Rotating Places, Rotating Faces

Sometimes I wonder if I live as if I am a prism.

I distort the light within me through my many different facets.  My many different faces.  And it is my roles and my places that determine these faces.

At work, I am confident, focused, and confronting.  I solve problems.  I complete things.  And, I am undistracted in my pursuit of success.  My face is one of determination.

At home, I battle distraction.  The typical things of a home filled with children – and internet connections – vie for my attention.  I am less sure in this space.  The tasks that I manage to complete just start over and over again – laundry, meals, school drop-offs, homework.  At home, I try to make love my ambition, not productivity.  But it is a struggle.  My face is one of striving.

prism

At my writing desk, I am neither here nor there.  I am in Kairos, that other-than state that transports me into an openness that can only be explained by God.  In Kairos, the immensity of Him and the tiny molecule of me intersect in a way that makes sense.   My face is one of receiving.

At church, I am unmasked.  I am at rest in the company of imperfection.  I am enough.  I filter, I question, I doubt.  I accept that I am incomplete.  I pursue connection.  My face is one of seeking. 

And so this is the orbit of life:

Rotating roles,

Rotating places,

Rotating faces.

But is this the revolution that God intended? 

I wonder if the revolution He desired is one that transforms me from a prism into a window.   Because, for His light to shine through me, don’t I need to be transparent and fragile, not rock solid and rotating?  

I think I want to be a window.

window

But in transparency and fragility, I am vulnerable.  It is easier and more comfortable to play my roles and change my faces.  Rotation is protection.  Vulnerability is risky; it is complicated and messy.  Vulnerability is letting others see all of my faces, even the onesdon’t want to see.

Yet it is in this vulnerability that others see not only me, but themselves.

So I think I want to be a window, still enough to have one face, transparent enough to let His light shine through, fragile enough to let others see through me to themselves.

Determined, striving, receiving, seeking. 

If I am a window, I am all of these faces, and more, at once, in every role and in every place. 

If I am a window, I am one face.  One face that stays rotated to God, letting His undistorted light shine through.

Yes.  I want to be a window.

*   *   *   *   *

H1Rotating Places, Rotating Faces” was written by Holly Pennington. Holly has rotated faces through roles such as a physical therapist, health care executive, mother, writer, and entrepreneur.  Her rotating places include Ohio, North Carolina, Florida and Colorado.  She is pursuing a window kind of life in Washington state, despite the rain and fog.  She blogs about faithfully merging “dreadlocks” and “goldilocks” selves at www.dreadlocksandgoldilocks.com.  She can be found on Twitter (@dreadsandgoldi) and Facebook at dreadlocksandgoldilocks.

Learning from Ms. Norman

At my first school the kids called me “Freedom Writer.”

Who you got for English? Freedom Writer.

That is pretty much all you need to know. If you know they called me Freedom Writer you know that they were black and poor and I was white and young. You know that we both swallowed the lie that a young white woman can save a whole generation.

My students don’t call me Freedom Writer anymore. It isn’t just because I’m older. I now work at an upper-middle-class school and they just call me Ms. Norman.

Teaching is one of the only professions where no one uses a first name, at least at any school I’ve ever worked at. Generally, the adults in my building even refer to each other as Mr. or Ms., for continuity’s sake, which means most of the kids don’t even know our first names.

Very occasionally, a student will see me in public and call out my name. I know before I see who is shouting that they are my student. Just hearing someone shout “Hey, Ms. Norman” puts me immediately into teacher mode, even in the middle of the grocery store.

I like Ms. Norman. I like my classroom and I like who I am in it. I have carefully curated the furniture (spray painted funky colors) and the posters (MLK, Mother Theresa, Ghandi), just as I have carefully curated the persona that is Ms. Norman. In fact, sometimes I wish Abby could be a little more like her. Ms. Norman is always in charge. Abby, not so much. Ms. Norman may not always have the answers, but she knows where to find them. Abby doesn’t even know the right questions to ask half the time. Ms. Norman takes no crap, not from anyone. Ms. Norman handles her business so well that she only has to write an office referral for discipline once a year. Abby takes a lot more crap and does way more freaking-out-about than handling of the business.

