Tag Archives: perspective

Rocks on the Way

Posted on by under Creating Place, Guest

I skateboarded down to the park to find a place to journal. In about 5 seconds of tiny wheels rolling on rocky asphalt, I almost decided to go back home. The only place I’d ever boarded is on the smooth concrete of San Jose State University. This was the complete opposite.

I forced myself to ride through my own reluctance, because something within me kept saying that 8 minutes of bumps would be worth the ride.

Once I arrived at the park, I slowed down and looked for a place to sit and write.

I found myself drawn to the place I usually avoid—the baseball field park bench.  As I sat on its cold, aluminum surface, I took in the sun’s heat and the flood of unwanted memories.

It’s been three years since I’ve had the strength or courage to revisit the bench.  park bench

Three years ago, I sat on the bench with the person I fell in love with, who’d eventually leave me. We had been together for less than two months, and in a few days we were to separate for college. Him to LA and I to Spokane. As we sat, I tried to hold on to him because, even then, I was always afraid that “we” would end.

The bench was an evocative object that seized my mind into the past. I had been told too many times that I wasn’t “supposed” to return to those thoughts. “To reminisce is only to miss something that doesn’t exist anymore.”

But in the end, I deliberately chose to sit there. I sat exactly where we did back then, accepted that this time I was alone, and wrote. Writing required me to reflect, to remember and I was forced to verbalize the thoughts that plagued me.

With my pen, I scribbled, “There are three places that for some reason, I’m oddly rooted to. This park bench, an ATM, and a rose garden.” Chewing on the cap of the pen, I realized that these three every-day objects in every-day areas had a hold on my attention.  I struggled to keep up with the memories and insights that were suddenly clear as I captured my thoughts in the hardbound journal..  

On the park bench, we shared a kiss while someone awkwardly passed by. After we noticed their disgusted glare, we eventually laughed off our embarrassment. He looked me in the eyes then and said, “Oh well,” and simply held me. He didn’t care about the world around us. He cared about me.

At the ATM, I stood with him while he withdrew money. He followed through with the chivalrous expectation to pay for me, even though at the time he wasn’t financially stable. I didn’t stop him, but it was the first time I saw myself as more of a burden than a blessing in his life.

At the rose garden, we had celebrated our first month as a couple. When we were leaving, we crossed paths with a little old Hispanic lady who, at my goodbye to her, laughed and said, “There are no such things as goodbye! Only ‘see you later!’” For the first time in my life, I felt comfort at a departure.

I looked around again. Children were scattered throughout the park running, biking, and squealing with delight at whatever tickled their attention. In the distance, a Hispanic family danced salsa with one another to the faint tune escaping their tiny radio. I moved the skateboard back and forth under my feet and recognized that the sun was lowering and it was becoming colder.

But I continued to write. Returning to, sitting, and writing on this park bench forced me to remember for the first time what had actually happened. Once that memory was viewed in full, I watched it all play out through a wiser pair of eyes.

As I sat recalling these vivid memories, I imagined that my current self, with knowing eyes, sat next to my past self.

“You know…one day you’ll return to this park bench alone,” I tell her. ”You’ll come back and there will be a rush of pain like a baseball at full speed.”

My past self cringes at the corniness and unpleasant knowledge.  “If it will hurt, why come back?”

“Because,” I begin carefully, “Although it hurts, you’ll see that things always come full circle. From here, I can see that our biggest fear came true. We loved, we lost. But you’ll keep moving forward. You’ll fall in love again, you’ll get hurt again. You’ll continue on, and then you’ll wind up here.”

We both sigh deeply, aware that truth is never an easy burden to bear.

“Coming back here will not be like regressing to your old thoughts.” I continue with an experienced voice, “It will hurt, but you’ll see that everything that has happened molds you into who you’re meant to be.”

My past self scoffs. “And then I’ll have to do it again, right? Return to places I don’t want to go back to?”

I push a bit more. “You’re right. There will be many benches that we’ll have to return to. Benchmarks of experience. But look– this isn’t so bad.”

The sun was setting, and my mind was tired. I picked up my skateboard and started towards home. Though the asphalt ground remained the same, bumpy and jarring but all I could think was, “It feels a little easier now.”

*****

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Sarah Michelle Cruz is an incoming senior at Whitworth University. She is a psychology and English Writing major, with a Chinese minor. She spends her free time mostly making music, writing, watching Filipino soap operas,  or eating cheap but delicious international cuisines with friends. She is in the editing process of her first novel, and is currently writing a second book called, “At the End of the World.” She hopes to inspire others and help people reclaim their own stories through arts and writing.

