Queen of the Woods

A small creek ran through our neighborhood of manicured lawns and look-alike condominiums. Thick walls of gray rock under wire-mesh netting sat on either side of the water’s edge, containing it, keeping all things wet and wild within its borders. When I was a child, I loved to explore there. I loved to escape the stale air-conditioned spaces of our two-bedroom unit and feel the submerged rocks, slick with algae, slip under my feet.

We creek-walked in the shallow places, but the water grew deep near the neck of the small woods bordering the development. There, the neighborhood kids and I spent hours sitting on thick rocks jutting out of the water watching sunfish and crayfish and water striders scuttle by. “The Woods” became the backdrop for every summer day adventure and autumn walk. In the safety and sameness of our suburbia, we were brothers and sisters, sons and daughters, friends and neighbors. In The Woods, we became adventurers and curiosity seekers. We were kings and queens, intrepid explorers, the heroes and heroines of our own stories. We became hosts to the wild inside and out.

As a child, The Woods and the creek gave me worlds to explore. My stomach turned somersaults every time I stepped into the dappled depths of the wooded paths, because I sensed it belonged to a world I could never fully understand. The water and the whispering trees sang a song of freedom to us in an ancient, unknown language. At home I worried about getting things right, in The Woods I just listened to the murmurs, no translation necessary.

As I entered my teens, The Woods no longer lured me in as they did before. I chose time with friends or the swimming pool or, more and more often, I chose books. I began to read about adventures rather than live them. The Woods lost their sense of magic, instead becoming the route I took to arrive, just as the bell rang, at my local high school. Then my mother, after hearing rumors of abandoned beer cans and makeshift shelters hidden among the trees, insisted I stop walking the well-worn path to school. I had to walk the long way around, on the main road, where cars rushed by and kids yelled obscenities out of open windows from big yellow buses.

When I defied my mother due to bad weather, and walked through The Woods on my way home, my stomach clenched in fear. I wondered who might be lurking in the shadows. It was no longer a place of freedom, but a place I must pass through to reach the other side of safety.

The Woods became the passage through which I left behind the simple wonder of my childhood and entered into the complexities of adulthood and maturity.

My parents no longer live in the condominium by the creek, so I can no longer visit. I can’t remember the last time I sat on the jutting rock beside the creek in the sunshine and watched the secret life of water float by. I don’t recall the last walk through The Woods or what I saw there. But, I remember the feeling it gave me as a child. It was the feeling of endless possibility, and I have chased it from state to ocean to country to continent. I may never reclaim The Woods, but I have discovered I can reclaim the feeling it gave me.pasted image 0 (1)

The closest I have come to possibility, to remembering this sense of serendipity and freedom, was in a small forest tucked into the mountains of Horgenberg in Switzerland. I moved to Switzerland in my thirties, no longer a child, but with three children of my own in tow. I began to walk and run in the forest. I discovered its central lake, its tree lined paths covered in leaves and dropped fir needles. I walked in snow, I ran in blazing heat, I prayed and cried and laughed and adventured. It healed me in ways I didn’t know I needed healing. It brought back a sense of childlike wonder I believed was lost forever.

I no longer live in Switzerland, and once again I’ve lost the woods and the water. I live in the suburbs of New Jersey, where concrete and mini-malls surround look-alike housing developments. I haven’t given up hope though. I walk through parks with curated paths of poured cement, and in gardens with glacial rock formations surrounded by manicured lawns. Again, I’m a wild queen contained in a tower, an explorer trapped in a maze of concrete, but I haven’t stopped looking for the door. I believe with enough searching, I will discover a place that I will claim and call mine, where I will once again know freedom. I’ll know it by the way my stomach twists with excitement when I discover it. I’ll know it in the way it makes me believe in endless possibilities.

* * * * *

pasted image 0Kimberly Coyle is a writer, mother, and gypsy at heart. She tells stories of everyday life and the search for belonging while raising a family and her faith at kimberlyanncoyle.com. She writes from the suburbs of New Jersey, where she is learning how to put down roots that stretch further than the nearest airport. Connect with her on Twitter @KimberlyACoyle or her FB page Kimberly Coyle

An Unmatched Life

At 15, I read in a home décor magazine that you were only supposed to fill things two-thirds full in order for it to look neat and orderly. So when I got my new bedroom at 16, a room I helped build on to the house, I intentionally left some of the walls and closet shelf space empty to try and create that feel.