I know exactly who I am in my classroom, and my students know what to expect. I will yell a little when you turn in a paper late, but I will let you turn it in. I will just give you a dirty look for saying a swear word, but I will not tolerate you saying unkind things to the other students. My classroom speaks to this. I have a giant hand-painted sign where you would expect the clock to hang that says BE KIND. My bean-bag chairs speak to my desire for kids to be comfortable in my room. My giant piles speak to my general disorganization. Even that flaw Ms. Norman is comfortable with.

After almost ten years in the classroom, I am considering trying my hand at something else. I am not sure quite yet if this is a phase, or if I really am ready to leave. As I contemplate the possibility of not being a teacher anymore I think about how there won’t be a place to hang the posters I have so carefully picked and laminated. What in the world will I do with eight bean-bag chairs?

Without a classroom, I also wonder what will happen to Ms. Norman. Will I ever need to be able to shout down 35 kids in 15 seconds or less? Will I maintain the ability to simultaneously read a passage aloud and confiscate a cell phone? Will I remember all the dirty jokes in Romeo and Juliet or be able to recite whole pieces of Of Mice and Men without looking? These are all things Ms. Norman does very well.

I have been surprised at how lost I feel even thinking about leaving the classroom, the loss that I feel, the uncertainty. Can the best parts of Ms. Norman, of myself, live on if there is no classroom for her to reside, no plaque with her name, telling the world she belongs here?

*   *   *   *   *

Abby“Learning from Ms. Norman” was written by Abby Norman. Abby lives and loves in the city of Atlanta. She swears a lot more than you would think for a public school teacher and mother of two under three. She can’t help that she loves all words. She believes in champagne for celebrating everyday life, laughing until her stomach hurts and telling the truth, even when it is hard, maybe especially then. You can find her blogging at accidentaldevotional and tweeting at @accidentaldevo. Abby loves all kinds of Girl Scout cookies and literally burning lies in her backyard fire pit.

What to wear to the mall

Moving South is unbecoming on me. Or it is my becoming. I’m not sure. For the first time in my life, I care about what I wear to the mall. I make sure to wear matching socks. I make sure I wear make-up. I make sure I have something not too wrinkled on. Sometimes. Most of the time.

I hate the mall.

Or I hate that the people at the mall from whom I am trying to buy goods treat me like I am from the wrong side of the tracks who has no business being in their shiny, ridiculously expensive store filled with things from origins unknown and created by unknown people. What factory did that sweater originate from? Asia? Central America? Do you think it came overseas on a ship and airplane, on a semi? Hello, salesperson, don’t ignore me! Oh, there she goes. She is ignoring me, again.

I live in Durham, North Carolina. It’s quirky, retro, and trying to relive the 90’s in hipster style. Think: the more tattoos and mohawks and vintage clothing the better. Local artisans, food trucks, and community gardens are where Durham pours its resources. It’s hip, it’s entrepreneurial, it’s grungy.

And I fit in. In fact, I’ve mastered the hipster grunge look. I am a mom of two young kids, so I’ve haven’t slept in five years. You might think the “she looks like she just got out of bed” was on purpose, but no. I probably forgot to brush my hair because I had to chase my daughter around the house in order to brush hers. Except when I go to the super suburban, high end shopping mall twenty minutes south of the gritty, brick, tobacco warehouses called Downtown Durham, then I try to brush my hair, brush my teeth, and wear my Sunday best.

I grew up outside the Washington, DC area where BRAINS were what always mattered, not whether you wore Lululemon or Kate Spade or Tory Burch. Growing up, I was told, “who you are” is more important than what you look like. And so I cower, when women at the make-up counter with flawless but obviously overdone makeup say things like,”I treat anybody who comes in here the same. No matter what they look like.”

IMG_3197Are you talking to me? What are you talking to me about? What impression am I giving you as I try to keep my four year old from trying on every single lip-gloss? Do I look like a strange hobo? Is there a reason you are pointing out your graciousness? Do I look that bad? I did not try on purpose. Honest. Umm, here, please take my hard earned money, and give me some tinted moisturizer for sensitive skin. Hush. Please don’t talk anymore. You are giving me a complex, over-dressed salesperson.

