Tag Archives: home

Searching for a Home, Via Alaska (part 2)

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And I would do it again, but set down
This, set down
This: were we led all that way for
Birth or Death?
– T.S. Eliot, The Journey of the Magi

Let your beauty manifest itself
Without talking and calculation
You are silent. It says for you: I am.
And comes in meaning thousandfold,
Comes at long last over everyone.
– Rilke, “Initial”
apt xmasAt the risk of proving too dim – more so than usual – how in the world do you even begin a tradition? And how do you decide which traditions to adopt or dismiss? What makes our family traditions lasting, what makes them stick?

These were and are my burning questions this holiday season, beginning – as I described in my last post – this recent Thanksgiving, accompanying me through Christmas yesterday, and traveling with me into the coming New Year. This year I admittedly found myself at a loss. Part of the reason for this conundrum was because, having just flown East for my brother’s wedding in Philadelphia this summer, there was no way to afford another trip from Alaska to the East coast this holiday season. However, I think, too, this mostly-financial matter only forced me to face a deeper, ultimately unavoidable fact of my situation as a single father up here in Alaska, far from Pennsylvania, my home place of origin:

What am I offering these boys, who, at ten and six, are rapidly passing through boyhood and coming of age in a landscape and time period so vividly and markedly different from my own? And how do I attempt or manage to shape anything resembling traditions, for now at least, mostly solo and on too-frequently-limited resources? And how can I deliver legitimate holidays to my boys that don’t blithely or solely coast along the thin surface of the media, Target, or Amazon.com versions of what the day supposedly means?

Over the nearly four years since my sons’ mother and I split up, I found familiar comfort and reliable ease in flying the three of us east to spend the holidays with my family. This effort required little to no thought in my mind, no question of the role I assume or play in the context of extended family, or what I’d be offering Sam and Matt once our plane touched down. Order the gifts early enough online that they’d be at my parent’s house before our arrival and then Sam, Matt, and I would just effortlessly slip into the stream, the flow of everything I’ve inherited throughout the all-American, uber-traditional holidays of my own childhood.

Admittedly, the traditional Bower family Christmas back east has for as long as I can remember also been defined by nothing less than a requisite degree of full blown, manic chaos. Albeit an adorable, welcome brand of chaos, largely because the holidays are perhaps the lone, annual opportunity to find every niece, nephew, sibling, cousin, aunt, uncle, and surviving grandparent reliably collected in one place, even if it is at the price of temporary insanity for all involved.

bower vile family

Jonathan’s Wannabe-Whitman/Thoreau/Teen Wolf phase circa the mid-1990’s

Though an entirely well intended, big-hearted affair replete with randomly occurring acts of familial affection – walloping to near-smothering hugs, earthquaking belly laughs, spontaneous guitar jams and more – the day is no less defined by a never long-sustainable level of noise and borderline confusion. These are riotous events that reliably tax every child’s emotions, ultimately requiring that some assortment of offspring collapse in tears before we can really determine whether the day proved successfully over-stimulating enough or not. Our gatherings have also been annually governed by the persistent din of new devices being fired up or tested, new instruments relentlessly strummed or pounded on, new stereos and/or albums blaring from multiple corners of the room. Of course, someone also always receives the one toy that will send the terrier into a yapping frenzy. It’s a brand of nuttiness that leaves the adults gleefully resigned to caffeinated autopilot from shortly after morning coffee until they can collapse for the rumored winter’s nap at night’s end. By evening, the day’s relentless barrage of good cheer and sugared, fatty foodstuffs and shiny new material possessions and the full brunt of unending social engagement finally reaches critical mass, driving a select batch of us – those too cowardly or soft to live the teetotaler lifestyle of our forebears – to covertly duck into a secret room or to launch out back to grab a nip of an adult beverage. That small band of us pauses and breathes outside, some anxiously grasping for their smokes as we attempt to sit still long enough to raise a glass in the nearest dark space we can find that will afford us a moment’s respite or silence…

Every year in Alaska’s deepest, darkest winter hours, I’ve longed for this single day of unsustainable chaos the way I imagine the polar explorers longed for the affections of their faraway wives and the comforts of home.

The question of traditions and rituals we instill among family – blood relations or adopted or “friend” families – seem to me actually part of the larger question of how you in fact make a home…which is precisely what I’ve circled the wagons trying to do since becoming a single parent a few years ago.

And so, with no ready-made or fixed traditions in place, this holiday season became a kind of riddle, a query lobbed to no one but myself, especially since both my sons, born and raised (so far, mostly) here in Alaska identify no other place they’ve visited or traveled to as home:

What if (huge gulp) we were already home for the holidays?

And, on that notion, what if we started making a day that grew (sanely, maybe even quietly) out of – in the words of Andy Williams, from a Christmas album that has since childhood marked the arrival of the holiday in my mind – “a few of [our] favorite things”? What if we dared test the waters of a new, different stream, perhaps even one that proved a little less chaotic? What then?

sam acolyte xmas eveWe attended the 11pm Christmas Eve service at the Episcopal church we frequent, because Sam was scheduled as an acolyte that evening. Afterwards, close to 12:30am, he raced up to me, bleary eyed and still in his robes, and threw his arms around me announcing, “Merry Christmas!”