Once the room was finished, I picked a blue-floral bedspread and curtains from the J.C. Penney catalog and took a pillowcase to Home Depot to have the color matched. I sponged the gray-blue paint onto the baseboard and molding before we nailed it to the walls.

I was trying to keep it all together, I think. Trying to make it right. I am the child of a parent with chronic mental and physical illnesses. As a child, that meant taking on the responsibility of taking care. I wanted things stable and orderly and, above all, correct.

For a few years before I moved to college my junior year, those empty spaces and coordinating color scheme were a retreat. The aesthetics calmed and centered me.

************

 

bedroom

My first apartment

After landing a full-time job after college, I moved into my first all-my-own apartment. I dove into decorating it just the way I wanted. Things matched less, but they still coordinated. I bought sofas and curtains, lamps and end tables brand-new from the store. I wanted it decorated and soon. I bought fabric and made my own upholstered headboard and hunted down antique picture frames for the walls of my bedroom.  I took a page from an interior design magazine and recreated a wall collage behind my dining room table.

When Christmas came, I bought new decorations that sparkled and shone in perfect complement to my décor.

It was common for me to lock myself in my apartment from the time I got home from work on Friday until I left for work on Monday. “Introvert re-charge,” I would say. And sometimes that is needed. But in truth, it was easier to just stay in, not interact with anyone, and piddle away on some new home décor project. I even started a short-lived blog full of recipes and decorating tips.

************

When I was 29, I moved into graduate on-campus housing, complete with an R.A. and roommates. The apartments were built in the 1930s and, aside from the random rules that come with campus housing, I rather enjoyed the cozy wood floors and the old bathroom mirror with the flower scroll etched across the glass.

Perhaps the thing I was most nervous about as I prepared to move to grad school was that my home would feel like a dorm. That I would feel like a kid. I was afraid of ugly furniture and plastic storage bins and cramped spaces. I was afraid it was all going to feel like a mess.

And things didn’t matchexcept for the industrial, boxy, bedroom furniture. My bedspread was black and white, my roommate’s was bright neon colors. The bathroom linen closet was stocked with a haphazard collection of multi-colored towels in various states of wear. The empty wall of the small galley kitchen was a jigsaw puzzle of mismatched shelves holding extra dishes and cookbooks and pantry staples. Every third of the bedroom walls were lined with furniture. Desk, dresser, bed, repeat. Shelves were stuffed full of textbooks and binders and picture frames of family and friends in other states. There was no money to spend on new, matching furniture. There was too little space for all of my things.

Yet, that apartment was home to one of my most well-lived years. There was nothing more satisfying than to find the sink full of mismatched coffee mugs, evidence of another night of friends studying together or talking.

Mismatched Dinner Table

An Easter table

On Sunday evenings, friends and neighbors gathered and we made dinner. One person would cook, filling the small sink of the small kitchen with pans and cutting boards and wooden spoons.Then we’d eatmismatched chairs crowded around a table with mismatched glasses in front of matching plates, the thin blue and white Corelle dishes I had inherited from my grandmother.  

As the year went on, dining together just became a habit, no matter the meal.  We had a French toast feast as the snow piled deep outside. On the days it never stopped raining, there was a crock pot of soup ready and warm.  We decided JFK’s Birthday needed celebrating, so we researched and recreated his favorite meal.  One warm night, we picked up a few “gourmet” ingredients from the grocery store, put on a record of classical music, opened all the windows, and laughed and talked and ate as the cross breeze drifted through our impromptu dinner party in that mismatched, unrefined, no-color-palette home.  

That year, we managed to live life together instead of just being roommates or neighbors. It happened with overcrowded shelves and walls and it never once felt like a mess.

**********

Nicole bio YAH

Making Pennies, or My Father’s Money

When I was a little girl, I thought my daddy made all the money. That’s because when I once asked him what he did at work, he told me, “I make pennies.”

