Tag Archives: stories

Grandmothers and Fried Plantains

Posted on by under Food & Place, Guest

My grandmother assumes her regular position at the head of the table, a spot she reserved for herself after my grandfather passed away.

As the youngest of the family, I sit in the spot right next to her. It’s a privilege that I’ve proudly carried into adulthood. The ceiling fan is running, creating a whirlwind of mucky, humid air. It’s always humid in India, but it was summertime when I visited that year, so the humidity was more like a sweat-fest. The fifth floor of the apartment building invited some cool, coastal breeze every now and then, but it was never strong enough to drive away the mugginess.

My grandmother, or mummy as I call her, opens the container of fried plantains, a treat she got while I was out earlier that day. I smile – she remembered that I loved these when I was little.

I take a bite, sip the chai, then smile. Even though I was only visiting for a couple of weeks, it didn’t take much for that muggy apartment to feel like home. Mummy knew how to make it home for me.

493422234_7cca94f8bf_oI slowly start to peel off the battered outer shell. It was sweet, crunchy and drenched in oil, and oh my gosh, did it taste like heaven. I look over to find mummy doing the same. We catch each other’s gaze and chuckle.

“I forgot that you like the outer shell as well!” I exclaim, quite amused.

Mummy doesn’t reply and continues eating. But she doesn’t bother hiding her smile.

Other than our love for fried plantains, we don’t have a lot in common.

Mummy thinks girls should know how to cook, garden, sew, brush their hair, make their beds, and walk properly. I think that women should do whatever the heck makes them happy (for me, this does not include cooking, gardening, sewing, brushing my hair, making my bed or walking like a proper lady, whatever that means). Naturally, we argued a lot over the years. Every time she would begin her lecture with “As a girl you MUST…” I would roll my eyes and suppress the urge to return my “GIRLS CAN DO WHATEVER THEY DAMN WELL PLEASE” speech.

But lately, she doesn’t lecture me. We don’t argue or bicker. We sit in silence, mostly. There are some awkward attempts at small talk, but mostly just silence.

I want to ask her to repeat the stories she used to tell me, but I cower. I’m afraid that if she tells me these stories again, that it will be the last time I will hear them. But oh, how I yearn to hear her say the words once more. I want her to tell me what she’s feeling, what she’s thinking, her hopes, her dreams, her heartaches, her delights. I wonder if she wants to hear my stories and my thoughts. Compared to what she has given me — the tales, adventures and wisdom of a life that was so fully-lived — what do I have to offer? I don’t really have much to tell or offer. And yet, I want to give her so much. Time is slipping, and I am afraid that I will never get a chance to give her something, anything.

“Do you want another one?” Mummy asks.

I shake my head and put the last piece of the outer shell in my mouth.

Mummy tears off a chunk of her outer shell and puts it on my plate.

I want to refuse and put it back onto her plate, but I don’t. Instead I offer her a smile and some unspoken sentiments.

She doesn’t acknowledge it, but I can tell that she’s received it. She has heard me.

*   *   *   *   *

281098_10151282727211057_1010424170_o“Grandmothers and Fried Plantains” is by Leah Abraham. Leah is a storyteller + writer + journalist + creative + empathizing romantic + pessimistic realist + ISFP + Enneagram type 2 + much more. She lives in the Pacific Northwest, loves the great indoors and hates to floss. Also, she is obsessed with Korean food, sticky notes and her dorky, immigrant family. Leah occasionally blogs at www.leahabraham9.wordpress.com.

The photograph of fried plantains used in this post was taken by Rahul Sadagopan.

When I Was Your Age, We Went to the Bank

Posted on by under Money & Place

On Saturdays, we went to the bank with dad.

The Regency Savings Bank of Geneva, IL welcomed its patrons with platters covered in white paper doilies, piled high with a variety of butter cookies. Dad would fill one of the provided styrofoam cups with coffee from the percolator.

We started coming with Dad when I was a toddler, an era when my memories blur one into the other. In those early days, my older sister and I waited at the Playschool picnic table, laid out with coloring books and crayons. At this point any of our collected coins got plopped into Piggy Banks on our dressers. Soon enough we started to trail Dad to the bank counter, to watch the magic.

