Author Archives: Kristin Tennant

Dreaming of Feasts

Posted on by under Scent & Place

Deep in sleep, I am dreaming of feasts.

I’m dreaming of a long table set for many, holding platters piled high with meat, the rich juices pooling below.

In my dream there is plenty—not just plenty of food, but plenty of everything that we crave: plenty of room, plenty of laughter and conversation, and, perhaps most of all, plenty of time. We are all around the table, feasting together, taking our time. There’s nowhere we need to be, no agenda beyond savoring the food and one another.

As I settle into a contented, even deeper sleep, my mouth salivates, and it seems my soul is anticipating the meal every bit as much as my taste buds.

*   *   *   *   *

When I wake up the next morning, the dream is still vivid—probably because the scent of slow-roasting pork shoulder is real. It fills the house, blurring the lines between my worlds of dreaming and waking.

Yesterday, my husband Jason came home for lunch just so he could unwrap the pork shoulder and prepare a rub. Rosemary, sage, garlic, fennel seed, salt, pepper, white wine, and olive oil became a rustic paste with the help of his mortar and pestle. As he applied the rub, Jason handled the meat lovingly, like a newborn getting its first bath.

photo (24)Jason’s respect for the piece of meat in his hands runs deep; it’s rooted not only in his knowledge of the flavor the meat is capable of producing—how the layers of collagen and marbled fat will soften and melt into the meat as it spends time in the oven—but also in his friendship with the farmer who raises the pigs and cattle we eat. Jason and Stan could talk about meat for hours, it seems. Could a cook’s ability to talk at length about meat be a direct measure of his ability to magically transform it into something that demands a response? It seems entirely possible.

After bathing the pork shoulder in the redolent rub, Jason returned it to the refrigerator for the important resting period that allows the flavors to penetrate and soften the meat. Then he hung his apron back on its hook, gave me a kiss, and headed back to work.

*   *   *   *   *

I spent the afternoon writing in my home office, for the most part forgetting about the resting pork until I went to make tea in the kitchen, where I smelled the remnants of crushed rosemary and sage still in the stone mortar on the counter.

A love for cooking is something Jason and I share. But Jason’s willingness to embrace a process—to cook something that involves multiple steps and often multiple days—is something I don’t find appealing. I’m too impatient, too eager to find out what a particular mix of ingredients tastes like in my mouth. I also don’t understand (or, I suppose, care to understand) the science behind cooking—what happens when meat is seared, fat is rendered, onions are caramelized, steaks are tented under foil after coming off the grill. I’m all about the results; the taste alone tells me all I need to know about the science.

But to be married to someone with that level of curiosity, patience, and knowledge about the many complexities of food? That is a gift I willingly receive. I’ll lend support with the sides and dessert, the texts to friends asking if they’re free for dinner, and the carefully set table. Perhaps my favorite thing about pork shoulder, after all, is the imperative that accompanies it: The 10-pound shoulder demands that we invite friends for a feast.

*   *   *   *   *

Later that night, while I was washing my face before bed, I  heard Jason downstairs in the kitchen—the beeping of the oven being set at 225, and the clatter of the roast pan being pulled from the cabinet. Finally, the well-rested and seasoned pork shoulder was tucked into the oven and the kitchen lights were turned off.

As we settled into bed, the only scents that reached my nose were soap and toothpaste, and a whiff of detergent on the fresh tank top I’d pulled on with my pajama pants. Falling asleep, we had only the knowledge of what was taking place in the oven downstairs, none of the proof.

*   *   *   *   *

Around 3:00 am, though, our noses are roused by the rich scent of roasting meat, as the juices begin to drip, soaking the rosemary that has fallen to the bottom of the pan. The scent tickles our minds and pokes gently at our stomachs as the other parts of our bodies continue on in sleep.

And the dreams that are triggered? They’re the very best kind: dreams of full tables and bellies, friendship and fellowship, and a meal that invites us to sit and savor, as if we have all the time in the world.

*   *   *   *   *

profile2014“Dreaming of Feasts” is by Kristin Tennant. Kristin and her husband and two teenage daughters are settled in a small, Midwestern university town edged by cornfields. Her days in Urbana are filled with freelance writing in her sunroom office or favorite coffee shop, learning (mostly by doing) everything she can about parenting teens, cooking elaborate feasts with her husband Jason, and feeding as many people as possible in their big old home. (The photo above shows Jason with the porchetta he made during a family vacation this past summer.)

Learning the Mystery

Posted on by under Learning & Place

Mystery is not the absence of meaning,
but the presence of more meaning than we can comprehend.
~ Eugene Peterson

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When I was a girl sitting in church pews—a girl still small enough that my feet swung back and forth because they didn’t reach the floor—I learned that God was holy. Being with God meant spending Sunday mornings in a space like no other in my life, with ceilings reaching three stories high, painted blue like the heavens, and walls of stained glass to my left and right. In that space I learned that mystery and rituals matter in equal portion—that Sunday after Sunday we did the known things we could do in hopes of glimpsing the edges of the unknown things shrouded in mystery.

unnamed (1)I learned very early on that God is loving and accepting of all, but also that my own potential to sadden him had no bounds. Through unison prayers of confession, I became aware of not only of the many things I could do wrong, but also of the “right” things I left undone. Between the sins of action and those of omission, how could I possibly get through a day unscathed?