The mall makes me vain. It makes me feel inferior. Perhaps that is the marketing strategy: Make people feel so unfabulous that they have to buy fabulous, unnecessary objects to make them feel better. Except, I just I feel unworthy. The mall has become a place where I feel my unworthiness. And it’s unbecoming on me. I turn into a grouch, my neuroses and angst come out, then in defense I become a snob. They judge, so I judge. It’s a terrible game.

So I am here, on the border of the conservative south, where the mall is located, and a liberal academic town, where my favorite coffee shops, farmer’s markets, and community spaces are. In one, I am secure and know myself. In the other, I am puzzled by my insecurities and apparent weakness for vanity.

And then there is God.

I hear Him and his strong sturdy voice, reminding me He is the God of every place. He speaks, almost with a chuckle, “Child, you are my child. Let those microaggressions roll off your back. The mall is not my kingdom. It does not recognize you as I recognize you. I am the source of all you need. The mall, the mall is mammon. You don’t need to worship at its throne. Durham, Durham has it flaws, too. You know that. You know that the world is filled with people in need…of Me.”

And later, on the car ride home with my bags of materialistic items from China, Mexico and Haiti, I realize that it’s okay to feel uncomfortable at the mall. I should feel different. I should feel like an outsider and befuddled and an imposter. Because that is what I am. I was not made for that world—I don’t want it to “become me.”  And I don’t want Durham to “become me,” either.

I want something else to become me.

I want grace to become me. I want God’s grace to become me. I want to wear that no matter where I am, whether I am enjoying a beer with tatted friends or buying a pair shoes with people decked out in Burberry. God is the God of Comfort and Discomfort, and the power of His grace is found in the tension between them.

*   *   *   *   *
Photo on 4-19-14 at 3.52 PM“What to Wear to the Mall” was written by Sarah Hudspeth. Sarah is a mom of two kids full of life and mischief, a wife of a grad student, and a middle school math teacher to students with learning needs. Coffee is her favorite, as are books, Twitter, and any day spent outside. Sarah lives in Durham, North Carolina, and eats extremely well due to food trucks, her garden, and the eat-everything-local movement.

Pioneer Blood

Home was dusty. Home smelled like cows. Home was New Mexico.

I grew up in one of those small towns where everybody knows your name. Several generations of my family have called this area in the middle of nowhere “home,” even back when it was just a train stop in the desert. I’ve been enthusiastically greeted by people who have known not only me, but my mom since she was in diapers. Six degrees of separation? No one needs that many to find someone you grew up with, dated or are related to. There is a tangible connection between neighbors when anything exciting happens: a new restaurant opens, someone famous wanders through or a school board meeting takes a dramatic turn. There is a sense of unity as we participate in the same traditions as our parents and grandparents and great-grandparents before us, even rituals as simple as dressing in purple to support high school sports every game day.

sunThere’s nothing quite like the community of a small town to build a runway for a dreamer to fly, however. Like my pioneer ancestors before me, I heard the call of the unknown and unexplored. Home was far too confining. I ached with it.

Home then became Baylor, a Baptist university in the middle of Texas. Home was green and gold. Home was red brick and late nights and racing to beat newspaper deadlines.

At this Christian journalism school, I learned to investigate everything. My identity. My relationships. My world. My Bible. If faith is a prism, college threw the light in a different way. I learned a group of people can become your family and then, when their season is done, leave you haunted by their impact. I learned healing can come through quick prayer, but it can also come through years of pain and doctors and hard-earned revelations. I learned a home you choose, even a temporary one, can be a sanctuary. I learned running away from home doesn’t mean your problems stay behind. I discovered belonging and calling and true freedom that isn’t tied to a place, but a Truth.

But college was a training ground, a preparation for the next season yet to come, and in the middle of all this searching for both freedom and belonging, I stumbled upon still another home. I studied abroad at Oxford and found England to feel more home-like than anything I knew. I had studied their history, their culture and the great literature of this little island. Walking down those ancient streets and experiencing Britain for myself was like falling in love – terrifying in its vast newness while welcoming me in as if I had always belonged there. A completely foreign place and culture, and yet, I fit. A puzzle piece snapping into place. It was like nowhere else in my life of traveling and exploring. The loneliness of being far away was nothing new – in fact, it was far sweeter – because I have known the loneliness of being out of place in the midst of familiarity. Out of the two, I’d take the loneliness of adventure any day.

