Where Are You From?

“This is my sixth time at this conference. Why do I have the jitters?”

I fired a short, honest tweet into the digital atmosphere, took a deep breath, and stepped into the halls of a Disney World convention center I knew so well. I scanned the crowd, simultaneously hoping to spot a friendly face and remain invisible until I got my bearings. My name badge displays a new city, a new company, and, oddly, my old name: Jen Rose.

The last time I was here, I was telling my engagement story and showing off a ring to anyone who asked. Two years later, marriage has changed more than a few things, but my former last name remains. Now it’s a radio name, belonging to a character on this networking stage.

Once I settled into the energy of the conference, I felt more like my past self. I spent the weekend laughing at old jokes with friends I grew up with, meeting newcomers, and struggling to give a short answer to every stranger who asked, “So, where are you from?”

IMG_6982“Well, I’m from here, Orlando, originally. But now I live in Massachusetts.” And I wondered every single time if that’s the right answer, if there even is a right answer.

Where are you from? Is it really where you traveled from? Because I’m definitely not from New England. Or is it where you work and live now? Is it the airport I flew from, Providence, Rhode Island, another state entirely? Do I tell them where my employer is – a small and sort of new CHR station in Worcester – or that I work from my apartment in another city over an hour away? I used to tell people I was from Orlando, but I actually lived in a small town an hour away. So should I tell them I’m from Boston because it’s a major point of reference and the only city most people out of state know of? No, definitely not.

Having two homes is weird.

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It’s been about a year and a half since I said “I do,” packed up whatever could fit in a suitcase or the trunk of my Honda Civic, and moved into a third floor apartment 1,200 miles away from everything I had known. And since the day I arrived I’ve been wrestling with ideas of home and finding my place. Friends and family ask if I’m feeling at home yet, and I say yes. It’s partially true. I can get around without a GPS most of the time, I have favorite coffee shops, and I can finally pronounce some complicated Massachusetts town names.

And yet, still the displacement. Still the realization that I can’t go back to the past. And sometimes, the nagging voice that says “You’re different. You’re not from here.”

In some ways, the voice is right. This will never quite be home. That isn’t resistance to change, or bitterness, or resignation. It’s truth. And it brings some comfort.

IMG_6905The biggest move of my husband’s life was from the house he grew up in to our current apartment, eight blocks down the road. He’s a New Englander through and through. The rhythm of the seasons, the cadence of the language, the pride in the land and its history are all a part of who he is, and loving him teaches me to love this place more. So in a way, with him, this is truly home.

As for me… well, I can’t turn back time and grow up here. I can’t transplant my family, can’t rewrite history so my New Englander grandfather never married an Alabama girl and worked out his days in the orange groves of Florida. I can’t, and I’d never want to. The rhythms, seasons, culture, and history of my homeland have shaped me into the person I am, and though I never fully appreciated it then, I do now, every time I catch a glimpse of palm trees outside an airplane window and relearn how to breathe the heavy tropical air.

And you know, that’s okay. Home can be in two places, even many places. Home is where we first spring from seeds, and it’s where we replant our roots. But we still reach for the sun, for something more, for the home still coming, someday.

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 Jen Rose“Where Are You From?” was written by Jen Rose Yokel. Jen was born and raised in central Florida, but now lives in the strange land of southern New England. She’s a poet, a radio nerd, and a regular contributor to The Rabbit Room. When not writing, she enjoys frequenting coffee shops, hunting down used books and vinyl records, and exploring nature with her husband Chris. You can find her thoughts and poems at jenroseyokel.com and see pictures of mostly food and trees on her Instagram @jen_rose.

Then the music begins

On its own, there was nothing special about the room. In fact, it was the antithesis of special: Generic and drab, it looked like hundreds of other tired, 1960s-era college dorm lobbies, furnished to withstand the antics of students whose parents weren’t on hand to tell them to keep their sneakers and snacks off the furniture.

But in that room, tucked around the corner, was a piano. And when China played that piano, everything about the room changed.

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It was June 2012, and I was on the campus of Mount Holyoke College in Massachusetts for a weeklong of Glen writing workshop with Lauren Winner. Staying in a dorm for the first time in 20 years made me feel a bit like a teen again, brimming with that same sense of nervous excitement. Who were all of the people I caught glimpses of as they came and went from their rooms down the hall? Which ones would I be hugging fiercely by the end of the week, as we said goodbye?

That first evening—after dinner, the opening talk, and a welcome reception—many retreated to their rooms to recover from a long day of travel. But the extrovert in me knew that going to my room would lead to nothing more than a predictable evening: checking email, doing some reading, then falling asleep. If I wanted to open up my evening to surprise and possibility, I needed to venture into a public space: the dorm lobby.

Those who had been to the Glen before and understood how things “worked” had already started to gather. Plastic cups and bottles of wine were set out on the marred coffee table, and several institutional couches had been pulled up close. Bags of pretzels and popcorn were opened, and much talking and introducing ensued. I introduced myself to people, but mostly observed, holding back—waiting to feel myself soften into this new space.

It wasn’t until a few people began begging a woman named China to play the piano, and she finally agreed, that I felt at home. China’s music filled the room—not just with sound, but with energy, each particle of air vibrating in a way that reminded me “I’m alive, I’m a creative being, and it is good.”

*    *    *    *    *

pianomovingNow it is four years later, and China—China who is from Denver, who I met in Massachusetts then spent another Glen Workshop week with in Santa Fe last summer—is in my living room in Central Illinois, moving a piano. (To be accurate, she is supervising the moving of a piano.)

The piano had belonged to my grandmother. During my childhood, the piano’s home was a cabin in the woods of Northern Michigan, where my grandma’s expert playing inspired many sing-alongs. Tonight, China will play that piano, at a house concert we’re hosting for her band Alright Alright.

Life has been scooting along so frantically as of late that it takes my mind a moment to accept the wonderful reality: China and I are together again, this time in my home, with our husbands and children. Now we know one another as mothers and wives, and also as creative women who labor with the words and stories we must tell. As we hug and laugh and both talk at once, rushing around to prepare the space for this new joint venture, I sense our understandings of one another rounding out. But our friendship also feels the same—full of goofiness and grace, with flashes of depth that root us over breadths of geography and time.

We move the piano from its place by the front stairwell across the living room to the fireplace. The Danish modern armchair my husband likes to sit in after work is moved to the living room’s opposite corner, making room for a variety of guitars and China’s husband Seth, who will play them. Katelin, the band’s third member, sets up a small drum set and a ukelele and guitar to the left of the piano, near our tall bookshelf. I arrange dining room chairs on the rug and on the stage’s “wings”—the sunroom that opens to the east of the piano and the dining room to the west. Extension cords are run from outlets, power strips and amps are plugged in, spot lights are directed. The room has been transformed.

Soon, friends begin to arrive. Wine is poured. Introductions are made. Then China begins playing the piano. The space is complete.

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