The God of my childhood was not a God of fire and wrath, but a God of head-shaking and disappointment. It seemed he was always looking down on me, wishing I had made a different, better choice.

*    *    *    *    *

At high school church camp, I learned the night sky could be the ceiling and the northern Michigan trees the stained glass of a different kind of church. I learned that God could be met anywhere, apart from pastors and acolytes donned in robes, and even apart from my family sitting alongside me in the pew.

I also learned, through the testimonies shared around campfires by leather-jacket-wearing ex-convicts and -addicts, that God’s love is bigger than his disappointment, and that he’s in the business of changing lives, not critiquing them.

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During my senior year of college I sang in a gospel choir at a diverse urban church whose style of worship couldn’t have felt more different from Sunday mornings in the stained-glass church of my youth. In addition to learning the importance of clapping the off-beats, I learned my alto part by listening to the choir director sing it—I learned that God could be found outside of music staffs and key signatures, and beyond written confessions inked on pages at the back of hymnals.

In that place people wept their confessions, which were scripted in their hearts. I also learned that God made people raucous and joyful, and that I could get caught up in that joy for a moment or two, but faking it wasn’t the same as making it. My understanding of God had broadened over the years, but now I could see it was still flat, easy to see right through.

*    *    *    *    *

At a church in St. Louis, a couple of years into my marriage, I learned how God works in the lives of grieving people. We arrived just months after the sudden death of the church’s beloved pastor, and while that could have easily been a reason to leave the church, it became a reason to stay: In that place I first glimpsed an entire church full of people being raw and real in the presence of God.

I saw a broken community of people trying to make sense of a senseless tragedy, and trying to hold one another up. They worked out their anger with God over months, not hours, and I learned that God accepts our anger, like a father who lets a grieving child beat upon his chest until, finally exhausted, the struggle becomes an embrace.

*    *    *    *    *

But when my own life was falling apart, a handful of years later in another city, my new church presented me with a different God—one who wasn’t there to absorb and then transform my pain, but to deflect it back on me, to multiply it with guilt and regret in order to help me learn the hard, unforgettable way.

In that place, I almost unlearned everything important I had learned about God—the loving and holy mystery that can’t be contained by stained glass, the God of transformative power, who meets us in our raw pain and failures. Instead, I was learning why so many people walk away from it all, as I finally did one bright spring Sunday morning.

*    *    *    *    *

Until one day a few months later, when I walked into a space that felt nothing like a church, with its coffee stains on the carpet and institutional ceiling tiles above. It was in that place—filled with unpredictable, moving, awkward, painful, and joy-filled people and worship—that God taught me about grace, and about all of the learning I have yet to do.

Then the music begins

Posted on by under Creating Place

On its own, there was nothing special about the room. In fact, it was the antithesis of special: Generic and drab, it looked like hundreds of other tired, 1960s-era college dorm lobbies, furnished to withstand the antics of students whose parents weren’t on hand to tell them to keep their sneakers and snacks off the furniture.

But in that room, tucked around the corner, was a piano. And when China played that piano, everything about the room changed.

*    *    *    *    *

It was June 2012, and I was on the campus of Mount Holyoke College in Massachusetts for a weeklong of Glen writing workshop with Lauren Winner. Staying in a dorm for the first time in 20 years made me feel a bit like a teen again, brimming with that same sense of nervous excitement. Who were all of the people I caught glimpses of as they came and went from their rooms down the hall? Which ones would I be hugging fiercely by the end of the week, as we said goodbye?

That first evening—after dinner, the opening talk, and a welcome reception—many retreated to their rooms to recover from a long day of travel. But the extrovert in me knew that going to my room would lead to nothing more than a predictable evening: checking email, doing some reading, then falling asleep. If I wanted to open up my evening to surprise and possibility, I needed to venture into a public space: the dorm lobby.

Those who had been to the Glen before and understood how things “worked” had already started to gather. Plastic cups and bottles of wine were set out on the marred coffee table, and several institutional couches had been pulled up close. Bags of pretzels and popcorn were opened, and much talking and introducing ensued. I introduced myself to people, but mostly observed, holding back—waiting to feel myself soften into this new space.

It wasn’t until a few people began begging a woman named China to play the piano, and she finally agreed, that I felt at home. China’s music filled the room—not just with sound, but with energy, each particle of air vibrating in a way that reminded me “I’m alive, I’m a creative being, and it is good.”

*    *    *    *    *

pianomovingNow it is four years later, and China—China who is from Denver, who I met in Massachusetts then spent another Glen Workshop week with in Santa Fe last summer—is in my living room in Central Illinois, moving a piano. (To be accurate, she is supervising the moving of a piano.)