I probably was too young to comprehend the complexities of managing a blast furnace for US Steel, which is how my father actually spent his days back then. But I like to think I might have been able to wrap my five-year-old brain around it to some extent. Instead, I spent quite some time believing that my father worked in a penny factory.

To be sure, he was compensated for his actual work with many, many pennies—and nickels, dimes, quarters, and dollars. Because of this, my life growing up was very different from his.

***

I remember my dad once telling me that, when he was a teenager, his greatest fear was that he would never make enough money to feed himself. For years, he never felt full. He was always hungry.

As the ninth of twelve children born to a Ukrainian immigrant coal miner, my father wore the hand-me-down clothes of his older brothers. He used to joke that his shoe size matched his age until he was 14. Unfortunately, he often had to wear shoes that were a size or two smaller than his feet; the bumps on his toes bore witness to that for the rest of his life.

In 1913, the 18-year-old boy who would one day be my grandfather left his home in a rural village in western Ukraine to cross an ocean to join his older brother in a strange land. After he arrived on Ellis Island, in full view of the Statue of Liberty, he had to wait for a stranger to bring him the $25 he needed to enter the country. Today, that would be approximately $610.

My father was born nearly 30 years after his father’s passage to the United States. In 1959, my dad graduated at the top of his high school class. He was awarded a football scholarship to the University of Pittsburgh, where he ultimately earned a degree in mathematical engineering.

After four years of college, my father was drafted by an NFL football team. After a single season as a rookie with the Kansas City Chiefs, he decided to finish his five-year engineering program at Pitt. He spent the next few decades working his way up the corporate ladder of the American steel industry, even when that industry was in danger of collapsing.

“I sure am glad my dad caught that boat.”

I can’t even begin to count the number of times I heard my father repeat those words.

***

penny_jar_for_web“Our money isn’t really ours in the first place,” I explained. “It belongs to God. Everything belongs to God. We’re just meant to take care of it and to use it well.”

I was sitting in the passenger seat of my boyfriend’s car, explaining to him the finer points of—and theological reasons for—support-raising. He was a first-year medical resident, trying to wrap his brain around why his girlfriend had chosen to work for a campus ministry organization where she was expected to raise a portion of her salary.

My father, who generously and fully financed all four years of my college education at a prestigious liberal arts college, was similarly puzzled by my decision. The philosophical and theological underpinnings of raising support were a mystery to him. He didn’t understand my counter-cultural choice of career, but he supported it.

My father continued to financially support me and my work until his death in 2013. Dad offered his support because he loved me. He supported my desire to use my gifts to do work that fulfills me and that makes a positive difference in the world. He never used the language of “blessing” or “stewardship,” but he embodied both with his generosity—to me, to my brothers, to everyone he met.

Because my grandpa caught that boat, and because my dad made all those pennies, I have been afforded opportunities that would never have occurred to either of them. And I am grateful.

***

Amy YAH bio

When I Was Your Age, We Went to the Bank

On Saturdays, we went to the bank with dad.

The Regency Savings Bank of Geneva, IL welcomed its patrons with platters covered in white paper doilies, piled high with a variety of butter cookies. Dad would fill one of the provided styrofoam cups with coffee from the percolator.

We started coming with Dad when I was a toddler, an era when my memories blur one into the other. In those early days, my older sister and I waited at the Playschool picnic table, laid out with coloring books and crayons. At this point any of our collected coins got plopped into Piggy Banks on our dressers. Soon enough we started to trail Dad to the bank counter, to watch the magic.

The tellers counted the cash onto the counter like tarot cards, experts at slipping paper across paper. They moved through their tasks without looking: stamping, signing, unlocking, typing on the number pad on the computer, and printing receipts by feeding a machine with a small slip of paper that got pulled into the machine to be stamped with account balances.

Bank Teller Counting Money for Customer --- Image by © Duncan Smith/Corbis

Bank Teller Counting Money for Customer — Image by © Duncan Smith/Corbis

At home, we imitated the movements of the tellers in elaborate games of pretend bank, using stacks of pocketed deposit slips and carbon copy return tickets from the local Venture department store. We idolized those women at the bank, second only to the grocery clerks at the supermarket who almost always had long acrylic nails that clicked across the keypad.

