Tag Archives: parenting

The Mourning House

Posted on by under Guest, Out of Place

I currently sleep in the guest room of my house. The other room I used to sleep in—which I have been calling the “hospice room”—is now a more hallowed space. That room was redesigned just prior to death of the woman who had accompanied me through life and parenting for 27 years. We’d only been married for just over six months, due to a five-hour period during which same-sex couples were allowed to marry in Michigan. The death was unanticipated; diagnosis of advanced breast cancer, just one year earlier, had led us to believe we had “years” instead of a year to share our lives together. Once a partner, spouse, and co-parent of two daughters, I must now try on the identity of widow, while existing inside of a house that no longer feels like home.

In the hospice room, the hospital bed is gone, but there are many artifacts put in place for healing purposes. A Buddha statue from Sri Lanka donated by sister for good luck; framed photos of orchids taken by our daughter when we went to the orchid show last year; a print of the magnificent sand hill cranes whose visits to the wetlands of Michigan we witnessed every October.

When I walk through that room I see not the space where my partner and I once slept together, did our nightly roundup of the days events, and watched our favorite television shows. Once I had listened to Nancy whisper “sleep with angels, darlin’” each night before we switched off the lights. Now, I see a kind of vacuous shrine that I don’t wish to disturb.

The hospice room is artful. Our antique mahogany bed is spread with a treasured cover from Nepal, and its geometric purple and green hues are echoed in the pillows and in the lilac paint on the walls. Nancy has left many objects containing memorabilia—cigar boxes, a pewter bowl, an old candy tin. When I am brave enough to look through them, I find weathered photos of her father and grandparents in sepia, small jewelry boxes containing antique rings and pearls, the invitation to her parents’ wedding in 1950, the baby shoes of our daughters. It contains remnants of a life I once was part of.

In the guest room where I sleep, I still feel like a visitor. The room remains the same as when it housed guests, not particularly inviting and disturbingly impersonal. The colors clash: pink curtains, a blue patterned quilt, walls painted a jolting lime green. A large unadorned bed dominates the smallish room. It’s not designed for comfort or charm. But in my current uncomfortable frame of mind, it seems to fit my requirements.

A perennial basket of unfolded laundry resides in the corner of the anonymous space where I now reside. My computer, my refuge, stands ready for my use, although I still can’t find a show I want to watch or a book I want to read. Scanning Facebook, reading through emails, I seek connections to fill the stillness that stretches before me.

The rest of the house is also still alien territory, transformed by the permanent vacancy of one of its occupants. My sprightly teenaged daughter, whose easy laughter hasn’t changed much since toddlerhood, begs me to go upstairs with her at night. She will not go back downstairs again without me, spooked by a house that is devoid of her other mother. She asks me to accompany her to the bathroom at night and in the early dark mornings. She fears that Nancy is somehow here in the house as a ghost, but perhaps not as much as she fears living in a house where Nancy no longer exists.

Nancy’s mother says she cannot bear to visit us in this place, not while the painful memories of her daughter seem to bounce off every surface of the house. But my daughter and I must live in this mourning house, trying to find our way to another kind of home where we can co-exist with what is here and what is not.

 *   *   *   *   *

JuliaGrant“The Mourning House” was written by Julia Grant. Julia lives, writes, and works in higher education in East Lansing, Michigan. She and her partner, Nancy, were one of the 300+ same-sex couples who were married on March 23, 2014, in Michigan.

Searching for a Home, Via Alaska (Part 1)

Posted on by under Uncategorized

I know I’ll make it back
One of these days…
Where the cups are cracked and hooked
Above the sink
And a cracked door moon
Says I haven’t gone too far
– “Via Chicago,” Wilco

What is it that proves so timelessly compelling about an unknown place – and especially the distant, the faraway – the Not Here Where I Am Right Now? Maybe there’s an anthropological study or psychological classification for this phenomenon. Perhaps Lonely Planet or Rick Steeves have a term that adequately summarizes our thirst for going someplace thoroughly unfamiliar, for getting a little lost, for stumbling through a foreign anywhere with only a select handful of phrases, and eating whatever seems most intriguing or unlike the foods found in the places we’re from. “Wanderlust, dummy,” you could say, but that’s not what I’m getting at – or, it’s not only that. Wanderlust, to me, feels too temporal, too casual to properly describe the specific longing I’m describing. What do I call that spirit that comes to life when I’m huffing away on the Stairmaster at Planet Fitness and Anthony Bourdain is on TV sipping a steaming liquid from a delicate ceramic cup, or eating meat or cheese from a place where everyone’s skin is darker than his? In those moments, I want to know those people and that place, but I also know the likelihood of deeply or intimately doing so is highly unlikely.