The piano had belonged to my grandmother. During my childhood, the piano’s home was a cabin in the woods of Northern Michigan, where my grandma’s expert playing inspired many sing-alongs. Tonight, China will play that piano, at a house concert we’re hosting for her band Alright Alright.

Life has been scooting along so frantically as of late that it takes my mind a moment to accept the wonderful reality: China and I are together again, this time in my home, with our husbands and children. Now we know one another as mothers and wives, and also as creative women who labor with the words and stories we must tell. As we hug and laugh and both talk at once, rushing around to prepare the space for this new joint venture, I sense our understandings of one another rounding out. But our friendship also feels the same—full of goofiness and grace, with flashes of depth that root us over breadths of geography and time.

We move the piano from its place by the front stairwell across the living room to the fireplace. The Danish modern armchair my husband likes to sit in after work is moved to the living room’s opposite corner, making room for a variety of guitars and China’s husband Seth, who will play them. Katelin, the band’s third member, sets up a small drum set and a ukelele and guitar to the left of the piano, near our tall bookshelf. I arrange dining room chairs on the rug and on the stage’s “wings”—the sunroom that opens to the east of the piano and the dining room to the west. Extension cords are run from outlets, power strips and amps are plugged in, spot lights are directed. The room has been transformed.

Soon, friends begin to arrive. Wine is poured. Introductions are made. Then China begins playing the piano. The space is complete.

houseshow

The Creek Less Traveled

Posted on by under Memory & Place

There were many bodies of water to enjoy and explore at my grandparents’ cabin—it was Northern Michigan, after all, where bodies of water are as common as fields of corn where I live now, in Central Illinois.

The small, inland lakes had their appealing features: sandy shores for digging, floating rafts to dive from, and glass-like surfaces that perfectly mirrored the evening sky until the canoe you paddled broke through the stillness.

But of the many tempting bodies of water, it was the creek that enticed me most. The creek had something the lakes didn’t: It had mystery, a destination.

*    *    *    *    *

We called it simply The Creek, but on a detailed-enough map it has a proper name: Canada Creek. It probably winds for miles, but our encounters with the creek took place in the far upper-east corner of Michigan’s lower peninsula—right where the cuticle of your index finger would settle in the mitten-shaped map.

As elementary-aged kids, my older brother and I were allowed to walk together down a curving sand road until it became a one-lane bridge at the creek. The road was rarely traveled, like all the roads in the area—we were somewhere in the midst of 20 square miles of woods and water known as Canada Creek Ranch (only a fourth of which was dotted with a few hundred cabins).

At the creek, my brother and I stood on the bridge for a while, tossing stones into the water to hear them plink and plunk their varying notes. Then we slid and scrambled down the gravely bank to the creek’s shore, where we inevitably ditched our canvas sneakers and sweaty socks to wade in the cold, clear spring water. It was sandy and shallow by the bridge; I liked to stand very still, hoping a dragonfly might land on me, while the tadpoles investigated my toes.

But how long could a kid stand still in a creek? After all, the creek had places to go and things to show us.

*    *    *    *    *

PICT0023I’m guessing that we schemed and planned our first creek walk when I was about seven, sitting around Grandma’s breakfast table, pancakes piled high and studded with wild blueberries we had picked the day before. I’m sure my brother and I were persuasive in our desire to follow the creek. Not only did it beg to be further explored, but the creek held potential for so many stories. The grownups were apparently just as intrigued, because a new summer tradition was born (one that continued into our teen years, as seen in the photo): The Creek Walk.

On Creek Walk day my brother and I set out as adventurers, eager to play the characters in our favorite books—to live out their stories, or more likely a compilation of their stories. Laura Ingalls, Davey Crockett, Lewis and Clark and Sacajawea each took a turn being embodied by us as we forged the stream.

Sometimes we talked through our stories as we walked, staying in character as we navigated over or under a fallen tree. At other moments I broke from character to yelp as I slipped on a rock and nearly went under, or to complain when my brother, leading the way, fooled us with his favorite trick: gradually bending his knees then walking on them until the water was up to his neck, which suggested it would be well over my head. (A few times he wasn’t joking, and it actually was that deep.)

And then there were spells when all of us were quiet, amazed by just how quiet the world could be, save for the swish of our legs displacing the water as we walked, and the song of a Goldfinch from somewhere above. Now that I think of it, I don’t recall ever encountering another person on our many creek walks.

*    *    *    *    *

After three or so hours of pressing on, the heat and deer flies became more bothersome, as did the ache in our legs and the rumble in our stomachs. Grandma began searching for a place to exit the creek—an opening in the tangle of brush where the bank wasn’t too steep and we could make our way from the creek’s winding world into the woods.

How Grandma had any idea where we were, I’ll never know. But she had hiked and skied those acres for years, and could confidently point us in the direction of Little Joe, one of the remote lakes on Canada Creek Ranch. We followed deer paths or forged our own way in the direction she pointed, motivated by what we knew we would find at our destination: Grandpa, firing up the grill for hotdogs. Each year on Creek Walk day he put the cooler Grandma had prepared into the car and drove the two-track roads through the woods to meet us at Little Joe’s lone picnic table.

