen, and I served bowls filled with stove-popped popcorn drizzled with browned butter and rosemary. The boys came over to my apartment with ravenous appetites and cases of PBR. They recited compliments and “mmmms” around the table, sons of polite mothers.

We lived a sitcom city life, but I soon realized I had built a foundation of cement for a shantytown. The others talked about leaving, about futures beyond the walls of the city. I began to panic. What was wrong with Chicago? What was wrong with me?

On one afternoon, we draped a picnic blanket over the boys’ front steps. I sliced Brie and apples, arranging them on a plate to eat with a baguette and glasses of red wine. The conversation drifted towards careers and futures. Tim mentioned moving to Denver and my heart lurched.

Caitlyn suggested an exodus to her home state of California. Ben proposed working in his cousin’s bookstore in Portland. I tried not to scream, “Why not here?” Instead, I cried on the car ride home.

I felt like a little girl begging her parents not to leave her with a babysitter; if I could have clung to their legs as they tried to drag their feet out of the city, I would have.

At one of our three 1920s parties, I hung my head back, warm with gin, and listened to the lullaby of our conversation. Marty argued with another friend about the Meyers Briggs of Jesus, and Caitlyn and Andrew made the floor moan and creak with their dancing. I knew that we had become something together. With such bounty, maybe no one would ever leave.

Please God, let no one ever leave.

But tonight with the news that Tim had an interview in Washington D.C., I finally gave myself permission to take inventory of our dwindling social circle. Tonight we were together for Caitlyn’s farewell. Andrew left in May for another continent, and Ben would leave by the end of the month for Grand Rapids. Others cast their lines towards new horizons, waiting for any tug towards something different. Already there had been garage sales and exchanges of items that couldn’t fit in moving trucks.

I strung my problems together, making them into one giant demon that tormented me with questions and fears. Suddenly the boys leaving meant I shouldn’t take risks, that all my prospects for marriage would be over, that I could not discern the whispers of God’s will, that I had proved unworthy of love and ended up a failure. I grafted each of these things to the paths my friends took away from the city, away from me.

Daniel played Beethoven’s seventh symphony as two tow trucks pulled the wreckage of the crash away in different directions. The thunderstorm, the car crash, and then a silent ride home with Tim—signs and wonders denoting the end. I wanted the city to swallow me into its dark belly.

I forgot how lonely the city could feel at night.

*****

Meredith Bazzoli“Alone in the City Again” was written by Meredith Bazzoli. Meredith has spent her whole life orbiting around Chicago and its suburbs. She currently resides just west of the city with her husband Drew, who grew up a hoosier. She never thought she could marry one of those. Meredith writes, performs improv comedy, and teaches in West Garfield Park (all stories for another day). She seeks to start conversations about the life we stuff under the bed and keep off our Instagram feeds.

You can connect with her at www.veryrevealing.com

Black and white photos from the night in the essay by Daniel Saunders.

Table for One

Looking back, that empty booth across the table from me was just the next in a long line of red flags and warning signs I rationalized away. This time, the reason for his absence was said to be a co-worker who needed someone to bail him out of jail. He wouldn’t be back in town until late, after dinner. It seems an outlandish story when I think about it today, one of many outlandish stories. Now I know some of these stories were lies.

I have no real frame of reference to know which ones were true, but to call them all lies seems the task of an uncharitable, bitter woman.

Regardless. That spring day I believed, or at least accepted, the story. Over the many years we were together, we always had a long distance relationship. That dinner date was no different. I drove two hours through central, rural, Georgia to get there. So, given the hour and my growling stomach, the best option seemed to be to just go ahead to dinner. Alone.

“Just one,” I said to the hostess. I settled into the booth and perused the menu. After I had ordered I took the ever-present novel out of my purse and began to read, stopping often to check to see if he had called. I was somewhat self-conscious about sitting at a table in a sit-down restaurant alone, but no one seemed to care at all. It dawned on me that my aloneness was awkward and uncomfortable only to me.

Inside my head I was fighting off the doubts and questions about my three-year-old relationship. I didn’t want to be alone, so it had been relatively easy to accept the cancelled plans and the strange stories. As I sat there alone at a restaurant table and no one looked at me in pity or shame, I began to wonder if perhaps alone on purpose would be a better option than alone again one more time because he failed to come through.

4869866579_2e5565c27c_zIn retrospect I can see that, somehow, that dinner made me stronger. It was not the first time that our plans had not worked. It was not the first time he had changed things at the last minute, disappointing me. It was the first time I kept the plans anyway. The first time I still showed up, lived the moment, and went forward instead of letting my world stop. I could have grabbed a quick dinner in a drive-thru, eaten the fries as I navigated the road back home. But, I didn’t. I sat in the restaurant I had planned to go to and had the dinner I had planned to have that evening. I wasn’t trying to “still live life” or “embrace the moment” that night.  It was simple, really: I was hungry and the restaurant was there.

So, I sat at a table alone and ate dinner.

* * * * *

A few months later, I broke up with that boyfriend. Or, at least I tried to. The words “the end” were there but for reasons that exceed the time and space I have here, I cycled back into him in a destructive pattern over and over again. We were never “officially” together again – but the energies of my day and my mind and my heart were frequently still wrapped up in that toxic relationship.

A couple years later, still caught in the cycle of trying to really end that relationship, I moved to a town near Chicago, alone, for a job. I would often walk or take the L train  to the movie theatre one evening a week and then to dinner afterwards. I’d sit in the dark theatre, no one on either side of me, and enjoy the show. Afterwards, I’d use the side exit that led out right by the door to a restaurant where I would walk in and say, “Just one.”