I’m curious on one hand because I’ve recently become worried, wondering if I, over the past twenty years, unwittingly traveled and “adventured” myself into a corner. Rather, in making a lot of my life one fascinating backdrop or living experience swiftly following another, I now find myself at a bewildering impasse: This year marks my tenth as an Alaskan resident, which means I’ve lived here longer than anywhere else save for my state of origin, Pennsylvania. And despite an active engagement in Alaska over the course of that decade, I still find myself feeling oddly far-flung,JJBoutofplace a bit adrift, “a stranger in a strange land,” and frequently out of place in a location that my two sons – both born and in love with their lives here – fully consider and embrace as home.

Under my love of the wildly unknown and the thrill instilled by journeying to new places, I’m now finding another form of longing, and in recent years it’s proven a deeper, heavier pull than the passions that lured me towards a tireless series of fascinating locations and situations in previous decades. In simplest terms, I think mine proves a longing that all of us to one degree or another carry for “home.” And yet, I worry that naming it as such reduces it to a pouty, Dorothy Gale-by-way-of-Judy Garland type of pining. Either way, however, it’s perplexing that I would experience these conflicted feelings while occupying the same location on Earth where my children feel so utterly present and at home.sam and matt

Meanwhile, “home” doesn’t often seem a very “sexy” or hot topic to bridge in conversation. It’s not a subject that gets many people excited, unless you’re discussing the purchase of an actual, physical “house,” or watching a cable reality show where a couple’s house is about to be remodeled or transformed from Ordinary into a palatial estate. Otherwise, it’s probably not a topic that will really charge a conversation the way “travel” or living abroad do when you’re trying to make friends or identify yourself among new acquaintances at a party. Where we’ve been and what we’ve done or seen tells others something significant about who we are (or, who we think we are) in a way that trying to discuss remaining still or feeling content rarely, if ever, will.

When I make a reference, for example, to “when we (my then-wife and my boys) lived in Japan,” something sparkles in the listener’s eyes, or a smile swiftly dances across his or her face. I imagine they, like I used to do, entertain a swift, thrilling montage of koi ponds, teahouses, manicured gardens, and exquisitely designed pottery and luxurious foods. At one time I strongly identified with and entertained that same montage.

lantern

And yet, I highly doubt anyone recognizes by referencing “when we lived in Japan,” a part of me bristles inside. In fact, I sometimes feel sheepish sharing that we did – it feels rather like a misstep in the pace of a conversation. Nowadays, it’s almost as if I admit I lived there to a listener. There’s no romantic indulgence in revealing it, no bragging rights. Rather, a part of me goes a little limp inside. And oftentimes, saying I live in Alaska has felt this way, too. And I never imagined going into either of these situations that I would one day feel this way.

With Japan, I imagine a big part of this is that it’s the place where, over the course of a few days my sons’ mother and I briefly feared that our one-year-old might die. It’s also where his mom and I one year later realized and faced the hard cold truth and acknowledged aloud that our marriage was, in fact, dead.

Matt Hospital Japan

Rather than an exotic, storybook fantasy, our experience more closely resembled that of the characters in the film Babel, many of whom acutely wrestle with a 21st-century specific form of displacement and confusion related to being out of place, far flung from any idea or notion of home.

Babel

I was reminded of all of this the Tuesday before Thanksgiving a couple weeks ago, when my youngest, now six, received a visit from the latest flu monster currently making the rounds up here.

A friend had a week or so earlier invited us to dinner with his extended family at their log home in a town three hours north of Anchorage. I looked forward to fleeing the city for the holiday, but a restless night with a boy battling a 103F temperature in the mornings leading up to Thursday found me a little beside myself, brainstorming a possible “alternative” Thanksgiving if we were possibly stuck at home.

