Leaving Home {part one}

I remember the emptiness of the moving truck after I backed it up to our garage in northern Virginia. I parked that behemoth, the largest truck they had, and walked quietly around to the back. I lifted the gate and pulled out the ramp. My two oldest kids ran up and down the clanging metal, jumping around in the back and leaping from the wheel wells, shouting their names and marveling at the echo.

I remember that echo.

The  emptiness was everywhere. The trees were shedding their leaves. The immaculate houses looked down on us disapprovingly, like a row of unhappy teachers,, their shapes dim against the slate gray sky. I felt like those beautiful houses (or perhaps their occupants) held us in contempt – we had not been able to make it there. We were not good enough.

Inside the house, rooms were either empty or had stacks of boxes huddled in their centers. I walked through the rooms to make sure we hadn’t forgotten anything. There, the third-floor room we brought Sam home to after he was born with that perfect knot in his umbilical cord. There, the room I painted pink for the girls. There, the kitchen with its marble countertops, the countertops we had leaned against with friends on late summer nights, the countertops that held me up when I told Maile the business wouldn’t take us through the winter. We were drowning in debt.

We didn’t breathe so much as sigh. I felt like a failure, unable to make enough money to keep my family in the place that we loved. I felt lost and fragile, as if one more tiny bit of bad news would be enough to send me over the edge, into the emptiness of midair.

That emptiness was everywhere. Including inside me.

* * * * *

My wife later told me a story about those last days in Virginia. Last nights, actually. She woke up after midnight to the sound of nothing. Our children were all sleeping, the neighborhood outside was silent. There was a large window by the bed that looked out over our tiny back yard and into the tiny back yards of the houses behind ours. Street lights threw dim shadows on to the ceiling, drowned out the stars.

My wife woke to a ball of anxiety about what was happening, about our business going under and all the debt weighing us down, about us having to leave a place we loved and move our family of six into my parents’ basement 150 miles away. She slid out of bed, down onto the floor, and put her face in the plush carpet.

How can this be happening? God, how can you let this happen?

She heard the closest thing she’s ever heard to an audible voice from heaven, and it echoed in her mind, one phrase reverberating and growing.

This is a gift.

When the phrase faded off into the darkness, disappearing beneath the whirring of the ceiling fan, my wife shook her head.

Well, she muttered, it’s a pretty shitty gift.

She stood up off the floor, crawled back into bed, and went to sleep.

* * * * *

I can’t decide which is easier, packing up an entire house and moving truck on your own, or having your entire community come out and help you do it. The first is physically difficult, nearly impossible. The latter is emotionally difficult, nearly impossible.

We walked beside friends carrying our boxes, our furniture. We laughed and joked about how only the best of friends help you move because everyone hates losing friends and everyone hates moving. We let one of the guys take over the truck packing duties, and he wielded his engineering skills like a champion-Tetris player. The door to the behemoth barely shut, but everything was in. That slamming sound was it. The latch clicked. The lock connected. Our four years in Virginia were nothing more than a closed door.

We hugged them, perhaps the closest friends we had ever made, and we promised to stay in touch, though we knew it was unlikely. They walked off into the night, one family at a time, and we went back inside the empty shell.

I can’t remember if we spent that night in the house, slept on the floor, and left the following evening, or if we drove off after our friends left. It seems like something one should remember.

What I do remember is making the three hour drive to our new locale through the pouring rain. I led the way, alone in the truck, my wife and our four kids in the minivan behind me. I remember the way the headlights of oncoming cars streaked down the windshield.


That was one of those drives I’ll never forget, when my thoughts weren’t deep inside me, but out in the open, like residue on my skin. There was a tangible sense of loss, as though someone had died. One phrase kept circling back through my mind over and over again with the rhythm of the windshield wipers.rain


Now what?

Now what?

Now what?

I remember arriving at my parent’s house – it was quiet there. They were away. We left our stuff in the truck and carried the sleeping kids to their new beds in the basement. Our new home. Our new life.

Our “gift.”

***

Shawn Smucker (1)Shawn grew up in a ramshackle farmhouse with one of those enormous porches where he would sit and read far too much for a boy his age. Across the street was everything he could ever need to live an adventurous childhood: an empty church, a large cemetery, a winding creek. Every book he read during that time is set, in his mind, somewhere in that square mile.