Downtown Cathedral

Posted on by under Guest, Memory & Place

The cathedral on a street corner downtown Hartford is unassuming on the outside. It’s easy to walk straight past it. It’s easy to walk straight past much in Hartford, a small city with large buildings which tower and preside over it. Financial institutions and insurance companies make their home in Hartford, and their buildings meld into one another. When experienced as a whole, their sheer height and the packed-in feeling of a tiny business district makes for a distinct indistinctness.

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I have walked past the cathedral many times on my way to and from my downtown workplace. One day I looked at the place a bit closer. I was trying to find a church I’d heard of—one that owns the house that the poet Wallace Stevens lived in. I found myself at the cathedral, looking at it, and in it, for the first time.

The building is of a dark brown stone built in the gothic revival style some two hundred years ago, with a pointed pitched roof and high, arched doors on three sides. Venture in further and the doors open into the dark sanctuary. The walls are covered with frescoes and stained glass windows. Over the altar are miniature depictions of the symbols of the disciples and the shells of St. John the Baptist. On Sunday mornings the light streams faintly through the colored glass and the air is choked with incense. The curls of it rise up to the ceiling.

On Sundays I sit in my pew with the pew door carefully shut. I say carefully because the old wood has a tendency to bang against the jamb and it makes me want to run away, far and fast. Small talk and casual conversation, and indeed, casualness itself, are not in the fabric here. After the opening hymns and readings, the priest and acolytes process down the aisle for the gospel reading. The thurifer censes the book; clouds and puffs of thick scent waft into the air. And the priest scans the pages through the smoke and begins to read.

The cathedral reminds me of the church I left years ago. The seat of my childhood. That church is a mere sixty years old. It has been thoroughly modernized with proper plumbing and fresh expanses of white paint, and a state-of-the-art sound system for which the new sanctuary was designed. The pull of the cathedral, for me, is that it doesn’t get updated. It does remind me that it and the church I left exist in time. Time and space.

The cathedral seems to be getting smaller as new buildings rise around it. My old church gets bigger and newer, but its popularity waxes and wanes like air inhaled and then expelled from lungs.

One summer afternoon I sat with four other people on folding chairs on the tiny cement patio wedged between the cathedral and the rectory, with the sun shining hotly down on us. We were there for one of the midday concerts sometimes held during the week at the cathedral. That day a saxophone quartet, the artists in residence at the cathedral, played for an hour. The music was fresh and lively—a mix of klezmer and classical pieces transcribed for a sax quartet.

Memory tapped persistently at my mind again, of the kind of music played at the other place. The guitar and drum pieces punctuated in time by a short piece by Handel, played during the offertory. Short because the offertory is a slim, quick task there. At the cathedral it is all Handel, all Bach, all the time. The offertory there may be slimmer.

Time away from the old church has been good. I discovered the cathedral, which has been good. But like incense, once you’ve got it in your nose, you can’t unsmell it. You can’t unremember your memories.

*   *   *   *   *

image1 (3)“Downtown Cathedral” was written by Elena Shekleton. Elena lives and works in Hartford and is moving across country to Colorado over the summer. She has a Masters in Comparative Literature for which she studied fairy tales and folklore and can say she is proudly acquainted with giants, dwarves, witches, clever princes, and enchanted cabbages from many different countries.

Stuck, Unstuck

Posted on by under Travel & Place

It was January—that moment when, in Michigan, you are still descending into the depths of winter. (Never mind that the days are getting longer, lighter.)

I was continuing to descend, too. My descent was more deceptive than winter’s—a postpartum swirl of hormones and emotions that could just as easily trick me into believing I was rising as falling. There were moments of brilliant sunshine on fresh blankets of snow, joyful baby squeals, and the sense that I had never quite been whole without this little one in my arms. In those moments I felt buoyed. Was the falling sensation I felt actually a rising—a trick of the mind?

No, that wasn’t the case. At least not in any comprehensive, lasting way.

It’s hard to say what exactly triggered me to finally shut down that January day—to batten the hatches, boarding up windows and barricading with sandbags as if to protect myself against a storm I had been watching move toward me. Now I know this about depression: the “what” or “why” hardly matters. It’s not as if identifying “what” means it could all be easily “fixed.” It just was what it was—a mix of chemicals and hormones, disappointments and anxieties, fear and regret, converging and swirling. And suddenly that day, that moment, I couldn’t keep up the charade that had kept me inching forward on previous days.

I could only sit, blankly. Sometimes with quiet tears forging new paths down my cheeks.

Finally, while my baby napped, I called my mom. I couldn’t speak, of course—couldn’t begin to explain a thing about what was happening inside me. But she still heard me, like mothers do. She heard the tears from 70 miles away, where she sat in my childhood home, and she knew I was stuck; she knew I needed to move.

“I’m coming to get you,” she said matter-of-factly, not asking or suggesting, only stating the fact in a way that allowed me to breathe a bit deeper.