But I wasn’t meant to stay in Britain, not just now anyway, though I’ve been back and will always keep returning, no matter how short the stay.

So now home is a busy suburb in Alabama. Home is a church in a warehouse. Home is mixing up the words “friends” and “family” because here, all are welcome.

Home is a quiet apartment, where the clock can sometimes tick loud in the dark and the battle for joy is tangibly present. But I’ve long since found home to be unrestrained to a physical location. Home is a journey, a path that meanders and crisscrosses and exists in several places at once. A hometown, a homecoming, a home-like feeling, a home address… all of these are simultaneous and equally valid, though still ultimately lacking.

I never really understood this enduring homesickness until I read it described by C.S. Lewis:

“If we find ourselves with a desire that nothing in this world can satisfy, the most probable explanation is that we were made for another world.”

Though I cannot see it yet, I know the reason I’ll always be searching, a wanderlust girl with pioneer blood. I have yet to make it Home.

*   *   *   *   *   

jenna“Pioneer Blood” was written by Jenna DeWitt. Jenna is the managing editor of MORF Magazine, a resource for youth ministers, mentors and parents of teenagers. She has a bachelor’s in journalism from Baylor University, where she edited a bunch of student publications, became a fan of C.S. Lewis and drank Dr Pepper floats with Blue Bell ice cream like a true Texan. She currently lives in Birmingham, Alabama, though if you ask her where home is, she will tell you “it’s complicated.” You can find her on Twitter @jenna_dewitt and on Tumblr at jennadewitt.tumblr.com.

 

 

Home Church

The reasons we chose the church weren’t particularly flattering. It was close, under five minutes from our house if traffic was favorable. They had a pretty thin looking praise team, so if they’d have us, we would both be able to play. The pastor seemed nice and the sermons didn’t strain my liberal sensitivities too hard. And it was relatively anonymous, so we didn’t feel the scarlet A’s branding us every time we entered the sanctuary.

We were married now, but that hadn’t always been the case. We had attended church together for five years, but in the before days, we had been married to other people, and lots of people in the church community of our town knew it.

countrychurchIn my previous life, when I had changed churches, I always knew immediately when I found my new church home. In those instances, there was a simple feeling of belonging. Even if it hadn’t made sense to me why I felt that way, I could tell when a new congregation was home.

But I didn’t have that feeling here.

I told my husband I’d probably feel more at home when I started serving in the congregation. I told him that when I was giving something of myself to the church, I would get that feeling of belonging. It wouldn’t just be the church that I went to, but it would become my church.

We never wanted our past to come to the surface and catch the leadership of the church unawares, so we had lunch with the pastors, one of us gripping the leg of the other who was telling their part of the story, trying to send strength to each other through leg compressions. Grace was extended, and we were invited to join the team of musicians. We had our first rehearsal with the team. We played our first Sunday, almost a year to the day from the last time we had played together, and it was a joy-filled experience. Everything was coming together in the best possible way.

And still the feeling of “home” evaded me.

I didn’t know what was wrong with me. What was holding me back from experiencing that sense of belonging in this place where we had been shown so much grace and love? Why couldn’t I feel at home when I was being embraced by those I worshiped with each week?

I turned these questions over in my mind and realized that the only thing holding me back was me. I didn’t feel at home because I wasn’t allowing myself to feel at home.

In my mind, I heard the voices that had told me I wasn’t welcome in church any more. Heard the voices that told me that I was a distraction. Heard the voices that told me that I didn’t belong.

Instead of seeing the ways we were being accepted, I kept expecting rejection. I waited for the shame I felt to be reflected back in the words or actions of others. I listened to the voices in my head instead of the voices of those right in front of me.

I wanted to feel at home, so I made a different choice.

When the voices in my head started telling me that I didn’t belong, I started looking for the ways that my church was helping me to belong. I thought about parking lot conversations after services. I thought about late night dinners at Burger King. I thought about hugs offered when we explained why the baby dedication service was too painful for us to attend. I thought of all of the ways that the church I was attending was becoming my church.