Nails in the Wall

I was on the phone with a friend of mine. She quipped, “You and I—we’ve just got a nomadic spirituality.”

Her tone was half-joking and not necessarily complimentary. Nonetheless, something in me latched onto it.

We joked about our nomadic ways for years. Because giving a gift to a nomad is hard, I made her a playlist of songs about wandering one year. There are a lot of options to pick from.

At the time, I was moving a lot, living wherever was most convenient for the ministry that I was doing.  Because the charitable work was connected to many properties, I had many options. I became the master of the power move—the quick pack without boxes, the shift to the adjacent neighborhood, as few trips as possible.

A friend needed a place to recuperate after serious illness. I moved out.

A donor made a house available. I moved in.

A friend’s husband was writing his dissertation and their family was on a serious budget. I moved out.

The home for homeless mothers was understaffed. I moved in.

And so on.

The moves were a form of loving. If it made more sense for someone else to be living where I was living, I would move. If I was needed somewhere, I would move. If a good opponail-sticking-out-of-wallrtunity opened up, I would move.

Settling in meant hanging pictures.  Forget buying furniture, putting a nail in the wall evoked a sense of stability.

During this season, space and place weren’t interchangeable. My “place” was the community of service that I was a part of. I belonged there. I was rooted in the work.  In all its beauty (and rough edges!), it reflected a big part of me. “Space” was where I happen to live at the moment.

But, something shifted.

Early this summer, I pulled up the dirt driveway of my childhood home with my car full of belongings.  I made the decision to return home and live with my parents, at least for a season.

As I went to fill the closets of my bedroom, I found box after box of childhood trinkets, school memories, and college mementos.

Little yellow baby shoes with daisies. My class photos from elementary school. My sequined costumes from dance classes. An enormous quantity of t-shirts. A binder of research from my college capstone.

Sorting through it all had a weightiness that was hard to bear.

But it made it evident. Here space and place intersect.

Here my hands were pressed into concrete as it hardened. The image remains. Here I notice that the roadrunner population seems higher than normal. I have watched the trees grow; I can see the shift in my own body, aware that I can no longer work as hard as I once could. Here pets are buried in the yard and the turtles return to the porch each season to be fed a piece of fruit.

I’ve been helping my parents with some building projects.  From their imagination and sweat, they are calling into being a place that can welcome others, a place of celebration.  We have different approaches toward meeting the goal.  We’ve bickered and hurt each other feelings as we try to work together.

Maybe I bring city ways to getting things done—I want to work a timeline, not waste people’s time, and stay a step or two ahead.  It’s not clear if I am helpful or annoying.  Maybe both.

Nonetheless, I’ve arranged all the furniture upstairs to suit my sense of form and function. I recently bought a bookshelf and I’ve been eyeing the sales on papasan chairs.

My artwork, however, is still piled up on the table, waiting to be hung.

It’s just so hard to put a nail in the wall.

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Apartment Story

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At this writing, I’ve spent the past month moving the last four years of our trio’s belongings out of an unremarkable two bedroom apartment in midtown Anchorage. It’s possible I consumed my weight in ibuprofen during this undertaking. Throughout the endeavor, I also found enough Legos embedded in the carpet fibers to assemble a small, albeit misshapen army.

While I’ve known for some time that I wanted to move from this space, I never could have prepared for the emotional rollercoaster of actually doing so. Packing and cleaning our apartment made my July feel like an unending series of montage scenes. In many ways, my month resembled one of those corny “flashback” episodes of the sitcoms of my youth, like Family Ties or Growing Pains:

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– photo, Brian Adams, 2013

This is the spot in the kitchen where we processed and cooked our first wild-caught salmon.

Here’s the place in the bedroom where our youngest, Matt, was born.

This is where I would put Sam down for a nap when I was in grad school.

And here’s the place – during the period that Sam wanted his mattress in the closet, the year his brother and mom lived in Pennsylvania – that we read The Hobbit together…

matt laff

*

Many writers – well, at least Burt Bacharach and Edie Brickell – have rightfully speculated that “a house is not a home.” We’ve all likely stepped into or dined at a location that at first glance seemed an enviable living space that instead revealed or possessed an unsettling feeling in the air: The spirit of “home” that we expect to inhabit a property can prove noticeably missing from a “house” structure. Still, I’ve visited many more impressive living spaces than ours in recent years, and frequently returned to our apartment – with its 1970’s, bright-orange countertops and carpet the color of a three day old March snow – lamenting that circumstances didn’t afford us a larger, more stylish space to dwell in together.

