Tag Archives: mothers and daughters

It all began on Hope Street

Posted on by under Hope and Place

Hope Street, 1998

I’m leaning over my daughter’s crib, daring to get my nose as close to her head as possible, in order to imbibe her baby fragrance.

Today, like any day with a two-month old, included its share of unhappy baby wails, new-mama exasperation, and waylaid plans. But since finding her thumb a week ago, my daughter has been a champion sleeper, granting some margin for gratitude, hope.

img_6032Heady with baby aura, I lower an ear, holding my breath so I can hear hers. It’s deep and slow, with a slight rattle in her throat. While listening, I’ve almost forgotten to breathe for myself, as if she could for both of us.

Straightening up, I take a long pull of oxygen that fills my body with a momentary energy. I marvel at the duplicity of motherhood. My daughter and I are always linked, but also separate. It’s a concept I’m just beginning to grasp—to grieve and also to welcome with a tinge of relief. The inner struggle of motherhood has already begun.

I gently place my hand on my baby’s silky head, fingers following the curve of her skull as if to cradle it, wondering what seeds lie sleeping in that head, waiting to unfurl and carry her from crib to bed and into the world.

My heart forms a wordless prayer—one that’s open-ended enough to remind me that my love and her autonomy are not mutually exclusive, not even now, while she depends on me for everything, my milk her only food.

*  *  *  *  *  *

Race Street, 2004

I’ve finished unpacking yet another box of kitchen miscellany, trying to find space in a half-sized kitchen for things I rarely use—a large funnel, a hard-boiled-egg slicer, a pastry cutter.

Trying to find room for the unessential seems to be a theme in my life as of late. Over the weekend, I moved into a duplex—half of a house, for half of a parenting team in possession of half of the books, furniture, and art.

Since the divorce, I feel less sad, but more overwhelmed. My two girls, just six and four, are so busy, full of thoughts and ideas, calls for help, emotions that require extra patience, consistency, and love, and I’m wasting time staring at the contents of my former kitchen, wondering if I’ll use a funnel in the next year.

Today, bedtime couldn’t have come soon enough. But now, two hours after singing one last song and flourishing one last “tickle-scratch” on each back, I miss them.

In their dim bedroom, I carefully step around boxes they were told to “unpack” after dinner. My earlier annoyance with the mess melts into understanding: Unpacking inspired play—happy reunions with toys they hadn’t seen for a week, opportunities to pretend being teachers and mamas who take on challenges, fix problems, and comfort hurts.

Standing by their bunk bed, taking in one sweet face then the other, I still feel the ache of missing them. Am I missing the babies and toddlers they were? Or is the missing in anticipation of the day these daughters, fully grown, will sleep under roofs other than mine?

I decide I’m missing the busy, silly, awake versions of my sleeping girls. And I’m tempted to wake them up, but I know better, so I kiss each girl’s temple and take myself to bed.

*  *  *  *  *  *

Oregon Street, 2011

Jason and I can’t keep our eyes open. So this is what it feels like to be old, we joke, setting down our books to move from the sofa up the stairs to bed.

For years we’ve been the last ones up each night at our house, but these days it’s a toss-up. Our oldest two girls are legitimate teenagers, at 15 and 13, with busy after-school schedules and stacks of homework crowding their evenings. Our youngest, at 11, is developing into a night owl—the one who’s forever begging to read “just one more chapter!”

On the landing at the top of the stairs, we begin our nighttime rounds, noting the knotted brow of our oldest, my stepdaughter, as she tackles advanced math, then calming the chatter of our middle-schooler, who somehow has several hours of life to update us on, even though we last talked less than an hour ago.

We gently scold the youngest for not turning off her light when we told her to, but night owls will be night owls. This is not our battle. I smooth her hair and hum the song I rocked her to each night as a baby.

In our own bed, Jason and I share a weary high five and a kiss before turning out our lights. We’ve completed another day of “doing our best” as parents, even though what’s “best” has become increasingly fuzzy.

All we know for sure is things are getting real. Before our eyes, all of the knowledge fragments we’ve dispensed along the way have become a collection of tools our children are ad-libbing with out in the world. Each bit of freedom and autonomy, while terrifying for us, is an opportunity for them to practice and learn. We can’t stop any of it—they’re already on their way.