I drove him to his mom’s and said I’d see him and his brother in the morning. When I woke the next morning, it was snowing. I took a short walk. As I walked through the neighborhood, muted as it was by the snowfall, I remembered out of the blue, for the first time in over twenty years, that one of my English professors once introduced our class to a recording of T.S. Eliot reading his poems. For the first time in as many years, I wanted only to hear Eliot read The Journey of the Magi.

I returned to my apartment, made tea, and found T.S. Eliot reading The Journey of the Magi at the Poetry Foundation’s website. I played it twice. A day was in motion.anchorage out back

The boys’ mother texted that the boys were awake. Good friends texted and invited me to dinner later, an offer that provided a flush of comfort I wasn’t fully aware I even needed then. I loaded the boys’ gifts into the car. It was still snowing and that hush was only periodically interrupted by the melodic trill of waxwings dashing back and forth between trees out front.

Like the snow’s steady drift and accompanying, welcome silence, and the waxwings passing to and fro briskly overhead, this day required nothing of us. That morning, the boys demanded only that I make it to their mom’s apartment with their gifts, pronto. But the day asked nothing, save perhaps only an invitation that we live into the day we were given. There was no script, no prescribed agenda, no long ago-ascribed roles, no demands to be anywhere specific. Not even any clues for how to proceed with the day. The day only unfolded. As perhaps a good and most memorable day may wont to do – “without calculation,” to borrow from Rilke.

In that way, this Christmas was a lot like writing, like starting a new story. As with composing any new story, the writer plays a critical part in its unfolding. But so much in the details and what happens is left to mystery, too. So much so that, as with any story’s beginning, you have no idea, no clear sense of how any of it will end either. Taking that plunge, then, can often prove frightening, or at least initially a little intimidating.

But in that flow, in the quiet stream of unfolding and unknowing yesterday, the whole birthing of the experience proved at moments quietly thrilling and then also terrifying. In that way, the day also resembled the landscape in which we daily find ourselves piecing together our lives, our family – a striking landscape, and a place that my sons know only as home.

ak wish you were here

Wish You Were Here xo, JJB

 

The Mourning House

Posted on by under Guest, Out of Place

I currently sleep in the guest room of my house. The other room I used to sleep in—which I have been calling the “hospice room”—is now a more hallowed space. That room was redesigned just prior to death of the woman who had accompanied me through life and parenting for 27 years. We’d only been married for just over six months, due to a five-hour period during which same-sex couples were allowed to marry in Michigan. The death was unanticipated; diagnosis of advanced breast cancer, just one year earlier, had led us to believe we had “years” instead of a year to share our lives together. Once a partner, spouse, and co-parent of two daughters, I must now try on the identity of widow, while existing inside of a house that no longer feels like home.

In the hospice room, the hospital bed is gone, but there are many artifacts put in place for healing purposes. A Buddha statue from Sri Lanka donated by sister for good luck; framed photos of orchids taken by our daughter when we went to the orchid show last year; a print of the magnificent sand hill cranes whose visits to the wetlands of Michigan we witnessed every October.

When I walk through that room I see not the space where my partner and I once slept together, did our nightly roundup of the days events, and watched our favorite television shows. Once I had listened to Nancy whisper “sleep with angels, darlin’” each night before we switched off the lights. Now, I see a kind of vacuous shrine that I don’t wish to disturb.

The hospice room is artful. Our antique mahogany bed is spread with a treasured cover from Nepal, and its geometric purple and green hues are echoed in the pillows and in the lilac paint on the walls. Nancy has left many objects containing memorabilia—cigar boxes, a pewter bowl, an old candy tin. When I am brave enough to look through them, I find weathered photos of her father and grandparents in sepia, small jewelry boxes containing antique rings and pearls, the invitation to her parents’ wedding in 1950, the baby shoes of our daughters. It contains remnants of a life I once was part of.

In the guest room where I sleep, I still feel like a visitor. The room remains the same as when it housed guests, not particularly inviting and disturbingly impersonal. The colors clash: pink curtains, a blue patterned quilt, walls painted a jolting lime green. A large unadorned bed dominates the smallish room. It’s not designed for comfort or charm. But in my current uncomfortable frame of mind, it seems to fit my requirements.

A perennial basket of unfolded laundry resides in the corner of the anonymous space where I now reside. My computer, my refuge, stands ready for my use, although I still can’t find a show I want to watch or a book I want to read. Scanning Facebook, reading through emails, I seek connections to fill the stillness that stretches before me.

The rest of the house is also still alien territory, transformed by the permanent vacancy of one of its occupants. My sprightly teenaged daughter, whose easy laughter hasn’t changed much since toddlerhood, begs me to go upstairs with her at night. She will not go back downstairs again without me, spooked by a house that is devoid of her other mother. She asks me to accompany her to the bathroom at night and in the early dark mornings. She fears that Nancy is somehow here in the house as a ghost, but perhaps not as much as she fears living in a house where Nancy no longer exists.

Nancy’s mother says she cannot bear to visit us in this place, not while the painful memories of her daughter seem to bounce off every surface of the house. But my daughter and I must live in this mourning house, trying to find our way to another kind of home where we can co-exist with what is here and what is not.

