Strings, Attached

When I said goodbye to California when I was seven, I didn’t realize that I was letting the only home I’d known slip through my fingers. At seven, packing up two large moving trucks with everything you own seems like an adventure. I got into that large yellow truck and didn’t look back for a long while.

Home, for me, is the place I’ve lived most of my days since: Spokane, Washington, a medium-sized city with a small town feel, far from the rain and gloom of Seattle, on the coast. All of the bedrooms I’ve had to myself are in this city. This is where my favorite swing hangs, in my favorite park, the place I go to contemplate life, or to wait for a phone call from a boy that may or may not come. We have history, Spokane and I.

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I woke up in the wee hours to catch my flight to California. The temperature hovered somewhere right around freezing. This is the October I have come to know. Once we’d made it through security, there was little difference in temperature between airports and planes as we made our way south. But when I stepped out of the airport and into the Southern California afternoon, I intuitively peeled off my cardigan. My bare shoulders recognized the October sun.

There’s a part of me that has always protected myself against loving my birthplace. I’ve told myself that it’s expensive, and that it’s smoggy. I’ve told myself that there are more drive-by shootings there than there are in Spokane. All of this is true. But I tell myself something else: San Diego doesn’t belong to me. It takes more than being born into a place or a family to make it yours. That isn’t true.

Although my skin pinkens and burns easily, I notice that my joints are less creaky in the warmth. I don’t have to take several times the recommended daily dose of vitamin D by mouth, but allow my body to synthesize it while I walk along the beach, listening to the music of the seagulls and the way the waves come in, always persistent, never stopping.

In Spokane, people frequently look bemused when I tell them that I’m not an outdoorsy person. My Tinder matches tell me that their perfect date includes a hike, or a bike ride, or a snowshoeing excursion. Though I don’t love Spokane’s brand of outdoor activity, I could walk along the beach for hours, drinking in the smell of the sea. I could drift through the streets of my birthplace endlessly, following the scent of Mexican food.

On this last trip, I sat down with my family at a restaurant I’ve visited on every trip to San Diego, and many times before we moved. As we waited for a table, I watched the hypnotic motions of the women making homemade tortillas, tossing them onto an endless pile that never seemed to dwindle as waitstaff came to wrap a handful in paper to take to one of their tables.

I like to try new food and drink wherever I go, but not here. Here, there is only one possible order, a tostada suprema (which comes with shredded beef and pork). I order fresh flour tortillas on the side and heap the contents into extemporaneous soft tacos. I close my eyes and I am transported to any one of my previous visits. It’s undeniable: I have history with San Diego, too.

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But there is more to it than that, of course, more than just the food and the sunshine. We pass the hospital where I was born, and my mom points it out. Sharp Hospital. Someone in the marketing department in the 80s decided to create tiny shirts that said “I’m a Sharp baby.” My mom still has mine.

I have family in this city, and a bit further up, in Costa Mesa and neighboring places that roll off my tongue easily, although it takes me a moment to connect them with the signs on the freeway inviting me to exit. I know the names because I’ve heard people say them. Sometimes, that’s how my faraway family feels. The names are familiar, natural, but I don’t quite know if I can claim that as mine. There is so much distance, so much life lived away from each other. 

But on this most recent trip, I began to try. I shimmied into the role of cousin, niece, granddaughter. I soaked in each person and the way they blurred together with every other memory we’ve had together, indistinct, layered.

I was sorry to leave. Perhaps that is what I’ve always been protecting myself against. There is an eternal, persistent ache to belonging in more than one place. There are Cara-shaped holes that cannot all be filled at once. There are strings that pull at me no matter where I am.

* * * * *

Cara Stickland is a writer from Spokane with some warmer roots reaching south. Spokane photo by Michelle Lee; Palm Tree photo by Jesse Collins.

More Than A List

Remembering may be a celebration or it may be a dagger to the heart, but it is better, far better than forgetting. ~ Donald M. Murray

I sit cross-legged on a pillow, playing tug-of-war with shelved books. I find it hidden, stacked between Richard Scarry’s Best Word Book Ever and a large rectangular volume of maps. Dust tickles my nose as I run my hand over the linen-covered yearbook embossed with the class’s gold emblem.