*  *  *  *  *  *

Orchard Street, 2016

I set down my mug of rooibos, tucking a bookmark between pages so I can reach my phone, which just buzzed at me from the coffee table. It’s a text from my oldest daughter whose mind is fixed on the many plans she has for Thanksgiving break, her first week home since moving to college. Smiling, I thumb a response. She’s always had so many ideas and plans—they just keep getting bigger as she becomes more capable of making them happen on her own.

The oldest of our three is also off at college, pursuing a science degree and being a wise, steady support system for the students on her floor, where she serves as RA.

Only our youngest still occupies one of the bedrooms upstairs. She’s now in possession of a driver’s license, along with the new level of autonomy it brings. After years of playing taxi, I’m still surprised when she arrives home on her own from her favorite cafe, as she does now. Plopping next to me on the sofa, she pulls the edge of my afghan across her lap, offering her back for a tickle-scratch before bed.

Kissing my daughter’s head as she says goodnight, I realize it’s time for me to think about bed, too. Just one more chapter.

As I turn another page, my phone interrupts with another text, this time from the bedroom above me.

Are you super busy or could you come play with my hair for a couple of minutes? I can’t sleep. And I miss you.

I miss her, too, I think, setting down my book, mid-chapter. I miss them all—even if they’re not mine to hold back, just to encourage forward. Switching off the lamps, I climb the stairs to my baby girl’s room.

Winding Clocks

Posted on by under Guest, Reclaiming Place

The world looked calm and vivid and possible.
~ A. Alvarez

The New Year brought sun. I awake to a teeny rainbow projected on our bedroom wall, courtesy of the light reflected off a prism-shaped rod hanging from our blinds. Even with the blinds closed, the light peeks through, catching a corner of crystal and bending, working its magic on the morning. It is joy.

I go through the rest of the house opening blinds, and a memory comes to me of Mom and her morning routine. Mom in her robe and slippers, hair still up in bobby pins, lighting lamps, opening drapes, winding old clocks with old keys. She’s done this every day for umpteen years, and today I see her again heading for the fireplace, finding the key, removing the glass dome, winding the back of the clock. Two or three turns, maybe it was more. I begin to wonder: What became of that old clock?

That bright, January morning I find myself wondering about other things, as well. About what it was like to be in the home she loved, in the neighborhood that was just right, in the middle of the family that depended on her. What was it like to leave all that and start over at age seventy?

Mom did not say. I’m sure she felt she didn’t have to. She probably sold the old clock, along with the baby grand and organ and other things she loved, including the house, in order to make way for the next stage of her life. The car would go next, and, with it, a lot of her independence. I’m not sure she was sad to see them go, but I’m not sure she wasn’t. Mom did not say.

If Mom was making a statement by selling away her former life, item by item, it was totally lost on me. In 1996 I was only forty-two, so I was young. I still had a few kids at home, and one about to be married. Yes I remember 1996, not because of what was happening to me but more because of what was happening around me. But time has moved us along and now I have a “child” the same age as I was back when Mom sold the family home along with most of its contents and moved into a retirement village. Mom made a decision to change her life. It was her decision to make, even if none of us kids agreed or understood.

Doreen2And believe me, we didn’t.

Oh, we made our opinions known. We argued with the folks. Mom was not interested in our opinions, nor was Dad, who seemed content to simply do it Mom’s way for once.

Now time has moved us all on. Twenty years have come and gone and I’m the mom making life-changing moves that are probably quite curious to my children. My grown children who argue with me. And make their opinions known.

And do I listen to them? Yes. And no. Because of Mom I’ve been educated into the world of moving on. Mom was strong enough to do what she felt she needed to, even if we saw it as giving up something she loved. I’m the same girl she raised and then let go, I’m the daughter always reaching for more life, not less.

Perhaps I still don’t understand why Mom wanted to let go of the old house, but then I don’t really need to know. I knew Mom. I know myself. And that’s all that’s needed.