I had done very little shopping, which is to say none at all, aside from purchasing some odds and ends for the table of the friends’ home where we were intending to spend the holiday. I was definitely turkey-less, and I didn’t even have a single can of the gelatinous, can-shaped substance we call cranberries. I couldn’t help imagining that if Matt’s health dictated that we stay in Anchorage, this year would go down in my ten-year-old, Sam’s journal as the year we ate turkey club sandwiches at Denny’s.

In hindsight, I see that my panic was fueled by a clueless, single father’s blend of confusion and distress around both properly caring for a sick boy with the flu and a 103F fever, as well as having no grounded family traditions in place up here for possibly observing the holiday. The latter realization was compounded by the knowledge that we also have no immediate or extended relations anywhere nearby – nowhere, in fact, within a twelve-hour flight across the country. Which meant, too, that I had no family to call on for assistance for the Tylenol I was out of at 1am, or family to crash with on the holiday or to send Sam to if I were stuck home with Matt, on a holiday during which time we customarily celebrate and gratefully reflect on family and our ties that bind.

I’ve sat in a remote Japanese village after the orange harvest eating horse meat and drinking a clear liquor made from sweet potatoes that I’m sure must have shared chemical properties with space shuttle fuel, all while knowing only a handful of stock phrases you could pick up from watching Lost in Translation. sam russian marketI’ve drifted through a Russian village meat market and stood slack-jawed watching a toothless man butchering a pig – cigarette dangling from his mouth, no shirt or gloves – in a way that would no doubt cause reps from both OSHA and the FDA to collapse from aneurysms. I’ve lived five miles deep in the woods of New Hampshire without running water all winter. Stood thigh-high in steaming piles of horse manure twenty-one miles up a mountain in Oregon, holding only a shovel and longing for nothing more than to finish the job and return to my wood-heated cabin and books a stone’s throw away.

But nothing – I swear to you, nothing – in my life has felt more truly foreign or alien to me, honestly, than the terrain of single parenthood these last three years, and nowhere more so than in the helplessness that springs to life when the children are sick, or during the holidays when – minus the grounding of roots or traditions – I’ve wondered where to orient the three of us.

And don’t get me wrong – I do treasure the sum of my adventures. They make for rich memories, and mine’s proven an undeniably privileged way to spend one’s young adulthood. However, as I sat at my son’s bedside, anxiously scrolling WebMD.com on my laptop for advice on how to care for a child’s flu and fever that Tuesday evening before Thanksgiving, as he writhed and his breath scraped along his throat and through his nostrils, I also wondered about what I may have neglected or failed to consider during my years exploring distant places, gathering mostly only experiences in everywhere and anywhere entirely unfamiliar…

sam koi

Cut from the same dough

Posted on by under Food & Place

When I was growing up, they were simply “Christmas cookies” to me—not butter cookies or cutout cookies. Just Christmas cookies: the quintessential sweet of the season.

Of course, there were many cookie varieties on the platter my mom kept stocked on the kitchen counter throughout the holiday season. I had to taste each of the others at some point—the gingerbread, the mini pecan pie shells, the coconut and chocolate “magic bars,” and the shortbread squares with salty cashews pressed into the caramel on top. But when the platter was offered with the instruction to “just take one,” my small hands only hovered over other choices before inevitably gravitating back to a beloved “Christmas cookie.”

cookietinAs an adult, I consider these classics a family recipe, but in truth, the five-ingredient list is hardly complicated, or a secret: butter, flour, sugar, an egg, and—most importantly—a half-teaspoon of real almond extract (imitation is forbidden!). First, as with all cookies, the butter and sugar are creamed together before adding the egg and almond extract. Then the flour is carefully stirred in. For years I had to hand over the spoon to my mom when the last cup of flour went into the bowl, and for years I was in awe of how strong she was, as I watched her effortlessly finish the job my wimpy arm couldn’t handle.

scookiecutterAfter the dough was chilled (a step I was never a fan of waiting through), my mom and I rolled it out to a careful ¼-inch thick round ready to be puzzled into Christmas shapes. It was with Christmas cookie dough that I learned to use a rolling pin: gently but firmly, keeping the pressure even between left and right hands, learning to lift the rolling pin slightly as it reached the outer perimeter of the dough, so as not to leave the edges too thin to be cut.