 *   *   *   *   *

JuliaGrant“The Mourning House” was written by Julia Grant. Julia lives, writes, and works in higher education in East Lansing, Michigan. She and her partner, Nancy, were one of the 300+ same-sex couples who were married on March 23, 2014, in Michigan.

Searching for a Home, Via Alaska (Part 1)

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I know I’ll make it back
One of these days…
Where the cups are cracked and hooked
Above the sink
And a cracked door moon
Says I haven’t gone too far
– “Via Chicago,” Wilco

What is it that proves so timelessly compelling about an unknown place – and especially the distant, the faraway – the Not Here Where I Am Right Now? Maybe there’s an anthropological study or psychological classification for this phenomenon. Perhaps Lonely Planet or Rick Steeves have a term that adequately summarizes our thirst for going someplace thoroughly unfamiliar, for getting a little lost, for stumbling through a foreign anywhere with only a select handful of phrases, and eating whatever seems most intriguing or unlike the foods found in the places we’re from. “Wanderlust, dummy,” you could say, but that’s not what I’m getting at – or, it’s not only that. Wanderlust, to me, feels too temporal, too casual to properly describe the specific longing I’m describing. What do I call that spirit that comes to life when I’m huffing away on the Stairmaster at Planet Fitness and Anthony Bourdain is on TV sipping a steaming liquid from a delicate ceramic cup, or eating meat or cheese from a place where everyone’s skin is darker than his? In those moments, I want to know those people and that place, but I also know the likelihood of deeply or intimately doing so is highly unlikely.

I’m curious on one hand because I’ve recently become worried, wondering if I, over the past twenty years, unwittingly traveled and “adventured” myself into a corner. Rather, in making a lot of my life one fascinating backdrop or living experience swiftly following another, I now find myself at a bewildering impasse: This year marks my tenth as an Alaskan resident, which means I’ve lived here longer than anywhere else save for my state of origin, Pennsylvania. And despite an active engagement in Alaska over the course of that decade, I still find myself feeling oddly far-flung,JJBoutofplace a bit adrift, “a stranger in a strange land,” and frequently out of place in a location that my two sons – both born and in love with their lives here – fully consider and embrace as home.

Under my love of the wildly unknown and the thrill instilled by journeying to new places, I’m now finding another form of longing, and in recent years it’s proven a deeper, heavier pull than the passions that lured me towards a tireless series of fascinating locations and situations in previous decades. In simplest terms, I think mine proves a longing that all of us to one degree or another carry for “home.” And yet, I worry that naming it as such reduces it to a pouty, Dorothy Gale-by-way-of-Judy Garland type of pining. Either way, however, it’s perplexing that I would experience these conflicted feelings while occupying the same location on Earth where my children feel so utterly present and at home.sam and matt

Meanwhile, “home” doesn’t often seem a very “sexy” or hot topic to bridge in conversation. It’s not a subject that gets many people excited, unless you’re discussing the purchase of an actual, physical “house,” or watching a cable reality show where a couple’s house is about to be remodeled or transformed from Ordinary into a palatial estate. Otherwise, it’s probably not a topic that will really charge a conversation the way “travel” or living abroad do when you’re trying to make friends or identify yourself among new acquaintances at a party. Where we’ve been and what we’ve done or seen tells others something significant about who we are (or, who we think we are) in a way that trying to discuss remaining still or feeling content rarely, if ever, will.

When I make a reference, for example, to “when we (my then-wife and my boys) lived in Japan,” something sparkles in the listener’s eyes, or a smile swiftly dances across his or her face. I imagine they, like I used to do, entertain a swift, thrilling montage of koi ponds, teahouses, manicured gardens, and exquisitely designed pottery and luxurious foods. At one time I strongly identified with and entertained that same montage.

lantern

And yet, I highly doubt anyone recognizes by referencing “when we lived in Japan,” a part of me bristles inside. In fact, I sometimes feel sheepish sharing that we did – it feels rather like a misstep in the pace of a conversation. Nowadays, it’s almost as if I admit I lived there to a listener. There’s no romantic indulgence in revealing it, no bragging rights. Rather, a part of me goes a little limp inside. And oftentimes, saying I live in Alaska has felt this way, too. And I never imagined going into either of these situations that I would one day feel this way.

With Japan, I imagine a big part of this is that it’s the place where, over the course of a few days my sons’ mother and I briefly feared that our one-year-old might die. It’s also where his mom and I one year later realized and faced the hard cold truth and acknowledged aloud that our marriage was, in fact, dead.

Matt Hospital Japan

Rather than an exotic, storybook fantasy, our experience more closely resembled that of the characters in the film Babel, many of whom acutely wrestle with a 21st-century specific form of displacement and confusion related to being out of place, far flung from any idea or notion of home.

Babel

I was reminded of all of this the Tuesday before Thanksgiving a couple weeks ago, when my youngest, now six, received a visit from the latest flu monster currently making the rounds up here.

A friend had a week or so earlier invited us to dinner with his extended family at their log home in a town three hours north of Anchorage. I looked forward to fleeing the city for the holiday, but a restless night with a boy battling a 103F temperature in the mornings leading up to Thursday found me a little beside myself, brainstorming a possible “alternative” Thanksgiving if we were possibly stuck at home.