 *  *  *  *  *

DoreenFrick“Winding Clocks” is by Doreen Frick, a 61-year-old Baby Boomer who was born in Philadelphia. She moved away in 1976 (at age 22) to live in a bus in Washington State (see her book, Hodgepodge Logic). In doing so, she looked at life through a whole new set of values and with a whole new appreciation for the place of her youth. This year, she again pulled up roots and moved, this time to the Heartland. Doreen lives in Ord, Nebraska and has been published at Boomer Cafe.

 

Backbone

Posted on by under Memory & Place

I stared at the prosthetic arms, legs, and other fake body parts displayed in the shop’s front window beneath the steady glow of a neon sign advertising: ARTIFICIAL LIMBS.

Mama and I walked through the front door of the shop. A short man dressed in a white jacket approached us. He was a hairy man; hair was sprouting above the top button of his shirt, and his arms were hairy all over. His name was Leroy Cook.

I was in this house of horrors because I had been diagnosed with scoliosis—curvature of the spine. An orthopedist had prescribed the treatment, a Milwaukee brace, a monstrosity of metal bars, screws, belts, pads, and hard plastic. This thing would be my closest companion 23 hours a day, corseted tightly around my hips and pelvic area with anterior and posterior bars attached to a circle of metal outfitted with a chin-rest in the front. My head would be thrust upward and backward, changing my field of vision.

Mr. Leroy led us back to a space resembling a large garage. Artificial flesh-colored body parts were resting on workbenches. Pails the size of paint buckets sat in the corner.

Mama and I followed him into an examining room. Mr. Leroy asked me to hop up on the table covered with white, crinkly paper.

“I don’t want to embarrass you, but you have to undress and put this on, so I can make an impression of your body.” He handed me a long length of stretchy material the color of an ACE bandage. “Pull it up under your arms and pull it down below your bottom,” he said, “I’ll be back in a few minutes.”

Mama turned her head away while I undressed. The mini tube dress accentuated my flat chest and protruding shoulder blades.

Mr. Leroy re-entered the room and instructed me to lie down on my back. He held a fancy ruler and a Sharpie-like pen. He gently explained what he had to do. Inked marks were drawn at the lowest part of my abdomen, lower than the waistband of my bikini underwear.

The next step in the process would be the plastering. It would be spread over my body like smooth icing. I would hold my arms over my head while keeping a firm grip on a metal bar to ensure a full extension of my torso. The plaster would dry while I stayed in the stretched position. A small round saw—it would not cut me—would cut the cast. It would come off like a rigid dress, and Mr. Leroy would make my brace using the sculpture of my body as his guide.

I looked at my mother at the end of the table. I will not cry. I will not cry.

*****

It took Mr. Leroy two weeks to complete my Milwaukee masterpiece. I spent a second morning in my underwear in his exam room learning to slip on the brace like it was a casual piece of clothing. Arm to the left. Arm to the right. And the wide, rigid bar in the middle separating the two “armholes.”

I learned to secure the Velcro straps, linking the back bars to stabilize my corset. I was stuck.

*****

The Captain D’s restaurant was bustling with the lunch crowd. It had been a difficult morning, and Mama wanted me to enjoy my favorite meal: fish and chips. Perhaps, she thought it would be a good place for me to experience my first public appearance wearing a brace. School was in session; there was little chance I would be seen by one of my classmates.

The hot and flaky fish refused to stay on my fork, sliding down my chin onto the cold metal bar jutting out from beneath the top of my blouse. When I lifted my drink to my lips, I couldn’t maneuver the straw to get it into my mouth. I was thirsty. The straw could not bend, and neither could I.

Pushing back hard from the table, I rocked front to back, plastic on plastic, attempting to propel myself from the unforgiving chair. I pitched forward, hit the edge of the table, and wobbled backward into the chair.

I shoved my food tray to the floor. Fish and french fries flew from their paper basket. Coca-Cola spattered on my pants. Mama grabbed napkins and knelt to soak up the Coke. She looked up at me.

“I want to go home,” I pleaded.

*****

I flopped down on my bed, relishing the feel of my green, chenille bedspread beneath my back like a cat rolling around on a warm, asphalt driveway. The late afternoon sunshine filtered through the sheer window curtain splashed with orange, green, and pale pink flowers, creating a kaleidoscope of shapes on my wall.

I caught the glint of light off metal. My hour was up.