After our feast, we all packed into Grandpa’s car, soggy and worn, to drive back to the cabin. The hotdogs and the lift home were luxuries Sacajawea never had, but by that point I was ready to be a modern-day little girl again, tucked into bed where more creek adventures could be spun in my dreams.

Stuck, Unstuck

Posted on by under Travel & Place

It was January—that moment when, in Michigan, you are still descending into the depths of winter. (Never mind that the days are getting longer, lighter.)

I was continuing to descend, too. My descent was more deceptive than winter’s—a postpartum swirl of hormones and emotions that could just as easily trick me into believing I was rising as falling. There were moments of brilliant sunshine on fresh blankets of snow, joyful baby squeals, and the sense that I had never quite been whole without this little one in my arms. In those moments I felt buoyed. Was the falling sensation I felt actually a rising—a trick of the mind?

No, that wasn’t the case. At least not in any comprehensive, lasting way.

It’s hard to say what exactly triggered me to finally shut down that January day—to batten the hatches, boarding up windows and barricading with sandbags as if to protect myself against a storm I had been watching move toward me. Now I know this about depression: the “what” or “why” hardly matters. It’s not as if identifying “what” means it could all be easily “fixed.” It just was what it was—a mix of chemicals and hormones, disappointments and anxieties, fear and regret, converging and swirling. And suddenly that day, that moment, I couldn’t keep up the charade that had kept me inching forward on previous days.

I could only sit, blankly. Sometimes with quiet tears forging new paths down my cheeks.

Finally, while my baby napped, I called my mom. I couldn’t speak, of course—couldn’t begin to explain a thing about what was happening inside me. But she still heard me, like mothers do. She heard the tears from 70 miles away, where she sat in my childhood home, and she knew I was stuck; she knew I needed to move.

“I’m coming to get you,” she said matter-of-factly, not asking or suggesting, only stating the fact in a way that allowed me to breathe a bit deeper.

So I sat as she drove to me through the frozen world. I don’t remember her arriving at my house, or helping me pack a few bags, transferring the baby’s carseat from my car to hers. I only remember the drive home—to the place I still considered home. I was, after all, only a decade removed from the time I had last lived there, the summer I was 19.

291654079_bc3cf3ce06_bMy mom had dark chocolate in her car, and as we traveled she told me to eat as much as I wanted—that it was good for me. She didn’t ask me to explain anything, didn’t ply me with questions or ask what I wanted or needed. She simply directed and gave, taking the wheel both literally and figuratively as she moved me from point A to point B.

As we traveled I felt the panic and confusion within me dislodge and begin to move downstream. I cracked open the shutters on my mind and began to take in where I was: The warmth of the car and bitter-sweetness of the chocolate. The beauty of the snow stretching out from either side of the two-lane highway—the way it was whimsical decorating the evergreens, and then sophisticated blanketing the ground, seeming to change color as it rose on hills and dipped into valleys, the late afternoon sun slanting onto its smooth surfaces.

I took in the one-stoplight towns in a way I never had before, even though I’d passed through them dozens of times behind the wheel of my own car. There were people on the sidewalks, bundled against the cold: a mother walking slowly as her snowsuited toddler kicked his boots through the snow; a group of three teenage girls who seemed to meander and stall, in spite of the cold.

The towns were then behind us, the speed limit rose, and I saw the sad, sinking homes down along the river, a man getting out of his rusted truck, pulled up alongside a satellite dish. Closer to home, the terrain flattened, presenting farm houses and sleeping winter fields. There was nothing remarkable along that stretch of road—no one, I imagine, living remarkable lives. There were just lives, and I noticed them as my mother carried me along.

Toward the end of our journey she told me a story about when she was a young mom—not to say “I know exactly how you feel,” but just, I suppose, to broaden my perspective and help me see beyond the walls of my confining mind, just as putting me in the car helped me to see beyond the walls of my house, my life, which had become too small.

What my mother knew, what she taught me, is that becoming “unstuck” involves some form of moving, traveling, even if you don’t know exactly where you need to go.

 

True love travels

Posted on by under Travel & Place

My take on “true love” is this: You can’t be sure it’s true until you’ve traveled together.

When Jason and I were planning our honeymoon, months before we even got on the plane, I knew the two of us made a great match.

For instance, there was no argument about what should be our top priority in deciding which country to go to. Of course it would be cuisine.

After running a variety of potential honeymoon locations through the cuisine filter, we began discussing what we might want to do with our time besides cook and eat (and, um, sleep). Our second priority, we agreed, was being in a place where we could simultaneously relax and absorb culture. We wouldn’t have to leave a resort or cruise ship to go off in search of whatever it was that might make the place “ethnic” and unique. There wouldn’t be a checklist of “must-sees” to work through—no posing for pictures by each iconic sight to prove we had indeed been there. We wanted to simply be—to do everyday things we love to do at home, like read, sit outside at cafes and talk, cook together, take walks at sunset—but in a completely different place.