Opening up the tin of cookie cutters each December was as thrilling to me as unearthing my family’s boxes of tree decorations. All the old favorite shapes were there—stocking, tree, candy cane, wreath, star, santa, and the gingerbread boy and girl (which we didn’t hesitate to use on non-gingerbread dough)—as well as the surprise of a new cookie cutter or two we had added to the collection the year before. I learned to be strategic about arranging each shape before pressing it into the dough, minimizing the scraps of dough to be gathered and rolled out again. The outstretched leg of the reindeer nicely made use of a little strip of available dough left along the top of a tree’s point, and the positive points of one star could utilize the negative spaces left by another star.

Frosting and decorating the cookies, though, was the best part of the process. The bowls of colored frosting and various sprinkles were laid out on the table, drawing the whole family as if they were a feast rather than work to be shared. Over the years, our approach became increasingly elaborate and creative. Armed with toothpicks, we discovered techniques for swirling two or more colors of frosting in the middle of a star, and for picking up and placing tiny candy balls exactly where we wanted them, along the hem of an angel’s dress. In his teens, my brother went rogue with his approach, transforming traditional shapes into entirely different objects—an upside-down stocking became a hobby-horse, and bell became a space shuttle, with USA spelled out carefully using those small, stick-shaped chocolate sprinkles.

As a college student, making and decorating “Christmas cookies” was always my first order of business upon arriving home after finals. Years later, after having my own children, I could hardly wait for them to be old enough to sit around the kitchen table and decorate cookies with Grandma and Grandpa and Uncle Bill. When I eventually met Jason, I knew immediately he and his daughter would embrace the slightly-competitive fun of our family’s cookie decorating marathons. (A man who would scoff at such an activity would be no man for me!)

Our three daughters are now teenagers, and the “Christmas cookie” tradition continues—even beyond Christmas. Somewhere along the line, it occurred to me that “Christmas cookies” could be made at other times of the year, so I began buying new cookie cutters: tulips and rabbits, pumpkins and maple leaves, hearts and snowflakes.

photo (2)A few weeks ago, on a cold Saturday morning, we sat down around the dinning room table, where stacks of naked autumn cookies waited for their sweet, creative disguises. Each of the girls had invited a friend to join us. “I didn’t realize other people even did this any more,” one of our guests said, picking up a toothpick and getting intricate with her design.

The cookies are definitely special—everyone who sees them and bites into one agrees. But for me, it’s the tradition of time spent together—evolving as our family evolves, yet remaining the same from year to year, in a life where it seems nothing really remains the same—that I crave most this time of year.

Wilderness and the Costcolypse

Posted on by under Food & Place

What do we talk about when we talk about food? It’s my feeling that discussions about food always reveal at some level the most intimate, spiritual, and dearly held values with which we compose a life. I think, for instance, of the struggle that some families I encounter go through to make ends meet, and how many times we frame this basic challenge in terms like “putting food on the table,” or “keeping the kids fed.”

It’s hard for me to contemplate my relationship to food in Alaska nowadays without my thoughts swiftly veering to Don Rearden’s wonderfully eerie, post-apocalyptic novel, The Raven’s Gift. The book, which came out in 2011, takes place in an Alaska that could easily and believably prove five minutes or five or fifty years into the future. Set around the far-flung region of Bethel – a city (population approx. 6000) accessible only by air or river in Western Alaska – we encounter John Morgan, a man who with a large heart and pure intentions moved to the remote location with his wife, Anna. Both aspired, in overly relatable, starry-eyed ways, to experience first hand one of the lone, final wilderness frontiers on Earth. John and Anna find their way North and court adventure not by aiding to plunder the state’s wealth of natural resources, but by following opportunities to live and teach in the schools of a community comprised primarily of Native Americans.

The Raven's Gift, Don Rearden

But then things go horribly awry, descend – as the book’s jacket reads – “into total chaos.”