Beside me, my laptop is open to a Facebook group page, Gone But Not Forgotten. It lists those from my class who have died. How many could be gone from our 450+ class of 1977? I squint, adjust the brightness of my computer’s screen, and strain to read the list. As I turn each page of the yearbook, matching faces with names, I hug myself around my waist. Sharp grief elbows my stomach. Tears puddle in the knot-holes of the pine floor beneath me.

I cover my eyes, hoping the names will fade back into the screen if I don’t peek. But, like a monster in a horror film, death doesn’t evaporate during my game of peek-a-boo. I uncover my eyes.

* * * * *

 A shy boy with smiling eyes, long curly bangs, and a slight tilt of his head stands dressed in a black jacket and tuxedo shirt with bow-tie. I imagine he is, like me, eager to pack his suitcase and throw off the constraints of high school. His name is written in a plain font on the list. I don’t know when or how he died—or why.

I remember sitting next to him in an economics class. Our marriage was arranged by a creative teacher who divided the class into married couples and assigned each a starting sum of money to work with. Every week we withdrew a sliver of paper from a bowl, on which our teacher had written a financial difficulty to test our ability to create a budget and stick to it. I gave birth to twins, had to purchase a washing machine and dryer, and my husband’s hours at work were cut back. Groans of despair, lusty laughter, and sidewise glances at my spouse filled the class hour. I was a little bit in love with my husband.

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Turning glossy page after page, images of the dead remind me how I categorized each person in my class, even the ones I didn’t know. I remember faces, voices, the bounce in someone’s walk, and the shuffle of another. Classmates resurface in my memory: the popular, nerds, band nerds, jocks, hybrids, and the ones who gathered outside a designated entrance to the school for a smoke break. Their group was known to me and some of my friends as the freaks.

Questions sometimes floated around the hallways: Do the freaks smoke weed? Do they “fool around” in corners? I mixed harsh judgement of them with my desire to join them. Incognito.

Plagued by hormone-soaked daydreams of cigarette smoke exhaled in dark corners, I thought the freaks must be bad people; some even scared me. When one, a girl wearing a frayed denim jacket and low-slung jeans, spoke with genuine kindness to me, I was perplexed. At that time in my life, God was a square: predictable, with clean corners, a deity of certainties.

* * * * *

I did not choose my first college roommate. The housing office paired me with someone from my high school class. But, I didn’t know her.

She was a freak.

The entire month before classes started, I worried. Does she know who I am? What if she doesn’t want to be my roommate? Should I call her and ask her if she wants to have matching bedspreads?

I told my mother I wanted sheets and matching curtains for my dorm room in a blue tie-dyed pattern I had seen in a catalog. While different from my usual love of pink and blue florals, I thought a hippie style would give my roommate the impression I was chill.

I remember when she arrived to our dorm room. My wooden Coca-Cola crate painted high-gloss blue was hung on the wall, filled with knick-knacks and memorabilia. New sheets were cornered tight on my bed accompanied by a matching sheet draped on a curtain rod at the window. Towers of textbooks, notebooks, folders, and magazines were already stacked on my desk.

When she arrived, she said something like “this looks nice” and plopped a bag on her bed. We introduced ourselves in an exaggerated fashion, shaking hands, and laughing about What are the chances that…?

Her smile was crooked, and she studied my face like she was mining for truth, or that’s how I felt.

“Do you mind if I crack open the window?” she asked. “I need a smoke.”

I said sure, even though I wasn’t sure of anything, except that I didn’t want to be a party-pooper.

As the semester went by, my roommate partied. Beer was a staple in our mini-fridge, and when an uncooperative breeze changed direction, her cigarette and joint smoke wafted under our door into the hall. I became the doorkeeper, listening for the approaching footsteps of our strict floor captain. Even though I did not participate in her activities, I knew I was her friend. I had her back.

When I vomited my way through a wicked stomach virus, she ran to the Quik Mart, bought ginger ale, and wedged it beside her beer in our fridge. She had my back.

God was smoothing the sharp corners of my world, rounding and rounding it into a growing, multi-colored circle.

* * * * *

I scroll down the list and stop. Her name is there.