The tellers counted the cash onto the counter like tarot cards, experts at slipping paper across paper. They moved through their tasks without looking: stamping, signing, unlocking, typing on the number pad on the computer, and printing receipts by feeding a machine with a small slip of paper that got pulled into the machine to be stamped with account balances.

Bank Teller Counting Money for Customer --- Image by © Duncan Smith/Corbis

Bank Teller Counting Money for Customer — Image by © Duncan Smith/Corbis

At home, we imitated the movements of the tellers in elaborate games of pretend bank, using stacks of pocketed deposit slips and carbon copy return tickets from the local Venture department store. We idolized those women at the bank, second only to the grocery clerks at the supermarket who almost always had long acrylic nails that clicked across the keypad.

On  Saturday mornings, the bank hummed with the financial business of the town locals. I came to recognize the tellers and the bankers in suits who sat at glass enclosed cubicles. When not serving a customer, they popped out of their offices to circulate around the premises and greet account holders by name. We usually got greeted by the tall, lady banker with the short black hair, who seemed to be having a perpetually good day since the late ‘80s.

At the tall desks in the lobby, my Dad endorsed his stack of checks, a lefty with the characteristic curve in of his hand. He always came with his own blue, ballpoint pen since the ones chained to the desk had long run out of ink. Each week, my dad left the bank with a thin white envelope full of twenties that he placed up in the cabinet next to the fridge, so Mom could select a crisp bill or two and take them to the grocery store.

The tall smiley banker told my Dad that we could open our very own savings accounts, and Carolyn and I were each entrusted with a small grey book, monogrammed with the maroon initials of the bank. These very important books were housed in the roll top desk in the kitchen and kept in protective plastic sleeves.  We covered the plastic sleeves with stickers received from the teller for each deposit we made at the bank.

Each visit to the bank corresponded with a new entry in our passbooks. We took a portion of our newly implemented weekly allowance which we had sorted into styrofoam cups marked “savings,” “spending,” and “church.”

Photo Courtesy of Mario Rui on Flickr

Photo Courtesy of Mario Rui on Flickr

I imagine I had some sort of coin purse or hand me down wallet, but I mostly remember holding the coins in my fists till they grew warm and sweaty against my palms. When we handed over our coins and deposit slip, the teller put the coins into a coin sorter, taking  my precious book to feed into a machine that stamped the new balance of my account.

I tried to read over my account ledger with the seriousness the other patrons used as they carried out their banking. I followed the new entry line across the page with my finger to verify the deposit amount matched my handful of change. On birthdays and Christmas, we brought checks from our grandparents and carefully determined how much cash to take out and how much to entrust to the bank, which was very grownup  business.

After the bank, we ran a few other customary errands to the local Ace Hardware store and to Sally’s Sub House or McDonalds, where I couldn’t help but make the connection that the money dad got at the bank bought Happy Meals and packs of grape Bubblicious gum.

I watched my parents do things with cash, taking  it out of envelopes and carefully counting their pennies. I looked on as my mom put items back at the grocery store to match the amount of bills in her wallet. Both my parents were visible stewards of our money, physically placing it into the hands of others or the golden offering plate to save, spend, and give.

The Regency Savings Bank has long been bought up by other bank chains, changing names and buildings and cookie brands. Now our money zooms through cyberspace, teleporting from one account to another. We no longer have to tabulate our finances and I-owe-yous with paper and pen, but pay instantly from the latest app on our phones. Store clerks ask us if we want that useless piece of non-recyclable paper called a receipt, and we wave them off while only a few people still carefully pen their transactions into their checkbook.

But I think I miss touching money, holding it in my hands, and seeing that it is paper and metal. Perhaps I will start to go to the bank again on Saturdays and take out an envelope of crisp bills to bestow with care as my parents did.

***

Meredith-bio-YAH-1024x327

 

The Apprentices

Posted on by under Laughter and Place

The peanut-gallery chatter was almost as entertaining as the 1970s-era slide show my dad was projecting on the wall. Not that I was surprised—I‘d expect nothing less when the Tennants and Sysyns got together.

Our two families have been spending time together since before my life began, but the regularity dipped considerably when us four kids grew up and started moving off on our own. Those stretches of years and miles made this particular reunion, in July 2015, especially epic: 14 of us from Illinois, Michigan, Arizona, and Oregon were gathered at a house on the Oregon coast. Our group represented three generations of two families: my dad’s and “Uncle” Pete’s, my dad’s best friend from college.