With healthy doses of self-control, that type of travel experience can be had just about anywhere, but we wanted to go someplace where we wouldn’t even feel lured into a trap of tourist rushing and doing, checking train schedules, packing our bags and moving from one hotel to another in an attempt to “see it all.” Our choice would completely eliminate the possibility of people later saying, “You went to [fill in the country] and you didn’t go see [fill in the artwork, cathedral, city, castle, etc.]???”

OiaviewClearly, that narrowed our list down to a very easy choice: to honeymoon on a small Greek island.

And on that small island, we chose a town high up on the cliffs—one without a port large enough to handle passing cruise ships, or roads wide enough for tourist buses.

And in that small town, we chose to stay in a small, kitchen-equipped apartment carved right into those cliffs (locally known as “cave houses”).

And there, in and around our small cave, overlooking the Caldera and the sea, we went about our everyday lives in a completely new way.

donkeysOia (pronounced ee-ah) on the island Santorini has the perfect mix of everything and nothing: winding, narrow lanes and walks with room only for pedestrians and the donkeys that transport loads too heavy for people; local craftspeople and shops, complete with the town’s collection of sweet stray dogs napping in the sun; markets selling local yogurt, figs, wine, honey, eggs, cheese, and olives; and views of the sea and sunsets that take your breath away.

What Oia doesn’t have was just as important to our experience there. It doesn’t have room for motor vehicles of any kind beyond the town perimeter—certainly not for any loud construction vehicles (which means there are no large hotels or multi-storied buildings). It didn’t (in 2007, at least) have wireless Internet (and the cell phones we had at the time were useless there). And it doesn’t have a list of must-see sights (unless you count the sun setting over the Caldera).

It was quiet. It was gorgeous. We could be at home there, yet it was very different from home.

kitchenetteIn the mornings we drank coffee and ate farm eggs, or yogurt and figs on our porch, still in our pajamas, idly talking about what we might want to do that day, if anything.

Later, we strolled through town, trying a local restaurant for lunch when our stomachs began to grumble, followed by, perhaps, a longer walk into the countryside, or time with books, coffee and sweets on the terrace. Often we napped in the cool, dimness of our honeymoon cave.

cookingdinnerThe only rule that seemed to guide us was more like an anti-rule: an unspoken agreement that we would make things up as we went along. Sometimes a trip to the market would inspire a dinner made in our kitchenette. Other times a restaurant we had discovered on a walk earlier that day would be tempting us by evening. Dinners were long and leisurely, and each day ended the same way: with the setting of the sun and the rising of the moon.

We have since taken other trips together—including some less leisurely and more scripted than our trip to Santorini. But the ease by which we plan and embark on travels together has continued to be a hallmark of the compatibility in our marriage—one that not only allows us to bond and feel refreshed by our travel experiences, but also spills over into how we travel together through life.

 

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To see what I could see

Posted on by under Alone in Place

I had travelled more than a thousand miles to be surrounded by people, yet there I was, alone on a hard red-dirt trail in the Santa Fe National Forest.

To be clear, I was “alone on purpose,” as Nicole Morgan so deftly phrased it in her recent guest post. But following through on this intentional aloneness had taken great willpower. By choosing to set off solo on a hike that afternoon I was voluntarily leaving behind the potential of great conversations and new friendships—the very experiences I had in mind when I devoted a week of time and a sum of money to attend a Glen West writing workshop.

Many people at the Glen arrive in search of space and time to think and write, but as a full-time solitary writer who longs throughout the year for “colleagues,” I went to the Glen to fill that space and time with people. I needed a break from being alone with my thoughts and words, and during my first three days there I had accomplished just that. The mornings’ inspiring conversations in my non-fiction writing workshop transitioned into lunch hours sitting with authors I’ve long admired. Afternoons spent around courtyard tables, hearing about writing projects others were working on, gave way to more conversations over dinner, followed by engaging author and artist talks. Each night found me fighting the need for sleep as the extroverts and night owls gathered for more talk and laughter over whisky or wine, late into the night.

By that Thursday afternoon I had reached a state of “satisfyingly full” and knew some solitude (beyond the fast-asleep kind) would be good for me. It was one of those moments of awareness that separates childhood from adulthood: when you know that something—maybe eating those greens or getting up early to exercise—is important for your wellbeing, so you do it even though you don’t really want to.

I didn’t really want to be alone, but I knew it would be good for me, so I set out on the nearby Atalaya Trail to see what gift Aloneness might have for me in the midst of so much togetherness.

photo (9)The hard-packed ground was dry and gravelly, a shade of burnt, orangey-red that might as well be called New Mexico Red. I passed by Juniper and piñon, cacti, yuccas, and sagebrush, breathing in a heavenly-yet-foreign blend of scents that added a new layer to my aloneness: I was alone in an unfamiliar land.