In my mind’s eye, I imagine her in a black and white photograph. She is tipped back in her chair, legs crossed, feet up, smiling after taking a long drag from her cigarette.

* * * * *

Lisa bio YAH

 

Marshlands

As a kid, I always thought it was odd that my grandparent’s house had its own name.

When my siblings and I piled into mom’s red minivan to drive the five winding hours to the South Carolina Lowcountry, we weren’t just headed to “Mimi and Pop’s house”—we were bound for the oyster-shell driveway of “Marshlands.”

Marshlands (1)Marshlands dripped with history. Huge oak trees, strung with Spanish moss, seemed to have been rooted in the front yard since Earth’s creation. A plaque on the ivy-draped front gates declared the house a National Historic Landmark due to its early 1800s construction and its use as a hospital during the Civil War.

Inside, among antique furniture and fraying Turkish rugs, I found artifacts of more recent, familial history—pictures of my parents smiling on their wedding day, newspaper clippings about Mimi’s real estate business and Pop’s run for lieutenant governor, photo albums of my older cousins as toddlers, always at least one caught red-faced and wailing in the camera flash. Pop’s reluctance to throw anything away (a tendency born from his depression-era childhood, perhaps) even made the fridge an excavation site for expiration dates gone by.

To me, the exact dates and details of Marshlands’ past didn’t seem especially relevant. But the house’s musty oldness—hinting at stories of antebellum balls, of wounded soldiers, of my mother’s teenage years—added to my certainty that Marshlands was magical. It seemed like the kind of house where all the stories I read started. Surely I would find a hidden room if I just pushed some hidden knob on the fireplace or tugged on the right dusty, leather-bound book on the shelves lining the study. I knew the massive wardrobe upstairs would lead me to Narnia, though I was too intimidated to get close enough to pass through. The giant vase in the back yard (an actual relic from the filming of The Jungle Book in the nearby Sea Islands) sent shivers down my spine in the best possible way, as I envisioned the cursed rubies and gold coins that must lie at the bottom.

Marshlands had its own sort of everyday magic, too, in the way that only familiar childhood places away from home can. Much of that magic came from Mimi, who was unfailingly gorgeous and refined with her red lipstick, perfect makeup, and elegant Southern accent. She served us lemonade and iced tea on the porch, taught us to play rummy, and took us to Boombears, the nearby toy shop that (coincidentally?) went out of business shortly after Mimi’s 18 grandkids passed the age of Beanie Babies obsessions.

Even after Mimi got sick, some of the childhood magic of Marshlands lingered. My siblings and I still climbed on the low-hanging branches of the oak trees and bounced on the trampoline with rusty springs. Mimi still served lemonade and rum cake (with increasing portions of rum as her eyesight dwindled). Pop still snored in front of TV college football, and woke up to protest when anyone changed the channel.

But when we left, my mom would cry—not “sad to leave” kind of tears, but tears of a sort of loss I couldn’t quite understand. I was a preteen who had never watched someone close to me slowly slip away.

After Mimi fell and broke her wrist, my mom and her siblings decided to move Mimi and Pop to a one-story house in my uncle’s neighborhood. They rented out Marshlands to strangers for a few years.

The next time I went into Marshlands was for the luncheon after Mimi’s funeral. Nothing had changed—and everything had changed. The gold-patterned wallpaper remained. The old books. The dust and faintly musty smell. But the house’s magic was harder to find. In the years since I’d been in the house, I’d gone off to college and started paying my own bills. I’d forgotten the rules for rummy. I’d realized that the wardrobe upstairs only held mothballs and fur coats.

After cleaning up from the luncheon, my cousins and I climbed into the attic and tried on Mimi’s old ballgowns. We each took a few pieces of jewelry. One cousin pocketed Mimi’s iconic red lipstick.

A few years later, we celebrated that same cousin’s wedding on Marshlands’ lawn. We watched her walk down the aisle between the oak trees we’d climbed as kids, then sipped champagne under the huge reception tent that had temporarily displaced the rusty-springed trampoline. Pop joined us on the dance floor for a shuffling Carolina swing, taking my cousin by the hand as the band played “My Girl.” Just before the newlyweds drove off in Pop’s antique car, we all lit lanterns that sailed past the trees and over the house’s red roof, creating a new kind of magic.

