Trading time for breath

It’s Monday, the day I most need yoga and least have time for it. At 3:58, I rush across the bamboo floor of the studio, flustered and sweaty. Calm, centered-looking people who are already on their mats dot the studio, assuming some type of restorative/meditative/stretching pose that seems to highlight and mock my perpetual race against time.

Does being centered make a person on time, I wonder, or does being on time make a person centered?

Maybe I’ll never know.

I unfurl my pea green yoga mat, then make too many trips back and forth for various props, with each pass noticing another one I’m still missing. As I set up a block to sit on, my mind bounces around: a client I forgot to email; my daughter stretched on her bed as I left home, promising she would start her homework; a dinner ingredient I forgot to put on the list for my quick grocery run after yoga.

Ginger root ginger root ginger root ginger root, I chant to myself as I wind my hair into a hasty top knot. Even as I try to commit the necessary ingredient to memory, my brain ricochets its response: You’ll forget you’ll forget you’ll forget.

Scolding my unhelpful pessimism as our yoga instructor welcomes us to the practice, I settle into a cross-legged sukhasana, replacing ginger root and you’ll forget with that calming word: su-KHA-sa-na.

I feel the word rolling through me slowly, syllable by syllable; it flows and spreads rather than ricochets. Sukhasana. Its mere foreignness and lyrical rhythm help me shift from a day marked by meetings on my calendar, check marks on my to-do list, and billable hours measured by my laptop’s digital clock.

Yoga class was one of those calendar items—the last one of the day. Now that I’m here, I do my best to let go.

Sukhasana.

*  *  *  *  *

“Observe your thoughts. Acknowledge them,” my yoga instructor says. “Then let them go with your next exhale. Transition from your day to your yoga practice. Your only task now is to turn your attention inward and follow your breath.”

I’m not good at letting go. I’m good at making things happen, by pure force of will and careful strategy. In almost all other parts of my life, time equals progress—steps walked, words typed, hours billed, rugs vacuumed, cakes transforming from formless batter to sliceable delicacy. But in yoga, time is liminal. It speeds up or slows down according to my ability to access more breath, to find the far reaches of my lungs.

I am here. I am here.

This is the mantra I turn to most often to quiet my mind and deepen my breath—an adagio in four counts, inviting my breath to dance with parts of my body it hasn’t visited all day.

Inhale: I – am – here – (rest)

Exhale: I – am – here – (rest)

When I’m surprised by the instructor’s gentle voice saying “Begin to bring your awareness back to this space,” I know I’ve done it: I put time in its place, if even just for a short spell.

*  *  *  *  *

“Your back legs can be straighter. Even straighter. Reeaach through those finger tips, getting as much length as possible in your waist!”

Our instructor is walking among our mats as we all exert ourselves toward the best Warrior One poses we’ve ever achieved. She gently taps up on knees that aren’t straight enough, and lifts up on rib cages that could find another millimeter of length. As she wanders to my side of the studio I straighten and lengthen even more, hoping my back leg is one she won’t tap. At this moment I want to impress her as much as I want to punch her.

“Good! OK, hold it. Hold it. Just one more breath.”

One more breath my ass, I think. My deeply bent front leg begins to take on a trembling life of its own as our instructor forgets the definition of “one more breath,” pausing to align someone’s uneven hips.

In the agony, time becomes time again. There isn’t a clock visible in the studio, but there is a second hand ticking in my mind, mocking me as it did in middle school PE class when I was being timed for the dreaded “flex arm hang,” my arms betraying me in violent tremors.

Finally we are released from our deep lunge misery and allowed to “rest” in downward facing dog.

“That was wonderful!”

I’m a sucker for her enthusiastic praise every time.

*  *  *  *  *

6449941549_23f87d5c87_bFinally we transition into everyone’s favorite pose: savasana, or “corpse pose.” I’ve worked hard, so I sink into it gratefully, like one who has earned the right to release every muscle in her body.

But my love for savasana stems from more than my immediate need for a rest; I love it because there are no other moments in my busy life when I give myself permission to fully let go. No control. No effort. No holding what has been or what’s next. No seconds ticking into minutes.

