Dear Diary

“Writing in a diary is a really strange experience for someone like me. Not only because I’ve never written anything before, but also because it seems to me that later on neither I nor anyone else will be interested in the musings of a thirteen-year old school girl. Oh well, it doesn’t matter. I feel like writing.” —Anne Frank, June 20, 1942

“She found that when she didn’t have a notebook it was hard for her to think. The thoughts came slowly, as though they had to squeeze through a tiny door to get to her, whereas when she wrote, they flowed out faster than she could put them down.” ―Louise Fitzhugh, Harriet the Spy

***

I am 14 years old, sitting cross-legged on my yellow bedspread behind the locked door of my bedroom. A college-ruled three-subject notebook is open in my lap, and I scribble away, thoughts coming to me faster than I can get them down on paper.

Excitement about the cute boy on the bus who actually said hello to me today. Anxiety about the oral report I’m expected to give in social studies class tomorrow morning. Heartache about being ignored in the cafeteria by a girl I used to consider my best friend.

***

I am 20 years old, a junior in college, tucked into a wood-scarred booth in the campus grill. Snow is piling up outside, and I am settled into my favorite study spot with a hot mug of tea and piles of manila envelopes full of submissions to the literary magazine, of which I am co-editor. I arrange a stack of blank index cards upon which I will record my impressions of the poems and stories.

But first, I open the hardcover black and white lab book that has served as my journal since last term’s poetry-writing class. Now that I am no longer expected to periodically turn it in for review, I feel a new-found freedom to write without editing myself, comforted that no one will read my private thoughts but me.

I write about my confusing romantic feelings for a male friend who happens to be dating someone else. I vent about my concerns for my father, who is weathering the downturn of the steel industry and seems to be aging at presidential speed between my visits home. I jot down prayers and snippets of Scripture to comfort and encourage myself.

***

journalI am 29 years old, working in a job that I love, in a city that I love, involved in a quirky inner-city church that I love. I am sharing a quaint townhouse with two other single women who have become good friends. And I am falling in love with a man I met seven years ago, but started dating only after we lived a couple hundred miles away from one another.

Every evening before I go to sleep, I pour my heart out on paper, into fabric-covered journals given to me as gifts and filled at a record pace. It isn’t decision time yet, but what if this is the man I am supposed to marry? What will this mean for the life I am building in this place, with these people?

Over the next several months, in the pages of several more journals, those questions are answered. I am even more deeply committed my job, my city, my friends, and my church. I write with excitement about buying a house and living alone for the first time in my life.

***

The day after I turn 40, my mother, diagnosed seven months earlier with pancreatic cancer, goes into hospice care. I open a Word document on my laptop and type my grief and fear and rage onto the screen. Tears stream down my face as I hit save and shut down.

***

I celebrated my 50th birthday last month. For a decade or more, my journal entries have become more and more sporadic, as I check in to write at least twice a year—on my birthday and on New Year’s Day. Email and blog posts and social media have replaced my hand-written diary as venues for self-expression. Almost everything I write has an audience.

As I wrote my annual birthday journal entry in the leather-bound diary that I only occasionally crack open these days, I made a resolution. I haven’t missed a day of writing in my journal since.

***

Amy bio YAH

The Grown Up

Two years ago, I entered adulthood. Not by virtue of turning eighteen; I’d already done that. I found myself at thirty-one, untethered. Until then, I’d led a life of quiet habit and order, hoping that eventually I’d be recognized as a great talent. But I tired of waiting and so I quit my normal routine, church, and several lifelong friends.

There were now gaps in my weekly habits. I went around industriously filling them up by hanging out with people I hoped would become my friends, getting involved in bad romances, and spending money I didn’t have. I tried to get several people to marry me. Along the way I learned that the last thing that will endear you to someone is to suggest marriage in the first three weeks of a relationship.

My problems were threefold: I was not married (and badly wanted to be), I was a writer who did not write, and I was not in the kind of job I dreamed, when I was in college, that I’d have at thirty-one. Instead, I worked in a sleepy realty office, reading ebooks all day long, and dreaming of being the next Barbara Pym.

I tried to solve these problems by switching to a new job in downtown Hartford that promised a more lively environment, and moving back to my parents’ house. I’d spent the previous five years with roommates who married and moved regularly, which meant I always had to find a new place to live. Living with my parents again—in the basement no less—felt like a big step backwards. I continued seeing one of the well-intentioned but frightened men I was trying to convince to marry me.

But what had happened? Why had my life curdled and become so wretched? Why was I walking around in a desolate daze of dreariness?

Most days at at my new job, in the well-appointed office on the eleventh floor of a posh skyscraper, I forced back tears while balancing spreadsheets. My job performance suffered, something that had never happened before. I grew despondent.

I could not sleep, partially due to perpetually analyzing my life with its dearth of accomplishments and partially because I spent most of my non-work hours with the boyfriend I was afraid to leave alone for fear he’d have time to assess me and conclude we’d be better off apart.

