Author Archives: Kristin Tennant

It all began on Hope Street

Posted on by under Hope and Place

Hope Street, 1998

I’m leaning over my daughter’s crib, daring to get my nose as close to her head as possible, in order to imbibe her baby fragrance.

Today, like any day with a two-month old, included its share of unhappy baby wails, new-mama exasperation, and waylaid plans. But since finding her thumb a week ago, my daughter has been a champion sleeper, granting some margin for gratitude, hope.

img_6032Heady with baby aura, I lower an ear, holding my breath so I can hear hers. It’s deep and slow, with a slight rattle in her throat. While listening, I’ve almost forgotten to breathe for myself, as if she could for both of us.

Straightening up, I take a long pull of oxygen that fills my body with a momentary energy. I marvel at the duplicity of motherhood. My daughter and I are always linked, but also separate. It’s a concept I’m just beginning to grasp—to grieve and also to welcome with a tinge of relief. The inner struggle of motherhood has already begun.

I gently place my hand on my baby’s silky head, fingers following the curve of her skull as if to cradle it, wondering what seeds lie sleeping in that head, waiting to unfurl and carry her from crib to bed and into the world.

My heart forms a wordless prayer—one that’s open-ended enough to remind me that my love and her autonomy are not mutually exclusive, not even now, while she depends on me for everything, my milk her only food.

*  *  *  *  *  *

Race Street, 2004

I’ve finished unpacking yet another box of kitchen miscellany, trying to find space in a half-sized kitchen for things I rarely use—a large funnel, a hard-boiled-egg slicer, a pastry cutter.

Trying to find room for the unessential seems to be a theme in my life as of late. Over the weekend, I moved into a duplex—half of a house, for half of a parenting team in possession of half of the books, furniture, and art.

Since the divorce, I feel less sad, but more overwhelmed. My two girls, just six and four, are so busy, full of thoughts and ideas, calls for help, emotions that require extra patience, consistency, and love, and I’m wasting time staring at the contents of my former kitchen, wondering if I’ll use a funnel in the next year.

Today, bedtime couldn’t have come soon enough. But now, two hours after singing one last song and flourishing one last “tickle-scratch” on each back, I miss them.

In their dim bedroom, I carefully step around boxes they were told to “unpack” after dinner. My earlier annoyance with the mess melts into understanding: Unpacking inspired play—happy reunions with toys they hadn’t seen for a week, opportunities to pretend being teachers and mamas who take on challenges, fix problems, and comfort hurts.

Standing by their bunk bed, taking in one sweet face then the other, I still feel the ache of missing them. Am I missing the babies and toddlers they were? Or is the missing in anticipation of the day these daughters, fully grown, will sleep under roofs other than mine?

I decide I’m missing the busy, silly, awake versions of my sleeping girls. And I’m tempted to wake them up, but I know better, so I kiss each girl’s temple and take myself to bed.

*  *  *  *  *  *

Oregon Street, 2011

Jason and I can’t keep our eyes open. So this is what it feels like to be old, we joke, setting down our books to move from the sofa up the stairs to bed.

For years we’ve been the last ones up each night at our house, but these days it’s a toss-up. Our oldest two girls are legitimate teenagers, at 15 and 13, with busy after-school schedules and stacks of homework crowding their evenings. Our youngest, at 11, is developing into a night owl—the one who’s forever begging to read “just one more chapter!”

On the landing at the top of the stairs, we begin our nighttime rounds, noting the knotted brow of our oldest, my stepdaughter, as she tackles advanced math, then calming the chatter of our middle-schooler, who somehow has several hours of life to update us on, even though we last talked less than an hour ago.

We gently scold the youngest for not turning off her light when we told her to, but night owls will be night owls. This is not our battle. I smooth her hair and hum the song I rocked her to each night as a baby.

In our own bed, Jason and I share a weary high five and a kiss before turning out our lights. We’ve completed another day of “doing our best” as parents, even though what’s “best” has become increasingly fuzzy.

All we know for sure is things are getting real. Before our eyes, all of the knowledge fragments we’ve dispensed along the way have become a collection of tools our children are ad-libbing with out in the world. Each bit of freedom and autonomy, while terrifying for us, is an opportunity for them to practice and learn. We can’t stop any of it—they’re already on their way.

*  *  *  *  *  *

Orchard Street, 2016

I set down my mug of rooibos, tucking a bookmark between pages so I can reach my phone, which just buzzed at me from the coffee table. It’s a text from my oldest daughter whose mind is fixed on the many plans she has for Thanksgiving break, her first week home since moving to college. Smiling, I thumb a response. She’s always had so many ideas and plans—they just keep getting bigger as she becomes more capable of making them happen on her own.

The oldest of our three is also off at college, pursuing a science degree and being a wise, steady support system for the students on her floor, where she serves as RA.

Only our youngest still occupies one of the bedrooms upstairs. She’s now in possession of a driver’s license, along with the new level of autonomy it brings. After years of playing taxi, I’m still surprised when she arrives home on her own from her favorite cafe, as she does now. Plopping next to me on the sofa, she pulls the edge of my afghan across her lap, offering her back for a tickle-scratch before bed.

Kissing my daughter’s head as she says goodnight, I realize it’s time for me to think about bed, too. Just one more chapter.