*

I once heard a bit of “literary lore” that’s over the years helped me work with, among other things, “writer’s block.” As best as I recall, the tale goes that Chekov – the Russian short story wizard and playwright – was seated at a table outside a cafe where a fellow writer lamented the difficulties of the writing task. In response to his friend’s grousing, Chekov lifted or pointed to a glass on the table and – I’m paraphrasing – remarked, “Look! This glass! Start with this glass. I could start writing about this glass and soon a story will emerge!”IMG_6609

If it’s true that each person invents, or at least significantly participates in shaping his or her reality, then Chekov makes a wonderful point. The materials for creating good writing and art, and, more importantly, a life are everywhere around us.

In other words, the tools for crafting the stories (and poems and songs) of our lives are always within view – in every direction we turn or look – provided we learn to cultivate an awareness of them, and then use them to pay tribute to the life we’re given.

“Every day is a god,” charges Annie Dillard, “Each day is a god. And holiness holds forth in time.” If this day is a god, too, then how have I recognized it for what it is, whether I live in a majestically-caffeinated, superbly-microbrewed, literary and artful progressive hub like Portlandia or Brooklyn; or in a gruff, misplaced neighborhood pitched between two thoroughfares amidst a gaudy cluster of stripmalls in Anchorage, Alaska? If Annie’s right, the divine runs amok in every place I find myself, and I’d be remiss to prove too stymied or checked out to engage with it somehow.

Or, as Mary Oliver intones:

Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you…

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The daily task, it seems, for my small part in life’s continuing unfolding, is to ask if I am even listening in the first place? Am I curiously taking notes or am I continuing to uneasily recite the redundant, recurring melodrama of Me?

Rather, if the world is offering itself to my imagination, calling to me, perhaps it’s only common courtesy to pick up, to answer the call in the first place? No matter where I am?

*

By the end of July, in a space I had for months, even years, known it was time to leave, I was surprised and overwhelmed by the emotions accompanying the move, solely given the import of our collected memories and experiences under our little section of the building’s roof. Though our apartment was never the envy of others, our little brood managed to – with attention and care – create a place together. Not a perfect place – not by a longshot. In fact, at times, it was a deeply troubled and fraught place. (The middle of its story, after all, features a divorce.) But we abided there in the best ways we knew how, and in our abiding, this place became home.

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*

…Here is the spot where I feverishly added to a list of “Reasons to Stay Alive” in 2013…

…This is the room where the songs “Olena,” “Book of Consolation” and “Hope, Alaska” came to life…

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…Here’s where, in 2008, I watched an episode of Planet Earth on DVD, as I gently rocked back and forth in the living room with Matt, then only a few weeks old.

David Attenborough detailed the journey of newly-hatched sea turtles. The mother that the baby turtles never meet laid and buried her eggs in the sand, and then returned to the sea from where she came. In this scene, the newly-hatched babies clamored, scampered towards the roaring ocean, drawn there by some invisible, timeless knowing.

This is the spot where the film showed the baby turtles darting across the beach and flinging themselves at the surging depths.

This is where I was sitting alone with Matt in the dark when David Attenborough noted that only one in ten thousand of the baby turtles survives their journey,

where I was then unexpectedly overcome with tears.

This is where I looked down at Matt sleeping in my arms, and rocked a little harder and swallowed the sea…

One in 10,000.

One in

One in 10,000?

 

We can do this.

 

(Right? Maybe?

Do we have a choice?)

 

We’ll do

– we will –

everything

anything

apt turtle

 

The Act of Inverting

I am in a new town, having finally made the first move of my life: 2,500 miles north to a place very different from what I’ve always called home.

On an old, oiled, well-marked wood floor, I practice a different style of yoga with a new teacher (although she has the same first name as my longtime teacher in the south). The studio is on the second story of a downtown office building that originally housed a hardware store. I position my mat in front of a window onto an alley, through which I can see a brick wall with beautiful patterns in it, a sky that is sometimes  blue and cloud-filled, sometimes gray and spitting, and a church spire. Crows remark upon my practice from the opposite gutter.