On  Saturday mornings, the bank hummed with the financial business of the town locals. I came to recognize the tellers and the bankers in suits who sat at glass enclosed cubicles. When not serving a customer, they popped out of their offices to circulate around the premises and greet account holders by name. We usually got greeted by the tall, lady banker with the short black hair, who seemed to be having a perpetually good day since the late ‘80s.

At the tall desks in the lobby, my Dad endorsed his stack of checks, a lefty with the characteristic curve in of his hand. He always came with his own blue, ballpoint pen since the ones chained to the desk had long run out of ink. Each week, my dad left the bank with a thin white envelope full of twenties that he placed up in the cabinet next to the fridge, so Mom could select a crisp bill or two and take them to the grocery store.

The tall smiley banker told my Dad that we could open our very own savings accounts, and Carolyn and I were each entrusted with a small grey book, monogrammed with the maroon initials of the bank. These very important books were housed in the roll top desk in the kitchen and kept in protective plastic sleeves.  We covered the plastic sleeves with stickers received from the teller for each deposit we made at the bank.

Each visit to the bank corresponded with a new entry in our passbooks. We took a portion of our newly implemented weekly allowance which we had sorted into styrofoam cups marked “savings,” “spending,” and “church.”

Photo Courtesy of Mario Rui on Flickr

Photo Courtesy of Mario Rui on Flickr

I imagine I had some sort of coin purse or hand me down wallet, but I mostly remember holding the coins in my fists till they grew warm and sweaty against my palms. When we handed over our coins and deposit slip, the teller put the coins into a coin sorter, taking  my precious book to feed into a machine that stamped the new balance of my account.

I tried to read over my account ledger with the seriousness the other patrons used as they carried out their banking. I followed the new entry line across the page with my finger to verify the deposit amount matched my handful of change. On birthdays and Christmas, we brought checks from our grandparents and carefully determined how much cash to take out and how much to entrust to the bank, which was very grownup  business.

After the bank, we ran a few other customary errands to the local Ace Hardware store and to Sally’s Sub House or McDonalds, where I couldn’t help but make the connection that the money dad got at the bank bought Happy Meals and packs of grape Bubblicious gum.

I watched my parents do things with cash, taking  it out of envelopes and carefully counting their pennies. I looked on as my mom put items back at the grocery store to match the amount of bills in her wallet. Both my parents were visible stewards of our money, physically placing it into the hands of others or the golden offering plate to save, spend, and give.

The Regency Savings Bank has long been bought up by other bank chains, changing names and buildings and cookie brands. Now our money zooms through cyberspace, teleporting from one account to another. We no longer have to tabulate our finances and I-owe-yous with paper and pen, but pay instantly from the latest app on our phones. Store clerks ask us if we want that useless piece of non-recyclable paper called a receipt, and we wave them off while only a few people still carefully pen their transactions into their checkbook.

But I think I miss touching money, holding it in my hands, and seeing that it is paper and metal. Perhaps I will start to go to the bank again on Saturdays and take out an envelope of crisp bills to bestow with care as my parents did.

***

Meredith-bio-YAH-1024x327

 

The Apprentices

The peanut-gallery chatter was almost as entertaining as the 1970s-era slide show my dad was projecting on the wall. Not that I was surprised—I‘d expect nothing less when the Tennants and Sysyns got together.

Our two families have been spending time together since before my life began, but the regularity dipped considerably when us four kids grew up and started moving off on our own. Those stretches of years and miles made this particular reunion, in July 2015, especially epic: 14 of us from Illinois, Michigan, Arizona, and Oregon were gathered at a house on the Oregon coast. Our group represented three generations of two families: my dad’s and “Uncle” Pete’s, my dad’s best friend from college.