I had done very little shopping, which is to say none at all, aside from purchasing some odds and ends for the table of the friends’ home where we were intending to spend the holiday. I was definitely turkey-less, and I didn’t even have a single can of the gelatinous, can-shaped substance we call cranberries. I couldn’t help imagining that if Matt’s health dictated that we stay in Anchorage, this year would go down in my ten-year-old, Sam’s journal as the year we ate turkey club sandwiches at Denny’s.

In hindsight, I see that my panic was fueled by a clueless, single father’s blend of confusion and distress around both properly caring for a sick boy with the flu and a 103F fever, as well as having no grounded family traditions in place up here for possibly observing the holiday. The latter realization was compounded by the knowledge that we also have no immediate or extended relations anywhere nearby – nowhere, in fact, within a twelve-hour flight across the country. Which meant, too, that I had no family to call on for assistance for the Tylenol I was out of at 1am, or family to crash with on the holiday or to send Sam to if I were stuck home with Matt, on a holiday during which time we customarily celebrate and gratefully reflect on family and our ties that bind.

I’ve sat in a remote Japanese village after the orange harvest eating horse meat and drinking a clear liquor made from sweet potatoes that I’m sure must have shared chemical properties with space shuttle fuel, all while knowing only a handful of stock phrases you could pick up from watching Lost in Translation. sam russian marketI’ve drifted through a Russian village meat market and stood slack-jawed watching a toothless man butchering a pig – cigarette dangling from his mouth, no shirt or gloves – in a way that would no doubt cause reps from both OSHA and the FDA to collapse from aneurysms. I’ve lived five miles deep in the woods of New Hampshire without running water all winter. Stood thigh-high in steaming piles of horse manure twenty-one miles up a mountain in Oregon, holding only a shovel and longing for nothing more than to finish the job and return to my wood-heated cabin and books a stone’s throw away.

But nothing – I swear to you, nothing – in my life has felt more truly foreign or alien to me, honestly, than the terrain of single parenthood these last three years, and nowhere more so than in the helplessness that springs to life when the children are sick, or during the holidays when – minus the grounding of roots or traditions – I’ve wondered where to orient the three of us.

And don’t get me wrong – I do treasure the sum of my adventures. They make for rich memories, and mine’s proven an undeniably privileged way to spend one’s young adulthood. However, as I sat at my son’s bedside, anxiously scrolling WebMD.com on my laptop for advice on how to care for a child’s flu and fever that Tuesday evening before Thanksgiving, as he writhed and his breath scraped along his throat and through his nostrils, I also wondered about what I may have neglected or failed to consider during my years exploring distant places, gathering mostly only experiences in everywhere and anywhere entirely unfamiliar…

sam koi

In the Aching Hour, We Wait

Posted on by under Out of Place

The dying light of a sunset is an encounter with the aching beauty of the eternal. As I watch the light unfold, my heart also unfolds. Here and longing. Flashes of mystery in the familiarity of light.

Two days ago, in the early winter hour of sunset, I drove into the southwest horizon. The crisp, yet not cold, December air felt light and clean as the sun’s horizontal shine blew the heaviness and rush of daylight away. But as the light went its silent way into the deep blue fading sky, low in my chest, something heavy grew. Sorrow and the fullness of joy were somehow interwoven in a single feeling. The black shadows of trees etching upwards like arms and fingers reaching to the sky, like black spires aching in the light, recalled something eternal, something of death in life and life in death. The aching of my heart quivered under the hope the leafless trees promised. But quickly, the image faded. Too often, beauty is a shadow passing–leaving only a thin hope, a momentary awareness of a true home. As it passed over, this thin hope found its place in my heart, a heart now missing a faraway home.

****************************************************

Deep in South Texas, my grandmother’s childhood home sits at the base of the Texas hill country and is dominated by slow rises, wide views, and red dirt. Everything about the ranch reminds me of her–rugged and beautiful in a Texas kind of way. It’s an old house complete with a 1980’s Ford pickup to drive the property.

On a visit one summer evening, the old pick-up with Texas Country playing on the radio took me to the highest point of the ranch, and I rolled the windows down to watch the sun set into the grey of a coming storm. As the clouds turned from shadows into the surface of a burning sea, the storm and its rushing glory moved towards me. The smell of rain, thick in the vital air, mingled with the vision. Far in the low sky, silent lightning struck. The coolness of the coming rain and the sedation of the setting sun spoke peace, but in the moment, there was also fury…fury in the rising storm and a wild otherness in the red dirt and fiery skies, tremors of holiness within the peace. It was a fleeting sight of a home I did not know, a place I had only sensed.

 

My longing for that home, only glimpsed, is often full of sorrow. I, and all those whom seek, wait. We wait for the Son in the midst of a sullied world. We wait for him to be born. We wait for him to die.

In the aching hour of the setting sun, we wait.

Yet, in the promise of his advent, our waiting is full of hope. For he said he will come again, and we, with John, say: “Even so, come, Lord Jesus.”

Between here and there

Posted on by under Out of Place

Going home, for me, involves many of the cozy things you might expect—fires in the fireplace, my mom’s apple pie, snow falling outside the windows while we play board games late into the night. But for the past decade, being at my parents’ house in Michigan has also involved hours spent in a place where I feel least at home: Among the dying.