For a while I am only a body, existing outside of time.

*  *  *  *  *

(Savasana photo, above, by Robert Bejil.)

Kristin bio YAH

Bridge Crossing

The sky is spitting at me as I start making my way across the Birmingham to the South Side. Others may take offense at such rudeness from above, but I am not overly worried about it. Black clouds are rolling in from the west and it appears that I am on the brink of an odd February rainstorm.

I continue my brisk stride down the fading bike lane. It was only striped in November, but its disappearing lines assume an older age. It reminds me of a relationship that is exciting while new, but gets neglected after an initial flurry of attention. Does anyone build anything to last anymore?

A car zooms past at an unnecessary speed. Thank goodness for these bike lanes…why do people drive like idiots? I realize that I am moving quite fast myself (for walking of course) and that a small sense of indignation has risen into my chest. I may not be in a vehicle, but I still get caught up in the rush of morning traffic. I slow my pace only a little: part of me wants to get caught in the moment and in the storm, though part of me only wishes to get to work and stay dry.

I cautiously traverse the on-ramp and hurdle the barrier guarding the sidewalk. My feet hit the other side and continue their dutiful march towards the office. I breathe a bit easier having a concrete wall between me and the traffic and lose myself in my thoughts.

BirminghamBridgeWhen crossing a bridge, I am most often merely trying to get from point A to point B. When I take a slower mode of transportation (my feet, for example, or by bike), the line between the destinations, the journey, becomes more important and focused.

In contrast, when I cross a bridge with a car or a bus, am I really bridge crossing, or is it my vehicle transporting me from one point to another? Do I hear my feet hitting the pavement below? Do I feel the raindrops and wind stinging my face? Do I really see my surroundings when a window is framing my view, the world passing by in a blur?

The difference between bridge crossing and bridge crossing is in the experience of the moment. Actually, it is a state of mind:

When I am in a hurry to get to work in the morning, even though I am walking, I am not really crossing the bridge: I am just trying to get to work.

At the midway point of the bridge, the spitting turns into a light sprinkle and breaks my reverie. I look over the railing to the river below. The Mon is usually pretty muddy, but I find that this is even more the case today. It had been calmly flowing in the weeks before: Now it seems to have snapped. It has been holding back for a long time and is just now letting go.

It is a hard process: to let go. The waters seem to dig their heels into the bottom of the riverbed in protest and make everything cloudy. I remind myself that it is a cycle that nature – and a human heart – goes through: The water rises and falls in its own time.

The sprinkle is growing steadier as I descend the stairs from the bridge walkway. My mind turns to schedules and coffee and nine-to-five matters. I check my watch: 8:55. I quicken my pace.

I see other people on their way to our huge renovated warehouse of an office building. They come from all directions, pulled somewhat unwillingly towards the same point as if by some unseen magnetic beacon. Most of their faces have the same blank look of Monday.

The rain is really starting to come down now. I alight the stairs towards the employee entrance and seek cover from the rain. I see a flash light up the sky and hear the subsequent crack of thunder. I pause, hoping to at least watch the storm for a little longer, but someone is behind me, so I enter the building.

I remember so vividly these ten minutes of my day, crossing the bridge, while the rest goes by in a forgotten blur…

“Why can’t my whole life be like crossing a bridge?” I ask myself as I punch the elevator button. I breathe deep, step into the elevator and take note of the strength of my still beating heart. I silently pray gratitude as the doors close in front of me.

*   *   *   *   *

TriciaThickBikes“Bridge Crossing” is by Tricia Chicka. Tricia is a multi-media artist, massage therapist, cycling advocate, outdoors enthusiast and theatre lover from the city of bridges: Pittsburgh, PA. When she is not walking across bridges, she is more often than not cycling, bussing, or (begrudgingly) driving over them. She loves the power of words and sometimes pretends to know how to string them together in meaningful ways. You can find other musings posted on The Chicka Blog (www.pachickster.blogspot.com).