As I continued walking, I began to wonder what range of unfamiliar creatures might call this arid region home (rattlesnakes? scorpions?). Then I recalled the coyotes whose sparring the night before had awoken me in my narrow dorm room bed, the windows open to the cool night air. Suddenly, alone took on multiple layers of meaning: I was not only by myself, far from others, but I was 7,000 feet above sea level in a foreign land, surrounded by potential dangers. The cell phone in my pocket didn’t even have service. I began anxiously singing, for company:

The bear went over the mountain,
the bear went over the mountain,
the bear went over the mountain—
to see what it could see.

I couldn’t remember what the bear saw, so I stopped singing and walking to just breathe—to calm the tinge of fear I felt and focus my mind on the quiet and the beauty that was all around me.

After walking a bit further, I reached a trio of wooden plank steps that carried the trail up and over a gravel road. Turning around, I lowered myself onto one of the steps, opening my water bottle and taking in the view below, the path I had just walked. The college campus, where all of those conversations and friendships had taken root the days before, looked small, but there it was, waiting.

I pulled my journal out of my backpack, turning to a page where I had taken a few notes while the poet Scott Cairns had read to us an evening or two before. A line from his poem “Draw Near” had especially captivated me:

For near is where you’ll meet what you have wandered far to find.

I had traveled all the way to New Mexico to be with other writers and artists—I needed new conversations and different perspectives to help reframe the story within me. Then I had traveled up this mountain for time and space alone, in a land so different from the one I know that I couldn’t help but be aware, notice, and respond—not intellectually but viscerally. And all of those miles, all of that wandering both with others and alone, had helped me meet what is very near, in my heart.

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A brief personal history of an extrovert, alone

Posted on by under Alone in Place

I am nine, and I’m standing at the kitchen sink washing the dinner dishes, utterly alone.

The dishes are my job every other evening, which means every other evening I feel a sense of abandonment and despair—the most acute embodiment of “woe is me” that a middle class American child can experience.

It is fall and getting dark earlier, so when I stare mournfully out the kitchen window toward the backyard, hoping for a bit of beauty or distraction, only the vague silhouettes of bare trees and my own sad reflection are there to keep me company.

I’ve finished washing the glasses and silverware, but the piles of tomato-sauce-glazed plates and—worst of all—pots and pans still loom large. In the next room I hear my dad complain about a referee call in the game he’s watching on TV. I hear my mom cheerfully greet Sasha, our dog, as she lets her in from the back yard. My brother passes through purposefully on his way to get a schoolbook from his bedroom. And I am alone with these dishes.

Of course, I’m not really alone. The rest of my family is within reach, but they seem emotionally out of touch. So from an early age this becomes my definition of alone. And I hate it.

*   *   *   *

I am 16 and in the backyard reading Pride and Prejudice for the fourth or fifth time.

It’s spring break. My boyfriend is off on a trip to North Carolina with his best friend, and all of my closest girl friends are somewhere warm with their families. But surprisingly I don’t feel sorry for myself for being stuck at home with nothing to do. Instead, I’m getting a start on my tan, enjoying the rare early-April warmth and indulging in a week of reading books, old and new.

Suddenly it’s easy to remember why reading had been my favorite pastime as a younger child, before it had gotten lost in the mix of boyfriends, tennis practice, school clubs, and a part-time job. On this April day, I’m happily reacquainting myself with my love for books, and also with the warmth of the sun after a long Michigan winter.

I am completely alone but it doesn’t occur to me that I’m alone, because I am completely content.

*   *   *   *

I am 20, a junior in college, and I am falling in love with someone who seems, in at least one important way, to be not like me: I am falling in love with someone who loves to be alone.

He shares an apartment with a group of guys across the hall from where I live with my friends, and an open door policy has been established. As his roommates watch TV before dinner, I watch him take a cup of tea and a book out to the hammock he strung up on the balcony. As my friends and I talk and goof around before bed, I see him walking home alone after several hours in his painting studio.

Suddenly I am certain that “alone” is something I’m not good at, and I see that as a flaw—the result of insecurity and a sign of shallowness. It has not occurred to me that my love for being surrounded by people—for being in the thick of conversation and debates, silliness and laughter—is a product of who I am, how I’m wired.

Likewise, as I’m falling in love with him I see his ability to be alone as something admirable, deep, and brave—not as a product of who he is, how he’s wired.

I’m hopeful I can learn from him.

 *   *   *   *

I am 30 and married to the painter—for eight years already. Our toddler and infant are both tucked in their beds for the night, and I am sitting alone on the loveseat in my cozy sunroom, an issue of The New Yorker open on my lap.

As an exhausted young mother, this moment should feel more delicious than it does. The house is quiet, and within the realm of these walls I have the freedom to do whatever I want. But what I want most is companionship, conversation. A look of recognition and understanding, a dose of empathy for whatever small trials the day brought. Someone to help me laugh.

I flip to the magazine’s table of contents, hoping to find something with the right mix of intellect and heart—the sort of piece that engages both my mind and emotions the way a good conversation might.