Yes, we’re all in the process of dying—we walk every day among the living and dying. But death feels so much more palpable and impossible to ignore in the nursing home where my grandmother lives. Grandma turned 100 in May, and is no longer strong enough to make it out of her button-controlled bed into a wheelchair and then into a car for the 15-mile trip to my parents’ house. All of our visiting with her now happens at the nursing home, where nothing smells right, sounds right, or feels at peace.

Last week we visited her on Thanksgiving, a piece of pie in hand to sweeten her day with a taste of home. Grandma was sitting in bed asleep, a spoon still in her hand and dots of bright, abstract chili splatters marking her “bib.” She still feeds herself (mostly, if she can stay awake), she still exercises, pedaling a bike-like device with her hands, and her mind is usually surprisingly sharp.nursinghomeroom

Still, Grandma is 100. It took us a while to wake her up enough to see a spark of recognition in her faded blue eyes, as my dad gently removed the spoon from her hand, dabbing at a bit of chili on her chin with a napkin dipped in her water glass.

As we chatted, we raised our voices to an unnatural level, allowing us to be heard above the TV on the other side of the curtain. At this volume, we were loud enough to attract the attention of Grandma’s roommate Leta, who is tireless in her attempts to get in on our conversation. Leta has Alzheimer’s, and while we hate being rude, engaging her is like opening Pandora’s box: There is no end, which only makes Grandma grouchy. We are her family, and she wants our full attention. We want to give it to her, too. Each time we end a visit, as I kiss Grandma’s cheek goodbye and smile into her eyes, I am forced to inwardly acknowledge this might be our last visit.

*  *  *  *  *

I have never gotten comfortable with the idea of death. Of course, I have plenty of company in that place of discomfort, especially here in America. But even though my aversion to death is common, I’ve still always felt a certain amount of guilt about feeling this way.

The guilt, I suspect, mostly stems from being raised in the church, where there was a sense that, as Christians, we were supposed to “long for heaven”—that heaven was our true home, and God was our true father, and anyone who wasn’t praying for Jesus to return and whisk us all away (somewhere up in the sky with gold-paved streets) was probably not a true Christian.

While death is something I avert my eyes from, aging, so far, has been a good thing. I like being wiser and knowing better who I am with each year—feeling more and more comfortable in my own skin as time passes. I was surprised by how easily I embraced turning 40. It was a celebration of making it through so much and finding myself on the other side more whole and happy than I had ever been. But I assume there is a tipping point, a moment when growing older ceases to be an unfolding and begins to fold back in on itself—a realization that my body doesn’t work like it used to be, and that chronic pain has the power to eclipse joy.

*  *  *  *  *

For now, though, my family is young and we carry that joy around in us, like a bright light that emits warmth for others to bask in. Taking that joy to my grandmother’s nursing home may not be fun or comfortable, but it is our responsibility, even as we long to shrink away from the sights, smells, and sounds of the old and dying.

carolingpicIt has become our tradition when we’re in Michigan for Christmas to sing carols up and down the halls of the nursing home, pushing Grandma in her wheelchair at the front of the parade, where she feels like queen for a day. When she was young—even well into her 70s—Grandma’s trained voice was a beautiful soprano, and she played the piano like a dream. Now, when her family is surrounding her, making music in four-part harmony, Grandma is as close to heaven as she will get on this earth.

We pause and sing for a while to a group of people sitting in the lobby just outside the dining hall. As we finish singing and turn to go, wishing them a Merry Christmas, several of the residents reach out to touch our hands—especially the hands of our three teenage daughters, so young and soft they seem to radiate goodness powerful enough to be contagious. Others seem to have forgotten us, lost in reverie. Their eyes are misty with tears, focused on a faraway spot that takes them beyond the nursing home, beyond place and time. Here, we are all out of place in our own ways, suspended somewhere between young and old, life and death, the now and the not yet.

Little Ears

Posted on by under Food & Place

“You’ll make a mess. Go outside to do that.”

With a prodding chide, my mom sent me to the front porch.

With just a bit of necessary force, my small hands grasped and pulled on the husks, exposing the yellow corn-on-cobkennels and sending silk wisping into the air. The husks ended up in the compost pile and the ears ended up in a pot of boiling water.

Sitting in our appointed spots, the tip of my pointing finger followed the rectangular pattern of the wooden table, hand-pieced together by my grandfather during a furniture making phase, as the meal was placed into the center of the table.

We bowed our heads as my father delivered a no-fuss blessing and then, passed the chipped serving dishes from person to person. A family favorite, each person took at least one ear of corn and smothered it in butter.  My dad peppered his; my mom added a dash of salt.  Silky wisps and a corn-shaped indentation remained in the yellow butter as it made its way around the table. As we began to eat, my little ears listened to the banter of my parents competitive jibes.

Pointing at the batch of undeveloped kennels, my dad teased my mom, “You must have grown this one.”

My mom, delighting in her bite, “Oh, whoa….sweet and tender! This one must be mine.”

A celebrated feat, my dad would show off his empty cob, stripped perfectly clean by his two-handed, organized approach.  For us kids, our corn was wielded in one messy hand, kernels dangling from misshapen batches of half-eaten ears and off of our chins. But, with the growing stack of passed-over cobs, the remarks continued to fly.

“Oh, this one is perfect. Definitely mine.”

“It’s on the little side…must’ve have been yours.”