* * * * *

photo (1)Dargan Thompson is a freelance writer and editor based in Orlando, Florida. Other than one glorious semester studying abroad in London, she has always lived in Florida, and she finds the Orlando airport quite accommodating for her frequent travels. Find her online at darganthompson.com or on Twitter @darganthompson.

Visiting With Ghosts

About once a month, I wish that I could revisit a place from my past. It’s not always the same place (though some are recurring), but my terms are always the same: I want to be alone and undisturbed. I want to be able to look around to my heart’s content, and I want it to be exactly as it was when I was there.

I’m not sure what I think this would solve, exactly. I’m not sure what I would gain by sitting again at the bar of a restaurant, closed for the season, where I ate several breakfasts and dinners with a boy I once knew, who worked there when it was open. I remember the way he made coffee with a practiced, professional hand, and how we cooked together in the industrial kitchen in bare feet.

I spent one day there, alone, meeting food writing deadlines. Autumn sun flooded the floor where tables and chairs usually would have been. If I close my eyes, I can still remember how strange it was to be in a restaurant which wasn’t fulfilling its purpose, as if I were living in a post-rapture world and businesses were no longer relevant.

When that boy moved out of the country a few weeks later, he took the keys to that restaurant with him. I know that if I were to go back, it would not be to the same place where we danced to “Summertime Sadness” in the dark, or watched “You’ve Got Mail” together on Halloween. “That’s my favorite movie,” he had told me. I believed him.

Then, there’s a triplex in a small college town south of Spokane where my ex-boyfriend used to live. Floaty, grey sheers hung on his windows and the frozen early spring light filtered in during the day as I sat on the couch. Sometimes I would drive the hour and a half to spend a day off with him; we would sit together, enjoying our closeness. On those visits, I would arrive before he finished with work. He left the door unlocked for me, and I would lock it behind me immediately, the difference between my San Diego upbringing and his in rural Idaho.

From his window, I could see the local grocery store. Sometimes I would walk over and buy vegetables or salad dressing. He always had plenty of frozen things, chicken, beef, and vegetables, but I was the one who bought and roasted asparagus, quartered brussels sprouts, or sautéed mushrooms in butter.

I spent many hours in that three story house waiting for him to get home. I’m not sure why it still haunts me. In the afternoons there was a silence about it that reminded me of nap times when I used to babysit. I kept an ear out the way I listened for a child who might be stirring. I watched out the window for his return, tuning my ear to the sound of his truck.

Most often though, I find myself mentally walking the halls of my mother’s mother’s house, the one she sold quite a few years ago. Before I even get inside, there is the fragrance of gardenia along the path. There is a bush where I hid a Lindt truffle from my grandmother’s jar, hoping that it would be there for my next visit (it wasn’t). The lawn is split into two levels by a rock wall where we sat to let our sparklers burn out safely every fourth of July.

Inside, I step carefully into the marble-floored entry, remembering how hard it could be in an unexpected fall. I pause in the living room for a moment, remembering the year all of my cousins got gymnastics Barbies and we twirled them all over that floor. Upstairs, I run straight to the Tulip room, so named for my grandmother’s favorite flower and all of the tulip decor, mostly pink. This was where I slept when I visited and where she kept all the toys.

Across the way is the yellow bathroom where I steeped in oatmeal baths during my chicken pox and brushed my teeth with bright blue bath salts the color of my Crest gel.

Downstairs there is a den, beneath the kitchen where the food rested expectantly on holidays, ready to be heaped onto plates. I can’t quite remember how it worked, but I know that there was a bar. That was where my grandparents kept the biscuits for Jebby, their faithful dog, who patiently accepted one from each of the six grandchildren.

That den was where my Poppa, my mom’s dad, introduced me to Indiana Jones and Star Wars in those tender years we shared before he passed away, followed soon after by Jebby. If I pause in this section of the house and squeeze my eyes tight, I can hear the splashes from the waterslide into the pool just through the sliding glass door, and the echoes of a hollow ball meeting paddles and a table, down the hall in the garage where the coordinated are playing ping pong. Any moment now my Poppa will wrap an arm around my shoulder and ask if he can make me a drink. I guess, maybe, when I revisit a place, I don’t always want to be alone.  