FullSizeRender(17)

photo by Lisa Phillips

Stuck, Unstuck

Posted on by under Travel & Place

It was January—that moment when, in Michigan, you are still descending into the depths of winter. (Never mind that the days are getting longer, lighter.)

I was continuing to descend, too. My descent was more deceptive than winter’s—a postpartum swirl of hormones and emotions that could just as easily trick me into believing I was rising as falling. There were moments of brilliant sunshine on fresh blankets of snow, joyful baby squeals, and the sense that I had never quite been whole without this little one in my arms. In those moments I felt buoyed. Was the falling sensation I felt actually a rising—a trick of the mind?

No, that wasn’t the case. At least not in any comprehensive, lasting way.

It’s hard to say what exactly triggered me to finally shut down that January day—to batten the hatches, boarding up windows and barricading with sandbags as if to protect myself against a storm I had been watching move toward me. Now I know this about depression: the “what” or “why” hardly matters. It’s not as if identifying “what” means it could all be easily “fixed.” It just was what it was—a mix of chemicals and hormones, disappointments and anxieties, fear and regret, converging and swirling. And suddenly that day, that moment, I couldn’t keep up the charade that had kept me inching forward on previous days.

I could only sit, blankly. Sometimes with quiet tears forging new paths down my cheeks.

Finally, while my baby napped, I called my mom. I couldn’t speak, of course—couldn’t begin to explain a thing about what was happening inside me. But she still heard me, like mothers do. She heard the tears from 70 miles away, where she sat in my childhood home, and she knew I was stuck; she knew I needed to move.

“I’m coming to get you,” she said matter-of-factly, not asking or suggesting, only stating the fact in a way that allowed me to breathe a bit deeper.

So I sat as she drove to me through the frozen world. I don’t remember her arriving at my house, or helping me pack a few bags, transferring the baby’s carseat from my car to hers. I only remember the drive home—to the place I still considered home. I was, after all, only a decade removed from the time I had last lived there, the summer I was 19.

291654079_bc3cf3ce06_bMy mom had dark chocolate in her car, and as we traveled she told me to eat as much as I wanted—that it was good for me. She didn’t ask me to explain anything, didn’t ply me with questions or ask what I wanted or needed. She simply directed and gave, taking the wheel both literally and figuratively as she moved me from point A to point B.

As we traveled I felt the panic and confusion within me dislodge and begin to move downstream. I cracked open the shutters on my mind and began to take in where I was: The warmth of the car and bitter-sweetness of the chocolate. The beauty of the snow stretching out from either side of the two-lane highway—the way it was whimsical decorating the evergreens, and then sophisticated blanketing the ground, seeming to change color as it rose on hills and dipped into valleys, the late afternoon sun slanting onto its smooth surfaces.

I took in the one-stoplight towns in a way I never had before, even though I’d passed through them dozens of times behind the wheel of my own car. There were people on the sidewalks, bundled against the cold: a mother walking slowly as her snowsuited toddler kicked his boots through the snow; a group of three teenage girls who seemed to meander and stall, in spite of the cold.

The towns were then behind us, the speed limit rose, and I saw the sad, sinking homes down along the river, a man getting out of his rusted truck, pulled up alongside a satellite dish. Closer to home, the terrain flattened, presenting farm houses and sleeping winter fields. There was nothing remarkable along that stretch of road—no one, I imagine, living remarkable lives. There were just lives, and I noticed them as my mother carried me along.

Toward the end of our journey she told me a story about when she was a young mom—not to say “I know exactly how you feel,” but just, I suppose, to broaden my perspective and help me see beyond the walls of my confining mind, just as putting me in the car helped me to see beyond the walls of my house, my life, which had become too small.

What my mother knew, what she taught me, is that becoming “unstuck” involves some form of moving, traveling, even if you don’t know exactly where you need to go.

 

Mi Tierra

Posted on by under Guest, Travel & Place

After nearly 24 hours, we finally landed in Havana. It was May of 1998, the summer after I’d completed my sophomore year in college, when I accompanied my mother back to her homeland, an island she hadn’t seen since 1971 when she boarded a plane as part of the Freedom Flight program. Our multi-stop journey — Los Angeles to Houston to Cancun to Havana — was made with each of us wearing several layers of clothing, all of which we would leave behind. That’s what you did when you visited family in Cuba.

