Dublin Lamb Stew

Nine months after my college graduation, I find myself living with my parents, looking for work, trying to write more frequently, de-cluttering my room, and generally freaking out about life. It is a time of uncertainty, a time that requires more patience than I have.

The lamb stew I am cooking for St. Patrick’s Day takes patience, too. Lamb—trimmed of excess fat and cut into 2-inch cubes—simmers with beer, some spices, and broth for at least an hour before I can add the cubed potatoes and sliced carrots. I start early in the afternoon so that the stew will be ready for my family’s 6 o’clock dinner hour. As it cooks, the stew fills the kitchen with a meaty smell. Its taste, when we finally sit down to dinner, is rich, with a hint of thyme and a ghost of wheat from the beer. My family’s silence indicates their approval.

Deciding to make lamb stew was not so much a whim as a nostalgic gesture to the weekend I spent in Ireland three years ago. It was the end of my semester studying abroad. Four girlfriends and I had arranged our flights to stay over in Ireland for the weekend. After a jaunt to Galway, the Cliffs of Moher, and the shrine at Knock, we returned to Dublin for a farewell dinner to Europe. We chose what the hostel employee told us was the oldest pub in Ireland—The Brazen Head—partly for its history and partly because it was only a short walk away. A waitress seated us at a battered wood table in the pub’s squashed and dimly lit interior.

IMG_2325Four months abroad had felt like a lifetime; we were ready to return to American soil and our families. Yet, at the same time, we were overflowing with the exhilaration of seeing the world, of being young, of having friends, and of being more or less carefree. We ordered Guinness and raised a glass: to friendship, to Ireland, to life.

When the time came to order our food, I knew I had to try a truly Irish dish. I chose the lamb stew. Ladled into a wide-rimmed, white bowl, it came with a scoop of mashed potatoes floating on top. Crusty brown bread was served on the side, slathered in butter, which of course I dipped in the stew, soaking up all of its delicious gravy. My friend, Allison, also ordered the lamb stew and together we reveled in its heartiness, while the other girls enjoyed beef and Guinness stew, another Irish favorite.

Stew, in all its forms, although hearty and flavorful, is a rather unremarkable dish. What was it about the Dublin lamb stew that captured my attention so that it stands forth in my mind as a dish worth recreating?

I felt whole during that weekend in Ireland. Now that I had seen places that before I had only read about, the world seemed smaller. Anything was possible. I could go anywhere. I could meet anyone. I could do anything.

Perhaps, subconsciously, it is that feeling of potentiality I am seeking to recapture as I cook lamb stew for my family this St. Patrick’s Day. A bubble of hope rises in my heart like those that rise to the top of my stew as it breaks into a gentle, rolling boil. Anything is possible.

*   *   *   *   *

IMG_6527 vig“Dublin Lamb Stew” is by Stasia Phillips, a writer and amateur cook who loves a delicious bowl of stew once in a while. Studying abroad in Austria for a semester opened her eyes to a whole world of flavors that she is slowly incorporating into her cooking repertoire. Stasia draws inspiration for her writing from nature, good books, her faith, and hazelnut coffee. You can find her blogging at “Cold Hands, Warm Heart.”

The Future Syrah

I stood with the bottle in front of me, corkscrew in hand. The note on the bottle, written in my own handwriting, told me that it was “not to be opened before May 22, 2015.” I cut the foil, and slowly rotated my key into the cork.

Five years prior, I was getting ready to leave a job at a local winery as the summer waned. It was my first post-college job, the answer to the question about “what I was going to do” after graduation. I attended a small conservative Christian college, and I got quite a few raised eyebrows when I said: “I’m going into the wine business.”

The long hours and the free wine created an experience I will never forget, but not a sustainable one. My career in the wine business was short.

As I worked my way through the summer, getting more comfortable with our wine offerings and going tasting with co-workers on the weekends, I noticed that my sense of smell was heightened. On evening walks, I could smell subtle flowers and herbs. I was overwhelmed by the smell of laundry. I could sense the faintest hint of smoke in the air.

That summer, I went on a few dates with someone new. I’d always fallen into relationships somehow, skipping the first few steps of courtship. When he asked me to dinner, it was my first real first date. He came to pick me up and we walked a little ways to a restaurant not far from my parent’s home. We sat on the patio and talked and laughed without looking at the menu. I kept smiling apologetically at our server, but if he was frustrated with our indecision, it didn’t show. Finally, we ordered a bottle of wine.

It was a Washington Syrah, smooth and supple. I hadn’t yet learned then that when I drink wine, I like to eschew the hard edges. I look for something silky that touches my tongue tenderly without a trail of tannins. This was one of the wines that taught me that, one sip at a time. That Syrah is still in my top ten wine experiences.

During my summer of wine, I looked for a way to commemorate the momentous nature of that season. I decided to buy a bottle of wine to store for five years, opening it near the anniversary of college graduation. I consulted my wine stylist, a person I still keep on speed dial, a local wine whiz who occasionally chills bottles for me when I text him so that I can pick them up later. He suggested that a Syrah would hold up well over time. Washington is known for her Syrahs and it seemed the perfect choice, something that would remind me of lunch breaks in the vineyards and my swirling glass in the evening after I got off work, paired with oyster crackers.

When my wine stylist suggested that particular varietal, I knew that I would buy the same vintage as that first date. I wrote the date it was to be opened on a yellow sticky note in the shape of a star before covering it in tape.