In reality, they had grown them together. My dad guided the rototiller over the patch of land and planted the seeds. My mom weeded and watched for the infestation of bugs. Both took turns watering the rows of growing stalks and both prodded us children outside to participate in tasks of the garden.

Because it is was so evident that there was no “yours” and “mine”, these pokes and jabs were indications of affection, a life intertwined with a small patch of earth upon which they raised little ears.

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Where I Came From: Perspectives from the Kitchen Sink

Posted on by under Welcome to You Are Here

Annie, the orphan of curly red-headed fame was a staple of my childhood years. The VHS tape of her singing about “Tomorrow!” was often played in our down time as children. In it, Annie and the other kids of the city orphanage are longinAnnieWarbucksg for families and forced into fruitless hard labor by a nasty overseer, Ms Hannigan, who sloppily drinks gin in her bathtub. At the end, Daddy Warbucks steps in to love and care for Annie and all is well. (Or so I remember.)

My father was not like Daddy Warbucks. Where Mr. Warbucks was gruff, polished, and wealthy, my dad, in his most natural element, is mellow, slightly scruffy, and deeply appreciative of simplicity. At the heart of who he is, my father values hard work. Once, I heard him praise a hired kid with these words, “Someone taught you how to work, son. Thanks for your hustle today.”  Likewise, he taught me and my siblings to work. And still, in many ways, I am most at home working.

Mostly, I experienced the childhood tasks of family life with the wordless satisfaction of contributing, of doing what was expected of me. The wood pile grew as we added to it or shrunk as the pieces were carried into the house to be used in the woodstove.The flames in the rusty burn barrel or the plants that sprouted out the compost pile were things to watch and wonder about. Long sessions of grating cheese, placing it into ziploc bags to be frozen, or peeling apples, straight from the neighboring orchards, took place around the kitchen table. These were the normal activities of money-saving and country-living as far as I knew.

However, in one unfortunate incident of my childhood years, I was channeling my pre-teen Annie-angst about my “hard-knock life.” My father asked me a question, and I, filled with the injustice of having to wash the family dishes, muttered something snarky in response. I know it involved the dreadful command for him to “Shut up!”  Whatever sarcasm and disrespect I mumbled over the sink of soapy water must have caught my gentle dad at the wrong moment. His anger had a momentary flare. Amplified words about gratitude and “how good I have it” filled the kitchen space as he pulled me away from the kitchen sink. A generally good kid that wanted to please, I flushed with shame.

Years later, again up to my elbows in soapy water, a mountain of dishes awaited attention. The movement of many women in a kitchen, which could have been disastrous, resembled well-moving traffic patterns. All around me, to and fro, women dealt with leftovers, scrapped excess into the trash, dried the now-hot items and put them back into their cabinet home.

I was now a live-in staff member for a home that welcomed women in crisis–community meals and hence, community dish-washing were a regular part of our life together.  Many of these women had indeed had a “hard-knock life”–victims of others’ choices as well as their own; lives of poverty, trauma, and tremendous hardship. The women shared the common ground of being pregnant or having newborns. Their bellies, in various stages of soft roundness, gave witness to their motherhood. Their scars, tattoos, and biting humor gave witness to their past.

For the most part, dish-washing is the forgettable in-between activity of the more significant moments of meals and time spent together.  But for my eyes, this task was a place of great beauty, the dance of a community that knew how to work together.

For me, it was a feeling of home, similar to that of my childhood years.  But now, instead of moving under the protective gaze of my father, I was in the role of parent, teaching others to contribute to the wellbeing of our household, engaging everyone in money-saving tasks, and holding people accountable to inappropriate remarks.

With my mother at his side, my father had built my childhood home from his know-how, hard work, and long-suffering patience, slowly calling it into creation.  I had built the home for women out of the bones of an old, abandoned property, straight from the sheer goodness of God and from hours and hours of gut-wrenching, sacrificial work. In physically building a place, it has a special hold on you.  It helps me understand my father better.

Many of the women who I shared that kitchen with don’t have a father in their lives. Some never knew their father; others associate their father with the drugs and violence that he brought home. Many of those women grieve the fact that they will raise their children without a father. After years of hearing the stories of these women, it is painfully obvious that my father’s kitchen message was right. I have every reason to be grateful.

How good I had it.  

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Where I Came From: 5,000 Miles and Back Again

Posted on by under Welcome to You Are Here

When I was a little girl with two brown pigtails and bangs cut straight across my forehead, home was a grey-blue ranch-style house situated in the middle of Michigan’s palm. It was also a musty-smelling blue canvas tent, the sweaty brown vinyl backseat of a station wagon, and the open road, always leading to someplace new.

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If “home” is defined as a specific place, then my answer to “Where are you from?” is clear: I’m from St. Johns, Michigan, a town of about 12,000 people with a two-stoplight Main Street that’s anchored on the south end by a classic Midwestern courthouse. My parents still live in the house they bought when I was just five, and when we visit today, my own daughters sleep in my childhood bedroom.

All the kids who went to my elementary school lived in town like me, but by the time we were in middle school, our classmates were pretty evenly split between “town kids” and the “country kids” who grew up on surrounding farms. (My best friend Rhonda was a country kid with horses we rode on the weekends.)