Today I lie on my back with my legs above me, against the wall. Now the window is on my right. This is the asana (or pose) called Viparita Karani, upside-down seal or “the action of inverting.” It is supposed to help with stress, headaches, and cramped or tired legs or feet, among other things. Today I am not particularly stricken with any of these maladies; I am simply following my teacher. But I have been here before. I close my eyes.

Five years ago: I am lying in legs-up-the-wall pose on the same yoga mat on a different and much newer wood floor, of lighter-colored wood, also on the second story, but in a newer building on a wide, busy street in Houston, Texas. Two walls of the studio are floor-to-ceiling glass, and earlier in summer and later in winter I watch the sun rise from this room at least one morning a week, in angry rain or transcendent color or pale haze. This class is very full; we are all very close to our neighbors. I brush hands with the woman on my left, turn my head in her direction, and smile. We clasp hands. Kristi now lives in Australia, and has a new baby I have not met. I miss her every time I practice yoga.

Three years ago: I am lying on a bed in a mid-rate hotel in Alexandria, Minnesota, with my legs up the wall. I have removed the pillow so that I can get right up against the bedframe, still not as close to the wall as I’d like, but close enough. I am wearing compression socks up to my knees after having just raced 100 miles on hilly gravel roads on my bicycle. It is my first bike race since knee surgery and I’ve done better than expected: it was a scenic ride, with friendly people, and I am blissful, transcendent. Superlatively drained and equally ecstatic, I hum with happy exhaustion. My husband lies to the left of me, in the same position. Our shoulders are touching. Soon we will get up and break down our bikes and pack them in boxes for the flight home, then go out for more food and celebratory beers. I will take a picture of the process, of the bike boxes open on the hotel bed, and comment that we have done this in more cheap hotels across the country than I can easily count.

Today I am in a new place, and I am lonely. I put my legs up the wall.

*   *   *   *   *

DSC_2393“The Act of Inverting” is by Julia Jenkins. Julia is a book reviewer, librarian, beer drinker, dog lover, mountain biker and native Texan now residing in Bellingham, Washington. She thinks a lot about concepts of place and home. Her favorite color is green.

Thankfully Torn to Leave

At a mindfulness yoga retreat I attended a while ago, I was instructed to shake my body for fifteen minutes and then dance for fifteen minutes–all to help prepare for breath work that would follow after.

I closed my eyes and found solitude even though I was surrounded by the other women who were doing the same thing. Just a few minutes into this bizarre but radical shaking, I wanted to give into the ridiculousness of it and sit it out, but an inside-of-me voice said, “Just shake.  All you need to do RIGHT NOW is shake!”

And so I shook. I gave myself permission to just be there, shaking my arms, shoulders up and down, legs in motion. I was waking all of the space inside of me, inviting body-mind-spirit to meet in one place. My body was moving in this tremendous, medicinal-healing way, while I noticed its capabilities and boldly declared in my heart, “You are powerful. You are strength. You are beauty.”

Next we breathed deeply, lying on our backs with mouths open and jaws aching all the while. In and out. Heavy. Noisy. Breath became thought and rhythm: Holy Spirit/within me. In and out. Holy Spirit/within me. In and out.  The yogini came over with calming burnt sage, and while resting her hands momentarily in the space above my heart, she whispered, “You are doing a good job.”

As she walked away, I tried to accept her motherly words, tried to take them in with my breath. “I am doing a good job.” But I wasn’t convinced. Months later, with the day quickly approaching that we will once again uproot our little family after three years in Qatar and stick our feet back in American soil, I feel regret. You see, I didn’t do a very good job as an expat at first. I was so eager to wish it all away and kept looking forward to the day we’d move back to our familiar place. But then I learned to notice–the ordinary and the vibrancy of life–and to put down roots and find sources of water.

post picNow I’ve supported other new expats, reassuring them of how they too will fall for this place. I’ve said to those women, “Notice how strong you are and notice those small victories.  Tell yourself regularly, ‘I am doing a good job.’ Notice what is in your everyday that you will never have outside of the Middle East.”