And it finally felt like home.

 *   *   *   *   *

424033_10151308414006236_662319879_n (1)“Home Church” was written by Alise Chaffins. Alise is a wife, a mother, an eater of soup, and a lover of Oxford commas. You can generally find her sitting behind a keyboard of some kind: playing or teaching the piano, writing at her laptop, or texting her friends a random movie quote. Alise lives in West Virginia and blogs at knittingsoul.com

Coming Home

I had just been through a broken world experience and was now living in a broken world on account of inappropriate affection that led me away from God and into sin. A father of three, a plastic surgeon by profession, a founder of a major Christian movement in the Asia Pacific region and here was I, trying to put together the pieces to do a ‘make-over’—one that would look real from the outside even if it was still broken on the inside.

I am reminded of the words written by another doctor called Luke who gives a detailed account of the happenings the past nine months must have been for the mother of Jesus of Nazareth when he wrote after the visit of the shepherds in a town called Bethlehem, “But Mary treasured up all these things and pondered them in her heart”.

As each day passes and the year draws to an end, I ponder in my heart what were ‘all these things’ that happened this year that I can treasure and the rest discard. To be honest, I will not discard anything because every ‘thing’ that took place in my life was of my own doing. Some people are good at burying past events but I can never seem to do that. In my field of practice, I deal with scars all the time. Scars do not disappear but only fade with time. They will always be there. But as I recall all that has happened to me, good and bad, right and wrong, I realize that they have been ‘coming home’ happenings that have led me to seek out the plague in my own heart and with folded hands turn to God for mercy and forgiveness.

The Scriptures remind us that God is faithful and will, with the temptation, also make a way to escape, that we may be able to bear it.

Able to Bear It? As a father, as a spouse, as a doctor, as a friend to another, the ability to bear all the scars inflicted this year can be difficult. When patients seek advice for scars, I show them scar tapes, scar creams, lasers, scar gels and the list goes on but as I treasure up all these things and ponder them in my own heart, I know one place where the scars seem to just somewhat ‘disappear’ and that is at Calvary, at the foot of the cross of Jesus of Nazareth. What God does not protect us from, He will perfect us through – Robert C. Frost

In a few days my second son, David, will be coming home for Christmas. Will my three children ever know what this year has been for their daddy? Will I know what the year has been for each of them as their father? But this I do know that we have a Righteous Father in heaven who knows what ‘Coming Home’ means when His own Son returned from Calvary in glory.

As I gather my three children together this Christmas, I have only one message for each of them: Coming Home for Christmas can only bring the fullest of glory to God when we see Bethlehem in the light of the ‘Old Rugged Cross’ at Calvary. Only then can we experience the full meaning of what it is to come home from a broken world and into a world of peace, love and joy where theCharles walking out of Mulu Caves, Sarawak, Malaysia Spirit of God reigns eternal.

It is like walking out of a cave enveloped in darkness and into the dawn of the light of life. Truly a ‘Coming Home’ experience that is deeply engraved in the labyrinth of the soul.

*   *   *   *   *

Dr Charles Lee“Coming Home” was written by Charles Lee. Charles, who lives in Sabah, Malaysia, is a husband, a father, a plastic surgeon and founder of a Christian Discipleship movement called APCOD. He spends most of his time in the operating theatre, playing the guitar or cycling. He blogs at Awaken the Dawn.

 

Hole in the Wall

I’ve shared room 205 with the same roommate for three years now. Early on, the two of us forged a haphazard sort of system to keep the room habitable. But we’ve never been neat about it. We’re close friends with the girls in the dorm room next door, and the four of us are constantly spreading ourselves out between the two spaces. The unique transiency of college has permeated our way of living, almost subconsciously, and we never seem to be all the way settled in.

I never imagined I would live in a place this messy. The closets in our room perpetually overflow. Empty Capri Sun juice pouches sit on the windowsill. There is a hole in the concrete block wall that we duct tape every year on move-in day, afraid of what would crawl through otherwise. Recently, my roommate’s birthday cake sat out on a plate for over a week, becoming crunchy before it occurred to us that we should throw it away.