Leaving Home {part one}

I remember the emptiness of the moving truck after I backed it up to our garage in northern Virginia. I parked that behemoth, the largest truck they had, and walked quietly around to the back. I lifted the gate and pulled out the ramp. My two oldest kids ran up and down the clanging metal, jumping around in the back and leaping from the wheel wells, shouting their names and marveling at the echo.

I remember that echo.

The  emptiness was everywhere. The trees were shedding their leaves. The immaculate houses looked down on us disapprovingly, like a row of unhappy teachers,, their shapes dim against the slate gray sky. I felt like those beautiful houses (or perhaps their occupants) held us in contempt – we had not been able to make it there. We were not good enough.

Inside the house, rooms were either empty or had stacks of boxes huddled in their centers. I walked through the rooms to make sure we hadn’t forgotten anything. There, the third-floor room we brought Sam home to after he was born with that perfect knot in his umbilical cord. There, the room I painted pink for the girls. There, the kitchen with its marble countertops, the countertops we had leaned against with friends on late summer nights, the countertops that held me up when I told Maile the business wouldn’t take us through the winter. We were drowning in debt.

We didn’t breathe so much as sigh. I felt like a failure, unable to make enough money to keep my family in the place that we loved. I felt lost and fragile, as if one more tiny bit of bad news would be enough to send me over the edge, into the emptiness of midair.

That emptiness was everywhere. Including inside me.

* * * * *

My wife later told me a story about those last days in Virginia. Last nights, actually. She woke up after midnight to the sound of nothing. Our children were all sleeping, the neighborhood outside was silent. There was a large window by the bed that looked out over our tiny back yard and into the tiny back yards of the houses behind ours. Street lights threw dim shadows on to the ceiling, drowned out the stars.

My wife woke to a ball of anxiety about what was happening, about our business going under and all the debt weighing us down, about us having to leave a place we loved and move our family of six into my parents’ basement 150 miles away. She slid out of bed, down onto the floor, and put her face in the plush carpet.

How can this be happening? God, how can you let this happen?

She heard the closest thing she’s ever heard to an audible voice from heaven, and it echoed in her mind, one phrase reverberating and growing.

This is a gift.

When the phrase faded off into the darkness, disappearing beneath the whirring of the ceiling fan, my wife shook her head.

Well, she muttered, it’s a pretty shitty gift.

She stood up off the floor, crawled back into bed, and went to sleep.

* * * * *

I can’t decide which is easier, packing up an entire house and moving truck on your own, or having your entire community come out and help you do it. The first is physically difficult, nearly impossible. The latter is emotionally difficult, nearly impossible.

We walked beside friends carrying our boxes, our furniture. We laughed and joked about how only the best of friends help you move because everyone hates losing friends and everyone hates moving. We let one of the guys take over the truck packing duties, and he wielded his engineering skills like a champion-Tetris player. The door to the behemoth barely shut, but everything was in. That slamming sound was it. The latch clicked. The lock connected. Our four years in Virginia were nothing more than a closed door.

We hugged them, perhaps the closest friends we had ever made, and we promised to stay in touch, though we knew it was unlikely. They walked off into the night, one family at a time, and we went back inside the empty shell.

I can’t remember if we spent that night in the house, slept on the floor, and left the following evening, or if we drove off after our friends left. It seems like something one should remember.

What I do remember is making the three hour drive to our new locale through the pouring rain. I led the way, alone in the truck, my wife and our four kids in the minivan behind me. I remember the way the headlights of oncoming cars streaked down the windshield.


That was one of those drives I’ll never forget, when my thoughts weren’t deep inside me, but out in the open, like residue on my skin. There was a tangible sense of loss, as though someone had died. One phrase kept circling back through my mind over and over again with the rhythm of the windshield wipers.rain


Now what?

Now what?

Now what?

I remember arriving at my parent’s house – it was quiet there. They were away. We left our stuff in the truck and carried the sleeping kids to their new beds in the basement. Our new home. Our new life.

Our “gift.”