I am also reassuring myself, especially in these last days. When you begin to leave a place, you see these things and capture them to store in that space of your mind labeled, what-I-took-for-granted-when-I-lived-here-day-in-and-day-out. You begin to take great care to notice what you’ve come to love:

Noticing: My everyday contains the soothing hues of Filipino skin, Turkish eyes, Dutch fairness, the fluidity of the black abaya, multilingual children, and normalcy.

Noticing: Tamil on the tongue, labor camps and families who live countries apart.

Noticing: The aroma of turmeric and za’atar, karak and exotic incense.

Noticing: The beauty in the cream, sandy colors in our part of the world, pierced with the brilliant blues of saris, the sacred covers of black, patterned dashiki of rich purple worn on Fridays, the holy day.

Noticing: The most stunning of life’s mysteries witnessed in the form of my two small littles growing out from baby and toddler into thinking, independent children in all of the grace and sweetness that offers those who abide in this mystery.

Noticing: The friendships that were unexpected, healing, and that gave me belonging; and those I’d wish to have known deeper. The regret of depth missed in using this place to draw nearer to God, who shows up, even in the desert.

There is weight and beauty in the noticing.

And I am getting ready for movement again. Not the kind of shaking to prepare for breath work, but the kind of physical tiredness one goes through to move their family halfway around the world. In this move, I go with my packed little heart full of all that I’ve noticed. I go with my, “you are doing a good job” valediction. I go with thankfulness in feeling torn to leave this place.

* * * * *

bio-pic_smallLisa Collier moved from Pittsburgh in 2012 and is currently an expat living in Doha, Qatar as a lucky trailing spouse. Her husband, two girls and dog make this place a home. Lisa took on the challenging but wonderful experience of homeschooling this past year.  Lisa has traveled quite a bit, but the view from inside the train on the way from Milan to Zurich was one of the most breathtaking scenes. Read more at www.onceyouarereal.com.

Colorful incense: Photographed by Lisa Collier at Souq Waqif, Doha, Qatar.

 

Apples and Honey

I have never been much of a gardener, nor someone who relishes yard work and the natural rhythms of planting and harvesting. This is probably because in the first decade of my adult life I moved five times—in four different countries. Occasionally my apartments might have hosted a few pathetic geraniums, but both physically and metaphorically, those years were not ones in which I was “putting down roots.” I was a traveler and a missionary, perpetually single, and free of family demands.

Free too, of the connection, rootedness and sanity that comes with being cared for within a family day in and day out.

One particularly lonely September I was teaching in Lithuania, feeling as forlorn and shriveled as the last brown leaves clinging to northern European trees I didn’t even know the names of, when a friend brought me a bag of apples from her family’s trees. She also brought me a jar of dark-colored honey, a small portion of a gift she’d received, more than she could eat on her own.

Putzing around my kitchen that weekend, I decided to see what I could cook with apples and honey. Finding a recipe for apple-honey cake on a webpage devoted to Jewish cooking, I discovered that apples and honey are traditionally eaten during the Jewish New Year. Together, they are meant to symbolize the hope of sweetness in the coming year. My friend had unknowingly brought me apples and honey mere days before the September High Holidays of Rosh Hashanah and Yom Kippur.

Psalm 81 is a traditional Psalm of Rosh Hashanah, during which the shofar trumpets are blown and God reminds them: “I am the LORD your God, who brought you up out of the land of Egypt. Open your mouth wide, and I will fill it.” Of all the things I expected from that coming year, I could not, in the particularly grey autumn of single almost-30, have believed that an apple-honey cake held any hope for sweetness ahead. Hope was running very thin, and after many years of missionary sacrifice and relational disappointments, I suspected that when God commanded that I open wide my mouth, I would be getting bland, dutiful manna, not honey.

Nevertheless, the end of Psalm 81 promises:“He would feed you with the finest of wheat, And with honey from the rock I would satisfy you.” Where a Protestant might just see ingredients, a Jew sees promises, so I baked my cake, invited friends over to share it, and tried to muster some belief that what lay ahead would be sweet.

But it wasn’t.

The grey, both within and without, got a lot greyer, and that northern European winter was colder than it had been in decades. I learned how to wear loneliness like a tattered coat. I moved back to the States before the next school year and took the least-missional job I could find. It was a difficult, wrenching, decidedly non-sweet year.