So I sat as she drove to me through the frozen world. I don’t remember her arriving at my house, or helping me pack a few bags, transferring the baby’s carseat from my car to hers. I only remember the drive home—to the place I still considered home. I was, after all, only a decade removed from the time I had last lived there, the summer I was 19.

291654079_bc3cf3ce06_bMy mom had dark chocolate in her car, and as we traveled she told me to eat as much as I wanted—that it was good for me. She didn’t ask me to explain anything, didn’t ply me with questions or ask what I wanted or needed. She simply directed and gave, taking the wheel both literally and figuratively as she moved me from point A to point B.

As we traveled I felt the panic and confusion within me dislodge and begin to move downstream. I cracked open the shutters on my mind and began to take in where I was: The warmth of the car and bitter-sweetness of the chocolate. The beauty of the snow stretching out from either side of the two-lane highway—the way it was whimsical decorating the evergreens, and then sophisticated blanketing the ground, seeming to change color as it rose on hills and dipped into valleys, the late afternoon sun slanting onto its smooth surfaces.

I took in the one-stoplight towns in a way I never had before, even though I’d passed through them dozens of times behind the wheel of my own car. There were people on the sidewalks, bundled against the cold: a mother walking slowly as her snowsuited toddler kicked his boots through the snow; a group of three teenage girls who seemed to meander and stall, in spite of the cold.

The towns were then behind us, the speed limit rose, and I saw the sad, sinking homes down along the river, a man getting out of his rusted truck, pulled up alongside a satellite dish. Closer to home, the terrain flattened, presenting farm houses and sleeping winter fields. There was nothing remarkable along that stretch of road—no one, I imagine, living remarkable lives. There were just lives, and I noticed them as my mother carried me along.

Toward the end of our journey she told me a story about when she was a young mom—not to say “I know exactly how you feel,” but just, I suppose, to broaden my perspective and help me see beyond the walls of my confining mind, just as putting me in the car helped me to see beyond the walls of my house, my life, which had become too small.

What my mother knew, what she taught me, is that becoming “unstuck” involves some form of moving, traveling, even if you don’t know exactly where you need to go.

 

To see what I could see

Posted on by under Alone in Place

I had travelled more than a thousand miles to be surrounded by people, yet there I was, alone on a hard red-dirt trail in the Santa Fe National Forest.

To be clear, I was “alone on purpose,” as Nicole Morgan so deftly phrased it in her recent guest post. But following through on this intentional aloneness had taken great willpower. By choosing to set off solo on a hike that afternoon I was voluntarily leaving behind the potential of great conversations and new friendships—the very experiences I had in mind when I devoted a week of time and a sum of money to attend a Glen West writing workshop.

Many people at the Glen arrive in search of space and time to think and write, but as a full-time solitary writer who longs throughout the year for “colleagues,” I went to the Glen to fill that space and time with people. I needed a break from being alone with my thoughts and words, and during my first three days there I had accomplished just that. The mornings’ inspiring conversations in my non-fiction writing workshop transitioned into lunch hours sitting with authors I’ve long admired. Afternoons spent around courtyard tables, hearing about writing projects others were working on, gave way to more conversations over dinner, followed by engaging author and artist talks. Each night found me fighting the need for sleep as the extroverts and night owls gathered for more talk and laughter over whisky or wine, late into the night.

By that Thursday afternoon I had reached a state of “satisfyingly full” and knew some solitude (beyond the fast-asleep kind) would be good for me. It was one of those moments of awareness that separates childhood from adulthood: when you know that something—maybe eating those greens or getting up early to exercise—is important for your wellbeing, so you do it even though you don’t really want to.

I didn’t really want to be alone, but I knew it would be good for me, so I set out on the nearby Atalaya Trail to see what gift Aloneness might have for me in the midst of so much togetherness.

photo (9)The hard-packed ground was dry and gravelly, a shade of burnt, orangey-red that might as well be called New Mexico Red. I passed by Juniper and piñon, cacti, yuccas, and sagebrush, breathing in a heavenly-yet-foreign blend of scents that added a new layer to my aloneness: I was alone in an unfamiliar land.

As I continued walking, I began to wonder what range of unfamiliar creatures might call this arid region home (rattlesnakes? scorpions?). Then I recalled the coyotes whose sparring the night before had awoken me in my narrow dorm room bed, the windows open to the cool night air. Suddenly, alone took on multiple layers of meaning: I was not only by myself, far from others, but I was 7,000 feet above sea level in a foreign land, surrounded by potential dangers. The cell phone in my pocket didn’t even have service. I began anxiously singing, for company:

The bear went over the mountain,
the bear went over the mountain,
the bear went over the mountain—
to see what it could see.

I couldn’t remember what the bear saw, so I stopped singing and walking to just breathe—to calm the tinge of fear I felt and focus my mind on the quiet and the beauty that was all around me.