In preparation for the reunion, my dad—forever the obsessive photographer—had scanned five decades of slides to share. We watched the greatly-anticipated show our last night together.

photo 2 (2)The early 70s photos showcased my dad and Uncle Pete as beat-poet wannabes. Their weary faces suggested all-nighters spent drinking wine and listening to Miles Davis, scrawling verses in composition books and debating philosophy. But the scene around them tells the real story: four kids under the age of five, joining miniature forces to raise full-sized havoc. As adult versions of those kids, we laughed at the scene our little selves had created in the cramped apartment. Those poor beat poets had no idea what had hit them.

*  *  *  *  *

My beautiful picture

Pete (perhaps working on lyrics to the opera my dad scored).

Dad and Uncle Pete lived next door as college freshmen. Their love for the arts and their well-matched senses of humor sealed their friendship from the beginning, and they lost no time conjuring up the epic pranks they would one day tell their children about (again and again).

There was the time, for instance, when they changed the alarm clock of their dorm’s earliest riser, who had taken on the responsibility of pounding on everyone’s doors up and down the hall each morning to ensure no one overslept.

“You should have seen the guys all coming out of their rooms at three in the morning, ready to pummel poor George Lowe,” my Dad would say, hardly able to get through the telling of the story due to the laughter that erupted from within as he recalled the scene.

When my dad finds something really funny, he laughs in an extreme, choked up way, as if he’s on the verge of crying. My brother and I agree that watching Dad laugh is often more funny than whatever it is he’s laughing at.

The telling of the Alarm Clock Story was often paired with other classics, like the Co-ed Visiting Hours Story, about the time when my dad and a couple other guys on the floor managed to “lock” Pete alone in his dorm room during the university’s first ever co-ed open house.

“He missed the whole thing. We never heard the end of that,” Dad would say, his shaking shoulders indicating a level of laughter that was so extreme it was almost silent.

Not surprisingly, the hilarity at the core of Dad and Pete’s friendship inspired laughter and eye-rolling in the women who eventually married them, which later spilled over into our regular family gatherings each spring break, New Year’s Eve, and summer.

Soon us kids had a whole new generation of funny stories to recall together, from the dance routine we choreographed to the Xanadu album (one of my favorite gifts that Christmas), to the time our families met at a no-nonsense campground in Ohio late one night, unknowingly setting up our enormous shared tent terrifyingly close to train tracks. The rumbling and whistling of the train that woke us up in the dead of night set a new standard for a “rude awakening.”

*  *  *  *  *

The Epic Reunion slideshow continued, shifting from photos of busy toddlers and tired parents into a series of photos Dad and Pete staged for the singular purpose of annoying and alarming our mothers.

My beautiful picture

“Billy” on the brink of disaster.

“Look, there’s the time Billy almost fell into that canyon,” Uncle Pete said, pointing at the projected image of my brother’s eyes peeking over a stone ledge, apparently hanging on for dear life with his fingernails. “We were so relieved we made it back with him alive” Pete added in a stage whisper, ”We never would have heard the end of it from your mothers.”

Uncle Pete is the master of the elaborate aside, holding one hand flat along the edge of his mouth as if trying to keep what he’s saying from a select person or two. And my dad is the master of egging Pete on.

Together, they’re masters of laughter, and as the slideshow came to an end, I realized my brother and cousins and I have been their apprentices. I looked over at the faces of my own daughters—the third generation of this heritage of hilarity—and felt satisfied that our reunion week with the Sysyns had served as a solid orientation in their own schooling of stories and silliness. May they grow into adults who fully grasp the value of friendship, traditions, and pure, uncontrollable laughter.

 

In Which the People are the Place

Posted on by under Laughter and Place

It’s been going on for six years. The ten of us, five married couples, congregate from all over Lancaster County and gather at one of our houses for dinner. Or we meet at a restaurant. Or, like we did last Christmas, we all find our way to some underground concert venue in Center City, Philadelphia to hear Over the Rhine. I can’t remember whose idea that was, but it will certainly go down as one of the best dinner clubs ever. It doesn’t seem to matter where we go, because it’s always the same crew, and I’m learning that sometimes the people become the place.