And so was the next. The year after that, thanks to counseling, sunshine and exercise, was a little bit better.

The year after that I got married. I moved into my husband’s house in Colorado and discovered that amongst the twenty trees on our lot—mostly locust, maple and aspen—there are two apple trees. They take some serious effort to maintain. They have to be pruned and shaped, watched for fire-blight. When overripe apples fall on the lawn, they rot and kill the grass. In September we spend several weekends on ladders, shoveling the bounty of apples into box after box, giving them away to friends, coworkers, neighbors, and whoever will take some of the abundance off our hands.

Each year, I’ve made the apple-honey cake again, in an old yellow Bundt pan. I grease the pan liberally so the sticky batter of apples, spices, honey and brewed coffee will come out clean and brown. Last weekend, I pulled one of the gallon-sized Ziplocs of sliced apples from my freezer and made the cake to take to friends who just had their second baby. As we ate it together, our son and their daughter chased each other around the kitchen.

I don’t quite know when I first felt these new roots taking hold. My personal story could have just as easily continued to be one of perpetual motion, but somehow instead, I’m living in the suburbs, learning how to care for fruit trees. Instead of feeling like a single, severed branch, I live in a rhythm of seasons. There is honey and sweetness. But I know it is, as the Psalm says, honey from a rock, sweetness that has been wrung from hardness. And sweeter for it.

*  *  *  *  *

J Fueston Photo 2“Apples and Honey” was written by Jennifer Stewart Fueston. Jennifer writes in Longmont, Colorado where she lives with her husband and young son. She has taught writing at the University of Colorado, Boulder, as well as internationally in Hungary, Turkey, and Lithuania. She recently published a chapbook of poetry, Visitations, with Finishing Line Press. She blogs very sporadically at jenniferstewartfueston.com and has just realized she uses Twitter (@jenniferfueston) primarily during playoff football.

Chicago was spring, Philadelphia Autumn

I am sitting in a guest room that was once my room at my parents’ home. I’m typing away with my feet propped up on a box and my computer on top of an antique vanity that belonged to my great-grandmother. The years have cycled back, the way they do, to the first season. The room is mine again.

The red Georgia clay and the bare winter limbs on the oaks outside are part of the season that birthed me 32 years ago. I joke with my parents that I am the poster-child for the boomerang generation. Three cross-continent moves, a graduate degree, and a couple “adult” jobs under my belt, but here I am typing away at a vanity where I can see my name that I etched into the wood as a kid.

On my first cross-country move I landed just north of Chicago, a ten-minute walk from the shore of Lake Michigan. It was a land of straight and flat roads, crossing at hard-right angles until you got to the shore where sand and rocks met vast water. I had a spot near the lake—a tree arched over the edge of the water and every season I marveled at the changes there. I once waded waist-high in snow drifts to get close to the icy lake. I watched in awe as the weather changed from week to week. For the first time in my life I knew what it was like to ache for the coming of spring, to see the green shoots of grass start growing as the slushy, dirty snow finally melted.

In Chicago, the beauty of the Lake and the beauty of the architecture fed my soul in tandem. Chicago introduced me to myself in a way that’s only possible when you flourish somewhere brand new. As a suburban girl, I barely knew my neighbors, but here I passed them on the sidewalk regularly as we all walked to the train or the coffee shop or church.

When spring came, we all went outside. The two elementary school children across the street played football with their dad in the front yard, Henry the beagle and his caretaker made frequent trips around the block; I chatted with the next door neighbor about plants as I edged my lawn right next to her driveway. There was an annual block party and an Easter-egg hunt. My introverted self means I can’t tell you the names of many of these people, but I was drawn to the community and togetherness–these seeds of community burrowed into my heart.

And when the season in Chicago was done, I landed in the hills and valleys of Eastern Pennsylvania to attend seminary. Here, I would check the weather for rain and plan my life accordingly. When it rained the basement flooded and blocked my path to the washing machine for a day. The roads flooded in such a way that my old car protested and sputtered over every puddle.

But on pretty days I’d sometimes find myself on a hill in the beautiful Valley Forge National Park, textbook and pen in hand as I did my reading for my seminary coursework. During those years the theology I studied and learned began to stitch together the pieces of my life. I was desperate to know if I was changing, or just growing. Had my years as an educator and a non-profit worker,  my experiences as a single woman and a fat woman, my understanding of God learned in a suburban Southern church and an urban Midwestern church  finally all come together to produce who I was?