***

Shawn Smucker (1)Shawn grew up in a ramshackle farmhouse with one of those enormous porches where he would sit and read far too much for a boy his age. Across the street was everything he could ever need to live an adventurous childhood: an empty church, a large cemetery, a winding creek. Every book he read during that time is set, in his mind, somewhere in that square mile.

Baby Season

I dreamed last night that I had a brand-new baby girl.

The dream wasn’t all snuggles and coos—it definitely included some bizarre elements, as dreams do. I was, for instance, somehow surprised by the arrival of this baby, even though it seemed clear in the dream that I had given birth to her, not adopted or found her wrapped in blankets in a cardboard box on my doorstep. My level of surprise about the baby was palpable in the dream, but I knew enough to hide my astonishment from others. I calmly went along caring for her and showing her off to friends as if I, too, had been expecting her all along.

Because I wasn’t actually expecting this baby, Dream Me had to improvise a bit to get her properly clothed and geared up. A significant scene in the dream involved me pulling big plastic bins off a top shelf in an enormous closet to look through the clothes my two real-life daughters wore as newborns.

One such bin exists in a (much smaller) closet in my waking life. It’s filled with the tiny shoes, Easter dresses, and footed pajamas deemed Most Special, along with handmade gifts like the pale blue cardigan my grandmother knitted for my firstborn, with its kitty-cat buttons and row of silhouetted white cats along the border. But in real life, I haven’t looked through that bin for probably a decade—not since that moment when I somehow knew my baby days were over, prompting me to sort all the little clothes into two piles: items to pass along to friends having babies, and favorite treasures to carefully pack away and keep.

When I woke from the dream, I was filled with longing, love, and loss. This might not seem at all surprising to most people, but it completely surprised me. I have never been a woman who longs for babies.

Of course, an entire season of my life was devoted to babies. It’s a season I treasure and wouldn’t trade for the world, but mostly because it is a necessary season for all who want to have children who will some day not be babies. The Baby Season was simply the first stage of parenting—the inevitable season leading to all of the seasons that follow.

*   *   *   *   *

Every parent, if they’re being honest, will admit to having favorite (and least favorite) seasons of parenting. Yet somehow I’ve always felt guilty for not being baby-crazy. It’s almost as if not getting the “uterus aches” that other women talk about when they see newborns knocks your womanhood status down several notches and calls your maternal instincts into question.

Don’t get me wrong—I loved my own babies fiercely. (For those of us who are not “baby people,” our own babies defy that category). But I don’t remember thinking “I never want them to grow up!” I loved the experience of nursing my babies (and I did nurse them each for about 13 months—does that earn me extra credit?), but I don’t recall a heart-rending pull as my babies began to rely less on my milk, eventually weaning without a fuss.

Instead, I was happy to see them grow into unique little personalities, with opinions and relationships and senses of humor. I loved watching them develop friendships and put feelings into words as toddlers, then problem-solve, create, and become more independent as they ventured through their preschool years.

During my daughters’ elementary school years, I was forever fascinated by the glimpses of myself and other family members I saw in my girls, and was equally fascinated by the many facets of them that seemed to crystalize out of nowhere. And the ways my two children are different from each other—two girls created from the very same gene pool!—has never ceased throughout the years to be amazing, refreshing, and challenging all at once.

*   *   *   *   *

Today my daughters are 17 and 14, both in high school. There’s no doubt I’m in a different season of parenting. Along the way I’ve loved many of the stages—six and 18 months were ages I savored, along with their preschool and mid-elementary years—but I have to say the particular season we’re in is one of my favorites. It’s also possibly the hardest (teenage girls!). And it has occurred to me several times that those two opposing feelings—the love and joy as well as the stress and challenges—are in fact intimately bound together. Everything is intense, on both ends of the spectrum. Preparing girls to go into the world as women, sure of who they are and what they are capable of, is no small task. It’s both exciting and difficult, like all of the best adventures.

And as I consider last night’s dream, I’m also realizing how very bittersweet this season is—much more so than I want (or have the time and emotional space) to admit in the day to day. It’s more bittersweet than weaning my babies, or packing their tiny shoes away into plastic bins.