I wanted peace, but I was heading toward an internal crisis of massive proportions. It was like drowning but not wanting to call attention to the shameful fact that I couldn’t swim.

Finally, in a fit of desperation, I told the boyfriend that I needed to be alone for good. I told my bosses I would start work an hour later in the mornings and make up for it in the evenings—I decided that time to read and write in the mornings was essential for my recovery. I began reading Madeleine L’Engle’s book Two-Part Invention, a memoir of her early artistic development and later marriage to her husband, the actor Hugh Franklin. I began writing in earnest. I began to listen to the advice of my worried parents asking me to sleep and eat more and go to writers workshops.

photo-1428790067070-0ebf4418d9d8The nascent grown-up in me began to move, struggling for breath and life.

I had tried to extend my adolescence for years: the naive expectation of what I thought life should  be. I thought it’d be an easy, pain-free way toward accomplishment, like the stories of people getting discovered by a famous producer and becoming famous overnight.

I quietly put the adolescent away in a shopping bag I used to deliver used clothes to the thrift store. She would be happier companioning a younger person, anyway.  

My grown-up was far more peaceful than the adolescent had been. Yet real peace was elusive for me. I think it is stated best by Gerard Manley Hopkins who wrote: “O surely, reaving Peace, my Lord should leave in lieu/ Some good!/ And so he does leave Patience exquisite,/ That plumes to Peace thereafter”. I clung to patience as a new adult. Peace could come later after patience laid its groundwork. Patience helped me start writing a book. Patience sat with me when loneliness made its frequent visits.

My grown-up showed me how to sit, to work, to choose to be alone, to be silent sometimes, to avoid bad relationships, to say “no thank you”. She showed me how to accept sleep as a friend and not a thief of time. To not get tipsy every time there was wine present. She showed me the promise of good work that only my hands could do.

****

image1 (1)“The Grown-up” was written by Elena Shekleton. Elena lives in Denver with her husband, the artist Dan Sorensen. She is currently working on a novel and a book of fairy tale short stories. Elena loves hiking in the Rockies, and exploring the breweries and book shops in her city.  Her apartment is now free of roaches.  

A Note About Aaron Housholder

One fall day in the middle of the Indiana cornfields, many years ago, I walked into a college class called “Imaginative Writing” taught by Aaron Housholder. He was clean-shaven and approachable, his head bald and smooth. His voice was not loud, but it somehow managed to get everyone to lean forward and pay attention. I always took copious notes. He hadn’t been teaching there long. Neither of us knew that it would soon be wise to plan ahead if you intended to take a class with him.

I’d intended to take a year off before attending college (if I ever went), but the thought of creative writing classes beckoned. I received glossy flyers promising author events and workshopping sessions. Between my HR job at a national grocer and those circles of workshopping bliss, I attended a local state school, catching the bus during the six am hour to make it to classes in time. I had a year and a half of college under my belt before I walked into that classroom, but it felt like everything was just beginning.

Aaron told us to call him by his first name (something I’ve only now become comfortable with, over five years past graduation). He assigned us poetry, creative nonfiction, and fiction (my genre of choice in those days). He once assigned us an essay to read: A Note About Allen Tate by Kelly Cherry. I couldn’t tell you what we were supposed to glean from it, but I’ve never forgotten that winsome creative nonfiction about a student who learns about life, and about paying attention, from her Literary Criticism professor. Later, one of my writing professors mentioned that it usually takes about five years past an event before you’re ready to write about it. “So in five years you can start writing about college,” he said. When he said it, I remember thinking about that essay, and five years later, I’m still thinking about it.

A Note about Aaron HousholderMy time at that small, private university was brief. My year at the state school and my willingness to take an overload made it possible for me to be in and out in two and a half years. During that time, the English department went through a major transition, so that I started as an English major with a writing concentration, and ended as a Creative Writing major (which was what I wanted to be anyway). Now, “Imaginative Writing” is called “Intro to Creative Writing” and Reade Center, where we had all of our English classes, has been surrounded by cheerful landscaping.

Aaron taught me a great deal about writing. He taught me to think before I wrote, and after, but not at all during. He taught me to pay attention to what I wanted to write about. He taught me to accept when my writing changed. I’m sure he brought some of this in his notes, but other things he lived out in front of us.

I used to write romantic scenes to compensate for the fact that my college experience wasn’t like the movies. There were cute guys in polo shirts and Sperrys at my school, but they weren’t interested in me. I lived in the dorm rumored to be the home of girls you date, across the street from the one where you look for a wife. I lived in both of these dorms and evaded both stereotypes, much to my chagrin. In my writing classes, my classmates would sometimes refer to me as the romance writer. I did my best to defend myself against these charges at the time, saying that I was just writing about men and women talking, relating. Now, I wonder if those classes didn’t need a little romance to go along with the existential angst, and exploration of sexual identity.

Aaron would often read us pieces, or tell us stories about his son. I looked forward to those stories the way I’m told people looked forward to the next installment of a Dickens novel, delivered in serial form. What would this precocious boy do next? I wondered.