I usually had a book, but not always. Sometimes I would just eat my dinner with only my thoughts to keep me company. Sometimes I lingered: ordering an appetizer or a dessert or a drink. Sometimes I ate quickly before heading home. But I often thought of that first dinner alone and reminded myself it was good to know how to do to this.

Those years of dinner and movie dates with myself were part of the process of trying to get out of the cycle. I would sit there and remind myself:  I can do this. I can eat alone. I can sit at this table and have dinner and have a life and I can be fine. I can move forward.

Eventually the cycle back into the toxic relationship stopped and I was free.  Looking back I can only recall a handful of times in the past few years where I’ve eaten alone at a restaurant. It wasn’t an intentional choice to stop, but I guess that inner part of my soul knew I didn’t need those dates with myself as much anymore.

I rarely have to eat alone, but I know I can. And that has given me strength.

* * * * *

red stripeNicole says her love language is “eat the food that I cook” and is never happier than when there is a crowd gathered around a table eating food that she had fun preparing. She is thankful for all the friends, neighbors, family members, co-workers, and casual acquaintances who have filled the tables of her life. Nicole works as a freelance editor specializing in theology and social ethics and writes about bodies, theology, and community at jnicolemorgan.com. She tweets away @jnicolemorgan

Restaurant photo by Bart Heird

 

Talking on the Train

I had lunch with a stranger once in the crowded food court of Union Station in D.C. There were no empty tables and only a few empty seats. When I saw a woman sitting by herself at a table, I asked if I could join her. She readily agreed.

I was in between trains, a Chicago-to-D.C. leg behind me and the rest of the journey home to Philadelphia ahead. Asking to join a stranger at their table is not within my standard mode of operation. Perhaps it was the 17 hours I had just spent on the train that inspired my unusual behavior.

On long-haul trains, if you go to the dining car you sit with people. And if, like me, you enjoy passing the hours of train travel in the observation car watching the country roll by, then you sit with people there too. On a long-haul train, you chat and really listen to the answers because you have all of the time and none of the cell signal. This slow-paced, low-pressure atmosphere makes my people-loving introvert-self bloom.

Between the trip out to Chicago and the ride back East, I spent almost 40 hours there-and-back talking to strangers. I met a man in the midst of his journey home from Thailand. He told me about an ex-wife and a child in Peru—how his world travels introduced him to people, but pulled them away too. He bought me a drink and we talked for hours as the view of the countryside gave way to midnight blackness. Eventually he asked me, “Are you happy?” I told him I was, mostly. He nodded, leaned back in his chair, and stared off into the darkness outside. His eyes had said more: that being happy was something he didn’t quite understand.

One morning after a few bumpy hours of sleep as the train chugged through Ohio and into Pennsylvania, I went to breakfast and was seated at a table with a woman. She asked me about my life. I asked her about hers. We lingered over our coffee as she told me about working with Catholic Social Justice groups in her teens, trying to end capital punishment. The fact that people still fight for the same thing today gave her mixed emotions. I told her about my Christian Social Ethics coursework—what I was learning about inequality and how the church participates. I told her it was encouraging to meet her. She said the same of meeting me.

Amtrak observationSeven-hundred miles of steel track is enough space for strangers to share many years of memories. You can settle in with wine or coffee. You can relax into the seat. The scenery of fields and small towns is buffer enough for the natural pauses. There is no hurry; your stop is likely states away.

After joining fellow travelers for those many miles, to join a woman sitting at a table alone in a crowded food court seemed natural. As she told me about how she spends her days, the realization that she was homeless began to dawn on me. I took a second look at the food she had in front of her—one small order of fries. I told her I was finished eating and asked if she would like any of my leftovers. I think if I had thought about that a bit more, I would not have asked for fear of insulting her. She took my offer though and gladly ate what I did not. I eventually wished her a good day and a safe walk back to her night shelter, thanked her for allowing me to join her table, and went to board my train to Philadelphia.

This second-to-last last part of my journey was on a regional Amtrak train, which means smaller seats and less room to move about. My seat-mate told me about his job in the banking industry, seeming proud of his achievements as a district manager. Before long he had his laptop out, taking advantage of the Wi-Fi.

In Philadelphia, I switched from Amtrak to regional rail for the journey out to the suburbs, choosing a seat next to a woman who had on head-phones. The train car was silent but for the noise of the tracks and the intermittent stop announcements.

The transition was stark. Our day-to-day lives are not built for long chats and shared meals with strangers. Yet, people’s complicated lives exist even when we are just commuting home to the suburbs. Homeless people, lonely people, overlooked people. People who are on a journey to somewhere—people who fight for equality and people who wonder if it’s really possible to be happy—these people are always next to me.

It is of course easier to say that I want to engage than to actually engage. The meeting and eating and talking together requires intentionality on the part of all the participants. When I can remember that the people around me have stories of lives lived full of heartbreak and hope, then I am more willing to keep my eyes open for ways I can give. Even if what I have to give in the moment is only a listening ear or my not-yet-finished lunch.

*    *    *    *    *

fall“Talking on the Train” was written by Nicole Morgan. Nicole’s first long-distance train trip involved Thanksgiving dinner with a dining-car table full of strangers. She booked a sleeper-car once and loved it for all its nostalgic charm, but much prefers coach class where there’s plenty of time and room to meet her traveling neighbors. Nicole writes about bodies, theology, and community at jnicolemorgan.com  and tweets away @jnicolemorgan