It is fall, and mostly dark outside the row of tall windows to my right. But in the back corner of our yard a bright square of light shines from the old one-car garage, now a wood shop and studio where my husband works each night on an art project he is preparing for an upcoming show. After this show is installed, there will be another show to prepare.

A lover of logic, I turn to it, hoping to find comfort: My husband teaches all day and needs every hour he can spare to create the art that drives his career. I get that.

My head is able to reason out my aloneness, but that doesn’t make it feel OK anywhere else.

*   *   *   *

I am 34, and I am alone.

My two busy daughters, now four and six, are in bed for the night, their questions and negotiations, stories and songs silenced by sleep.

photo (4)I brew a cup of tea then sink gratefully into the sofa to work on a sweater I’m knitting. Remnants of the busy day are scattered here and there throughout the house—a Playmobil scene carefully arranged on the coffee table, too many pairs of shoes and rain boots by the front door, a small stack of dinner dishes in the kitchen sink. But it’s OK, I’ll get to them later.

Since my divorce, I’ve been able to let go of the unhelpful sense that it’s someone’s job to keep me company. I’ve also been able to quiet the inner nag insisting that it’s my job to keep the house clean. When you’re alone, the consequences of waking up to a messy kitchen are also yours alone. Maybe it’s time to teach the girls how to wash the dishes, I think, as I pick up my knitting.

For now, I’m just sitting on my sofa, alone, and it is good. It’s good because I’ve finally learned that alone and lonely are two different things. I’ve learned that being someone who derives energy and ideas from interactions with others is a part of me to embrace and nurture, not to fight. And I’ve learned that savoring time alone allows me to process and express all that I’ve soaked in from being with others.

Now I can see that “alone” has always been important to me, and I’ve even been good at it, in my own way. Finally I’m able to call it what it is—just “alone,” apart from lonely—and embrace it for what it is: a gift of respite and reflection, and nothing to fear.

*   *   *   *

Q&Sdishes

 (No one should ever do dishes alone.)

Called to be awkward together

Posted on by under Together in Place

If clichés are any indication of reality, Americans have exactly two options on Sunday mornings:

1. Stay in bed as long as you want, then put on yoga pants and a hoodie and relax for hours with your cat or dog in a sunny spot, sipping coffee while indulging in The New York Times from cover to cover.

OR

2. Get up early and rush to church (with your coffee in a travel mug), to be surrounded by dozens of people who may or may not have anything in common with you beyond your choice of how to spend Sunday mornings.

For almost my entire adult life, I have willingly gone for that second option. If the first option can be characterized as Blissful Solitude, the one I choose is Awkward Togetherness—at least at the churches I seem to gravitate toward.

There’s no telling what might happen on any given Sunday morning at my church. Drinks are spilled (well, coffee or communion juice), squealing toddlers are chased, and people are generally loud at the wrong moments. It’s like a family reunion with all your crazy relatives. Every Sunday.

I am clearly a glutton for punishment, as I head back to church week after week. But I make that choice because I am also a glutton for unexpected friendships, undeserved grace, and unconventional beauty. These are things I can’t seem to find anywhere else in the world, so each Sunday I return to church for more.

In no other realm of my life could I spend a couple of hours with such a diverse collection of people: a leading advocate for disability rights and a leading scholar of Islam; ex-convicts and an ex-prison guard; an Obstetrics nurse and newborns; homeless people and psychologists; a once-big-time blues drummer with a grey beard down to his belt, his teenage drum student, and a toddler who idolizes them both.

Church is the place I go to be in community—not with the mainstream, middleclass, upstanding Christian crowd, but with the ones Jesus gravitated toward: the misfits, the broken, and all those who don’t always “fit.”

Many Sunday mornings, as any illusion of well-rehearsed order dissolves, I sit in church half-cringing, seeing all the chaos and mishaps through the eyes of some poor visitor who wandered in to see what we’re all about. Being in this place can be so uncomfortable and awkward, especially for those of us adept at feigning full command of ourselves and our surroundings.

But those feelings have a way of projecting back onto me, highlighting my own brokenness and discomfort in this world. Before long—during the very same worship service, even in the next breath!—my cringe transforms into a heart swell of openness and love-beyond-reason. I look around our coffee-stained sanctuary and see the stories we live together.

There is our friend who one day surprised us by returning from a visit home to India with a new bride at his side. Now they have a baby we ooh and ahh over at every opportunity.

Down the row from them is the former blues drummer. For years he spent Sunday mornings sitting behind the drum set with the worship band; now he’s recovering from cancer surgery and too weak to play a whole set. But that doesn’t stop him from pulling a tambourine out of his bag when the spirit moves him, and making music from his seat.

I watch a preschooler run up to her grandparents with smiles and hugs. As an infant, she was raised by her grandparents. Now she and her sister are the adopted children of a young couple in the church (and vessels of joy for everyone who knows them).