When my first long-awaited love visited me at college, I introduced him to Aaron. Though we planned to marry after graduation, and had settled on a date and begun fighting about the color of bridesmaid dresses, very few people had met him, not even my parents. His home was in Chicago and mine in Washington State. His school was in Texas, and mine in Indiana. I can count on one hand the friends I’ve had who have known me through all of my romantic relationships, hopes, and breakups. When I submitted a short story to an undergraduate conference, he was the only one who knew that it was reality thinly masked in fiction, in which I dealt with my boyfriend’s mother, who hated me.

Recently, Aaron and I caught up after too long. As usual, conversation turned to story, to writing. It was as if I was in his office again, meeting to discuss my senior project, getting feedback on a short story. In those days, I bemoaned my singleness often (not much has changed). This time, Aaron made a suggestion which has stuck in my head. “You’re always looking for a relationship which will make a good story to write,” he said in that calm voice that always made us pay attention. “Maybe instead you should be looking for a story that’s too big, too good, not filled with the dramatic elements and tensions that make a good story. Maybe the story you’re looking for is one that you don’t want to write.”

All that time, in “Imaginative Writing,” “Fiction Writing,” and in those talks about my senior project, I hadn’t just been learning about writing. I was learning about writing because it’s my most reliable way to learn about life. Sometimes, the writing is important, lauded, exceptional, but the writing pales in comparison to the actual point: a life, one that is too big for words, no matter how we rush to capture the gossamer.

{photo credit}

New Lessons From My Hometown

I grew up in Claremont California, a town often called the “City of Trees and Ph.D.s” for its well-known colleges and graduate schools and the matching tree species that lined the streets, including my favorite, the periwinkle-blossomed Jacaranda.

After high school, I moved to the east coast for college and graduate school, on campuses with buildings and foliage reminiscent of my hometown. Eventually I landed in Williamsburg, Virginia, pursuing my editing career and training to teach yoga classes on the side. Ten years on, I was a married mother of a twelve-month-old baby boy. I was settled in my career and the very best nest, but in spring 2011, something out of my control lured me back to my lifelong friends in Claremont. I had always known the town was filled with academe, but my recent leukemia diagnosis soon opened my eyes to a different type of learning: I needed to learn the real meaning of kindness.

  *   *   *   *

image (1)One day about a year after my diagnosis, when I was feeling tight and uncomfortable in my own body from the lingering side effects of treatments, I wandered into Mint Leaf Thai Massage near Claremont’s railroad depot. I asked the lovely woman at the front-desk for a gentle massage. The petite Thai woman, my mother’s age, stood up and beckoned me to her massage room. When I pointed out the port protruding under my collarbone beneath my skin, she knew all about the tough road of chemotherapy because she had gone through breast cancer. She gave gentle, thoughtful massages that would lengthen my tight muscles. After several monthly visits, she insisted I come to her twice a month. When I explained I did not have the budget for so many massages, she offered to give me free massages until I felt better. And she did. Her kindness gave me a safe place to face my changed body after enduring chemotherapy, radiation, and a stem-cell transplant. Often, I would be crying with relief by the end of a session, thanking her for her caring touch.

I began taking classes at Claremont Yoga in summer 2012. Out of shape and with “chemo brain,” I quietly introduced myself to each teacher, explaining my circumstances. The teachers took me under their collective wing, adapting and accommodating poses I could not do because of my port or lack of flexibility or stamina. Other students in classes came to know me, my son, and at least some of my leukemia journey. At Claremont Yoga, where the teachers and students support me with encouraging words, I’ve been able to laugh at moments when I blank on a pose or name. From my hometown yoga community, I’ve come to embrace the light, joy, and kindness that yoga has brought to my life.

unnamedDown the street from Claremont Yoga in the Village is a store full of singing bowls, fountains, incense, gongs, flags, books, figurines, and all types of jewelry. Called Buddhamouse Emporium, the shop intrigued me. At first I would visit for heat relief in the form of air conditioning. Soon, I came to know shop owner Charlotte. During our wide-ranging conversations surrounded by art on the walls by local artists, she and I would talk of gratitude and generosity. She encouraged me to put together strands of what I called Pranayama Beads, with each string of beads following a breath pattern. I showed her several, and she liked them so much she wanted to sell them in her shop. It was a creative endeavor that I never would have pursued without Charlotte’s friendship.

In summer 2013, I followed another passion all the way to a writers’ workshop. Filled with creative people as enamored of the written word as I am, these folks have helped unlock my creative writing juices. Though I had written short professional pieces before, I had never followed my writing passion on a more personal level. In the workshop, I shared essays about the harrowing first year of my leukemia journey with the group. Members gave not only constructive criticism but also encouraging words, hugs, and chocolate. Their feedback on my work always left me feeling strong and courageous about my writing life. For the cost of admission—photocopies and a dollar or two donation per session—I’ve been buoyed by a camaraderie I had missed from my publishing days.