As I turn another page, my phone interrupts with another text, this time from the bedroom above me.

Are you super busy or could you come play with my hair for a couple of minutes? I can’t sleep. And I miss you.

I miss her, too, I think, setting down my book, mid-chapter. I miss them all—even if they’re not mine to hold back, just to encourage forward. Switching off the lamps, I climb the stairs to my baby girl’s room.

Trading time for breath

Posted on by under Time & Place

It’s Monday, the day I most need yoga and least have time for it. At 3:58, I rush across the bamboo floor of the studio, flustered and sweaty. Calm, centered-looking people who are already on their mats dot the studio, assuming some type of restorative/meditative/stretching pose that seems to highlight and mock my perpetual race against time.

Does being centered make a person on time, I wonder, or does being on time make a person centered?

Maybe I’ll never know.

I unfurl my pea green yoga mat, then make too many trips back and forth for various props, with each pass noticing another one I’m still missing. As I set up a block to sit on, my mind bounces around: a client I forgot to email; my daughter stretched on her bed as I left home, promising she would start her homework; a dinner ingredient I forgot to put on the list for my quick grocery run after yoga.

Ginger root ginger root ginger root ginger root, I chant to myself as I wind my hair into a hasty top knot. Even as I try to commit the necessary ingredient to memory, my brain ricochets its response: You’ll forget you’ll forget you’ll forget.

Scolding my unhelpful pessimism as our yoga instructor welcomes us to the practice, I settle into a cross-legged sukhasana, replacing ginger root and you’ll forget with that calming word: su-KHA-sa-na.

I feel the word rolling through me slowly, syllable by syllable; it flows and spreads rather than ricochets. Sukhasana. Its mere foreignness and lyrical rhythm help me shift from a day marked by meetings on my calendar, check marks on my to-do list, and billable hours measured by my laptop’s digital clock.

Yoga class was one of those calendar items—the last one of the day. Now that I’m here, I do my best to let go.

Sukhasana.

*  *  *  *  *

“Observe your thoughts. Acknowledge them,” my yoga instructor says. “Then let them go with your next exhale. Transition from your day to your yoga practice. Your only task now is to turn your attention inward and follow your breath.”

I’m not good at letting go. I’m good at making things happen, by pure force of will and careful strategy. In almost all other parts of my life, time equals progress—steps walked, words typed, hours billed, rugs vacuumed, cakes transforming from formless batter to sliceable delicacy. But in yoga, time is liminal. It speeds up or slows down according to my ability to access more breath, to find the far reaches of my lungs.

I am here. I am here.

This is the mantra I turn to most often to quiet my mind and deepen my breath—an adagio in four counts, inviting my breath to dance with parts of my body it hasn’t visited all day.

Inhale: I – am – here – (rest)

Exhale: I – am – here – (rest)

When I’m surprised by the instructor’s gentle voice saying “Begin to bring your awareness back to this space,” I know I’ve done it: I put time in its place, if even just for a short spell.

*  *  *  *  *

“Your back legs can be straighter. Even straighter. Reeaach through those finger tips, getting as much length as possible in your waist!”

Our instructor is walking among our mats as we all exert ourselves toward the best Warrior One poses we’ve ever achieved. She gently taps up on knees that aren’t straight enough, and lifts up on rib cages that could find another millimeter of length. As she wanders to my side of the studio I straighten and lengthen even more, hoping my back leg is one she won’t tap. At this moment I want to impress her as much as I want to punch her.

“Good! OK, hold it. Hold it. Just one more breath.”

One more breath my ass, I think. My deeply bent front leg begins to take on a trembling life of its own as our instructor forgets the definition of “one more breath,” pausing to align someone’s uneven hips.

In the agony, time becomes time again. There isn’t a clock visible in the studio, but there is a second hand ticking in my mind, mocking me as it did in middle school PE class when I was being timed for the dreaded “flex arm hang,” my arms betraying me in violent tremors.

Finally we are released from our deep lunge misery and allowed to “rest” in downward facing dog.

“That was wonderful!”

I’m a sucker for her enthusiastic praise every time.

*  *  *  *  *

6449941549_23f87d5c87_bFinally we transition into everyone’s favorite pose: savasana, or “corpse pose.” I’ve worked hard, so I sink into it gratefully, like one who has earned the right to release every muscle in her body.

But my love for savasana stems from more than my immediate need for a rest; I love it because there are no other moments in my busy life when I give myself permission to fully let go. No control. No effort. No holding what has been or what’s next. No seconds ticking into minutes.

For a while I am only a body, existing outside of time.

*  *  *  *  *

(Savasana photo, above, by Robert Bejil.)

Kristin bio YAH

Tankini

Posted on by under Gender & Place

I’m flat on my back, soaking up the luxuriousness that is Day One of vacation. My beach towel is freshly laundered and fluffy, my skin free of sunburn, and my bag packed with iced tea, still-crunchy Cheez-Its, and some deliciously unpretentious books.

Version 2For awhile it feels good to just lie here, relearning how to do nothing, but soon I begin to contemplate rolling onto my stomach to crack open a book. To roll over or not to roll over? That is the sort of question you face on a true vacation.