Rearden never goes far out of his way to specifically detail what happens that sends John’s life careening into the most unintended, terrifying and primitive form of survival imaginable. It’s not the “how” we got here that matters. It’s purely, “You’re here. Now what?” We hear rumor of a deadly epidemic. Did it spread through all of Alaska? Did it reach beyond Alaska and infect America? Or was it restricted only to Bethel? Was it an intentional epidemic? But does it even matter? When an unexpected stranger offers Morgan a cup of broth – after wandering how long without food in his belly – you don’t care about the origins of this tragedy. You’re sipping broth with him. When he risks a daydream about a cup of coffee, you’re shivering in your bones, too, and you want to offer him a simple cup of joe. The novel puts a man with minimal skills in the absolute barest of imaginable circumstances, strips him of everything he possesses and loves, and tells him only, “Survive this.”

The story offers a unique perspective – with a touch of Stephen King, and periodic nods towards The Road – regarding the curious dilemma that comes with trying to live out one’s dreams up here. Intentionally or no, it indirectly asks readers how they would survive in one of the rumored remaining “wild places” in the 21st century as it strives to become as domesticated and predictable as every strip-malled and fast-fooded location that many of us came here to escape. On one hand, in Alaska, we can hunt wild game and catch and wrestle with so many salmon in the summer that they will swim through your dreams. We can pick our weight in wild blueberries for free, and not pay the exorbitant prices for farmed blues that our friends and family pay Outside. (“Outside” is ow we refer to everywhere in the Lower 48.) And yet, despite this, it often strikes me that a low-level anxiety persists.

It’s noticeable when you hit Costco or Sam’s Club on the weekends. It’s in the way the crowds, myself included, flock in droves to the warehouse stores to purchase mountains of foods and goods that come shipped to us from Anywhere out of state. You can ask me about terrifying bear encounters all you want, but in Anchorage I’m more often worried about escaping the Costco parking lot in one piece than I am concerned with encountering wild animals on a hike in the woods.

Costco

The idea that “Alaska” largely proves synonymous with “survival(ist)” probably isn’t news to anyone. And, to the credit of more than a handful of true-to-life rugged individualists past and present, the state definitely boasts a fascinating library of stories revealing that many Alaskans live life a little closer to the bone than the majority of their fellow Americans. And while there’s not time or space to explore the topic here, we’ve also seen a rapidly growing demand for locally grown produce and goods, and are watching farmers markets gain traction at the local level in ways they wouldn’t have a decade ago.

But Don Rearden’s novel turns a blind eye to our romance with “Alaska” and challenges every naïve notion we carry about “wilderness.” And he does it in such a way that I consider his post-Apocalyptic Alaska tundra every time I walk into Costco and see crowds manically surviving, depending on mountainous flats of pre-packaged foodstuff and goods that rely on barges, flights, and massive amounts of fuel in order for us to consume it. I see John Morgan staggering across the naked tundra when I hear my coworkers or students giddily rave about the new Olive Garden or Chile’s coming to town as if we were a remote African village miraculously acquiring a fresh water resource. What is this nimble, unsustainable set design we’re blissfully constructing in Anchorage, and what does it say that while we’re welcoming it here, many communities Outside are beginning to reconsider and address the glaring errors and dangers that exist in this format?

The winter I first read The Raven’s Gift happened to be the snowiest winter on record in southern Alaska in nearly 60 years. This, compounded with the fact that I had become a single father only a couple months prior to that cold, record-breaking season caused the book to leave an indelible mark on my trembling, unnerved heart.

Sprawled along my couch those dark, lonesome and silent evenings, I would set the novel down and look past the frosted windows of my apartment, stare out at the four-foot high mounds of snow in the front yard and find in John Morgan’s plight a frightening metaphor for the stark terrain of my new life in Alaska. It was impossible not to feel stranded and terrified in those months, living as far away as I do from my entire extended family and closest friends, all while striving to make ends meet each week, to survive on a very middling-, single-income from my work at a non-profit social service agency. Never mind wanting to be “a good father” (or husband). What did/do those terms even mean? All I knew to want then was whatever would keep the boys healthy and fed.

Snow-moose

What do we talk about when we talk about food? I believe discussions about food are at heart holding and asking the most valuable questions about our collective survival, on one hand, and that discussions about survival explore and reveal our most deeply cherished values and intimate connections to the places we find ourselves and to all the people we encounter there.