  *   *   *   *

Today, I’m a die-hard Claremonter. My son and I visit with longtime gal pals and their families. I am teaching in a limited capacity at Claremont Yoga. And next month, I will give a reading from my newly self-published book at Buddhamouse.

I’m also embracing a whole new community of intellectually engaged parents at the elementary school where my son just started kindergarten. Like my son, who is progressing from a toddling preschooler to a more independent youngster, I am moving beyond my cancer identity, transforming into something better and kinder. Just as this village will help raise up my son, I’ve learned that it takes a village to heal a person physically and spiritually. I’m grateful to all who have taught and loved me along the way.

  *   *   *   *

image“New Lessons From My Hometown” is by Erin Michaela Sweeney. In February 2011, Erin was diagnosed with ALL (Acute Lymphoblastic Leukemia), a rare and aggressive blood cancer. This story is an adapted excerpt from her self-published memoir: Every Breath Is a Gift: Reflections on My Leukemia Journey, which she is releasing in September to coincide with National Leukemia and Lymphoma Awareness month. Erin is now a writer, mommy, yogini, daughter, editor, sister, and napper extraordinaire who lives in Claremont, California. For more information about her memoir, visit www.ErinMichaelaSweeney.com .

Photo credits: Welcome to Claremont courtesy of the Southern California Violin Makers Workshop; Pranayama Beads and author profile image, courtesy of the author.

A room of my own

Even before we were married, Ben and I enjoyed dreaming together about where we might live someday. Sometimes we explored the possibilities of different geographical locations, but more often we discussed the details of our future house. While we plotted ideal but realistic spaces for each of Ben’s many creative interests, I struggled to know what I would do in a room of my own.

I was a very imaginative child, but even from a young age I set impossible standards for the things I created. As I grew older, I took classes to teach me the “correct” way to create. I enjoyed art, writing, and music, but there was always someone better than me. I grew weary of feeling like a mediocre imitation of someone else.

After college, life was filled with expectations to meet—job interviews, performance reviews, housework, bills. I wanted something that was mine, with no one telling me what to do or how to do it. I didn’t fully realize it at the time, but as I struggled to find where I fit in the adult world, I needed a place where I felt free to experiment, make mistakes, and try again.

Simply the act of verbally setting aside space for me to create, even before Ben and I had the means to make it a physical reality, was powerful. The point wasn’t to be fair, making sure each of us occupied an equal allotment of square footage. Instead, it was about recognizing me as a creative being. We were investing in who I was and what I could create, without guaranteed results. My room was a gift of possibility, not something I had to earn. I was entrusted with resources before proving I would use them wisely and well.

Knowing I had space with no strings attached gave me permission to take my time and explore. I didn’t have to try to measure up to anyone else’s standards. I could rediscover my creativity my own way. Setting aside physical space to create gave me the internal space to start believing in my creativity again.

00030In our 525 square foot newlywed apartment, we carved out slivers of creative space. Our bedroom was small, but it became more than a place for our bed and our clothes. Amidst Ben’s drawing easel, computers, and musical instruments, I found room for a sewing machine I purchased from a thrift store. Choosing a less common pastime relieved some of the pressure to perform, and, as a tall woman generally unimpressed with fashion trends, the possibility of making my own clothes appealed to me.

A heather gray pencil skirt was one of the first projects I tackled. I even sewed a back vent instead of just a slit, not realizing it was a more advanced option. I just preferred the way it looked. I didn’t have any sewing patterns and didn’t know how to use them anyway—I made things up as I went, cutting into a 25-cent piece of clearance fabric after examining a skirt I already owned. The resulting skirt isn’t fit to be worn in public—the seams are unfinished, the hem is crooked, and the zipper insertion is appalling—but it still makes me immensely proud.

When the time came to move from our first apartment into our first house, we only looked at homes with at least three bedrooms. Of course we needed somewhere to sleep, but we also wanted to finally each have a room of our own. The house we purchased was old and the bedrooms were small, but they were ours to arrange and use however we wanted—places to experiment freely without worrying about the mess. After the crowded drabness of our apartment, our house was full of character. Built in 1926 in a logging town, it had beautiful birdseye maple floors and decorative molding above the doors and windows. I painted the walls of my room a soothing mid-tone blue and furnished it with dumpster dives, free finds from Craigslist, and anything that made me smile.

It was hard to leave my room behind when we moved to a new city, but I still have a room of my own. For now we’re renting and I’m not allowed to paint the dingy white walls. Bits of thread and fabric beneath my sewing table tangle in the utilitarian brown carpet. But when I feed the coral colored satin and lace of the bridesmaids dresses I’m making for my sister’s wedding under the presser foot of my thrift store sewing machine, I feel completely at home.