It’s not like shifting from back to tummy is such an ordeal, but it does involve a certain amount of resolve and strategic sand resituating. The butt-shaped hollow I created with a horizontal booty-shake when I first stretched out on my towel will need to be filled in with some sand, while new, boob-shaped divots—much harder to get positioned just right—will be called for. But that iced tea does sound good…

I decide to go for it. One, two, three…I engage and shift muscle and bones, my loose belly coming along for the ride, lagging just a split second behind the rest of me, as it does. Settling myself face down, with a wiggle of my hips to reposition the sand, I say a silent prayer of thanks for whomever invented the tankini.

Since having babies, the tankini has been my swimsuit of choice. The concept is simple, yet genius: the ease of a two-piece in wet-swimsuit-bathroom-scenarios, with the coverage of a one-piece for stretch-mark-riddled tummies.

It’s been nearly two decades since my body underwent the enormous transformation that resulted in the birth of my first daughter, and I’m just beginning to accept that no amount of cocoa butter or yoga or time will erase the marks pregnancy left behind. Time, in fact, seems to be hurting, not helping.

I suspect I’m not alone in this predicament. What else could have inspired and sustained the existence of the sensible tankini? At least the one I’m wearing is somewhat hip—chocolate brown with a sexy halter style top and retro ruching at the hips. Most importantly, I feel comfortable in it, even while rolling from back to tummy, where I now lie, popping Cheez-Its into my mouth.

I look over at my teenage daughters with their bikini-clad, impossibly toned skin, and wonder, “Did I really look like that 30 years ago?” I’ve earned my age, of course—I don’t expect to look 16 again, and I certainly don’t want to be 16. But there is a small tug in me—part vain, part nostalgic—that wishes I was wearing a bikini rather than its modest cousin.

My enlightened daughters tell me what many of you are thinking: I can and should wear whatever I want. It’s a topic that even gets my youngest daughter a bit worked up, and my firstborn goes so far as to proclaim, “You would look so cute in a bikini!”

I love how liberated and affirming my girls are—much more so than I was at their age. I grew up in the 80s, an era of many thin models and very few voices questioning the cultural expectations being set in the pages of teen magazines. Body shaming was both everywhere and nowhere—everywhere in the air we breathed, but also nowhere because “body shaming” wasn’t a phrase anyone used. As a teen, I didn’t hear voices of opposition, calling it what it was.

Now, in my middle age, I’m as troubled by my faint desire to wear a bikini as I am by my hesitation to boldly wear whatever I damn well please. What does it all mean? I suppose it means at least two things: my desire to wear a bikini isn’t all that strong, and being a woman at the beach is a complex thing.

My daughters give me hope, though, for a new generation of women. I marvel at their comfort level, both with their bodies and in standing up for issues. As I watch them get up off their towels to go test the temperature of the lake, I muse, “Where did these amazing girls come from?”

Oh, right: from my puckered belly. It all comes full circle.

That there’s a link between my pregnancies and my stretched-out tummy is no secret, but for years I had somehow isolated the two realities in my mind. That all changed the day I casually complained about my saggy skin to a friend, who suggested plastic surgery.

My anger was immediate, and with it came a burst of clarity: The physical record of my childbearing was not a “flaw” to glibly erase!

Ironically, it was the realization that I could take surgical measures that led me to accept my belly as it is, not as culture dictates it should be. I began to see the excess skin below my belly button, and the rays of scars emanating around it, as a history—a Curriculum Vitae of my body’s experiences and job descriptions: the once-home of my babies, the still-home of my aging self.

That doesn’t mean I’m rushing out to buy a bikini. I’m just feeling a fondness for what is tucked comfortably beneath this trusty spandex: the stretchy first-home to two remarkable young women, whose bodies are on their own journeys. Toned skin and flat stomachs are just the beginning.

I look over at my daughters, reading books on their own towels, and decide to turn myself over once again, taking with me my pouchy, ribboned skin: this record of miracles.

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Kristin bio YAH

The More Interesting Route

Posted on by under Iconic Place

One of our travel books called it “the less-straightforward but more interesting route,” which was all we needed to know. Of course we would go that way. There was no need to confer, even as extra-considerate newlyweds. We were, after all, celebrating what could certainly be described as a “less-straightforward but more interesting route” to marital happiness. Why opt for the utilitarian route now?

It was Day 2 of our honeymoon, and the route we chose was true to its description. Winding dirt and smooth clay paths led us uphill through a neighborhood of plaster-covered homes, crowded together all hodgepodge, like blocks set in place by a toddler. In some places, the walkway was close enough to the homes for me to touch the lace curtains fluttering in screenless kitchen windows, not that I dared to—just walking by made me feel apologetic for encroaching on what most Americans would label “personal space.”

narrowpathBut we were not in the U.S. There were no wide lawns or privacy fences buffering personal space from public. Instead, we could smell garlic and lemon wafting from windows, and hear the bang of a wooden spoon on the side of a pot, the voice of a woman calling to a child, and the mysterious foreign chatter of a television show.

We walked by dogs lying lazily on shaded stoops, never tied up but also not interested in us; only their eyes moved in the heat of the day, keeping watch as we passed. Brightly-colored laundry was hung out on lines in narrow alleys between the homes, coordinating with bright pink and red flowers planted in pots and window boxes.

As the path continued to switch-back and fork every-which-way, it became clear the travel book Jason carried was no help. “Do you think we’re still on the right path?” I whispered, hoping to avoid being an “annoying tourist.”