My room at home, though, has become even more pristine since my absence. The walls are white and the closet is bare and the trash can is empty. At home, I wake up and am completely alone. But always, after I drive the four hours home and I sleep and wake in my own bed, I am more reminiscent for the noise than appreciative of the quiet. I miss has become the mantra of college breaks.

*   *   *   *   *

Home, for the first time in my life, is a fluid concept, always seeming to be where I am not. Family is even more ambiguous . My family, of course, includes my mom and dad, my brothers and sister, all of whom I deeply love. But if a family consists of the people who know where you are and love you despite it, then my family is also a cobbling of young adults, mere semesters away from dispersal. I still have close ties to the place in which I grew up, but each year they are changing. We are selling the house with the pristine bedroom, and I find myself largely apathetic. It is only a place to sleep.

The place in which I live from August to May is different. It is where life together is made rich and loud and colorful. After we move out, our beloved room with the hole in the wall and the small closets and the overenthusiastic heater will be exposed for what it is. There was nothing intrinsically special about those concrete blocks or the bedframes or the thin carpet; they were only bare spaces for us to learn to fill. They will be passed on to new freshmen, who will peel our duct tape off of the hole in the wall and solve the problem in their own way.

*   *   *   *   *

Next year, instead of sharing a dorm room, we will get an apartment, and we will decorate for our climactic last year together. We will hang colorful shower curtains. We will carry oversized couches up the stairs. We will string twinkle lights and maybe even make our beds for once. We’ll have roommate pasta dinners and Waffle Tuesdays. I’m just as excited as I am apprehensive for this brief, beautiful time together. The more I come to love where I am, the more I believe that it is home, the more it will hurt when the time comes to leave.

And yet, in this moment, this is my family, and this is my home.

 *   *   *   *   *

juniors_christmas_banquet“Hole in the Wall” was written by Veronica Toth. Veronica is a junior English major at Taylor University (located in approximately the middle of nowhere, Indiana). She’s grown to love cornfield country and especially the people who live there. She enjoys occasionally writing poetry and always using sarcasm. Veronica is pictured on the far left with three close college friends; they do not keep dorm rooms clean, but they do love each other. She blogs at Tasting Twice.


The Mourning House

I currently sleep in the guest room of my house. The other room I used to sleep in—which I have been calling the “hospice room”—is now a more hallowed space. That room was redesigned just prior to death of the woman who had accompanied me through life and parenting for 27 years. We’d only been married for just over six months, due to a five-hour period during which same-sex couples were allowed to marry in Michigan. The death was unanticipated; diagnosis of advanced breast cancer, just one year earlier, had led us to believe we had “years” instead of a year to share our lives together. Once a partner, spouse, and co-parent of two daughters, I must now try on the identity of widow, while existing inside of a house that no longer feels like home.

In the hospice room, the hospital bed is gone, but there are many artifacts put in place for healing purposes. A Buddha statue from Sri Lanka donated by sister for good luck; framed photos of orchids taken by our daughter when we went to the orchid show last year; a print of the magnificent sand hill cranes whose visits to the wetlands of Michigan we witnessed every October.

When I walk through that room I see not the space where my partner and I once slept together, did our nightly roundup of the days events, and watched our favorite television shows. Once I had listened to Nancy whisper “sleep with angels, darlin’” each night before we switched off the lights. Now, I see a kind of vacuous shrine that I don’t wish to disturb.

The hospice room is artful. Our antique mahogany bed is spread with a treasured cover from Nepal, and its geometric purple and green hues are echoed in the pillows and in the lilac paint on the walls. Nancy has left many objects containing memorabilia—cigar boxes, a pewter bowl, an old candy tin. When I am brave enough to look through them, I find weathered photos of her father and grandparents in sepia, small jewelry boxes containing antique rings and pearls, the invitation to her parents’ wedding in 1950, the baby shoes of our daughters. It contains remnants of a life I once was part of.

In the guest room where I sleep, I still feel like a visitor. The room remains the same as when it housed guests, not particularly inviting and disturbingly impersonal. The colors clash: pink curtains, a blue patterned quilt, walls painted a jolting lime green. A large unadorned bed dominates the smallish room. It’s not designed for comfort or charm. But in my current uncomfortable frame of mind, it seems to fit my requirements.