*    *    *    *    *

JohannaSchram“A Room of My Own” is by Johanna Schram. Johanna feels most comfortable in places that are cozy and most alive in places that are spacious. Though the city changes, Wisconsin has always been the state she calls home. Johanna is learning to value wrestling with the questions over having all the answers. She craves community and believes in the connecting power of story. Johanna writes at her blog joRuth to help others know themselves and find freedom from the “shoulds” keeping them from a joyful, fulfilling life. She can be found on Twitter @joRuthS.

A Still Life

A small antique dining table, repurposed as my writing table, sits by a large window in the breakfast room. The cherry wood has a smooth rich patina ripened by age and signed by watermarks from a continual parade of tea cups, coffee mugs, flower pots, and leaky bud vases.

Out the window, the arborvitae along the fence line sway in the breeze like a happy gospel choir. Sunlight from the east plays with leaves hanging on high branches; light darts in and out between the green like a hummingbird searching for nectar.

The sudden appearance of a chipmunk perched on the head of my garden statue—the sculpture of a little boy sitting cross-legged with a rabbit in his lap—startles me. I gasp. The chipmunk’s bushy tale drapes down the side of the little boy’s head like a furry hat. The animal blends into the concrete. A still life.FullSizeRender(20)

Cardinals, sparrows, and house finches engage in a noisy flurry at the birdfeeder. With an abrupt turn of his head, the chipmunk pauses, perks up like a meerkat, and scampers into the low-lying shrubbery.

A male cardinal, proud and red, with a wisp of red plumage atop his head, wins the battle for position at the feeder. His female counterpart is thin, grayish, and pale. He—I named him D’Artagnan after the most valiant of Dumas’ characters in The Three Musketeers—pecks at the safflower seed in the hanging wire silo, captures a seed in his mouth, cracks it with his sturdy beak and passes it to his lady, like a lover giving a gentle kiss to his beloved.

With a swoosh, Mae West, a round-breasted mourning dove, alights on top of the feeder, causing it to sway as she sashays about with her full bustle. Because of their size, the doves hold the keys to the coffer of seeds. They make merry and dine and grow bloated with time. There are no leftovers. Not one crackle.

*****

In early 2013, I was diagnosed with cancer. My world went still, folding in on itself like useless bellows.

The chemotherapy I received was a benevolent poison; while killing the unhealthy cells, it attacked healthy cells, also, resulting in extreme fatigue, an inability to concentrate, and a weakened immune system.

Words became hazy on the page of a book; it was hard to read a whole paragraph and understand it. The computer screen’s light altered my vision; tears salted my cheeks. It was as if someone had stuck me in a tightly bound book, slammed it shut, and shelved it.

My husband installed birdfeeders in our backyard outside the breakfast room window. He stocked them with thistle seed and safflower.

I watched and waited.

Every morning, I crept toward the kitchen, grimacing when the old wood floors creaked, hoping not to scare away my first visitor. A study in red—D’Artagnan—was perched at the feeder one morning as I tiptoed around the corner from the den.FullSizeRender(23)

On subsequent mornings, brilliant goldfinches, chickadees, tufted titmice, and doves arrived. The rare appearance of indigo buntings and a rose-breasted grosbeak—his chest splashed with red like blood from a dagger wound—pulled me from my chair. Adam must have felt the weight of words when God said: Name them. 

I sat down. With a shaky hand, I scrawled fragments of sentences in my journal.

*****

A small young dove slow-steps along the brick window sill. As I rest my elbows on the table, its old joints creak. The bird stops, turns his slick gumball head, considers me with his black bead of an eye, and with his slender beak commences a gentle tapping on the glass. Tap. Tap. Tap.

He is not looking at me, but at his own reflection wrought by the play of light on the glass making a mirror image of himself. His kinfolk arrive and with a whistling of his wings, he shoots away to the trees.

My blank computer screen stares at me. My journal is open beside me on the table. I begin to type: In early 2013, I was diagnosed with cancer….

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 Images by Lisa Taylor Phillips

To see what I could see

I had travelled more than a thousand miles to be surrounded by people, yet there I was, alone on a hard red-dirt trail in the Santa Fe National Forest.

To be clear, I was “alone on purpose,” as Nicole Morgan so deftly phrased it in her recent guest post. But following through on this intentional aloneness had taken great willpower. By choosing to set off solo on a hike that afternoon I was voluntarily leaving behind the potential of great conversations and new friendships—the very experiences I had in mind when I devoted a week of time and a sum of money to attend a Glen West writing workshop.

Many people at the Glen arrive in search of space and time to think and write, but as a full-time solitary writer who longs throughout the year for “colleagues,” I went to the Glen to fill that space and time with people. I needed a break from being alone with my thoughts and words, and during my first three days there I had accomplished just that. The mornings’ inspiring conversations in my non-fiction writing workshop transitioned into lunch hours sitting with authors I’ve long admired. Afternoons spent around courtyard tables, hearing about writing projects others were working on, gave way to more conversations over dinner, followed by engaging author and artist talks. Each night found me fighting the need for sleep as the extroverts and night owls gathered for more talk and laughter over whisky or wine, late into the night.