“We’re still going up, so that’s a good sign,” Jason whispered in response, with a grin. I smiled inwardly at how automatically my writer’s mind turned everyday comments and experiences into metaphor. Are we on the right path? We’re still going up! Anything is better than being stagnant and stuck. Life is a journey. What happens along the way can be more important than the final destination!

It was all so cliche, but how could I resist? I was on my honeymoon, celebrating the hope rooted in a second wedding after years of feeling stuck and deciding that marriage—the whole idea of it—wasn’t for me. Now I was exploring new lands with someone who made every step one of companionship and possibility. I was able to be in the moment, both to feel seen and to look around and enjoy what I saw—to consider who I was in that place and time, rather than living in desperate impatience for the faint idea of what I thought my life would be.

*   *   *   *   *

Just when I felt certain we were lost in the maze of quaint domesticity (which certainly isn’t the worst place to be lost, metaphorically or actually), we spotted a sign propped in someone’s garden, hand-lettered with the word “Acropolis” and an arrow.

signingardenSomething about its complete lack of official pomp and grandeur made us laugh out loud (and take photos). I imagined a man making the sign, perhaps at the request of his wife who had long grown weary of confused, insensitive tourists calling out to her while she hung laundry or watered her flowers: “Excuse me, is this the way to the Acropolis?” The sign communicated that wry note of impatience, but also one of pride, as if to say the people who lived their everyday lives along the way to this magnificent site fully understood the value of this treasure they had to offer the world. If tourists walked daily by their windows to get there, so be it.

Soon after passing the sign, we emerged from the jumble of garlic-sauteing and television-watching and dog-napping. We could see the Acropolis ahead. Having taken the “more interesting route,” we arrived at the back entrance of the fifth-century BC site, passing through the Theatre of Dionysus, where people were setting up a very modern sound system for a performance that evening.

We climbed further, up and out, toward the Parthenon looming above. Its ancient structure was partially engulfed by scaffolding, perhaps marring the view as seen through the eyes of a romantic, but also pointing to the reality of the architecture’s age and value; it had weathered much, and was worth meticulous preservation and care.

Jason and I stood silently side by side, taking it in, struggling to grasp the weight of history, the span of time lying between us in that moment and all that had come before—in our small lifetimes and for centuries and generations back. Then we walked on, ready to see what was next.

parthenon

***

Kristin bio YAH

Waking Up

Posted on by under Sound & Place

I am three, and I’m waking up from my afternoon nap in the right way: Slowly. Contentedly. In my own time and space.

I’m in no hurry to open my eyes. The bedroom is dim from the pulled curtains, anyway, and I’ve memorized every sight I would see from my place on the bottom bunk.

6259167128_a64b881939_bAn airplane flies overhead. In our house, below a well-traveled flight path to the airport, it’s a sound as common as a truck roaring by on our busy inner-city street. Whenever the house is quiet and I’m quiet, it seems there’s the sound of a plane somewhere in the sky.

The window is open in the bedroom I share with my brother, who, at almost-six, is too old for naps. I can hear the neighborhood kids playing outside. Laughter and shrieking, then protests, complaints.

Now the sound of a hose as more water is added to the plastic wading pool in the yard next door. I can picture the blue pool, the grass clippings floating on the glistening water.

There’s the voice of the bossiest girl, who is not the oldest but is the most sure of what she wants and how to get it. Just the tone of her voice conjures a snapshot of her hands on her hips, one hip jutted out to the side.  

My eyes are awake now, primed by scenes my ears have fashioned. I get up, my pigtails lopsided from their time on the pillow, and leave my bottom bunk to follow the sound of humming to my mother.

*    *    *    *    *

We lived on the ground floor of the house on Walnut Street until I was five. It was my first home. There are photographs to inform my visual sense of that place, but I can’t really claim them as memories. What I truly remember, from deep in some audio file my mind, are sounds.

Like the sound of my mom humming.

Our living space was small, making it easy for sounds to travel from one room to the next. My mom loves silence, but sometimes I think she loves it because it’s like a blank canvas—an open space for her to hum or whistle into as she folds laundry or chops vegetables. In the house on Walnut Street, her humming was my homing beacon as I navigated the waters between independence and security.

Sometimes upon waking from a nap I could hear my grandmother’s musical voice coming from the kitchen—a one-way, joyful conversation that meant an “audio letter” had arrived in that day’s mail. With my grandparents far away in California and long distance phone rates too costly for either household’s budget, my mom and grandma regularly recorded newsy updates on small, table-top cassette players. The tapes were mailed back and forth in padded manila envelopes.

If Mom was recording a letter to Grandma rather than listening to one, she would announce my appearance into the small microphone, inviting me to talk. “Oh, here’s Krissy! She just woke up from her nap. Krissy, say hi to Grandma and Grandpa! Tell them what kind of cookies we baked this morning.”

My dad’s arrival home each evening was inevitably announced through the stereo speakers: the pop-and-crackle of the needle touching an album. When Dad was home, there was always music playing. Aaron Copeland, Miles Davis, Stephen Sondheim, Bela Bartok, the Beatles, Peter, Paul & Mary—their electrifying, silky, surprising, earthy, and complex notes were the soundtrack of my childhood (the volume always a bit too high for my mom’s taste).