John Morgan encounters these truths in the most primitive way imaginable. I’ve been fortunate enough not to learn these lessons as brutally as he does, although his journey strikes me as eerily familiar, and never very far away from my own.

winter2012-01

What’s possible around a table

Posted on by under Food & Place

My husband Jason is a true amateur chef—at least if you understand amateur as a French word derived from amare: to love. He cooks because he loves to, and he cooks for the purpose of showing love to others.

* * * * *

One of my first significant encounters with Jason’s cooking took place at a birthday dinner he prepared for a friend—a friend who happened to be (and still is) his ex-wife’s partner.

At the time, the birthday dinner plans didn’t strike me as unusual. Jason and I had been dating for about a month, and I knew he was close to his ex and her partner. I had also heard (but hadn’t yet fully experienced) that Jason was a great cook. Why wouldn’t he offer to make the celebration dinner?

That evening, we all chatted as friends arrived, pouring glasses of wine, helping to set the table, and keeping an eye on one-another’s children as amazing scents wafted from the kitchen where Jason was working his magic.

It wasn’t until we sat down around the table to give thanks for the food and for our friend on her birthday that the beautiful peculiarity of the event struck me—with enough weight to trigger a physiological response: goose bumps on my arms and a tingle of emotion rising up behind my eyes.

My boyfriend just prepared a dinner to celebrate his ex-wife’s partner, I thought, with amazement.

The sentence rolled through my mind like a ticker tape all evening, taking on slightly new meanings and more weight each time. My own life had gone through its share of rough waters the past few years, deadening what had once been an optimistic expectation that there was goodness in the world. That birthday dinner made me believe in the possibility of redemption. It suddenly felt like anything that seemed impossible to the world was, in fact, possible. Especially around a table.

 * * * * *

chefjacketAs our relationship developed over the months, Jason continued to surprise me with his capacity for rendering not just delicious flavors, but also soul-feeding grace. I soon realized that for him, the food and the emotional substance go hand in hand.

My first Christmas with Jason’s family (just days after we got engaged) was my introduction to his extended family and their collective love for food. Jason’s aunt is African American, and in her kitchen, Jason and his cousins combined all they had learned from Aunt Gina and all they had taught themselves, creating a truly fusion Christmas dinner. The traditions of the older generations blended with the new, as recipes from the African-American South were served up next to recreated dishes that had recently been tasted in Chicago’s hippest restaurants.

In our own home after we married, “What’s for dinner?” became our young daughters’ most eagerly-posed question. Their very favorite answer was one that rose unmistakably from the kitchen to their noses—roasted cumin, peppercorns, coriander, cardamom, and cinnamon being ground together for Jason’s Tikka Masala. I loved watching our daughters’ tastes and appreciation for delicious and new foods develop. I also loved the subtle yet powerful ways our two families first got to know one another and then blended and bonded over conversations around the table. Dinners that take time and care to create, it seems, demand meal times that mirror that time and care.

Jason’s cooking skills also make our home a favorite destination for friends—those who love to eat as well as those who love to cook. As our circle of food-loving friends began to grow, Jason and I decided to host an annual chili and cornbread cook-off. The event has evolved and grown over the years (eight and counting!), but the heart of the event has stayed the same: It’s an opportunity for us to bring together friends from all parts of our lives—friends we know from church and friends from the local music scene, foodie friends and work friends, family from Chicago and friends we know through our daughters’ schools. The event lets us gather the often-disparate parts of our lives—each with their own cooking styles and secret family recipes—and create a single whole, a representation of who we are and who we love.

* * * * *

I won’t lie—when it comes to Jason’s cooking, the food alone is an amazing thing. But it’s the spaces those meals create that I love most.

Those of us who grew up in the church tend to see The Table as a powerful metaphor, but that doesn’t mean we can always see or articulate how that metaphor plays out in our Monday-through-Saturday lives. I saw it clearly for the first time at that birthday dinner Jason cooked so many years ago. And once I recognized it for what it is, I started to see it everywhere: in the words our now-teenage daughters share with us over dinner, in the collaborative bustle in Aunt Gina’s kitchen, in the beauty of diverse friends gathered together for a co-created meal in our home. It begins to seem that some level of powerful grace and forgiveness—of authenticity and wholeness—is always possible when people sit down together for a meal.

t-givingtable

Where I Am: Four Houses, Four Turning Points

Posted on by under Welcome to You Are Here

I live in Urbana, Illinois, a city I didn’t want to move to in the first place. My opinion on the matter was weakly based on the handful of times I had driven by the Champaign-Urbana exit on Interstate 57. From that vantage point it was just another flat, cornfield-edged town with predictable, treeless suburbs and chain restaurants.