By that Thursday afternoon I had reached a state of “satisfyingly full” and knew some solitude (beyond the fast-asleep kind) would be good for me. It was one of those moments of awareness that separates childhood from adulthood: when you know that something—maybe eating those greens or getting up early to exercise—is important for your wellbeing, so you do it even though you don’t really want to.

I didn’t really want to be alone, but I knew it would be good for me, so I set out on the nearby Atalaya Trail to see what gift Aloneness might have for me in the midst of so much togetherness.

photo (9)The hard-packed ground was dry and gravelly, a shade of burnt, orangey-red that might as well be called New Mexico Red. I passed by Juniper and piñon, cacti, yuccas, and sagebrush, breathing in a heavenly-yet-foreign blend of scents that added a new layer to my aloneness: I was alone in an unfamiliar land.

As I continued walking, I began to wonder what range of unfamiliar creatures might call this arid region home (rattlesnakes? scorpions?). Then I recalled the coyotes whose sparring the night before had awoken me in my narrow dorm room bed, the windows open to the cool night air. Suddenly, alone took on multiple layers of meaning: I was not only by myself, far from others, but I was 7,000 feet above sea level in a foreign land, surrounded by potential dangers. The cell phone in my pocket didn’t even have service. I began anxiously singing, for company:

The bear went over the mountain,
the bear went over the mountain,
the bear went over the mountain—
to see what it could see.

I couldn’t remember what the bear saw, so I stopped singing and walking to just breathe—to calm the tinge of fear I felt and focus my mind on the quiet and the beauty that was all around me.

After walking a bit further, I reached a trio of wooden plank steps that carried the trail up and over a gravel road. Turning around, I lowered myself onto one of the steps, opening my water bottle and taking in the view below, the path I had just walked. The college campus, where all of those conversations and friendships had taken root the days before, looked small, but there it was, waiting.

I pulled my journal out of my backpack, turning to a page where I had taken a few notes while the poet Scott Cairns had read to us an evening or two before. A line from his poem “Draw Near” had especially captivated me:

For near is where you’ll meet what you have wandered far to find.

I had traveled all the way to New Mexico to be with other writers and artists—I needed new conversations and different perspectives to help reframe the story within me. Then I had traveled up this mountain for time and space alone, in a land so different from the one I know that I couldn’t help but be aware, notice, and respond—not intellectually but viscerally. And all of those miles, all of that wandering both with others and alone, had helped me meet what is very near, in my heart.

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Together, Undefined

It was 8 pm on my daughter’s 15th birthday, and I remained a Mama on a Mission, gearing up for the home stretch.

The mission, of course, was making my daughter feel as special and loved as possible—a mission that’s more challenging, I’ve discovered, when your children are teenagers and less likely to buy into the enthusiasm in your voice as you sell them on some random idea: Bowling would be a fun birthday treat! If my daughter had her way we’d be seeing Broadway shows in New York for her birthday, but in reality I had less to work with.

By 8 pm on this particular birthday, we had already completed our typical activities: a mother-daughter outing (which in this case involved a new ear piercing); a birthday dinner at the restaurant of her choice, with the seven people who make up her immediate family (mom, dad, sister, stepmom, half-brother, stepdad, step-sister); and finally dessert and presents back at home. My now-15-year-old already had a big party with friends the night before, so now what?

“Do you want to go anywhere?” I asked.

“No, I just want to be home,” she said, smiling contentedly.

“Should we rent a movie?” I suggested. “Or play a game?” I know very well that games are not her favorite pastime, but I couldn’t help myself. In my family experience, both as a child and an adult, this is what you do when you’re together: You play games. Sitting around a table covered with the pieces of a game is my family’s quintessential definition of togetherness.

“No, I just want to be home and do whatever,” she said, a trace of exasperation edging into her voice. “I’ve had an amazing birthday! Can’t we all just be here but do our own things?”

As an extrovert, I (not for the first time) had to pause and forcibly wrap my head around this less structured version of “Together.” I could see my other daughter re-calibrating as well, as we tried to imagine that the birthday girl’s idea of a fun birthday might not look exactly like our plans for her. After all, we were there to serve! To entertain! To focus all of our time and energies on HER! And she wanted to go up to her room and try out the new guitar pedal she just unwrapped? We had to let that sink in.

“Well…OK. If you’re sure,” I said.

She was, of course, sure.

6647530355_0233217d07_zAs the sounds of reverberating electric guitar and my daughter’s pure voice serenaded us through the ceiling, the rest of us looked at each other in somewhat sheepish agreement: Let’s play a game. In her own way, she was right there with us.

*   *   *   *   *

While I probably wouldn’t choose “alone in my room” as a way to spend my birthday evening, upon a bit more reflection I realized that I know a thing or two about this desire my daughter often has: to be together yet alone.

Since February 2002, after nearly a decade of working in populated office settings, I’ve worked essentially alone, as a writer. When I was in the process of deciding whether to take the leap and start my own business, my biggest fear wasn’t Will I have enough clients? or Will I make enough money? It was this: Will I be able to work alone?