That last year in Pennsylvania was a bountiful harvest. I had seen the beauty of community while watching my Chicago neighborhood, I got to live it in Pennsylvania where every Sunday night neighbors gathered together for dinner. Relationships were deep and meaningful. Ideas and hopes and dreams were always close at hand. After a lifetime of not knowing what I was passionate about, I finally had answers (to some things!). There were places where I could voice a firm “yes” or “no.”

Those passions and ideas unexpectedly led me back to Georgia, a move not for work or grad school, but a choice to be near family. There is a lot that is uncertain for me about life back in Georgia. While I found a worthwhile reason to move, one that was born out of the community I experienced with people who had been strangers,  my current situation lacks the structure to define my day’s activities. There is a freedom to find what will shape my life here. It is planting season: time to sow the seeds I reaped from a Pennsylvania harvest, first nourished in a Chicago spring.

The dark wood of this old vanity and the even-older red clay outside remind me that there are roots already here. This very specific plot has nurtured my beginnings before. A harvest will come again.  Now, counting on the hope of spring and the bounty of autumn, I sow.

* * * * *

fall“Chicago was Spring, Philadelphia Autumn” was written by Nicole Morgan. Nicole has lived near Chicago, IL; Philadelphia, PA; and in a handful of lesser known Georgian towns. She loves discovering, and falling in love with, the parts of these communities that make them unique. She currently lives in her childhood home near Atlanta, GA, writes about bodies, theology, and community at jnicolemorgan.com  and tweets away @jnicolemorgan

 

Scarves & High Heels: The Layers of Personal Geography

I was fresh out of grad school and decided that if I just wore high heels and scarves I’d be taken seriously in the classroom. Because at 5’2″ and just a few years older than my college students, I needed something to communicate big words like “authority” and “stature” and “smart” and “serious.” I walked around that campus with the air of someone who knew what she was about, who knew her subject matter and who knew how to teach.

But I felt like I was playing a giant dress-up game called life.

And then real life happened, by which I mean, life in the dailyness of washing dishes, and learning how to love, and making the bed, and grocery shopping. Life full of the glorious mundane. And then there is the life that happens when you add lives to your own, and spend your hours changing diapers, and making dinner, and trying to make meaning from the crying, the napping, and developmental milestones.

So slowly, as we moved from Los Angeles, to San Diego, to Salt Lake City, and as I moved from student to professor to mother, this “game” of life took on a bedrock finality where I had to concede I was, in fact, grown up. I didn’t need high heels or tomes on my bookshelf. I had a mortgage and a minivan full of kids to prove it.

It just took me to my mid-thirties and seven moves—one international—to begin to feel at home in myself.

Each place has whittled me down based on who I am becoming in each place. As I turn the pages of my past selves, each place holds for me a tender space with an accompanying nostalgia akin to flipping through old photo albums. Each place gives a geography to the chapters of me.

Each place we’ve lived has shown me more of who I am and more of who God is. Each has evidenced a terrible beauty. The painful beauty of becoming. Every home has shown me how wide and deep the Kingdom of God is and that there are good gifts in each spot; that there are always people who need you and whom you can connect to one another. Each place has stripped me a bit bare.

Los Angeles laid claim to my know-it-all-ness, as I put on my grad school knowledge like a scarf and found it lacking. For all the learning in the world couldn’t tell me about marriage, and sacrifice, and how to balance work with new motherhood. San Diego showed me my idol of my self-sufficiency as I floundered with two children under two. I felt helpless and at sea, having left the pats-on-the-back of academia and instead, spent my days pushing a double stroller up and down hills at the zoo.

And now, in what many consider the conservative capital of the US, I have been given bravery in Salt Lake City. It’s a city dominated by the LDS temple, the center point around which the city’s grid system is based. And yet, there are other factions which orbit that hub—factions that challenge, and augment, and move gracefully around the dominant religious culture. It’s made being a Christian here something exotic; and even with the pressures of four children, a college ministry and a dominant religious culture of which I’m not a part, Salt Lake City has birthed my voice.

Places do that. They push and pull at who we think we are and stretch us into who we are becoming.