It’s been going on for six years, almost every month, and there’s a kind of depth that time bestows on relationships, a kind of depth that can’t be microwaved. In the consistency of our gathering, seed after seed has been planted. We began in the awkward mask-wearing phase, only allowing others to see what we put forward. But then, suddenly, we were celebrating together. And grieving together. Layer after layer and before you know it, six years later, when I enter the place we are meeting and everyone is there, I feel an immense sigh of relief.

I can relax. These are my people.

Photo by Sanderson Images

Photo by Sanderson Images

* * * * *

Another thing that comes with time is laughter, loud laughter, the kind that has you waking up the next morning with sore abdominal muscles. The problem with choosing to conduct this dinner club in public is that our laughter, it can be rather…shall we say…boisterous.

* * * * *

We all stop talking and pay attention. It’s time for a story.

One of our friends tells us of his groundhog problem. They’re destroying his yard, leaving huge gaping wounds in his fields. So he wandered into a local Amish hardware store in search of a good groundhog trap.

That will work, he thought to himself.

My friend arrived home and realized he didn’t know how to set the trap, so he turned to the fount of all wisdom.

Youtube.

Soon he’s intently watching a hillbilly video (complete with banjo strumming in the background) in which a long-bearded, barefoot man illustrates the proper way to set that very same kind of groundhog trap. My friend’s kids gather around, drawn by the intrigue of the trap and the volume of the banjo picking.

Step one, step two, step three…my friend follows the man through the process of constructing the trap. This is good. This will work. Soon he has the trap opened into a cube shape. The man tells him to make sure the safety pin is in. My friend searches the inside of the trap for a safety pin.

That Amish guy didn’t give me the safety pin, he mumbles to himself, prying around inside the trap. Suddenly, the metal slams closed, down on his hands, trapping him in the trap. His kids stare at him, their eyes wide open. Excruciating pain shoots from his smashed fingers and all the way up his arms. He tries to hold in the obscenities. His children stare at him, not sure how to respond.

He trapped himself.

Groundhog, 1. My friend, 0.

* * * * *

Maybe some friends would exhibit a greater amount of sympathy – after all, he could have lost a finger in that trap. I’m sure the pain was unbearable. But what did the nine of us do?

We absolutely lost it with laughter. I cry when I laugh hard, and tears streamed down my face. We hooted and hollered and clapped him on the back at his misfortune. And in that laughter, that story, another fine layer added depth to the friendships around the table. Another shared piece of history. Another moment.

* * * * *

The place where we meet always changes, but the people are the same. I guess a lot of times the people are the place, probably more often than not. It’s something I’m learning, as life takes me and my family from here to there.

The people are the place.

shawn bio YAH

The Creek Less Traveled

Posted on by under Memory & Place

There were many bodies of water to enjoy and explore at my grandparents’ cabin—it was Northern Michigan, after all, where bodies of water are as common as fields of corn where I live now, in Central Illinois.

The small, inland lakes had their appealing features: sandy shores for digging, floating rafts to dive from, and glass-like surfaces that perfectly mirrored the evening sky until the canoe you paddled broke through the stillness.

But of the many tempting bodies of water, it was the creek that enticed me most. The creek had something the lakes didn’t: It had mystery, a destination.

*    *    *    *    *

We called it simply The Creek, but on a detailed-enough map it has a proper name: Canada Creek. It probably winds for miles, but our encounters with the creek took place in the far upper-east corner of Michigan’s lower peninsula—right where the cuticle of your index finger would settle in the mitten-shaped map.

As elementary-aged kids, my older brother and I were allowed to walk together down a curving sand road until it became a one-lane bridge at the creek. The road was rarely traveled, like all the roads in the area—we were somewhere in the midst of 20 square miles of woods and water known as Canada Creek Ranch (only a fourth of which was dotted with a few hundred cabins).

At the creek, my brother and I stood on the bridge for a while, tossing stones into the water to hear them plink and plunk their varying notes. Then we slid and scrambled down the gravely bank to the creek’s shore, where we inevitably ditched our canvas sneakers and sweaty socks to wade in the cold, clear spring water. It was sandy and shallow by the bridge; I liked to stand very still, hoping a dragonfly might land on me, while the tadpoles investigated my toes.

But how long could a kid stand still in a creek? After all, the creek had places to go and things to show us.