Not only am I social—someone who is energized by being in the mix, having people to go to lunch with, and feeling connected to others who are dealing with the same bosses and projects—but I’m also most creative in collaborative settings. In other words, I worried not just that I would be lonely working by myself, but also that the very skills I was selling might fall flat if there weren’t people around to bounce ideas off of and provide critique.

I decided to take the leap anyway, and was lucky enough to discover that technology was my safety net. It was the growing availability of wireless Internet, in particular, that prevented me from gradually slipping away from myself, sitting day after day at the desk in the corner of my living room. Wireless Internet meant I could take my laptop—all that really comprised my “office”—to my favorite neighborhood coffee shop, where I could be together yet alone.

photo (3)In that coffee shop, I learned it was the mere presence of bodies and voices—being surrounded by activity and the gears of many brains thinking and creating—that I craved more than anything else. In the unnatural silence of my empty home I felt slightly on-edge and easily distractible, but the buzzing white noise of the café allowed me to dive into my work and ride a stream of creative flow for hours.

There’s simply something powerful—at once comforting and freeing—about being autonomous yet in community, whether that community is family or strangers at a café. It’s an experience that carries a certain rightness and balance: In a single moment and place, it acknowledges and respects both our “sameness” as humans and our “difference” as individuals.

Ultimately, both identity and empathy are strengthened through that single form of togetherness. When I think of it that way, I can see what a wonderful gift it was to give my teenage daughter on her birthday—and what a wonderful reminder it was for her to share with me.

*   *   *   *   *

Photo of the game “Carcassonne” by Aslakr. Coffee shop photo by Kristin Tennant.

Where I Am: Twenty Minutes from Alaska

“[‘Nature’] always happens in a place, and generally, whatever you see and learn, you do so in a small place…So why not look around and see where you are?”    – Gary Snyder, The Etiquette of Freedom

 

My sons’ mother and I had barely pulled into town in August 2003 when longtime residents informed us, “Alaska is twenty minutes outside Anchorage.” The fact that our newly adopted city wasn’t in league with the Truly Wild and Last Frontier initially struck me as unfortunate and disheartening. I’d held higher hopes for the place in which we’d soon start raising a family.

Still, it was helpful to learn that sage little chestnut. It alleviated some of my bewilderment towards the city we had – albeit, a little impulsively – elected to call home for the next couple years (which has since become ten, though that’s a different story).

Only days earlier, after nearly two weeks spent road tripping from my city of origin, Philadelphia, and through some of the most scenic and jaw-dropping wilderness areas in North America, I pulled into Anchorage feeling just a little duped, appearing to have landed…in South Jersey?

To the new arrival – especially one from a major metropolitan area relocating to Alaska’s largest city – Anchorage looks less like the Metropolis of the North than a complex and intricately woven web of strip-malls, each of which rests couched in the massive, sprawling lots that contain them.

And for the first few years that we lived here, that’s all I could see. It ate at me constantly: Never mind brown bears and wolverines! How have you people survived such garish aesthetics? You’re an architect? Can’t you do something about all this?

So, while we were married, the kids’ mom and I thrilled in every possible opportunity to peel past the city limits, beyond the gaudy shopping centers and stop-and-go traffic, spilling headlong into the jaw dropping landscapes always twenty minutes or more beyond Anchorage. And in that way, yes, we’re very spoiled here. I won’t pretend otherwise: It’s incredible. It is Alaska out there. With camping gear and rations packed, the grand SUV of fat-tired strollers in the trunk, and a Baby Bjorn strapped to one of our chests, we were often wilderness bound, city-free, and soon romping around in a real-life postcard in no time.

However, when I became a single dad to my two boys a couple years ago, those postcard-romps became a little more difficult to achieve. Not impossible, but a whole lot tougher to pull off single-handedly, much less with anything remotely resembling frequency, or urgency, or – more recently – even energy and drive.

Between parenting, domestic duties, juggling a couple jobs, and moonlighting as a musician, nothing seems more adventurous or wild in my mind many nights than a solid, single night’s sleep.

Nowadays, I’m happy to let the John Krakauers reveal their life-altering Into the Wild and Into Thin Air adventures (and misadventures), if only because I’m trying to conquer the Mount McKinley of laundry piles preventing me from freely collapsing to my bed, or couch, or both. By day’s end, a few meals worth of dishes in the sink, and a minefield of the boys’ most sinister, microscopic Legos embedded in the carpet – brilliant for late night, barefoot walks across the living room – the only adventure you stand to sell me features red wine and my guitar.

The Baroness, the apartment complex in which I reside and spend part of each week with my sons, is nothing to look at. In fact, let’s disregard the building. If you visit, I’ll want to turn your attention the other direction. From our second floor balcony, turn your gaze towards the Chugach Mountains strung along the horizon line, the not too distant range resting there, cradling our funky and flawed effort at a ready-made city, oblivious to our mess. We witness the moon’s cycles, sunrises, and sunsets from this same landing, too. In recent years, even despite the nearby city lights, I’ve somehow seen a handful of aurora displays dance across the winter’s night sky from our building’s front yard.