In preparation for the reunion, my dad—forever the obsessive photographer—had scanned five decades of slides to share. We watched the greatly-anticipated show our last night together.

photo 2 (2)The early 70s photos showcased my dad and Uncle Pete as beat-poet wannabes. Their weary faces suggested all-nighters spent drinking wine and listening to Miles Davis, scrawling verses in composition books and debating philosophy. But the scene around them tells the real story: four kids under the age of five, joining miniature forces to raise full-sized havoc. As adult versions of those kids, we laughed at the scene our little selves had created in the cramped apartment. Those poor beat poets had no idea what had hit them.

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My beautiful picture

Pete (perhaps working on lyrics to the opera my dad scored).

Dad and Uncle Pete lived next door as college freshmen. Their love for the arts and their well-matched senses of humor sealed their friendship from the beginning, and they lost no time conjuring up the epic pranks they would one day tell their children about (again and again).

There was the time, for instance, when they changed the alarm clock of their dorm’s earliest riser, who had taken on the responsibility of pounding on everyone’s doors up and down the hall each morning to ensure no one overslept.

“You should have seen the guys all coming out of their rooms at three in the morning, ready to pummel poor George Lowe,” my Dad would say, hardly able to get through the telling of the story due to the laughter that erupted from within as he recalled the scene.

When my dad finds something really funny, he laughs in an extreme, choked up way, as if he’s on the verge of crying. My brother and I agree that watching Dad laugh is often more funny than whatever it is he’s laughing at.

The telling of the Alarm Clock Story was often paired with other classics, like the Co-ed Visiting Hours Story, about the time when my dad and a couple other guys on the floor managed to “lock” Pete alone in his dorm room during the university’s first ever co-ed open house.

“He missed the whole thing. We never heard the end of that,” Dad would say, his shaking shoulders indicating a level of laughter that was so extreme it was almost silent.

Not surprisingly, the hilarity at the core of Dad and Pete’s friendship inspired laughter and eye-rolling in the women who eventually married them, which later spilled over into our regular family gatherings each spring break, New Year’s Eve, and summer.

Soon us kids had a whole new generation of funny stories to recall together, from the dance routine we choreographed to the Xanadu album (one of my favorite gifts that Christmas), to the time our families met at a no-nonsense campground in Ohio late one night, unknowingly setting up our enormous shared tent terrifyingly close to train tracks. The rumbling and whistling of the train that woke us up in the dead of night set a new standard for a “rude awakening.”

*  *  *  *  *

The Epic Reunion slideshow continued, shifting from photos of busy toddlers and tired parents into a series of photos Dad and Pete staged for the singular purpose of annoying and alarming our mothers.

My beautiful picture

“Billy” on the brink of disaster.

“Look, there’s the time Billy almost fell into that canyon,” Uncle Pete said, pointing at the projected image of my brother’s eyes peeking over a stone ledge, apparently hanging on for dear life with his fingernails. “We were so relieved we made it back with him alive” Pete added in a stage whisper, ”We never would have heard the end of it from your mothers.”

Uncle Pete is the master of the elaborate aside, holding one hand flat along the edge of his mouth as if trying to keep what he’s saying from a select person or two. And my dad is the master of egging Pete on.

Together, they’re masters of laughter, and as the slideshow came to an end, I realized my brother and cousins and I have been their apprentices. I looked over at the faces of my own daughters—the third generation of this heritage of hilarity—and felt satisfied that our reunion week with the Sysyns had served as a solid orientation in their own schooling of stories and silliness. May they grow into adults who fully grasp the value of friendship, traditions, and pure, uncontrollable laughter.

 

Movie Nights

I sometimes joke that I grew up thirty years before I was born. I was born in the early 80s, but most of my frequently watched movies and television shows are from decades earlier. As a child, my family rarely had cable, but we did have a large video collection. Most of the videos were carefully recorded from TV onto VHS tapes. Small white stickers with black numbers were dutifully placed on each tape and then entered into a handwritten index. We had indexes listing our movies both by alphabetical order and by number order.

This was mostly  my mother’s influence. She loved the old movies and the shows, many created even before her childhood. They made her laugh, and Mom has always clung to the things that bring her joy. I recently took a vacation with a friend to Niagara Falls and she honored my desire to re-visit these childhood memories by driving an hour out of the way to see a giant mural of one of Lucille Ball’s famous scenes on the side of a building in her hometown of Jamestown, NY.

