Disorient; reorient.

It’s the Saturday before Advent begins, and a few of us are at church preparing—setting up the wreath with its purple and pink candles, pulling music from files, and rearranging all of the chairs.

Typically, the Advent wreath is the only visual cue that we’ve entered into a new time, a new space. The chairs haven’t been rearranged in our sanctuary since I started coming to this church a decade ago. Who knows how long they had been that way, divided into three sections, the rows straight and predictable? From an aesthetic standpoint, our church is simple, straightforward, unfussy. The people provide the color and complexity.

Now our goal is to draw all of those complex people in, arranging the chairs in a way that makes us more concentrated, more connected.

It’s been a difficult year in our fellowship, in individual ways that spill over into the community, and also in corporate ways, as we’ve gone through a leadership transition. As the year comes to an end, I feel the need for us to be close, shoulder-to-shoulder, like a large family squeezing in around the dinner table.

I start by removing about 20 chairs from the back rows. Churches will always have back rows, and people will always gravitate toward them, but our new back rows will be closer to the front. Then I divide the remaining 100 chairs into two groups rather than three, curving them in toward one another in an asymmetrical swoop that reminds me of the shape children create when drawing ears on the sides of a circular face.

My helper is Josiah, a teenage boy I’ve been close to since he and my youngest daughter were both in kindergarten. It takes us a while to get the new arrangement right. How close can we gather the chairs in without being too close? We consider wheelchairs and walkers used by members of our community, infant car seats and older babies who often play at their parents’ feet during worship. We congratulate ourselves as the new arrangement masks some coffee stains on the carpet, only to discover that different stains, once hidden, have been revealed.

Finally, we “test drive” various chairs we’ve set up, from each vantage point looking at where the musicians’ microphones and stands are, where the Advent candles will be lit, where song lyrics and Bible passages will be projected. At one point, Josiah and I are sitting on opposite ends of the swoop of chairs. We can see each other without turning our heads. We smile and exchange an air high-five across the empty worship space.

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In America, our love for buffers is clear. Just watch as people choose where to sit in any cafe, movie theater, train or bus. Our tendency is to leave one or two open seats between us and “them.” Are we simply respecting the personal space of others or protecting a selfish need for our own? Or do we go through life with an underlying aversion or suspicion of anyone we don’t know?

I suspect most of us aren’t reasoning out complex justifications for where we sit. These buffers have become largely a matter of habit, both personal and social: This is how we do things. This is what people expect. This is why our ancestors came to America in the first place—for space.

But in church?

Even in churches, we are prone to sidling into a row of chairs, smiling kindly at people sitting in the same row, but leaving a seat or two empty between us. Have our world-weary habits seeped into a place that should by definition be counter-cultural? Have we forgotten what this particular gathering is about?

In this place of worship, after all, we have come together to be together. Yes, we have come to worship God, but we could do that alone—at home or walking city streets or sitting in a park. If we are at church, we are there to be together: To step out of the cold. To gather in a way that creates a margin between the despair we hear on the news and the glimmers of hope we have deep within. To recall moments of balance, of a rightness we’ve caught fleeting glimpses of once or twice in our lives. They are just glimpses, but they’re enough to make us long for more.

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On the first Sunday of Advent, we don’t particularly look like a group of expectant people. We straggle in like usual, looking ragtag and weary, even as we exchange smiles and hugs. Most of us might not even be sure why we’re here, but we are here. There is something in this mysterious mix of ingredients we are wondering about or hoping for.

22783562843_175aa231ba_zIn the worship space, the newly arranged chairs are generating some hubbub, waking people up as their minds scramble to translate old habits into a new arrangement. I hear extra murmuring and some uneasy jokes, meant to cover the confusion; a blend of nerves and excitement fills the space.

As people find places to sit, I watch them scoot in to make room, looking down the curve of  newly formed rows to see who might be nearby. It is a small change in the scope of things, but we are seeing things differently. We are disoriented, which is often necessary if any reorienting is to happen.

This is, after all, Advent.

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Kristin bio YAH

The worship space photo in the post is used with permission (and thanks!) to SupernovaPhotography.com.