But in 2001, when my youngest daughter was still in diapers and I was finally admitting to myself that my marriage was falling apart, it felt like God was urging us to move. More precisely, I thought that moving—and my husband’s new job—would somehow save our marriage.

In the 13 years since moving to Urbana, four houses have been home. I don’t know if it’s by design or coincidence, but it seems that each significant Act in my life here has demanded a new stage, as if the inner transitions couldn’t be complete without the leaving of one tangible place and the arrival at another.

*  *  *  *  *

Our first Urbana house caught my eye because—if you could see beyond the birdhouse and ivy wallpaper—it reminded me of the beloved house we sold in Michigan before moving here. Both were 1920s-era Mission style, with sturdy stucco exteriors, generous wood mouldings inside, and plenty of tall windows paned with thick, wavy, antique glass that creates mottled patterns of light when the sun shines through.

During the three years we lived in that house, our toddler and pre-school-aged daughters were at that kill-you-with-cuteness stage of life, busy choreographing dances, creating elaborate plastic feasts in their play kitchen, and layering on the most unlikely costume combinations.

But in spite of those bright moments, I think of that first house the House of Pain. Yes, I know it’s overly dramatic (and also the name of a nineties hip-hop band), but for me, the house was the scene of much yelling and crying and despair. Ultimately, it was the place where I gave up—not just on marriage, but also on my long-held childhood belief that God had plans to prosper me, not to harm me.

*  *  *  *  *

If I was drawn to my first Urbana house because it reminded me of a house in my past, I was drawn to the second Urbana house for the opposite reason: It was nothing like the House of Pain. It was one-story not two; 1960s not 1920s; brick not stucco; and straight-forward, not “full of charm and character.” Most importantly, I was bound to it only by a 12-month lease, not a mortgage. I signed the lease after my divorce was final—after the House of Pain was sold and our marital collections of books, CDs, artwork, and kitchen appliances had undergone a necessary but unnatural process of division.

This second home can best be described as the House of Rebellion (clearly a perfect name for an angry metal band). Just like music that serves to numb the mind, the House of Rebellion provided an escape hatch from the life my ex-husband and I had shared. It played into my desire to be tied to nothing: not a marriage certificate, a church membership, or a mortgage. I devoted myself to my daughters when they were with me, and on the weekends they weren’t, I did whatever I pleased.

Like many rebellions, however, this one led to rock bottom, not freedom or enlightenment. One day about a year after moving into the rental, I knew it was time to stop feeling sorry for myself and start claiming my place. Maybe if I chose to live here—decided to put down roots on my own, in a house of my own—that whole sob story about “following my husband to save a marriage that couldn’t be saved” would lose its power over me.

*  *  *  *  *

Buying house number three happened amidst a flurry of change: I ended a bad relationship, decided to try church again, went to a new counselor, and generally began figuring out who I really was.

This was my House of Healing (yep, cue the cheesy eighties CCM band). It’s the house where I learned to sit and just be in the moment, and where I learned that God wants me to find myself, not fix myself.

I worked in my garden, pulling out weeds with deep roots and planting perennials, and I invited new friends to sit around my table and share the meals I cooked. My daughters grew in those sunny rooms, writing stories, learning to play my grandmother’s piano, and forging great “wilderness” adventures with friends in our large, tree-filled yard. Along the way, as I mowed, painted, baked, and parented, I recognized this truth: I have more power to shape my place than it has to shape me.

And then I met Jason. We eventually got married, blending our families in that House of Healing, all five of us crowded in, watching and learning in awe (or at least the grownups were in awe) as redemption was worked out in one surprising way after another.

*  *  *  *  *

Finally, last spring, as our three girls (and their groups of friends) grew bigger, Jason and I sold “my” house and bought “our” house: The House of Hope (or Truth)? The House of Second (and Third and Fourth) Chances? The House of New Creations? I’m not quite sure yet, but that’s OK—I don’t feel the need to pin down the life that’s unfolding here or the God who works in so many places, in so many ways.