Places, if we let them, usher us into a multi-orbed story, where in each new place we carry our past layers, have the freedom to shed some old ones, and to don new ones.

Places finally take up residence in our souls, not for their amenities and attractions, but for how they birth us into new people. And how, after awhile, we can look back at each place with a certain fondness after the terror of becoming has abated.

So as I string those dear places together—as connected dots on a world map—I’m reminded that there is no space that is too unlovable, too hard, or too unattractive. And, as we anticipate another move this summer, I’m looking forward to another dot on the map that I will weave my story around, and in whose stories I will be woven.

*   *   *   *   *

ashley

“Scarves & High Heels” was written by Ashley Hales. Ashley is passionate about helping others to tell their scary brave stories. When she’s not stealing time to write at Circling the Story, she’s chasing her four kids or helping out with her husband’s college ministry in Salt Lake City, Utah. She also holds a Ph.D. in English Literature from the University of Edinburgh. You can read more of Ashley’s work on her blog, or follow her on Twitter or Facebook.

 

Out of Place in Yourself

At the time, I had no way to describe it other than, “I just don’t feel like myself.”

Feeling out of place in my own skin was new to me. I was the person who seemed comfortable almost everywhere—the one who struck up conversations with grocery store cashiers while they scanned my purchases and with other parents as we watched our children play at the park. I didn’t get nervous at job interviews or speaking in front of a group.

The world was a fairly comfortable place. I had somehow lucked into the type of personality that “fits” best in the world, a circumstance that then snowballs in the best possible way: My general comfort allowed me the luxury of assuming the best of others and believing I also had something good to share with them.

But then, that vague out-of-placeness began lingering. It was like a dark cloud just over my shoulder, gradually seeping then settling deep into my bones. At first I was able to override it, when I needed to, but eventually it took root as a feeling of insecurity—a sense that I was no longer comfortable with myself, or with others.

Rather than seeing strangers as potential friends, and seeing friends as people who were looking out for my best interest, I began seeing them all as possible agents of hurt, as people not to be trusted with my fragile being.

I also saw myself as having little to share with others. Where I had once felt powerful in my ability to enrich and brighten people’s lives, I suddenly felt sure I would do the opposite. So I did something I had never done before—I turned inward.

*   *   *   *   *

IllinoisfieldUnfortunately, this turn in me coincided with a move I did not want to make, to a place I did not want to live. My then-husband had accepted a job in the middle of Illinois, so we moved our two daughters (one still in diapers, the other a busy preschooler) away from the wooded lakeshores of West Michigan to the flat cornfields of Illinois.

But it wasn’t the landscape that left me feeling foreign—it was being surrounded by people who only knew this out-of-place version of me. My history, my core, the way I had been just a year or two before—they were all unknown to the people around me, which made those parts of who I was feel even less real. When reality is shifting, one of the only comforts is being able to look into the face of someone who sees and recognizes it too—someone who can say, “I know. You are not crazy.”

It would be months before someone knew me enough to ask—and I trusted her enough to listen—“Do you think you’re struggling with depression?”

Now, looking back at that time, I find it hard to believe that I could have been so oblivious to something so obvious. But in most cases, depression sneaks in so gradually that you don’t recognize it, and then it changes you so profoundly that, before you know it, you don’t recognize yourself. It’s disorienting in the most fundamental way. Even your own sense of who you were—who you are at your core—is distorted and suspect.

*   *   *   *   *

Thankfully, anti-depressants have been effective for me, especially paired with a whole lot of self-reflection and a determination to uncover and embrace my truest self (which in many ways I had never done, even back in those pre-depression days when my skin and the world I moved through felt so comfortable).

Now I have a decade’s worth of perspective on that time in my life, and I’m able to see this: If depression is one of the darkest of clouds a human being can try to live beneath, my experience with it has a silver lining. Not only has it allowed me to develop great compassion for others who feel out of place—whether that sense is rooted in depression or in a too-narrow set of societal expectations and norms—but it has also revealed to me what love looks and feels like: a deep desire for wholeness in another. God’s love for me is rooted in his desire for me to live fully as my true self, the person he created me to be. And likewise, that is how I am called to love others, from my husband and teenage daughters to the people in my community who rub me the wrong way: To love them is to long for them to be at home in their skin.