Posing with a Lucy mural in Jamestown, NY. December 2015.

Posing with a Lucy mural in Jamestown, NY. December 2015.

On Friday nights in my childhood, my two brothers and I would spread our sleeping bags on the patchwork-brown linoleum in the living room for family movie night. On the kitchen table Mom and Dad would put out Breyer’s vanilla ice cream, chocolate syrup, cool whip, and often some type of candy or sprinkles. We’d build our traditional Friday-Night-Sundae and sit on top of our sleeping bags — ready to laugh along as Jerry Lewis belts out a (rather catchy) song about beans in At War With The Army. Or, we would giggle for the hundredth time at Lucy and Ethel as they shoveled chocolates into their mouths. Sometimes we’d invite friends over; sometimes it was just us. There are dozens of movies (and television shows) in my head that I remember with smiles for the way they filled my childhood with laughter.  

Other times, we’d watch the movies late into the night. My parents would delay bedtime and press play on an old favorite because the night was special. Once, I was laying on the couch, my head in my mother’s lap as she raked her fingers through my bangs. We were watching one of Martin and Lewis’ movies. I would glance up every time I heard her laugh to see the light in her eyes. There were days that it was hard for Mom to smile. Days where Depression did its best to keep her isolated and numb. But there were other days that stretched into the night where joy, and laughter, were present. Those were nights we celebrated and embraced the joy.

I used to wonder why we didn’t watch the movies on the sad days, so that they would bring the laughter. It took me into my young adult years to understand that the laughter came on the late nights because the clouds lifted, not because the movies penetrated them.

This Christmas my younger brother and I stood in our parents’ hallway and scanned the movie collection, laughing in recognition at some of our old favorites. Much of the family gathered around the television and put in Dean Jones’ Snowball Express (Dad’s favorite) and we all laughed along as Jones flew backwards down the mountain, on skis. A few days later we pulled out North Avenue Irregulars to keep us awake as we counted down to the New Year. Mom and my brother had tears in their eyes from their laughter as Cloris Leachman rammed her car into a mobster who had caused her to break her newly-manicured nails.  

Those late night movie watching parties where Mom joined us in the laughter are treasured memories, but as an adult I think the work of joy is more evident in the every-Friday-night routine. Mom set up that routine and maintained it. Despite her own struggles, she made sure there was joy and laughter in the house for her kids. A joy that still pays off for us all these years later.

 

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Nicole bio YAH

Visiting With Ghosts

About once a month, I wish that I could revisit a place from my past. It’s not always the same place (though some are recurring), but my terms are always the same: I want to be alone and undisturbed. I want to be able to look around to my heart’s content, and I want it to be exactly as it was when I was there.

I’m not sure what I think this would solve, exactly. I’m not sure what I would gain by sitting again at the bar of a restaurant, closed for the season, where I ate several breakfasts and dinners with a boy I once knew, who worked there when it was open. I remember the way he made coffee with a practiced, professional hand, and how we cooked together in the industrial kitchen in bare feet.

I spent one day there, alone, meeting food writing deadlines. Autumn sun flooded the floor where tables and chairs usually would have been. If I close my eyes, I can still remember how strange it was to be in a restaurant which wasn’t fulfilling its purpose, as if I were living in a post-rapture world and businesses were no longer relevant.

When that boy moved out of the country a few weeks later, he took the keys to that restaurant with him. I know that if I were to go back, it would not be to the same place where we danced to “Summertime Sadness” in the dark, or watched “You’ve Got Mail” together on Halloween. “That’s my favorite movie,” he had told me. I believed him.

Then, there’s a triplex in a small college town south of Spokane where my ex-boyfriend used to live. Floaty, grey sheers hung on his windows and the frozen early spring light filtered in during the day as I sat on the couch. Sometimes I would drive the hour and a half to spend a day off with him; we would sit together, enjoying our closeness. On those visits, I would arrive before he finished with work. He left the door unlocked for me, and I would lock it behind me immediately, the difference between my San Diego upbringing and his in rural Idaho.