Yes, as parents we’ve been preparing our daughters for independence all along, but these are the years when it gets real—not only in how their experiences and our conversations will prepare them for what’s next, but also in the ways “what’s next” will impact me. I can begin to envision a time when our household won’t strain at the seams to contain the whirlwind of kinetic energy that exists between 6:45 and 7:45 each morning; when the pile of shoes by the front door will diminish in number as well as colorful variety; and when the dishwasher won’t be packed full after a single family dinner with everyone at the table.

photoIt’s true, I’ve never wished my daughters could remain captured in a state of babyhood. But they are still my babies. No matter how grownup they become, they’ll still embody all of the love and longing of the seasons we’ve been through. And as we rush through these final years of childhood, the baby in my dreams reminds me that it’s OK to pause—to long to bundle them into footed jammies and enfold in my arms.

 

Learning from Ms. Norman

At my first school the kids called me “Freedom Writer.”

Who you got for English? Freedom Writer.

That is pretty much all you need to know. If you know they called me Freedom Writer you know that they were black and poor and I was white and young. You know that we both swallowed the lie that a young white woman can save a whole generation.

My students don’t call me Freedom Writer anymore. It isn’t just because I’m older. I now work at an upper-middle-class school and they just call me Ms. Norman.

Teaching is one of the only professions where no one uses a first name, at least at any school I’ve ever worked at. Generally, the adults in my building even refer to each other as Mr. or Ms., for continuity’s sake, which means most of the kids don’t even know our first names.

Very occasionally, a student will see me in public and call out my name. I know before I see who is shouting that they are my student. Just hearing someone shout “Hey, Ms. Norman” puts me immediately into teacher mode, even in the middle of the grocery store.

I like Ms. Norman. I like my classroom and I like who I am in it. I have carefully curated the furniture (spray painted funky colors) and the posters (MLK, Mother Theresa, Ghandi), just as I have carefully curated the persona that is Ms. Norman. In fact, sometimes I wish Abby could be a little more like her. Ms. Norman is always in charge. Abby, not so much. Ms. Norman may not always have the answers, but she knows where to find them. Abby doesn’t even know the right questions to ask half the time. Ms. Norman takes no crap, not from anyone. Ms. Norman handles her business so well that she only has to write an office referral for discipline once a year. Abby takes a lot more crap and does way more freaking-out-about than handling of the business.

I know exactly who I am in my classroom, and my students know what to expect. I will yell a little when you turn in a paper late, but I will let you turn it in. I will just give you a dirty look for saying a swear word, but I will not tolerate you saying unkind things to the other students. My classroom speaks to this. I have a giant hand-painted sign where you would expect the clock to hang that says BE KIND. My bean-bag chairs speak to my desire for kids to be comfortable in my room. My giant piles speak to my general disorganization. Even that flaw Ms. Norman is comfortable with.

After almost ten years in the classroom, I am considering trying my hand at something else. I am not sure quite yet if this is a phase, or if I really am ready to leave. As I contemplate the possibility of not being a teacher anymore I think about how there won’t be a place to hang the posters I have so carefully picked and laminated. What in the world will I do with eight bean-bag chairs?

Without a classroom, I also wonder what will happen to Ms. Norman. Will I ever need to be able to shout down 35 kids in 15 seconds or less? Will I maintain the ability to simultaneously read a passage aloud and confiscate a cell phone? Will I remember all the dirty jokes in Romeo and Juliet or be able to recite whole pieces of Of Mice and Men without looking? These are all things Ms. Norman does very well.

I have been surprised at how lost I feel even thinking about leaving the classroom, the loss that I feel, the uncertainty. Can the best parts of Ms. Norman, of myself, live on if there is no classroom for her to reside, no plaque with her name, telling the world she belongs here?

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Abby“Learning from Ms. Norman” was written by Abby Norman. Abby lives and loves in the city of Atlanta. She swears a lot more than you would think for a public school teacher and mother of two under three. She can’t help that she loves all words. She believes in champagne for celebrating everyday life, laughing until her stomach hurts and telling the truth, even when it is hard, maybe especially then. You can find her blogging at accidentaldevotional and tweeting at @accidentaldevo. Abby loves all kinds of Girl Scout cookies and literally burning lies in her backyard fire pit.