*    *    *    *    *

PICT0023I’m guessing that we schemed and planned our first creek walk when I was about seven, sitting around Grandma’s breakfast table, pancakes piled high and studded with wild blueberries we had picked the day before. I’m sure my brother and I were persuasive in our desire to follow the creek. Not only did it beg to be further explored, but the creek held potential for so many stories. The grownups were apparently just as intrigued, because a new summer tradition was born (one that continued into our teen years, as seen in the photo): The Creek Walk.

On Creek Walk day my brother and I set out as adventurers, eager to play the characters in our favorite books—to live out their stories, or more likely a compilation of their stories. Laura Ingalls, Davey Crockett, Lewis and Clark and Sacajawea each took a turn being embodied by us as we forged the stream.

Sometimes we talked through our stories as we walked, staying in character as we navigated over or under a fallen tree. At other moments I broke from character to yelp as I slipped on a rock and nearly went under, or to complain when my brother, leading the way, fooled us with his favorite trick: gradually bending his knees then walking on them until the water was up to his neck, which suggested it would be well over my head. (A few times he wasn’t joking, and it actually was that deep.)

And then there were spells when all of us were quiet, amazed by just how quiet the world could be, save for the swish of our legs displacing the water as we walked, and the song of a Goldfinch from somewhere above. Now that I think of it, I don’t recall ever encountering another person on our many creek walks.

*    *    *    *    *

After three or so hours of pressing on, the heat and deer flies became more bothersome, as did the ache in our legs and the rumble in our stomachs. Grandma began searching for a place to exit the creek—an opening in the tangle of brush where the bank wasn’t too steep and we could make our way from the creek’s winding world into the woods.

How Grandma had any idea where we were, I’ll never know. But she had hiked and skied those acres for years, and could confidently point us in the direction of Little Joe, one of the remote lakes on Canada Creek Ranch. We followed deer paths or forged our own way in the direction she pointed, motivated by what we knew we would find at our destination: Grandpa, firing up the grill for hotdogs. Each year on Creek Walk day he put the cooler Grandma had prepared into the car and drove the two-track roads through the woods to meet us at Little Joe’s lone picnic table.

After our feast, we all packed into Grandpa’s car, soggy and worn, to drive back to the cabin. The hotdogs and the lift home were luxuries Sacajawea never had, but by that point I was ready to be a modern-day little girl again, tucked into bed where more creek adventures could be spun in my dreams.

Talking on the Train

Posted on by under Guest, Together in Place

I had lunch with a stranger once in the crowded food court of Union Station in D.C. There were no empty tables and only a few empty seats. When I saw a woman sitting by herself at a table, I asked if I could join her. She readily agreed.

I was in between trains, a Chicago-to-D.C. leg behind me and the rest of the journey home to Philadelphia ahead. Asking to join a stranger at their table is not within my standard mode of operation. Perhaps it was the 17 hours I had just spent on the train that inspired my unusual behavior.

On long-haul trains, if you go to the dining car you sit with people. And if, like me, you enjoy passing the hours of train travel in the observation car watching the country roll by, then you sit with people there too. On a long-haul train, you chat and really listen to the answers because you have all of the time and none of the cell signal. This slow-paced, low-pressure atmosphere makes my people-loving introvert-self bloom.

Between the trip out to Chicago and the ride back East, I spent almost 40 hours there-and-back talking to strangers. I met a man in the midst of his journey home from Thailand. He told me about an ex-wife and a child in Peru—how his world travels introduced him to people, but pulled them away too. He bought me a drink and we talked for hours as the view of the countryside gave way to midnight blackness. Eventually he asked me, “Are you happy?” I told him I was, mostly. He nodded, leaned back in his chair, and stared off into the darkness outside. His eyes had said more: that being happy was something he didn’t quite understand.

One morning after a few bumpy hours of sleep as the train chugged through Ohio and into Pennsylvania, I went to breakfast and was seated at a table with a woman. She asked me about my life. I asked her about hers. We lingered over our coffee as she told me about working with Catholic Social Justice groups in her teens, trying to end capital punishment. The fact that people still fight for the same thing today gave her mixed emotions. I told her about my Christian Social Ethics coursework—what I was learning about inequality and how the church participates. I told her it was encouraging to meet her. She said the same of meeting me.