On the other side of the sanctuary is the woman who is always busy sewing or crocheting away on a blanket for someone’s baby, and there is the woman who regularly testifies to how Jesus has delivered her from debilitating anxiety. Behind me a hearing aid whines briefly as our “senior member,” at 90, makes an adjustment.

Then a song from the church’s “hippie days” begins, having made its way into a worship set. It is unfamiliar to me, but clearly not to everyone. A man gets off his chair and kneels right there on the carpet, while a few of the “old-timers” begin doing hand motions that seem part-sign language, part-jazz hands. A baby screeches, and we know exactly who it is, without turning our heads. A boy with autism rocks and rocks and rocks in a rocking chair in the back of the sanctuary. That is how he does church.

And I bow my head, overwhelmed by the terrifying-yet-glorious goodness of being awkward together in the presence of God.

 

 

Together, Undefined

Posted on by under Together in Place

It was 8 pm on my daughter’s 15th birthday, and I remained a Mama on a Mission, gearing up for the home stretch.

The mission, of course, was making my daughter feel as special and loved as possible—a mission that’s more challenging, I’ve discovered, when your children are teenagers and less likely to buy into the enthusiasm in your voice as you sell them on some random idea: Bowling would be a fun birthday treat! If my daughter had her way we’d be seeing Broadway shows in New York for her birthday, but in reality I had less to work with.

By 8 pm on this particular birthday, we had already completed our typical activities: a mother-daughter outing (which in this case involved a new ear piercing); a birthday dinner at the restaurant of her choice, with the seven people who make up her immediate family (mom, dad, sister, stepmom, half-brother, stepdad, step-sister); and finally dessert and presents back at home. My now-15-year-old already had a big party with friends the night before, so now what?

“Do you want to go anywhere?” I asked.

“No, I just want to be home,” she said, smiling contentedly.

“Should we rent a movie?” I suggested. “Or play a game?” I know very well that games are not her favorite pastime, but I couldn’t help myself. In my family experience, both as a child and an adult, this is what you do when you’re together: You play games. Sitting around a table covered with the pieces of a game is my family’s quintessential definition of togetherness.

“No, I just want to be home and do whatever,” she said, a trace of exasperation edging into her voice. “I’ve had an amazing birthday! Can’t we all just be here but do our own things?”

As an extrovert, I (not for the first time) had to pause and forcibly wrap my head around this less structured version of “Together.” I could see my other daughter re-calibrating as well, as we tried to imagine that the birthday girl’s idea of a fun birthday might not look exactly like our plans for her. After all, we were there to serve! To entertain! To focus all of our time and energies on HER! And she wanted to go up to her room and try out the new guitar pedal she just unwrapped? We had to let that sink in.

“Well…OK. If you’re sure,” I said.

She was, of course, sure.

6647530355_0233217d07_zAs the sounds of reverberating electric guitar and my daughter’s pure voice serenaded us through the ceiling, the rest of us looked at each other in somewhat sheepish agreement: Let’s play a game. In her own way, she was right there with us.

*   *   *   *   *

While I probably wouldn’t choose “alone in my room” as a way to spend my birthday evening, upon a bit more reflection I realized that I know a thing or two about this desire my daughter often has: to be together yet alone.

Since February 2002, after nearly a decade of working in populated office settings, I’ve worked essentially alone, as a writer. When I was in the process of deciding whether to take the leap and start my own business, my biggest fear wasn’t Will I have enough clients? or Will I make enough money? It was this: Will I be able to work alone?

Not only am I social—someone who is energized by being in the mix, having people to go to lunch with, and feeling connected to others who are dealing with the same bosses and projects—but I’m also most creative in collaborative settings. In other words, I worried not just that I would be lonely working by myself, but also that the very skills I was selling might fall flat if there weren’t people around to bounce ideas off of and provide critique.

I decided to take the leap anyway, and was lucky enough to discover that technology was my safety net. It was the growing availability of wireless Internet, in particular, that prevented me from gradually slipping away from myself, sitting day after day at the desk in the corner of my living room. Wireless Internet meant I could take my laptop—all that really comprised my “office”—to my favorite neighborhood coffee shop, where I could be together yet alone.

photo (3)In that coffee shop, I learned it was the mere presence of bodies and voices—being surrounded by activity and the gears of many brains thinking and creating—that I craved more than anything else. In the unnatural silence of my empty home I felt slightly on-edge and easily distractible, but the buzzing white noise of the café allowed me to dive into my work and ride a stream of creative flow for hours.

There’s simply something powerful—at once comforting and freeing—about being autonomous yet in community, whether that community is family or strangers at a café. It’s an experience that carries a certain rightness and balance: In a single moment and place, it acknowledges and respects both our “sameness” as humans and our “difference” as individuals.

Ultimately, both identity and empathy are strengthened through that single form of togetherness. When I think of it that way, I can see what a wonderful gift it was to give my teenage daughter on her birthday—and what a wonderful reminder it was for her to share with me.

*   *   *   *   *

Photo of the game “Carcassonne” by Aslakr. Coffee shop photo by Kristin Tennant.