From his window, I could see the local grocery store. Sometimes I would walk over and buy vegetables or salad dressing. He always had plenty of frozen things, chicken, beef, and vegetables, but I was the one who bought and roasted asparagus, quartered brussels sprouts, or sautéed mushrooms in butter.

I spent many hours in that three story house waiting for him to get home. I’m not sure why it still haunts me. In the afternoons there was a silence about it that reminded me of nap times when I used to babysit. I kept an ear out the way I listened for a child who might be stirring. I watched out the window for his return, tuning my ear to the sound of his truck.

Most often though, I find myself mentally walking the halls of my mother’s mother’s house, the one she sold quite a few years ago. Before I even get inside, there is the fragrance of gardenia along the path. There is a bush where I hid a Lindt truffle from my grandmother’s jar, hoping that it would be there for my next visit (it wasn’t). The lawn is split into two levels by a rock wall where we sat to let our sparklers burn out safely every fourth of July.

Inside, I step carefully into the marble-floored entry, remembering how hard it could be in an unexpected fall. I pause in the living room for a moment, remembering the year all of my cousins got gymnastics Barbies and we twirled them all over that floor. Upstairs, I run straight to the Tulip room, so named for my grandmother’s favorite flower and all of the tulip decor, mostly pink. This was where I slept when I visited and where she kept all the toys.

Across the way is the yellow bathroom where I steeped in oatmeal baths during my chicken pox and brushed my teeth with bright blue bath salts the color of my Crest gel.

Downstairs there is a den, beneath the kitchen where the food rested expectantly on holidays, ready to be heaped onto plates. I can’t quite remember how it worked, but I know that there was a bar. That was where my grandparents kept the biscuits for Jebby, their faithful dog, who patiently accepted one from each of the six grandchildren.

That den was where my Poppa, my mom’s dad, introduced me to Indiana Jones and Star Wars in those tender years we shared before he passed away, followed soon after by Jebby. If I pause in this section of the house and squeeze my eyes tight, I can hear the splashes from the waterslide into the pool just through the sliding glass door, and the echoes of a hollow ball meeting paddles and a table, down the hall in the garage where the coordinated are playing ping pong. Any moment now my Poppa will wrap an arm around my shoulder and ask if he can make me a drink. I guess, maybe, when I revisit a place, I don’t always want to be alone.  

When Your Bedroom Disappears

Days before, I found the phone number by searching the address on the Internet. A young woman answered, listened, and graciously agreed to give us a tour of our childhood home.

When the day arrives, my older sister and I drive familiar roads in a rental car. We’ve traveled from opposite sides of the country to this point in Illinois; she from Massachusetts, me from Colorado. Park Ridge is one big suburban grid of long, mature tree-lined streets and sidewalks on the northwest edge of Chicago. I roll down the window and whiff the familiar aroma of fresh cut grass mixed with airplane exhaust from nearby O’Hare Airport. It is the smell of roots and flight.

The rental car engine goes quiet by the curb in front of the two story brick bungalow at 704 South Crescent Avenue. Our parents raised the four of us kids here; three sisters and a brother. This was the address on all official forms and most letters addressed to me from 1973 to 1989; from Gerald Ford to George H.W. Bush.

We ring the doorbell on schedule, and a young, upper-class mom answers the door, smiles, and invites us in. We politely walk through renovated rooms where I am tossed between a sense of happy familiarity and disorienting displacement.

We walk through room upon room of fresh paint and updated designs: The front entry minus the cuckoo clock, the living room minus the teal carpet and large flowery wallpaper, the front sitting room minus the TV and plaid couch, the upstairs plus air conditioning, the kitchen plus new appliances and a stunning renovation. We linger in the kitchen and I notice the one big minus. They knocked out this wall, she points and explains, we wanted to make the whole space bigger. That wall once divided the kitchen from my bedroom. Every morning I used to lay in my bed on the other side of that wall, listening to my mom’s early morning WMBI radio programs and dishwasher clatter.

music-box-ballerinaNow the wall has disappeared and my bedroom evaporated entirely, replaced by functional upgrades and a redesigned floor plan. I lost the container that had been crammed full of my girlish years,

the hanging macramé plant holders,

clouds of Love’s Baby Soft Jasmin’ perfume,

the sound of tiny nocturnal pet hamster feet running on a creaking wheel,

the wind-up jewelry box ballerina spinning in front of a tiny mirror,

the puffy pink gingham quilt my mom sewed,

and the way I always slept beneath it facing the door,

the muted bass of bands like Boston booming from my brother’s bedroom,

a closet full of off-limits clothes my little sister borrowed anyways,

that one spot on the floor by the cast iron radiator where I sobbed over boys that I loved,

a secret drawer full of seashells and saved letters,

midnight poetry taped to my window.