The stories of things

One winter Monday, 15 or so years ago, I arrived at work to some devastating news: Over the weekend, a coworker had lost her home to a fire.

We all huddled around the coffee pot in the break room, trying to imagine—although we knew we couldn’t—what it would be like to lose almost all of your earthly possessions. A week later, when our colleague Chris returned to work, we began the slow process of bearing witness to her shock and grief. Then, months later, we were her empathic-yet-fascinated audience as she told stories of the new house rising from the ashes—not just being built, but also being populated with new things.

I was only in my late-20s and had accumulated relatively little, yet I couldn’t fathom what it would mean to start completely over. There would be the lack of pillowcases, cake pans, and familiar sweaters waiting for you as fall settles into winter, but also many harder-to-replace things: No rows of books with penciled notes and cardstock bookmarks identifying the shops where the books were bought. No wedding gifts that, each time you use them, bring to mind the great aunt or college friend who bestowed them. No outdated lamps from your childhood, handed down to you as you entered adulthood with so little.

Chris was in her late 50s, so the home she lost had contained decades of memories and treasures. While her new home was being built, Chris told us about the interior decorator, who specialized in “recreating meaning.” I was utterly fascinated by—and skeptical of—the process, which involved interviewing Chris and her husband to gather meaningful family stories and tales of travel adventures—references she would then bring into the new home through new objects.

I never would have dared to ask Chris, but I always wondered: Did it work? Can a home speak in retrospect of a life lived, or must the life be lived into the home?

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I suppose the question needled me because it touched on an area I had dabbled in myself—but in reverse: I, as a newly married 22 year old, had attempted to use objects in my home to speak into my story. I didn’t know what my life would be like, but I knew what I wanted it to look like. If I built the stage, would the life follow?

Garage sales, thrift shops, and odd pieces of loaned and handed-down furniture created the kind of comfortable, quirky, space-with-a-history that I longed for. My husband was a painter, so the walls were filled with art (indicating that we were “creative” and “interesting,” of course!). A set of handmade pottery dishes, given to us as wedding gifts, conveyed that we were “down-to-earth” and “simple”—no fine china for us! And we rushed to buy books to fill the shelves—more books than we could possibly keep up with. It would take us years to actually read and absorb their stories and ideas, but that wasn’t the point. I wanted to be instantly surrounded by these visual symbols of intellect and depth.

In short, I wanted everything in my home to tell a story about us, but I was too impatient to let the stories emerge on their own.

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Now I know the answer to the question I wanted to ask Chris so many years ago: A life must be lived into the things that fill a home—it can’t be put on, like a costume.

My home today (the eighth of my adulthood homes) is filled with evidence of a life that’s been both beautiful and complex. Yes, the books, art, furniture, and dishes each have stories to tell, but they are not all happy stories. They tell stories of a broken marriage as well as stories of wholeness and healing. They bring to mind the struggles and triumphs of single motherhood, as well as the ongoing tales of blending two families into a new one.

My eyes scan the rooms visible from where I sit at my desk. There’s the dining room table—the same table my ex-husband and I sat at four homes ago, a highchair pulled up so we could spoon food into our daughter’s mouth. Now, during dinners at that table, Jason and I navigate the tumble of tales and ideas shared by our three teenage daughters.

photo 1I can also see the vintage sofa I happily snatched up as a single mom about to move into a rented duplex. It’s the same sofa I sat on to read books to my young daughters, but it has since been reupholstered (following an unspeakable incident with the family dog). Behind the sofa is the piano I grew up hearing my grandmother play; she gave it to me when it was time for her to move into assisted living, and time for my daughters to learn to read music.

And beyond the sofa and piano, just inside the front door, is a gallery wall of small artwork and treasures. An olive-wood cross, carved and painted in Santorini where Jason and I honeymooned, hangs just to the left of a painting my ex-husband made of the house he and I lived in when our daughters were born.

photo (7)Suddenly, I can see my home for what it is: not a collection of aesthetic choices I hope will communicate something appealing about me, but vessels holding the real stories that have emerged in my life. And that gallery wall in particular? It also symbolizes my acceptance of those stories—the intentional, beautiful stories as well as the haphazard and heartbreaking ones. Together, they speak truth: Welcome to my home, welcome to my life.