Besides sleepovers and football games, there weren’t many parent-approved things to do for fun, at least not until we were old enough to drive the half hour to Lansing for date-worthy restaurants, movies, and malls. But St. Johns was a good place to be a kid. Growing up in a sheltered town meant plenty of freedom to bike everywhere—the city pool, friends’ houses, the library, and the bakery for custard-filled long johns. We didn’t wear helmets or lock our bikes—the only requirement was a wristwatch so we wouldn’t be late for dinner.

But even with such deep roots in a single place, I also grew up with an understanding of home that was nomadic: Home was wherever you stopped and pitched the tent when it was time to cook dinner. bluetent

My parents were both teachers, which meant summers offered more time than money. Flying from Michigan to visit relatives on the West Coast wasn’t in the budget, so each summer we packed up our wood-paneled station wagon and hit the road for about six weeks.

I was prone to carsickness, so there were just two ways I rode in the car: sprawled asleep across the backseat or awake and perched dead center, leaning forward until I was almost as much in the front seat with my parents as I was in the back. Luckily, my big brother was never the sort to draw a line down the middle of the seat and enforce it with punches or pinches. Besides, I think he was happy to let me chatter away to my parents, leaving him in relative peace with his books.

The ultimate destinations we drove toward—a visit with our grandparents in L.A. or our favorite cousins in Portland, a week spent hiking in Glacier National Park, or a few days exploring San Francisco—were well-worth the 5,000-or-so miles we covered each summer. But so many days were devoted to just getting there, driving through endless-seeming states like Nebraska or North Dakota, only stopping for gas, bathroom breaks, and to eat the sandwiches Mom had made at the campground that morning.

After a full day of driving, as the sun was lowering in the sky and Mom’s voice was hoarse from reading aloud Little House on the Prairie books, we pulled out a thick campground guide and chose a place to stay—with a pool, if my brother and I were lucky. At the campground, Mom pulled out the camp stove and started dinner while the rest of us got to work setting up the tent and filling it with sleeping bags and pillows. The next morning it all came down again, was packed back into the car, and we drove some more—to the next place we would call “home” for a night.

*  *  *  *  *

Now, when I think about where I come from, I still envision that ever-present grey-blue house, first. I am very much a small-town Michigan girl. But it occurs to me that my rootedness in that place has always been filtered through an understanding of other places—of treeless plains and impressive peaks, of rugged beaches with magical tide pools, and of Chinatowns and subways, operas and contemporary art. I knew where I was back home in Michigan because I also knew where I wasn’t.

And in that sense, I come from places that protected me as well as places that exposed me—from a small Michigan town and big Montana mountains; from the inside of a station wagon, where my entire family was always close enough to touch, to a crowded San Francisco sidewalk where strangers pressed in as I absorbed glimpses of the world.

stationwagonPhotographs by William E. Tennant

 

Where I Am: Under a Dallas Sky

Posted on by under Welcome to You Are Here

The slight fall of morning light slipping through the cracks of my window wakes me from my restless sleep to the crude demands of the morning. I roll out of bed into the shame of being unprepared: my clothes are not laid out, which means I will wake my roommate as I dig blindly through my very wrinkled dress shirts, my lunch is not made so once again I will go lunch-less, and I have a pile of ungraded math homework still waiting for me when I arrive at school. While I go about my early morning routine, all of these shames cluster in the blackness below my waking mind.

I enter the kitchen of my ancient apartment and hurriedly turn on the lights. My eyes dance from the floor to the refrigerator hoping to avoid catching a glimpse of the inevitable running of the roaches occurring below me as they scurry from the presence of light as if their very lives were deemed too sinister for life in the light. In the refrigerator, I find the needed caffeine rush in the form of canned bubbling chemicals. Desperately trying to escape considering anything above the automatic, I dress, brush my teeth, and hurry to my car in a matter of ten minutes.

“Get me out of this morning and on to bigger things” is all I can muster in a hurried prayer as I begin driving.

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The car ride to where I work in West Dallas as an 8th grade math and science teacher carries me across several layers of Dallas. When I was growing up in North Dallas, I never made this drive, nor did I know anything about the totally different cultures of South and West Dallas, much less the many surrounding suburbs which make up what we simply call the Metroplex. My total lack of knowledge about the city I have called home for over twenty years struck me last year when I was on jury duty with a large group of South Dallas residents. Their conversations about local politics, churches, and socio-economic problems were so foreign and curious to me. Their concerns and perspectives were utterly different than what I was used to hearing in North Dallas, and I had never seen many of the places they referenced.

Beyond simply being geographically fragmented, Dallas has no discernible cohesive culture. The only thing everyone seems to agree on is an affinity for football and a hatred of Jerry Jones. Dallas’ cultural conglomeration is like a kid’s stick glued art project all jaggedly matched together and glittered with silver and blue sparkles. Dallas imports and slaps together all kinds of cultures stolen from other places like Austin’s hipster vibe, LA’s glam and glitz, the Deep South’s style and sense of class, and the cowboy swagger of West Texas with brief cases replacing the revolver in Dallas. None of it seems to be authentic, and if you went looking for Dallas’ soul, you would get lost somewhere between the Northpark Mall, Fair Park, and the Bishop Arts District.

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As I drive, I go under the North Dallas Tollway, by the Salvation Army on old Harry Hines, and finally under I35, the great heartland highway which splits Texas into two discernable halves, before I reach the one unpopulated portion of my drive over the Trinity River and its surrounding flood plains.