That bottle followed me from my parents house to the light-filled one I rented with a purple-painted porch. Every time I went to find something to open, for a date or dinner with friends, I noticed that gently sloped bottle, designed for Syrah. It lay in my wine rack, surrounded by bottles of table wine, Perrier, and other special bottles, waiting for its moment. Though new jobs, publications, relationships and breakups tempted me, I never reached for my corkscrew.

This May, I brought the bottle back to my parents’ house and my mother and I made bruschetta from fresh tomatoes and basil. I opened the wine to let it breathe and immediately, I recognized the scent, my nose still sensitive to all of those stimuli. The wine had mellowed over time, but there was no mistaking it. Even though that restaurant has closed and reopened twice under different names, I was back on that patio with my cardigan draped over the back of my chair. I was hopeful about post-college relationships and jobs and life.

I poured myself a glass, a little nervous that five years was too much after all, that this wine was history. One sip was all I needed to realize that the future Syrah was not ruined, as I had feared. She had not passed her prime sometime in the midst of those years. In fact, she was smoother than I remembered.

***

caraCara Strickland is a freelance writer living in Spokane, WA. She writes about food, faith, singleness and relationships for a variety of publications in print and online.

She’s delighted that her current career allows her to drink wine (and write about it).

The Pain and Beauty in Goodbye

Now far removed from the 9th floor Korean apartment I called home for nearly two years, I’ve been reflecting on what I’ve taken away from my time in South Korea. I’ve come up with quite a list.

I’ve learned about graciousness, and about understanding. I’ve learned patience and learned to wait for the full story before casting my final judgment- there is always a reason behind even the strangest cultural customs. It’s proven true that living in another culture has become one of my life’s great teachers.

The more I worked through lessons learned, (and trust me, there were many) there was one particular lesson that separated itself from the others; my changing understanding of the beauty and importance of saying “good-bye.”

suitcaseWhile living in foreign countries, expats make friends with natives and other foreigners alike. It’s possible, or probable, that as foreigners we will become friends with people soon to leave us, and so, we say “good-bye.”

Eventually, our time will come. Whether that time is after 30 years or 30 days, we inevitably will leave and call a new place “home.”  Maybe we’re really heading home (the place of our birth), or maybe we’re starting a new chapter filled with new scenery and with new people. No matter the situation, it all ends the same way, with us saying, “good-bye.”

I, like most people, hate good-byes. Separating oneself from those who learned and grew with you is a difficult and painful event. When we leave, we are leaving behind part of our self, and with us we take a unique mark; a mark penned by the culture that took us in.

But, since my journey back west, I’ve come to a few realizations.

Good-byes force us to start a new chapter. 

Life often will take the form of a story. We live our lives in phases, or chapters. We grow during chapter 5, we fail during chapter 7, and find hard fought redemption in chapter 14. During our story we live, breathe, love and cry. The chapters of our lives are different lengths and they are filled with a wide range of emotion.

It’s important to remember one thing, though. Like the chapters in a book, our life’s chapters never last forever. We are not defined by the mistake we made in chapter 3. What defines a person is what he chose to do with the number of chapters he or she was blessed with. Do we choose to accept what happens and allow chapter 3 to propel us  into chapter 4?

Since my time in Korea, I’m learning that “good-bye” is often the final period on that final page of whatever chapter we are currently writing. The act of saying “good-bye” lets us start again. It allows us to grow. It allows us to leave unhealthy situations in search of healthy ones, or it allows us to leave healthy situations in pursuit of a dream.

Good-byes help us to realize what we had, and to appreciate it. 

I’ve got a confession. I don’t think I ever fully appreciate people or places when they are part of my life. I take them for granted. But, as soon as I am about to leave a place, the ordinary, everyday buildings that inhabited my world (buildings that I’ve passed hundreds of times without notice) are filled with color and I find them remarkable. The people are revealed for who they are, which are friends that I am going to deeply miss and who had a lasting impression on me. I think this is human nature, though. We rarely appreciate the things right in front of us. “Good-bye,” though, forces people and places back into their proper place; their place of high honor and importance. The act of saying farewell is the great equalizer.

Good-byes help us to hope that beauty is possible again. 

The fact that saying “good-bye” is so incredibly difficult speaks to what our experiences were: beautiful and important. This pain is the living proof that we cared and that we loved. It is the frame work that defines the art that was created during our time. It’s not easy to end something of eternal importance. It’s not easy to leave friendships that altered the course of your life.

It’s important to remember that the pain, the memories, the beauty, the lessons learned all come down to this: As bad as it hurts, our act of leaving is a statement of faith (for without faith, we’d never leave) that in our act of going, there is a belief that there is more art to be created and that there is more beauty to be discovered. There is justice to be done, and lessons to be learned. There is hope to be given and there is love to be given.

“Good-bye” is a hopeful sending, and in our going, we are granted permission to go find and create again.

*   *   *   *   *

Michael“The Pain and Beauty of Goodbye” was written by Michael Palmer. Michael is a Midwest transplant residing in Northern California, a pastor, proud father of two little ones, an avid St. Louis Cardinals Fan, and a lover of cultures, travel, food, and theology. He’s published numerous articles on theology, art, and life, and is a contributor to Renovating Holiness (SacraSage Press, January 2015), a theological re-imaging of holiness. You can also find him at michaelrpalmer.com and on Twitter: @michaelrpalmer.

 (Suitcase photo by Elitatt.)