A perennial basket of unfolded laundry resides in the corner of the anonymous space where I now reside. My computer, my refuge, stands ready for my use, although I still can’t find a show I want to watch or a book I want to read. Scanning Facebook, reading through emails, I seek connections to fill the stillness that stretches before me.

The rest of the house is also still alien territory, transformed by the permanent vacancy of one of its occupants. My sprightly teenaged daughter, whose easy laughter hasn’t changed much since toddlerhood, begs me to go upstairs with her at night. She will not go back downstairs again without me, spooked by a house that is devoid of her other mother. She asks me to accompany her to the bathroom at night and in the early dark mornings. She fears that Nancy is somehow here in the house as a ghost, but perhaps not as much as she fears living in a house where Nancy no longer exists.

Nancy’s mother says she cannot bear to visit us in this place, not while the painful memories of her daughter seem to bounce off every surface of the house. But my daughter and I must live in this mourning house, trying to find our way to another kind of home where we can co-exist with what is here and what is not.

 *   *   *   *   *

JuliaGrant“The Mourning House” was written by Julia Grant. Julia lives, writes, and works in higher education in East Lansing, Michigan. She and her partner, Nancy, were one of the 300+ same-sex couples who were married on March 23, 2014, in Michigan.

The Pain and Beauty in Goodbye

Now far removed from the 9th floor Korean apartment I called home for nearly two years, I’ve been reflecting on what I’ve taken away from my time in South Korea. I’ve come up with quite a list.

I’ve learned about graciousness, and about understanding. I’ve learned patience and learned to wait for the full story before casting my final judgment- there is always a reason behind even the strangest cultural customs. It’s proven true that living in another culture has become one of my life’s great teachers.

The more I worked through lessons learned, (and trust me, there were many) there was one particular lesson that separated itself from the others; my changing understanding of the beauty and importance of saying “good-bye.”

suitcaseWhile living in foreign countries, expats make friends with natives and other foreigners alike. It’s possible, or probable, that as foreigners we will become friends with people soon to leave us, and so, we say “good-bye.”

Eventually, our time will come. Whether that time is after 30 years or 30 days, we inevitably will leave and call a new place “home.”  Maybe we’re really heading home (the place of our birth), or maybe we’re starting a new chapter filled with new scenery and with new people. No matter the situation, it all ends the same way, with us saying, “good-bye.”

I, like most people, hate good-byes. Separating oneself from those who learned and grew with you is a difficult and painful event. When we leave, we are leaving behind part of our self, and with us we take a unique mark; a mark penned by the culture that took us in.

But, since my journey back west, I’ve come to a few realizations.

Good-byes force us to start a new chapter. 

Life often will take the form of a story. We live our lives in phases, or chapters. We grow during chapter 5, we fail during chapter 7, and find hard fought redemption in chapter 14. During our story we live, breathe, love and cry. The chapters of our lives are different lengths and they are filled with a wide range of emotion.

It’s important to remember one thing, though. Like the chapters in a book, our life’s chapters never last forever. We are not defined by the mistake we made in chapter 3. What defines a person is what he chose to do with the number of chapters he or she was blessed with. Do we choose to accept what happens and allow chapter 3 to propel us  into chapter 4?

Since my time in Korea, I’m learning that “good-bye” is often the final period on that final page of whatever chapter we are currently writing. The act of saying “good-bye” lets us start again. It allows us to grow. It allows us to leave unhealthy situations in search of healthy ones, or it allows us to leave healthy situations in pursuit of a dream.

Good-byes help us to realize what we had, and to appreciate it. 

I’ve got a confession. I don’t think I ever fully appreciate people or places when they are part of my life. I take them for granted. But, as soon as I am about to leave a place, the ordinary, everyday buildings that inhabited my world (buildings that I’ve passed hundreds of times without notice) are filled with color and I find them remarkable. The people are revealed for who they are, which are friends that I am going to deeply miss and who had a lasting impression on me. I think this is human nature, though. We rarely appreciate the things right in front of us. “Good-bye,” though, forces people and places back into their proper place; their place of high honor and importance. The act of saying farewell is the great equalizer.