Amtrak observationSeven-hundred miles of steel track is enough space for strangers to share many years of memories. You can settle in with wine or coffee. You can relax into the seat. The scenery of fields and small towns is buffer enough for the natural pauses. There is no hurry; your stop is likely states away.

After joining fellow travelers for those many miles, to join a woman sitting at a table alone in a crowded food court seemed natural. As she told me about how she spends her days, the realization that she was homeless began to dawn on me. I took a second look at the food she had in front of her—one small order of fries. I told her I was finished eating and asked if she would like any of my leftovers. I think if I had thought about that a bit more, I would not have asked for fear of insulting her. She took my offer though and gladly ate what I did not. I eventually wished her a good day and a safe walk back to her night shelter, thanked her for allowing me to join her table, and went to board my train to Philadelphia.

This second-to-last last part of my journey was on a regional Amtrak train, which means smaller seats and less room to move about. My seat-mate told me about his job in the banking industry, seeming proud of his achievements as a district manager. Before long he had his laptop out, taking advantage of the Wi-Fi.

In Philadelphia, I switched from Amtrak to regional rail for the journey out to the suburbs, choosing a seat next to a woman who had on head-phones. The train car was silent but for the noise of the tracks and the intermittent stop announcements.

The transition was stark. Our day-to-day lives are not built for long chats and shared meals with strangers. Yet, people’s complicated lives exist even when we are just commuting home to the suburbs. Homeless people, lonely people, overlooked people. People who are on a journey to somewhere—people who fight for equality and people who wonder if it’s really possible to be happy—these people are always next to me.

It is of course easier to say that I want to engage than to actually engage. The meeting and eating and talking together requires intentionality on the part of all the participants. When I can remember that the people around me have stories of lives lived full of heartbreak and hope, then I am more willing to keep my eyes open for ways I can give. Even if what I have to give in the moment is only a listening ear or my not-yet-finished lunch.

*    *    *    *    *

fall“Talking on the Train” was written by Nicole Morgan. Nicole’s first long-distance train trip involved Thanksgiving dinner with a dining-car table full of strangers. She booked a sleeper-car once and loved it for all its nostalgic charm, but much prefers coach class where there’s plenty of time and room to meet her traveling neighbors. Nicole writes about bodies, theology, and community at jnicolemorgan.com  and tweets away @jnicolemorgan

 

 

Called to be awkward together

Posted on by under Together in Place

If clichés are any indication of reality, Americans have exactly two options on Sunday mornings:

1. Stay in bed as long as you want, then put on yoga pants and a hoodie and relax for hours with your cat or dog in a sunny spot, sipping coffee while indulging in The New York Times from cover to cover.

OR

2. Get up early and rush to church (with your coffee in a travel mug), to be surrounded by dozens of people who may or may not have anything in common with you beyond your choice of how to spend Sunday mornings.

For almost my entire adult life, I have willingly gone for that second option. If the first option can be characterized as Blissful Solitude, the one I choose is Awkward Togetherness—at least at the churches I seem to gravitate toward.

There’s no telling what might happen on any given Sunday morning at my church. Drinks are spilled (well, coffee or communion juice), squealing toddlers are chased, and people are generally loud at the wrong moments. It’s like a family reunion with all your crazy relatives. Every Sunday.

I am clearly a glutton for punishment, as I head back to church week after week. But I make that choice because I am also a glutton for unexpected friendships, undeserved grace, and unconventional beauty. These are things I can’t seem to find anywhere else in the world, so each Sunday I return to church for more.

In no other realm of my life could I spend a couple of hours with such a diverse collection of people: a leading advocate for disability rights and a leading scholar of Islam; ex-convicts and an ex-prison guard; an Obstetrics nurse and newborns; homeless people and psychologists; a once-big-time blues drummer with a grey beard down to his belt, his teenage drum student, and a toddler who idolizes them both.

Church is the place I go to be in community—not with the mainstream, middleclass, upstanding Christian crowd, but with the ones Jesus gravitated toward: the misfits, the broken, and all those who don’t always “fit.”

Many Sunday mornings, as any illusion of well-rehearsed order dissolves, I sit in church half-cringing, seeing all the chaos and mishaps through the eyes of some poor visitor who wandered in to see what we’re all about. Being in this place can be so uncomfortable and awkward, especially for those of us adept at feigning full command of ourselves and our surroundings.