Exhausted, we stood before an inspector who began to pick apart our luggage, item by item, all of which Mom had carefully selected and weighed, because the rule was if you were over the weight allotment, they would require some kind of remittance. Knowing this, Mom slipped our inspector a twenty dollar bill, and just like that, we were allowed to move forward.

Just on the other side of the makeshift cordoned off area for those waiting, was our family—the real people whose names and faces I’d only known through photographs and stories that occasionally worked themselves from my mother’s memory. After a round of hearty hugs, Mom and I were ushered into a relic of a car and off to her cousin’s apartment. With the windows down (the AC had long since stopped working), we drove through the damp Caribbean air under a silken evening sky. I found it hard to believe we were actually here; we were in Cuba, finally. It wasn’t a mythical land about which was sung to me through lyrics from my mother’s albums. This place was in fact real. I let my head lean against the doorframe and listened to the salty waves crashing against the stone walls along the famous stretch of Malecon that held up this crumbling city.

We spent two weeks in Cuba, visiting with family and taking in as much as we could. I got to see the elementary school Mom attended, and the apartment where she had lived with her own mother. Everywhere we went we were treated like royalty—brought to tables bowing under the weight of feasts prepared. Someone had gotten wind that I loved mangoes, so at every stop there was always plenty of fresh mango, the flesh of the bright orange fruit so sweet that it could have only ripened under an island sun. We walked through abandoned sugar factories, gnawing on the raw cane. There were trips to swimming pools, and dinner dances at rooftop bars. Music and laughter was never far from our ears and lips, and someone was always telling me a story of when my mother was a little girl. This woman I had only ever known as my mother, a figure I often worked hard to steer against as a teenager, took on a new light. She had a history that was all her own, one apart from mine. For the first time I saw her as an individual.

My favorite memory rests with the particular leg of the trip that took us to Camaguey, the town from which Mom came. We were sitting in the backyard of someone’s house, most of the women busying themselves with putting the meal together, while the men were planted in a circle, passing around the two bottles of rum we had purchased with our American dollars at the local store. There was the sound of glass clinking as someone poured himself another swig, callused farm-worked hands rubbing scruffy cheeks, and laughter. There was so much laughter. At some point someone arrived with an accordion, and the group broke into a spontaneous rendition of Guantanamera. I know the lyrics because I grew up with them, Mom singing the song at parties, or turning up the stereo if the track came through the speakers. I knew Guantanamera, and I felt part of these people, this island, this place. I sang with them, our arms interlocking with one another, feet tapping in rhythm, the accordion scissoring its soulful notes through the heavy afternoon air.

The toothy smiles, the plumes of dust kicked up by our dancing heels in the backyard of our cousin’s house, the smell of stewing goat meat on the open fire in a makeshift shack of a kitchen. That scene has been stitched into my history and I often wonder what will happen to our connection with Cuba when my mother is gone. She is the last true link to the island, and all the history that lies with those people, the ones with whom we danced and sang.

DSC01229My own daughter, Lucille, was born in October of 2013. Weeks into her new life, my rawness into Motherhood, I discovered that if I wore her strapped to my chest and played music, her screams would calm as she became lulled by the rhythm of my dancing body. Often, the music I played  was Cuban. I recently posted a picture of my daughter wearing a woven fedora. The caption read, Ella no nacio en Cuba, pero la isla vive en su corazon. Translation: She wasn’t born in Cuba, but the island lives in her heart. It’s in her smile — the one I gave her —the food I make, the music we listen to, and the intangible way my mother has taught me to live life. And now this breathes in Lucy, stitched in the fabric of her flesh, in all the ways that can be seen and unseen.

We are always there.

*    *    *    *    *

3_9_14 (25 of 27)“Mi Tierra” was written by Ilene Marshall. Ilene resides in Pittsburgh, PA, with her husband and daughter. When she’s not documenting her life through photography, she attempts to capture some of it in writing. She has been a teacher for 11 years, but finds that often times, the biggest lessons aren’t found in books. Ilene blogs at “These Marmalade Skies,” and her photography can be seen at Ilene Marshall Photography.