During warmer months, the sounds in our home mingled with the sounds of the world outside. In 1970s Michigan, no one had air conditioning—certainly not those of us renting old houses divided into duplexes in the city’s core. We opened windows, turned on noisy box fans, and spent as much time as possible playing outside with water, or sitting on shady stoops. Private lives were aired to the neighborhood: Everyone’s music and arguments, their clattering pots and pans and crying babies, were heard alongside the passing boom of car stereos, loud mufflers, and barking dogs.

After being tucked into my bottom bunk each night, the sounds of Walnut Street played on, each sound telling me a story. Some were as comforting and present as the hum of my mom’s sewing machine on the kitchen table; others were as mysterious and distant as another plane in the night sky, its seats filled with strangers traveling who knows where. 

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Kristin bio YAH

Creeping Myrtle

Posted on by under Reclaiming Place

I’m puttering happily in my yard, hand-picking dead leaves from around newly-sprung bulbs and perennials. Sometimes a new shoot bursting from the earth has, in its green exuberance to reach the sun, pierced a dead leaf: a sword slaying winter. Those are my favorite leaves to gently remove—an affectionate greeting, like tucking a wisp of hair behind a daughter’s ear upon her arrival home from school.

IMG_4155Hello there, fierce beauty. It’s good to see you again.

Late spring is my favorite time to garden. It’s more leisurely and satisfying than early spring, when there is at once so much to do—so many soggy leaves and fallen branches to gather—and so little you can do other than wait for the sun to do its work. And by mid-summer the heat has risen and I’ve lost much of my initiative; all I want to do is sit back and sip iced tea, not face the dull but pressing work of weeding and watering.

But in April and May, nature has begun to give the garden shape. Visits to my yard remind me which returning plants I’ve rooted where, while the gaps between them spark ideas about new plants I might want to try. I’m energized both by what’s there and what’s possible, and the dreaming takes me often to the brick patio where my iced tea and go-to gardening book wait.

13162129724_05e0aa9e05_bAs I sit at the table flipping through the “Annuals” section of my book, the groundcover that borders the patio on two sides seems non-threatening and innocent. It has no plans for the summer, it seems, no big goals or bucket lists. It’s just hanging out, looking green like it should and showing off the pretty little blue flowers that earned it the name “Periwinkle.” For the moment I’m able to forget another name the plant is known by: “Creeping Myrtle.”

So I ignore it. I’m busy deciding how many flats of annuals I can reasonably justify buying to add spots of color to our shady property. I’m also daydreaming about our family’s first al fresco meal of the season, and what I might ask my husband to cook on the grill. Meals on the patio are, to me, the closest city dwellers can get to a family getaway without packing up the car and leaving home.

There’s something about physically separating ourselves from the dirty dishes in the kitchen, the laptops, our separate places behind separate closed doors, that touches on the many meals of my childhood that were cooked and consumed under the shade of tall trees at campground picnic tables, and the playground picnics we spontaneously put together when our girls were little. Meals outside are meals that say, “This is just about us, here and now. Everything else can wait.”

 *   *   *   *   *

If only time and nature knew how to wait.

In my garden, by late June, the Periwinkle has morphed into Creeping Myrtle mode and is well into its insidious advance into my territory. The precious borders of the patio begin to diminish. Gradually, as the vines inch onto the bricks, chairs are inched away by guests. As a result of the shifting chairs, the large rectangular table eventually gets pushed out to make more room.

It’s an imperceptible migration from one week to the next, until, one day, I walk out to the patio with plates and silverware and notice the table seems almost centered on the rectangle of bricks rather than shifted to the south edge, as intended. In fact, that rectangular foundation is looking rather square. I set the plates down and walk over to grab and lift a handful of vines.

They look as if they’re rooted where they lay, but they easily lift up, exposing a surprisingly wide swath of bricks below. I keep lifting the tangled growth, revealing more and more bricks, until finally the roots—in soil, where they belong—are exposed.

Those territory-hungry plants can infringe on a foot of patio in a month, it seems! What they see in bricks is beyond me, but it seems they haven’t put much thought into it. They’re motivated only by a vague sense of world dominance, without any concern for the path they’ll take or what they’ll do when they arrive.

“You can’t turn your head to focus on the flowers for even a couple of weeks without some aggressive vine trying to ruin everything,” I think to myself, heading to the garage for gardening gloves and clippers.

I ruthlessly attack the Creeping Myrtle, extreme in my hacking as I know it’s only a matter of time before nature’s wild, raw inclinations begin again to dominate, erasing subtlety, variation, and any boundaries I’ve decided to draw. It is, of course, worth it—all the battles waged against the encroaching weeds as well as all the coaxing and care of what I find beautiful. In the end, it’s all about the table we set and sit down around, to claim what is ours.

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Kristin bio YAH

The secret lives of messes

Posted on by under Mess & Place

Even before our waiter asks how he should split the bill, I can feel him eyeing us with each visit to our table—trying to suss out our relationships to one another. Our teenage girls had arrived at the restaurant with me and my husband; the four of us were seated at our table for seven about five or ten minutes before the girls’ dad, stepmom, and preschool-aged half brother joined us.