But those feelings have a way of projecting back onto me, highlighting my own brokenness and discomfort in this world. Before long—during the very same worship service, even in the next breath!—my cringe transforms into a heart swell of openness and love-beyond-reason. I look around our coffee-stained sanctuary and see the stories we live together.

There is our friend who one day surprised us by returning from a visit home to India with a new bride at his side. Now they have a baby we ooh and ahh over at every opportunity.

Down the row from them is the former blues drummer. For years he spent Sunday mornings sitting behind the drum set with the worship band; now he’s recovering from cancer surgery and too weak to play a whole set. But that doesn’t stop him from pulling a tambourine out of his bag when the spirit moves him, and making music from his seat.

I watch a preschooler run up to her grandparents with smiles and hugs. As an infant, she was raised by her grandparents. Now she and her sister are the adopted children of a young couple in the church (and vessels of joy for everyone who knows them).

On the other side of the sanctuary is the woman who is always busy sewing or crocheting away on a blanket for someone’s baby, and there is the woman who regularly testifies to how Jesus has delivered her from debilitating anxiety. Behind me a hearing aid whines briefly as our “senior member,” at 90, makes an adjustment.

Then a song from the church’s “hippie days” begins, having made its way into a worship set. It is unfamiliar to me, but clearly not to everyone. A man gets off his chair and kneels right there on the carpet, while a few of the “old-timers” begin doing hand motions that seem part-sign language, part-jazz hands. A baby screeches, and we know exactly who it is, without turning our heads. A boy with autism rocks and rocks and rocks in a rocking chair in the back of the sanctuary. That is how he does church.

And I bow my head, overwhelmed by the terrifying-yet-glorious goodness of being awkward together in the presence of God.

 

 

The stories of things

Posted on by under Home & Place

One winter Monday, 15 or so years ago, I arrived at work to some devastating news: Over the weekend, a coworker had lost her home to a fire.

We all huddled around the coffee pot in the break room, trying to imagine—although we knew we couldn’t—what it would be like to lose almost all of your earthly possessions. A week later, when our colleague Chris returned to work, we began the slow process of bearing witness to her shock and grief. Then, months later, we were her empathic-yet-fascinated audience as she told stories of the new house rising from the ashes—not just being built, but also being populated with new things.

I was only in my late-20s and had accumulated relatively little, yet I couldn’t fathom what it would mean to start completely over. There would be the lack of pillowcases, cake pans, and familiar sweaters waiting for you as fall settles into winter, but also many harder-to-replace things: No rows of books with penciled notes and cardstock bookmarks identifying the shops where the books were bought. No wedding gifts that, each time you use them, bring to mind the great aunt or college friend who bestowed them. No outdated lamps from your childhood, handed down to you as you entered adulthood with so little.

Chris was in her late 50s, so the home she lost had contained decades of memories and treasures. While her new home was being built, Chris told us about the interior decorator, who specialized in “recreating meaning.” I was utterly fascinated by—and skeptical of—the process, which involved interviewing Chris and her husband to gather meaningful family stories and tales of travel adventures—references she would then bring into the new home through new objects.

I never would have dared to ask Chris, but I always wondered: Did it work? Can a home speak in retrospect of a life lived, or must the life be lived into the home?

*   *   *   *   *

I suppose the question needled me because it touched on an area I had dabbled in myself—but in reverse: I, as a newly married 22 year old, had attempted to use objects in my home to speak into my story. I didn’t know what my life would be like, but I knew what I wanted it to look like. If I built the stage, would the life follow?

Garage sales, thrift shops, and odd pieces of loaned and handed-down furniture created the kind of comfortable, quirky, space-with-a-history that I longed for. My husband was a painter, so the walls were filled with art (indicating that we were “creative” and “interesting,” of course!). A set of handmade pottery dishes, given to us as wedding gifts, conveyed that we were “down-to-earth” and “simple”—no fine china for us! And we rushed to buy books to fill the shelves—more books than we could possibly keep up with. It would take us years to actually read and absorb their stories and ideas, but that wasn’t the point. I wanted to be instantly surrounded by these visual symbols of intellect and depth.

In short, I wanted everything in my home to tell a story about us, but I was too impatient to let the stories emerge on their own.