When I cross the bridge just northwest of downtown Dallas, I look back to my left to catch the sunrise from the southeast behind the Dallas skyline. This morning the river is shrouded in a snake of smoky fog clinging to the water and walled by big pecan trees. The skyline is tinged in amber by the sun rising directly behind it, and above it all, the Dallas sky, which is bigger, wider, and higher than even the “everything is bigger in Texas” slogan lets on, is shaded orange, purple, and blue. When I arrive at school just on the other side of the bridge, I get out of the car and turn once again to face the amber beauty of this Texas sunrise. I give thanks for the sky, and as my mind stills and relinquishes some of its shame and anxiety in this moment of delight and thanksgiving, I am reminded of a prayer I wrote two years ago when I first started teaching:

Draw me to the present, the work of today

I repent of rejecting the meager means

Help me to embrace these trickles of You

 

Here, under the Dallas sky which I have seen lit up in a thousand different ways over 21 of my 27 years, I live.

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Where I Am: Four Houses, Four Turning Points

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I live in Urbana, Illinois, a city I didn’t want to move to in the first place. My opinion on the matter was weakly based on the handful of times I had driven by the Champaign-Urbana exit on Interstate 57. From that vantage point it was just another flat, cornfield-edged town with predictable, treeless suburbs and chain restaurants.

But in 2001, when my youngest daughter was still in diapers and I was finally admitting to myself that my marriage was falling apart, it felt like God was urging us to move. More precisely, I thought that moving—and my husband’s new job—would somehow save our marriage.

In the 13 years since moving to Urbana, four houses have been home. I don’t know if it’s by design or coincidence, but it seems that each significant Act in my life here has demanded a new stage, as if the inner transitions couldn’t be complete without the leaving of one tangible place and the arrival at another.

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Our first Urbana house caught my eye because—if you could see beyond the birdhouse and ivy wallpaper—it reminded me of the beloved house we sold in Michigan before moving here. Both were 1920s-era Mission style, with sturdy stucco exteriors, generous wood mouldings inside, and plenty of tall windows paned with thick, wavy, antique glass that creates mottled patterns of light when the sun shines through.

During the three years we lived in that house, our toddler and pre-school-aged daughters were at that kill-you-with-cuteness stage of life, busy choreographing dances, creating elaborate plastic feasts in their play kitchen, and layering on the most unlikely costume combinations.

But in spite of those bright moments, I think of that first house the House of Pain. Yes, I know it’s overly dramatic (and also the name of a nineties hip-hop band), but for me, the house was the scene of much yelling and crying and despair. Ultimately, it was the place where I gave up—not just on marriage, but also on my long-held childhood belief that God had plans to prosper me, not to harm me.

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If I was drawn to my first Urbana house because it reminded me of a house in my past, I was drawn to the second Urbana house for the opposite reason: It was nothing like the House of Pain. It was one-story not two; 1960s not 1920s; brick not stucco; and straight-forward, not “full of charm and character.” Most importantly, I was bound to it only by a 12-month lease, not a mortgage. I signed the lease after my divorce was final—after the House of Pain was sold and our marital collections of books, CDs, artwork, and kitchen appliances had undergone a necessary but unnatural process of division.

This second home can best be described as the House of Rebellion (clearly a perfect name for an angry metal band). Just like music that serves to numb the mind, the House of Rebellion provided an escape hatch from the life my ex-husband and I had shared. It played into my desire to be tied to nothing: not a marriage certificate, a church membership, or a mortgage. I devoted myself to my daughters when they were with me, and on the weekends they weren’t, I did whatever I pleased.

Like many rebellions, however, this one led to rock bottom, not freedom or enlightenment. One day about a year after moving into the rental, I knew it was time to stop feeling sorry for myself and start claiming my place. Maybe if I chose to live here—decided to put down roots on my own, in a house of my own—that whole sob story about “following my husband to save a marriage that couldn’t be saved” would lose its power over me.

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Buying house number three happened amidst a flurry of change: I ended a bad relationship, decided to try church again, went to a new counselor, and generally began figuring out who I really was.

This was my House of Healing (yep, cue the cheesy eighties CCM band). It’s the house where I learned to sit and just be in the moment, and where I learned that God wants me to find myself, not fix myself.

I worked in my garden, pulling out weeds with deep roots and planting perennials, and I invited new friends to sit around my table and share the meals I cooked. My daughters grew in those sunny rooms, writing stories, learning to play my grandmother’s piano, and forging great “wilderness” adventures with friends in our large, tree-filled yard. Along the way, as I mowed, painted, baked, and parented, I recognized this truth: I have more power to shape my place than it has to shape me.

And then I met Jason. We eventually got married, blending our families in that House of Healing, all five of us crowded in, watching and learning in awe (or at least the grownups were in awe) as redemption was worked out in one surprising way after another.

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Finally, last spring, as our three girls (and their groups of friends) grew bigger, Jason and I sold “my” house and bought “our” house: The House of Hope (or Truth)? The House of Second (and Third and Fourth) Chances? The House of New Creations? I’m not quite sure yet, but that’s OK—I don’t feel the need to pin down the life that’s unfolding here or the God who works in so many places, in so many ways.