After our plates are cleared, my eldest daughter, whose birthday we’re celebrating, rests her head on her dad’s shoulder as I take a few photos of them, and my husband entertains the little guy, who is blonde like his big half-sisters. I lean toward my girls’ stepmom, who is sitting on my left, to show her the sweetest of the photos I’ve just taken. We “Awww…” together at the expression on the face of this girl we both mother.Version 2

“How would you like the check?” our server asks, his eyes darting around, not sure who exactly to address.

I look at my ex-husband and hesitate—we’ve been known to not gravitate toward the same answers to life’s questions.

“Should we each pay for one of the girls or just split it down the middle?”

“Down the middle seems easiest,” he replies.

When you’re co-parenting and blending families, easiest—when it’s available—is always the right choice.

*   *   *   *   *

The real mess of divorce starts long before the divorce. Emotions become frayed and tangled, territories that used to be shared are sloppily divided and staked, and any path forward that once seemed clear becomes so overgrown with weeds and briars it can hardly be called a path.

Even before the decision is made that one of you has to go, the emotional seed of the mess begins sending out physical roots that can trip you up. But it’s when you actually begin dividing household items—pulling all the cooking utensils out of drawers and spreading them on the counter, attempting to make sure each person has a fairly complete set of tools to see them through the cooking of a meal—that the mess becomes tangible. It can’t be ignored.

There it is, all laid out there on the table before you—every drawer and cupboard emptied, each item evaluated, falling somewhere on the broad spectrum of worth: meaningful, useful, expensive, replaceable, and I-didn’t-even-remember-we-had-that. The process is repeated again and again, room by room. Now every book and CD you jointly own is spread across the living room rug. Then the artwork takes its turn and is divvied up.

Even after he has packed up and moved his share to an apartment he is renting, even after my things have been put away, I’m still faced with all of the things he didn’t bother taking but I don’t want, either.

What I do want is a Dumpster in the driveway. What could feel more decisive and freeing than filling a receptacle big enough to contain all your junk—literal and figurative? Because I realize part of my longing for a Dumpster stems from a desire to clear my life of certain memories and regrets, along with the boxes of odd books and knick-knacks my husband had a habit of picking up at garage sales, thinking they might one day be useful for something.

*   *   *   *   *

A decade later, I know there’s more to a mess than what meets the eye.

IMG_6029The pile of shoes perpetually cluttering our front entryway tells of a home where people feel welcomed and comfortable, of teenagers and their friends coming and going, of volleyball games and dog-walking in the rain.

Clothes all over the bed represent progress—they’re no longer stinky and stained, stuffed in the hamper, they’re clean and fresh, waiting to be folded. Soon enough they will make it to their rightful places in drawers and on hangers, and our bed will be ready to receive us at the end of a long day.

The more cluttered the garage gets with bags of leaves, the cleaner the yard is. It feels like a trade-off in the moment, but each time I navigate around the bags on my way through the garage, they speak of muscle-work done in fresh air, and multiple sets of hands making progress before the sun goes down.

And inside our front door, not far from the perpetual pile of shoes, hangs a painting my ex-husband made of our first house. It still has a place in my home today—not because he painted it or because it was our house, but because he is my daughters’ dad, and it was their first house. The painting hangs where it can help us acknowledge and honor a piece of our past.

Sometimes, I’ve learned, we get to decide what will be messy and what won’t—even without the help of a Dumpster.

Kristin bio YAH

The cost of playing cowboy

Posted on by under Money & Place

“It’s like a resort for rich Christians who want to spend a week pretending to be cowboys.”

This was my standard explanation of Deer Valley Ranch when I told college friends where I had spent the summer working. There was really no better way to describe in a nutshell the wonderful yet bizarre place—especially from the perspective of someone like me, who had grown up solidly middle class, taking budget vacations that involved sleeping in a tent and eating Mom-made sandwiches at scenic overlooks.

My upbringing in the Midwest also fueled my fascination with Deer Valley Ranch. While several of my friends lived on farms and had horses, no one seemed particularly intent on embracing the romantic charade of playing cowboy. Maybe Michigan’s wooded trails and country roads just didn’t provide the sort of Wild West backdrop necessary for getting in the cowboy mood.

18908034673_9961758d39_bDeer Valley Ranch, near Buena Vista Colorado, definitely has the right backdrop. The ranch is nestled in a range of mountains known as “the fourteeners,” with Mt. Princeton’s Chalk Cliffs rising dramatically behind the lodge and horse stables. The whole setting suggests the work of a talented stage crew under the direction of God (with a very large budget). The actors in our theatre were the staff—the other Christian college students and I, in our Wranglers and cowboy boots and hats—and our drama relied on “breaking the third wall” by inviting  guests to participate in the action.

We took the cowboy narrative pretty far down the trail at Deer Valley. I quickly learned it was what the guests were paying for—good-clean-Christian-family-cowboy-fun. Each week started off with an all-ranch hymn-sing led by Cowboy Dave, an event that served to set the tone and to begin drawing guests together with their common beliefs (not to mention their shared vacation proclivities).

Those of us working as servers in the dining room completed our Wranglers-and-cowboy-boots costumes with a red or navy gingham checked shirt and a contrasting bandana around our necks. We carried large trays filled with plates of authentic Western food, like beef brisket and whole trout. (Sometimes the cook prepared the very fish that had been caught earlier in the day by the guests. You have to pay good money to catch your own dinner.)