*   *   *   *   *

Now I know the answer to the question I wanted to ask Chris so many years ago: A life must be lived into the things that fill a home—it can’t be put on, like a costume.

My home today (the eighth of my adulthood homes) is filled with evidence of a life that’s been both beautiful and complex. Yes, the books, art, furniture, and dishes each have stories to tell, but they are not all happy stories. They tell stories of a broken marriage as well as stories of wholeness and healing. They bring to mind the struggles and triumphs of single motherhood, as well as the ongoing tales of blending two families into a new one.

My eyes scan the rooms visible from where I sit at my desk. There’s the dining room table—the same table my ex-husband and I sat at four homes ago, a highchair pulled up so we could spoon food into our daughter’s mouth. Now, during dinners at that table, Jason and I navigate the tumble of tales and ideas shared by our three teenage daughters.

photo 1I can also see the vintage sofa I happily snatched up as a single mom about to move into a rented duplex. It’s the same sofa I sat on to read books to my young daughters, but it has since been reupholstered (following an unspeakable incident with the family dog). Behind the sofa is the piano I grew up hearing my grandmother play; she gave it to me when it was time for her to move into assisted living, and time for my daughters to learn to read music.

And beyond the sofa and piano, just inside the front door, is a gallery wall of small artwork and treasures. An olive-wood cross, carved and painted in Santorini where Jason and I honeymooned, hangs just to the left of a painting my ex-husband made of the house he and I lived in when our daughters were born.

photo (7)Suddenly, I can see my home for what it is: not a collection of aesthetic choices I hope will communicate something appealing about me, but vessels holding the real stories that have emerged in my life. And that gallery wall in particular? It also symbolizes my acceptance of those stories—the intentional, beautiful stories as well as the haphazard and heartbreaking ones. Together, they speak truth: Welcome to my home, welcome to my life.

 

 

Monogram

Posted on by under Food & Place

Fifteen years ago, I remember my mother-in-law, a lady from the Eastern Shore of Virginia, saying to my husband Tom and me: “I want to start giving you the family things so you can enjoy them, and the children can grow up with them.”

Since the time she entrusted us with the family heirlooms, I have endeavored to give them meticulous care without creating a museum-like atmosphere in our home. Our children have learned to appreciate their heritage because of the stories told by their grandmother, ones in which they are related to the settlers of Jamestown, U.S. Presidents, scalawags, crazy aunts, and sturdy women who saved the family furniture during hard times. The silver, china, books, and furniture handed down to us are not “just things,” but they reflect the lives of those whose faces speak from their portraits on our walls.

*****

My favorite part of preparing for Thanksgiving is when I hide in the silver closet like a Confederate hiding from the Yankees. I pull out silver place-settings, serving pieces, bowls, trays, goblets, and napkin rings. The late nineteenth century Haviland Limoges china, delicate, but durable, is arranged in my china cabinet. I hold my breath and move in slow motion as I retrieve dinner plates, bread plates, butter pats, serving bowls, and meat platters from the shelves.

Everything is carried to the dining room, and I begin to dress the table based on the number of guests I will feed, and the dishes I will serve. I think to myself: Will I use napkin rings or tuck the napkins under the plates? Tablecloth or place-mats? Iced teaspoons?

I fuss over the details of creating an inviting table, not one that is high-brow, (dinner attire is flannel and denim), but a table-scape of respect and gratitude for the women of past generations who set this family table for Thanksgiving.

photo(32)A cooking marathon begins in my kitchen on Thanksgiving morning and by dusk, the turkey is resting plump and tender on the Haviland platter. It is time to dim the lamps, light the candles, and call our dear ones to the table. Tom usually interrupts the loud, pre-dinner banter, but sometimes our son will play the antique tabletop chimes to announce that dinner is served. A blessing of praise and gratitude is prayed. When the eating begins, the room grows quiet except for the “mmms” heard as we taste the richness of the food. Hearty appetites satisfied give way to hearty laughter, and everyone pushes back from the table and begs off dessert until later.

I am weary, but satisfied, content to linger at the table. I think about the father-in-law I never knew who, forty years ago, sat at the head of this  table and buttered his bread and stirred his iced tea with the silverware that bears his monogram. My husband and children have the same monogram engraved into their DNA, and with His gracious pen, God has written me into the same story.

photo(33)