Good-byes help us to hope that beauty is possible again. 

The fact that saying “good-bye” is so incredibly difficult speaks to what our experiences were: beautiful and important. This pain is the living proof that we cared and that we loved. It is the frame work that defines the art that was created during our time. It’s not easy to end something of eternal importance. It’s not easy to leave friendships that altered the course of your life.

It’s important to remember that the pain, the memories, the beauty, the lessons learned all come down to this: As bad as it hurts, our act of leaving is a statement of faith (for without faith, we’d never leave) that in our act of going, there is a belief that there is more art to be created and that there is more beauty to be discovered. There is justice to be done, and lessons to be learned. There is hope to be given and there is love to be given.

“Good-bye” is a hopeful sending, and in our going, we are granted permission to go find and create again.

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Michael“The Pain and Beauty of Goodbye” was written by Michael Palmer. Michael is a Midwest transplant residing in Northern California, a pastor, proud father of two little ones, an avid St. Louis Cardinals Fan, and a lover of cultures, travel, food, and theology. He’s published numerous articles on theology, art, and life, and is a contributor to Renovating Holiness (SacraSage Press, January 2015), a theological re-imaging of holiness. You can also find him at michaelrpalmer.com and on Twitter: @michaelrpalmer.

 (Suitcase photo by Elitatt.)

A Place to Belong

I didn’t cry when my parents dropped me off for college. And I didn’t cry when I went to sleep that night or the next day or the next. I wasn’t sad, I was just excited. I didn’t cry about leaving home because I didn’t feel like I had left home. It felt like the times I had stayed at a summer camp, or a youth rally. Even when I started going to classes and managing my own food, it still didn’t hit me that I was not home.

It took until the first Sunday that I cried. I walked across the campus and into the church that mother had gone to when she had been on the same campus years before. I walked into the unfamiliar place, and suddenly realized I had no idea where to sit. There were lots of open chairs. The problem wasn’t that there wasn’t a place for me to go; the problem was that I didn’t already have a place to belong.

Back in my home town, my family had gone to the same church my entire life. My parents still go there. I am intimately familiar with the brown brick, the blue carpet with pink and turquoise speckled into it. I know the way it smells and feels when the lights are off and you are the only one in the echoe-y narthex with the tall ceilings.

I know the history of every inch of that building, and I never had to learn it. The church building grew up with me. The seemingly random brick wall in the lobby is a weight baring wall that was the first entrance into the church. The fellowship hall used to be the sanctuary, and for years the floors weren’t carpeted and the congregation would move the chairs to the side after the service and have a square dance or a dinner or anything really because the floors were so easily cleaned.

I played tag through the walls that were not yet dry walled, and picked up weird looking nails as treasures when they built the education wing. The original members had wanted a new sanctuary, but put it off because they saw the necessity of the immediate future. The nursery had been overflowing for quite some time. The original nursery is now the kitchen, the education wing has tripled in size, and the congregation finally did get that beautiful new sanctuary they were promised. I was singing in the choir next to my mom the first day it was used.

Throughout all of these changes, my family had always sat two or three rows in from the front, stage left. There were no official rules or seating, but that is where we always were. Perhaps this was because my mom was more often than not in the choir loft and she could give us “the look” from there if she needed to. I just knew that roughly three rows in, stage left, was where I belonged.

When, at eighteen years old, I walked into that unfamiliar church and did not know where I was supposed to sit in the sanctuary, suddenly I realized that I was not home. I did not have a place that I belonged in this building, in this sanctuary, in this church body. I sat down stage right, still sort of near the front, and I cried throughout the entire service. I never went back. It just didn’t feel like home.

It is hard to sit in a place when you are not sure where you belong.

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Abby“A Place to Belong” was written by Abby Norman. Abby lives and loves in the city of Atlanta. She swears a lot more than you would think for a public school teacher and mother of two under three. She can’t help that she loves all words. She believes in champagne for celebrating everyday life, laughing until her stomach hurts and telling the truth, even when it is hard, maybe especially then. You can find her blogging at Accidental Devotional and tweeting at @accidentaldevo. Abby loves all kinds of Girl Scout cookies and literally burning lies in her backyard fire pit.