Under The Creation of Adam

I rocked her, swaying side to side and revolving in place, while she was snug against my chest wrapped in the carrier. Audrey was loud and upset from a missed nap on a day out in Rome, so I quietly sang to her hoping she’d nod off.

I had always hoped to be here, but never imagined it would be with my husband and our two young children. I had envisioned endless time and a schedule that only I would be subject to. But there we stood, all of us, in the Sistine Chapel, under The Creation of Adam. I wanted to sit and stare up at this masterpiece, but instead we were working to hush our children, using quietly-hissed demands. Finally, with an ache in my neck from craning it backward and the weight of the carrier pulling at my shoulders, I made my exit sooner than I’d wanted.

sophia_audrey_romeA few days later, I was picking up my almost-two-year-old off the cold marble tiles at the Galleria dell’Accademia, setting her upright again. Then I asked my four-year-old to stand instead of walk-crawl on her knees which was an obvious distraction in this place. All of these parental musts couldn’t help but overshadow my few brief glances at Michelangelo’s 16-foot statue of the David. I was hoping for an emotionally holy-artistic experience, but there wasn’t time for it. A moment later, we whisked our children outside where they had permission to be as loud and playful as they wanted.

During these angry-annoyed moments with my children, I imagined what it would be like to travel without kids: the simplicity of putting on my own coat without having to bother helping anyone else; the unhurried and uninterrupted time to contemplate and comprehend the artistic and historical; the delicious glass of red wine sitting on the table, unafraid of being spilled, just waiting to be slowly enjoyed, savored.

You get the idea.

Traveling with kids, in a constantly changing environment, is one of the most stressful endeavors I’ve experienced so far—“Just eat the gelato and watch Elmo on the iPad and sit still for one minute, damnit!!”

We are slow travelers. Our pace is interrupted by children trying to get our attention. Our backs get sore from holding children who refuse to walk on their own or who would otherwise get lost in the London foot traffic. They need us over and over again. We are the exhausted ones, trying to enjoy, trying to be thankful for both having the opportunity to travel as well as for parenting these little ones of ours. We live in that dissonance every time we embark on another journey. We hold onto our sanity as tightly as we can while also grasping at the coat sleeves of our children.

We’ve learned about the medical system in five different countries and are pros at locating pharmacies and finding pediatric medicine. Despite multiple attempts to force our daughters to experience the local flavors, we often eat lunch at yet another McDonald’s. We also feel the sting when we’ve paid our child’s entrance fee to see the 1000-year-old castle and they are more interested in the grass surrounding the castle.

And yet, there is a special medal we earn for bravery and for courage when we travel with our children. We receive more smiles and more forgiveness for not speaking the native language when locals see how distracted we are with our littles. On many occasions, we’ve received “ciao bella” from older Italian couples with lovely wrinkled grins as they gently touch our children’s cheeks. Our itineraries always contain a stop by the city park where children don’t care about languages spoken other than the universal language of play. The grinning faces of our children has been enough to earn them a few extra free pieces of Swiss chocolate. Traveling with children means we get to be silly and laugh about the stench of whales exhaling through their blowholes. We get to observe more—such as the differences between ladybugs in Denmark and in Sweden— because we are slowed by our children’s stubby legs and handholding.

They help us care and they soften us.

One day we will love telling them about their travels as young children, and by then I won’t remember all of the hard parts. Instead, I will remember the amazing: daring to take our two young children into a world that has such breathtaking beauty and such magnificent diversity, and telling them about the God-made things and the incredible things people have constructed. All of our experiences in traveling with our children—hurriedness and limitations clipped by slivers of pure amazement, delight, detail, forgiveness and companionship—are woven through the spirit of our family story. That story is our masterpiece.

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bio-pic_small“Under The Creation of Adam” is written by Lisa Collier. Lisa moved from Pittsburgh in 2012 and is currently an expat living in Doha, Qatar as a trailing spouse. Her husband, two girls and dog make this place a home. Lisa took on the challenging but wonderful experience of homeschooling this past year.  Lisa has traveled quite a bit, but the view from inside the train on the way from Milan to Zurich was one of the most breathtaking scenes of all. Read more on her blog, “Once You are {Real}”.