Where the Heart Was

Home is the grit and gray of streets and parking lots and the widest freeway in the world. It’s being glad for a commuter train, so you can read while you sit in traffic. It’s the surprise of one of the largest urban parks in the United States, offering green respite. It’s watching the trails in that park erode,  years of play degrading into memory.

In the fall, after 32-and-a-half years in my hometown, I left in a rented truck with husband, dogs, bicycles, and a few scraps more, for a 2500-mile move to the north.

Here in this place, everything is different. Things I thought I knew slipped away when I wasn’t looking.

This place is beautiful. I ride my bike from the house to views that evoke the word ‘pastoral’: cornfields and rolling green hills and a giant, weathered white barn etched against an enormous blue sky, wrinkled mountains lining the eastern horizon.

This place is about as diverse as vanilla ice cream, and as sticky-sweet. When I travel through a nearby metropolis, I get harassed the moment I step off the train: ah, the anonymity of the city. It’s not that I miss being cat-called. But in the way that a survivor of abuse places herself in abusive relationships, I suppose the familiar–even the unpleasant familiar–offers some brand of comfort. I didn’t know I missed the sound of sirens til I heard one and noticed how odd it sounded.

In the winter, 936774_10201102501273563_1510282701_nI traveled back south, to revisit places and people I know, love, and miss. Already home was a place I could not access, although I was comforted by a Southern drawl, a Cajun twang, an East Texas pacing of speech. The molasses air felt like a hug. I swallowed my pride, and told the loved ones I’d abandoned that I had not found eternal happiness in committing this crime against home.

Home is eating out: Mexican or Cajun or Greek or breakfast-all-day or Italian or Indian or Turkish or Vietnamese or sushi or Jamaican or burgers or dirt-cheap, clean, enormous oysters on the half-shell served with a smile and an ice-cold glass bottle of Tecate. Home is hearing many languages, and bilingual street signs, and the good and bad of smelling everybody else’s life and toil on mass transit. Home is people smiling on the sidewalks and saying “excuse me” when you step out of their way, or “thank you” if you hold the door. It’s being asked for change.

In the spring, I reversed direction, to husband and dogs in the north, entering again a vast, coldly beautiful loneliness. “What have I done?” I thought, as I climbed into our new bed in this place. “I’ve killed ‘home’ forever.”

Home is not pretty. It is somber: concrete and steel, cars and smog, flatness and pavement. It is where a friend used the line, “hotter than a fresh-fucked fox in a forest fire,” as we mountain biked in all seasons and the temperature hit three digits in the shade before humidity factored in. But858353_10200727243412351_1337074395_o there was what I called urban scenery: railroad trestles along a bayou with a junkyard in the midground, viewed from a grassy path. Definitely a different kind of picturesque, but a memorable picture nonetheless.

In the summer, I remembered home: thick, damp, oven-like air and open, friendly faces on the street, a cacophony of smells–tortillas cooking, Indian spices, garbage, diesel fuel, body odor, stale beer–and multitude of skin tones. Memories as terribly distant as they were deeply felt. I felt tattooed by Houston, as I have been tattooed in Houston, and am tattooed with Houston’s skyline and the shape of the state of Texas. I can’t reach home, even when I’ve had the outline of it permanently inserted under my skin.

Here, the house we inhabit is imperfect, as all houses are. I have been here long enough now to mostly know which light switch does what. Knowing how to make the light shine, for eating, reading, or just dressing myself, has got to be an important step on the journey toward making a home.

It is fall again.

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Julia is a book reviewer, librarian, beer drinker, dog lover, mountain biker and native Texan now residing in Bellingham, Washington. She thinks a lot about concepts of place and home. Her favorite color is green.

 

A Place to Belong

I didn’t cry when my parents dropped me off for college. And I didn’t cry when I went to sleep that night or the next day or the next. I wasn’t sad, I was just excited. I didn’t cry about leaving home because I didn’t feel like I had left home. It felt like the times I had stayed at a summer camp, or a youth rally. Even when I started going to classes and managing my own food, it still didn’t hit me that I was not home.

It took until the first Sunday that I cried. I walked across the campus and into the church that mother had gone to when she had been on the same campus years before. I walked into the unfamiliar place, and suddenly realized I had no idea where to sit. There were lots of open chairs. The problem wasn’t that there wasn’t a place for me to go; the problem was that I didn’t already have a place to belong.

Back in my home town, my family had gone to the same church my entire life. My parents still go there. I am intimately familiar with the brown brick, the blue carpet with pink and turquoise speckled into it. I know the way it smells and feels when the lights are off and you are the only one in the echoe-y narthex with the tall ceilings.

I know the history of every inch of that building, and I never had to learn it. The church building grew up with me. The seemingly random brick wall in the lobby is a weight baring wall that was the first entrance into the church. The fellowship hall used to be the sanctuary, and for years the floors weren’t carpeted and the congregation would move the chairs to the side after the service and have a square dance or a dinner or anything really because the floors were so easily cleaned.

I played tag through the walls that were not yet dry walled, and picked up weird looking nails as treasures when they built the education wing. The original members had wanted a new sanctuary, but put it off because they saw the necessity of the immediate future. The nursery had been overflowing for quite some time. The original nursery is now the kitchen, the education wing has tripled in size, and the congregation finally did get that beautiful new sanctuary they were promised. I was singing in the choir next to my mom the first day it was used.

Throughout all of these changes, my family had always sat two or three rows in from the front, stage left. There were no official rules or seating, but that is where we always were. Perhaps this was because my mom was more often than not in the choir loft and she could give us “the look” from there if she needed to. I just knew that roughly three rows in, stage left, was where I belonged.

When, at eighteen years old, I walked into that unfamiliar church and did not know where I was supposed to sit in the sanctuary, suddenly I realized that I was not home. I did not have a place that I belonged in this building, in this sanctuary, in this church body. I sat down stage right, still sort of near the front, and I cried throughout the entire service. I never went back. It just didn’t feel like home.

It is hard to sit in a place when you are not sure where you belong.

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Abby“A Place to Belong” was written by Abby Norman. Abby lives and loves in the city of Atlanta. She swears a lot more than you would think for a public school teacher and mother of two under three. She can’t help that she loves all words. She believes in champagne for celebrating everyday life, laughing until her stomach hurts and telling the truth, even when it is hard, maybe especially then. You can find her blogging at Accidental Devotional and tweeting at @accidentaldevo. Abby loves all kinds of Girl Scout cookies and literally burning lies in her backyard fire pit.