Together, Undefined

Posted on by under Together in Place

It was 8 pm on my daughter’s 15th birthday, and I remained a Mama on a Mission, gearing up for the home stretch.

The mission, of course, was making my daughter feel as special and loved as possible—a mission that’s more challenging, I’ve discovered, when your children are teenagers and less likely to buy into the enthusiasm in your voice as you sell them on some random idea: Bowling would be a fun birthday treat! If my daughter had her way we’d be seeing Broadway shows in New York for her birthday, but in reality I had less to work with.

By 8 pm on this particular birthday, we had already completed our typical activities: a mother-daughter outing (which in this case involved a new ear piercing); a birthday dinner at the restaurant of her choice, with the seven people who make up her immediate family (mom, dad, sister, stepmom, half-brother, stepdad, step-sister); and finally dessert and presents back at home. My now-15-year-old already had a big party with friends the night before, so now what?

“Do you want to go anywhere?” I asked.

“No, I just want to be home,” she said, smiling contentedly.

“Should we rent a movie?” I suggested. “Or play a game?” I know very well that games are not her favorite pastime, but I couldn’t help myself. In my family experience, both as a child and an adult, this is what you do when you’re together: You play games. Sitting around a table covered with the pieces of a game is my family’s quintessential definition of togetherness.

“No, I just want to be home and do whatever,” she said, a trace of exasperation edging into her voice. “I’ve had an amazing birthday! Can’t we all just be here but do our own things?”

As an extrovert, I (not for the first time) had to pause and forcibly wrap my head around this less structured version of “Together.” I could see my other daughter re-calibrating as well, as we tried to imagine that the birthday girl’s idea of a fun birthday might not look exactly like our plans for her. After all, we were there to serve! To entertain! To focus all of our time and energies on HER! And she wanted to go up to her room and try out the new guitar pedal she just unwrapped? We had to let that sink in.

“Well…OK. If you’re sure,” I said.

She was, of course, sure.

6647530355_0233217d07_zAs the sounds of reverberating electric guitar and my daughter’s pure voice serenaded us through the ceiling, the rest of us looked at each other in somewhat sheepish agreement: Let’s play a game. In her own way, she was right there with us.

*   *   *   *   *

While I probably wouldn’t choose “alone in my room” as a way to spend my birthday evening, upon a bit more reflection I realized that I know a thing or two about this desire my daughter often has: to be together yet alone.

Since February 2002, after nearly a decade of working in populated office settings, I’ve worked essentially alone, as a writer. When I was in the process of deciding whether to take the leap and start my own business, my biggest fear wasn’t Will I have enough clients? or Will I make enough money? It was this: Will I be able to work alone?

Not only am I social—someone who is energized by being in the mix, having people to go to lunch with, and feeling connected to others who are dealing with the same bosses and projects—but I’m also most creative in collaborative settings. In other words, I worried not just that I would be lonely working by myself, but also that the very skills I was selling might fall flat if there weren’t people around to bounce ideas off of and provide critique.

I decided to take the leap anyway, and was lucky enough to discover that technology was my safety net. It was the growing availability of wireless Internet, in particular, that prevented me from gradually slipping away from myself, sitting day after day at the desk in the corner of my living room. Wireless Internet meant I could take my laptop—all that really comprised my “office”—to my favorite neighborhood coffee shop, where I could be together yet alone.

photo (3)In that coffee shop, I learned it was the mere presence of bodies and voices—being surrounded by activity and the gears of many brains thinking and creating—that I craved more than anything else. In the unnatural silence of my empty home I felt slightly on-edge and easily distractible, but the buzzing white noise of the café allowed me to dive into my work and ride a stream of creative flow for hours.

There’s simply something powerful—at once comforting and freeing—about being autonomous yet in community, whether that community is family or strangers at a café. It’s an experience that carries a certain rightness and balance: In a single moment and place, it acknowledges and respects both our “sameness” as humans and our “difference” as individuals.

Ultimately, both identity and empathy are strengthened through that single form of togetherness. When I think of it that way, I can see what a wonderful gift it was to give my teenage daughter on her birthday—and what a wonderful reminder it was for her to share with me.

*   *   *   *   *

Photo of the game “Carcassonne” by Aslakr. Coffee shop photo by Kristin Tennant.