Square dance nights on the deck called for full staff participation. It was our job to urge hesitant guests out onto the dance floor unders the sky to learn the line dance moves, or to succumb to the lively two-stepping spins of an eager old cowboy in need of a partner.

4812123590_c50fae710e_zBut the Cowboy Breakfast was the Deer Valley act that topped all others. A couple of times a week a handful of staff got up at the crack of dawn to travel off-road in an ancient pickup truck to our wilderness breakfast site. Once there, we started a cooking fire, letting it get nice and hot before adding cast iron skillets of bacon, to be joined later by scrambled eggs and grits. Big pots of “cowboy coffee” were added to the grate, ready to pour into tin cups when the guests arrived.

Even at the end of my summer at the ranch I still fought a bemused smile when Cowboy Dave and his crew came rounding the bend on their horses, each rider in full cowboy attire. We greeted them with a boisterous “Good mornin’!” as they dismounted and walked over on stiff bow-legs to grab a tin cup and load up a plate at the fire.

How could I not inwardly chuckle as I slopped grits on someone’s plate and Cowboy Dave swung his guitar around from its perch on his back to begin playing suitably-mournful cowboy songs? The guests were sore, cold, and sleepy after getting up before the sun to sit too long in the saddle. The plates I spooned grits onto weren’t those nice, speckled blue enamel sets you buy at camping stores—they were dented dull grey metal. And the coffee we served was full of grounds. As someone who had grown up roughing it on the cheap, I found plenty of irony in people spending significant sums on such an experience.

But there were those incredible mountains reaching up behind the guests as they crunched into another piece of bacon and their horses munched on some feed nearby.  And I had to admit, my feet felt good in my cowboy boots, and there was something energizing about a deep intake of that high-altitude air. I even began to understand that having things like shiny plates and gourmet coffee would ruin the charade these folks had paid good money for. And what’s any expensive vacation, after all, if not a charade to help us vacate reality for a handful of days?

*    *    *    *    *    *

Kristin bio YAH

Photo of Mt. Princeton’s Chalk Cliffs by Wongaboo. 

Cowboy and horse photo by Just Too Lazy. 

The Apprentices

Posted on by under Laughter and Place

The peanut-gallery chatter was almost as entertaining as the 1970s-era slide show my dad was projecting on the wall. Not that I was surprised—I‘d expect nothing less when the Tennants and Sysyns got together.

Our two families have been spending time together since before my life began, but the regularity dipped considerably when us four kids grew up and started moving off on our own. Those stretches of years and miles made this particular reunion, in July 2015, especially epic: 14 of us from Illinois, Michigan, Arizona, and Oregon were gathered at a house on the Oregon coast. Our group represented three generations of two families: my dad’s and “Uncle” Pete’s, my dad’s best friend from college.

In preparation for the reunion, my dad—forever the obsessive photographer—had scanned five decades of slides to share. We watched the greatly-anticipated show our last night together.

photo 2 (2)The early 70s photos showcased my dad and Uncle Pete as beat-poet wannabes. Their weary faces suggested all-nighters spent drinking wine and listening to Miles Davis, scrawling verses in composition books and debating philosophy. But the scene around them tells the real story: four kids under the age of five, joining miniature forces to raise full-sized havoc. As adult versions of those kids, we laughed at the scene our little selves had created in the cramped apartment. Those poor beat poets had no idea what had hit them.

*  *  *  *  *

My beautiful picture

Pete (perhaps working on lyrics to the opera my dad scored).

Dad and Uncle Pete lived next door as college freshmen. Their love for the arts and their well-matched senses of humor sealed their friendship from the beginning, and they lost no time conjuring up the epic pranks they would one day tell their children about (again and again).

There was the time, for instance, when they changed the alarm clock of their dorm’s earliest riser, who had taken on the responsibility of pounding on everyone’s doors up and down the hall each morning to ensure no one overslept.

“You should have seen the guys all coming out of their rooms at three in the morning, ready to pummel poor George Lowe,” my Dad would say, hardly able to get through the telling of the story due to the laughter that erupted from within as he recalled the scene.

When my dad finds something really funny, he laughs in an extreme, choked up way, as if he’s on the verge of crying. My brother and I agree that watching Dad laugh is often more funny than whatever it is he’s laughing at.

The telling of the Alarm Clock Story was often paired with other classics, like the Co-ed Visiting Hours Story, about the time when my dad and a couple other guys on the floor managed to “lock” Pete alone in his dorm room during the university’s first ever co-ed open house.

“He missed the whole thing. We never heard the end of that,” Dad would say, his shaking shoulders indicating a level of laughter that was so extreme it was almost silent.

Not surprisingly, the hilarity at the core of Dad and Pete’s friendship inspired laughter and eye-rolling in the women who eventually married them, which later spilled over into our regular family gatherings each spring break, New Year’s Eve, and summer.

Soon us kids had a whole new generation of funny stories to recall together, from the dance routine we choreographed to the Xanadu album (one of my favorite gifts that Christmas), to the time our families met at a no-nonsense campground in Ohio late one night, unknowingly setting up our enormous shared tent terrifyingly close to train tracks. The rumbling and whistling of the train that woke us up in the dead of night set a new standard for a “rude awakening.”