After walking a bit further, I reached a trio of wooden plank steps that carried the trail up and over a gravel road. Turning around, I lowered myself onto one of the steps, opening my water bottle and taking in the view below, the path I had just walked. The college campus, where all of those conversations and friendships had taken root the days before, looked small, but there it was, waiting.

I pulled my journal out of my backpack, turning to a page where I had taken a few notes while the poet Scott Cairns had read to us an evening or two before. A line from his poem “Draw Near” had especially captivated me:

For near is where you’ll meet what you have wandered far to find.

I had traveled all the way to New Mexico to be with other writers and artists—I needed new conversations and different perspectives to help reframe the story within me. Then I had traveled up this mountain for time and space alone, in a land so different from the one I know that I couldn’t help but be aware, notice, and respond—not intellectually but viscerally. And all of those miles, all of that wandering both with others and alone, had helped me meet what is very near, in my heart.

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Where I Came From: Perspectives from the Kitchen Sink

Posted on by under Welcome to You Are Here

Annie, the orphan of curly red-headed fame was a staple of my childhood years. The VHS tape of her singing about “Tomorrow!” was often played in our down time as children. In it, Annie and the other kids of the city orphanage are longinAnnieWarbucksg for families and forced into fruitless hard labor by a nasty overseer, Ms Hannigan, who sloppily drinks gin in her bathtub. At the end, Daddy Warbucks steps in to love and care for Annie and all is well. (Or so I remember.)

My father was not like Daddy Warbucks. Where Mr. Warbucks was gruff, polished, and wealthy, my dad, in his most natural element, is mellow, slightly scruffy, and deeply appreciative of simplicity. At the heart of who he is, my father values hard work. Once, I heard him praise a hired kid with these words, “Someone taught you how to work, son. Thanks for your hustle today.”  Likewise, he taught me and my siblings to work. And still, in many ways, I am most at home working.

Mostly, I experienced the childhood tasks of family life with the wordless satisfaction of contributing, of doing what was expected of me. The wood pile grew as we added to it or shrunk as the pieces were carried into the house to be used in the woodstove.The flames in the rusty burn barrel or the plants that sprouted out the compost pile were things to watch and wonder about. Long sessions of grating cheese, placing it into ziploc bags to be frozen, or peeling apples, straight from the neighboring orchards, took place around the kitchen table. These were the normal activities of money-saving and country-living as far as I knew.

However, in one unfortunate incident of my childhood years, I was channeling my pre-teen Annie-angst about my “hard-knock life.” My father asked me a question, and I, filled with the injustice of having to wash the family dishes, muttered something snarky in response. I know it involved the dreadful command for him to “Shut up!”  Whatever sarcasm and disrespect I mumbled over the sink of soapy water must have caught my gentle dad at the wrong moment. His anger had a momentary flare. Amplified words about gratitude and “how good I have it” filled the kitchen space as he pulled me away from the kitchen sink. A generally good kid that wanted to please, I flushed with shame.

Years later, again up to my elbows in soapy water, a mountain of dishes awaited attention. The movement of many women in a kitchen, which could have been disastrous, resembled well-moving traffic patterns. All around me, to and fro, women dealt with leftovers, scrapped excess into the trash, dried the now-hot items and put them back into their cabinet home.

I was now a live-in staff member for a home that welcomed women in crisis–community meals and hence, community dish-washing were a regular part of our life together.  Many of these women had indeed had a “hard-knock life”–victims of others’ choices as well as their own; lives of poverty, trauma, and tremendous hardship. The women shared the common ground of being pregnant or having newborns. Their bellies, in various stages of soft roundness, gave witness to their motherhood. Their scars, tattoos, and biting humor gave witness to their past.

For the most part, dish-washing is the forgettable in-between activity of the more significant moments of meals and time spent together.  But for my eyes, this task was a place of great beauty, the dance of a community that knew how to work together.

For me, it was a feeling of home, similar to that of my childhood years.  But now, instead of moving under the protective gaze of my father, I was in the role of parent, teaching others to contribute to the wellbeing of our household, engaging everyone in money-saving tasks, and holding people accountable to inappropriate remarks.

With my mother at his side, my father had built my childhood home from his know-how, hard work, and long-suffering patience, slowly calling it into creation.  I had built the home for women out of the bones of an old, abandoned property, straight from the sheer goodness of God and from hours and hours of gut-wrenching, sacrificial work. In physically building a place, it has a special hold on you.  It helps me understand my father better.

Many of the women who I shared that kitchen with don’t have a father in their lives. Some never knew their father; others associate their father with the drugs and violence that he brought home. Many of those women grieve the fact that they will raise their children without a father. After years of hearing the stories of these women, it is painfully obvious that my father’s kitchen message was right. I have every reason to be grateful.

How good I had it.  

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