There’s a creek a short walk away from the apartment, running along a trail network that winds the length of the city. These days it strikes me as only regrettable that during all the years we were firing up the Forester and blowing out of town towards postcard-worthy locations, I never acknowledged or considered this minor-miracle trail network for the nearby wonder it today, time and again proves to be for me. Could I have survived my failed marriage without this stretch of winding path, without the creek’s song singing me through any number of the soul’s dark spells all those long nights a couple years ago?

Sure, the creek is frequently littered with empty cigarette cartons, Wal-Mart bags, and spent liquor and beer bottles. But in recent years I’ve come to adore and rely on how the sun’s light hits the water and trees lining its banks a million different ways in every day. The creek, too, runs in every season, even under the ice that will soon cover it. And its song never changes. I’ve only recently begun to hear that song, and it seems a timeless one, moving to some universal heart’s rhythm, a lulling song that – if it used words – might croon,

“Here You Are,

Here You Are…

And Here You Are…”

Chester Creek, AK

 

 

Welcome: We’re Glad You’re Here

“Seeing your photographs last night reminded me of home,” I stammered, shifting my weight to balance my cafeteria tray. I didn’t want to inconvenience the famous man who stood before me, but I needed to say thank you. He smiled graciously. “We come from the same kind of place then,” he agreed. “Yes,” I said, glancing at the steam rising from his clumpy yellow eggs, “and thank you.”

As we nodded and smiled and walked off to our respective tables, I thought about his photographs–photos that saw light in the crumbling walls, vacant houses, and highway overpasses of urban Cincinnati. It was strange how these images of rust-belt decay sparked a kind of nostalgia for my own city of Pittsburgh.

I sat to eat, looking out over the high desert of Santa Fe. “And we are so far away from home,” I said quietly, my mind stretching over the unfamiliar landscape and gathering myself and mr. famous photographer together under this one thought.

****

It was August, and I was in Santa Fe for the Glen West conference, a week bringing together artists who desire to integrate faith with art. We were a motley and spirited crew—writers, musicians, painters, poets, and photographers from zip codes across the U.S. and beyond. We were old and young. Some of us were well-established in our fields, others were just beginning to explore, and many of us were somewhere in-between.

We were, in so many ways, from all over the place.

The larger crowd was divided into groups, according to our workshops. On the first morning I entered my class and met a group of writers. We were all working on creative non-fiction, and most of us were just-a-little-bit nervous. We settled in as we introduced ourselves around the table.

Among our class of fourteen: Sam from Dallas. I would later call him “my first friend from Texas” and liked him all the more when I saw a Flannery O’Conner book tucked between the seats of his SUV. Kristin from Urbana, Illinios. At first her writing talent and experience intimidated the heck out of me, but when we discovered mutual friends I found a kindred spirit. Mary, living between D.C. and Arizona. Her gentle demeanor hid her radical convictions and extensive background in non-profit leadership. As soon as she introduced herself I was determined to get to know her. And finally Lisa from Memphis, whose enthusiastic southern drawl spilled from her mouth and charmed the whole class, “Y’all, I am so thrilled to be here.”

I did not know it at the time, but these four people would become not only friends, but co-conspirators.

****

Our conspiracy was born at a museum cafe over too-sweet Chai milkshakes and green bottles of Perrier. We were talking about blogging, and then we were talking about our frustrations with blogging: It could be lonely. It felt like a popularity contest. It was a lot of weight for one person to carry. It was hard to stay motivated. It was like writing into a void instead of having a conversation.

And I remember when Kristin asked it:

What if we were to blog together?  

Our eyes lit up, and ideas spilled out as naturally as Lisa’s southern drawl. A map began to form in our collective imagination, with little push-pins sticking up from Memphis, Dallas, Pittsburgh, D.C. and Urbana. We could write from our particular places on common themes. We could tell stories. We could respond to one another. We could discover shared threads while digging into our own spots on the map.

IMG_0511

We could call it, “You are here.”

“And”, (this was Kristin again) “I know this guy.  Well, I don’t exactly know his name because he never wears his nametag, but I’ve had two conversations with him, and he’s a writer from Alaska.  He strikes me as someone who might be a good fit.”

We nodded, and agreed that Kristin could approach “Alaska-guy.”

Jonathan

His name is Jonathan, and he said yes (with only minor coercion).

In October we’ll begin by introducing ourselves and our places, posting about “Where We Are” and “Where We Came From.”  November will be about food, and in December we’ll talk about what it means to be “Out of Place.” Look for several posts every week from a group of writers who are quickly becoming some of my favorite people across four time zones.

And so for Mary from D.C., Kristin from Urbana, Sam from Dallas, Lisa from Memphis, and Jonathan from Anchorage; and for myself, Jen from Pittsburgh, I would just like to say: 

We are here.  You are here.  And here we go.