*  *  *  *  *

The Epic Reunion slideshow continued, shifting from photos of busy toddlers and tired parents into a series of photos Dad and Pete staged for the singular purpose of annoying and alarming our mothers.

My beautiful picture

“Billy” on the brink of disaster.

“Look, there’s the time Billy almost fell into that canyon,” Uncle Pete said, pointing at the projected image of my brother’s eyes peeking over a stone ledge, apparently hanging on for dear life with his fingernails. “We were so relieved we made it back with him alive” Pete added in a stage whisper, ”We never would have heard the end of it from your mothers.”

Uncle Pete is the master of the elaborate aside, holding one hand flat along the edge of his mouth as if trying to keep what he’s saying from a select person or two. And my dad is the master of egging Pete on.

Together, they’re masters of laughter, and as the slideshow came to an end, I realized my brother and cousins and I have been their apprentices. I looked over at the faces of my own daughters—the third generation of this heritage of hilarity—and felt satisfied that our reunion week with the Sysyns had served as a solid orientation in their own schooling of stories and silliness. May they grow into adults who fully grasp the value of friendship, traditions, and pure, uncontrollable laughter.

 

Disorient; reorient.

Posted on by under Finding Place

It’s the Saturday before Advent begins, and a few of us are at church preparing—setting up the wreath with its purple and pink candles, pulling music from files, and rearranging all of the chairs.

Typically, the Advent wreath is the only visual cue that we’ve entered into a new time, a new space. The chairs haven’t been rearranged in our sanctuary since I started coming to this church a decade ago. Who knows how long they had been that way, divided into three sections, the rows straight and predictable? From an aesthetic standpoint, our church is simple, straightforward, unfussy. The people provide the color and complexity.

Now our goal is to draw all of those complex people in, arranging the chairs in a way that makes us more concentrated, more connected.

It’s been a difficult year in our fellowship, in individual ways that spill over into the community, and also in corporate ways, as we’ve gone through a leadership transition. As the year comes to an end, I feel the need for us to be close, shoulder-to-shoulder, like a large family squeezing in around the dinner table.

I start by removing about 20 chairs from the back rows. Churches will always have back rows, and people will always gravitate toward them, but our new back rows will be closer to the front. Then I divide the remaining 100 chairs into two groups rather than three, curving them in toward one another in an asymmetrical swoop that reminds me of the shape children create when drawing ears on the sides of a circular face.

My helper is Josiah, a teenage boy I’ve been close to since he and my youngest daughter were both in kindergarten. It takes us a while to get the new arrangement right. How close can we gather the chairs in without being too close? We consider wheelchairs and walkers used by members of our community, infant car seats and older babies who often play at their parents’ feet during worship. We congratulate ourselves as the new arrangement masks some coffee stains on the carpet, only to discover that different stains, once hidden, have been revealed.

Finally, we “test drive” various chairs we’ve set up, from each vantage point looking at where the musicians’ microphones and stands are, where the Advent candles will be lit, where song lyrics and Bible passages will be projected. At one point, Josiah and I are sitting on opposite ends of the swoop of chairs. We can see each other without turning our heads. We smile and exchange an air high-five across the empty worship space.

*  *  *  *  *

In America, our love for buffers is clear. Just watch as people choose where to sit in any cafe, movie theater, train or bus. Our tendency is to leave one or two open seats between us and “them.” Are we simply respecting the personal space of others or protecting a selfish need for our own? Or do we go through life with an underlying aversion or suspicion of anyone we don’t know?

I suspect most of us aren’t reasoning out complex justifications for where we sit. These buffers have become largely a matter of habit, both personal and social: This is how we do things. This is what people expect. This is why our ancestors came to America in the first place—for space.

But in church?

Even in churches, we are prone to sidling into a row of chairs, smiling kindly at people sitting in the same row, but leaving a seat or two empty between us. Have our world-weary habits seeped into a place that should by definition be counter-cultural? Have we forgotten what this particular gathering is about?

In this place of worship, after all, we have come together to be together. Yes, we have come to worship God, but we could do that alone—at home or walking city streets or sitting in a park. If we are at church, we are there to be together: To step out of the cold. To gather in a way that creates a margin between the despair we hear on the news and the glimmers of hope we have deep within. To recall moments of balance, of a rightness we’ve caught fleeting glimpses of once or twice in our lives. They are just glimpses, but they’re enough to make us long for more.

*  *  *  *  *

On the first Sunday of Advent, we don’t particularly look like a group of expectant people. We straggle in like usual, looking ragtag and weary, even as we exchange smiles and hugs. Most of us might not even be sure why we’re here, but we are here. There is something in this mysterious mix of ingredients we are wondering about or hoping for.

22783562843_175aa231ba_zIn the worship space, the newly arranged chairs are generating some hubbub, waking people up as their minds scramble to translate old habits into a new arrangement. I hear extra murmuring and some uneasy jokes, meant to cover the confusion; a blend of nerves and excitement fills the space.

As people find places to sit, I watch them scoot in to make room, looking down the curve of  newly formed rows to see who might be nearby. It is a small change in the scope of things, but we are seeing things differently. We are disoriented, which is often necessary if any reorienting is to happen.

This is, after all, Advent.

*  *  *  *  *

 

Kristin bio YAH

The worship space photo in the post is used with permission (and thanks!) to SupernovaPhotography.com.