Gone. The inner sanctum of my childhood entirely dematerialized.

Why do I feel so sad? It’s just a room, I say to my sister as we drive away. She nods. Gets it. Siblings hold pieces of each other’s’ history.

We head out of town and curve through neighborhood streets, past the red and white marquis of the Pickwick Theater and the stadium lights at Maine South High School. By that park swing, I feel the sway and twirl of the six-year-old version of myself. In that parking lot by the high school band door, I feel the wild heartbeat rush of my first kiss; under that one elm tree, the between-two-worlds melancholy of twenty-something. And somewhere around the corner on my way back home, I find the room of my childhood again.

Rooms are the containers that hold the past, for good or ill. They are the spaces that store roots and fragments of who we were, the lives we have lived. Writer, author, Frederick Buechner describes it this way:

“But there is a deeper need yet, I think, and that is the need—not all the time, surely, but from time to time—to enter that still room within us all where the past lives on as a part of the present, where the dead are alive again, where we are most alive ourselves to turnings and to where our journeys have brought us. The name of the room is Remember—the room where with patience, with charity, with quietness of heart, we remember consciously to remember the lives we have lived.” *

Sometimes my little sister and I end our texts or emails with the first line from Harry Connick’s song, “Forever, for Now.” “Meet me on the corner of close and soon,” we write. Then, “oxox” we sign off. Over the years, we’ve come to shorthand it. “Meet me,” we say and understand in a way only siblings can.

Meet me.

Meet me in the place with no address.

Meet me where the remnants of a past still live in pieces and fragments unclaimed, shared by few, in a room no longer contained by walls.

The name of the room is Remember.

* Quoted: Frederick Buechner, A Room Called Remember: Uncollected Pieces (1992)

*   *   *   *   *

unnamed-2“When Your Bedroom Disappears” is by Kelley J. Leigh. Kelley is a mid-life writer and mom of four sons.  Kelley’s home base is a quirky little mountain town in Colorado where she writes openly about intimacy issues and recovery in marriage and faith. Find her over at www.kelleyjleigh.com and on Twitter: twitter.com/KelleyJLeigh

 

 

The Rumor of Bears

My mother tells me that we only went to camp a few times before the tornadoes came.  How can this be? I remember it all so vividly. Then again, how could I forget a place so full of real and imaginary bears? I was only a young child.

‘Camp’ was my Uncle Davey and Aunt Sue’s hunting cabin in the northwest corner of Pennsylvania, generously shared with extended family like me, my mom, dad, and two little brothers. It was about a two hour drive, due north, on winding Allegheny mountain roads, and as a town kid from a smallish city, it was my very definition of middle of nowhere.

When dad turned off the paved road and onto gravel, I knew we were almost there. Now the real adventure began–the rutted road was barely driveable, and our van inched and bounced along until the green and white cabin was in sight. Camp! Camp! Let us out! We pulled onto the grass (there was no driveway), fell out of the van, and begged my parents to hurry-up-and-unlock-the-door. Inside the musty smell of damp wood, un-aired linens and old furniture filled our nostrils, and my brothers and I ran through the three small rooms, drinking in everything familiar and forgotten.

At camp, there was no running water, so we carried jugs down to and up from the spring.  At camp, there was no television, so we hiked to the big rocks, went spotting for deer, and cooked mountain pies in the campfire coals. At camp, there was an outhouse, so you ‘held it’ through the night and held your breath during the day.

And just behind this outhouse there were berry bushes, frequented–it was said–by black bears. Early in the morning, I would wake up, wishing-with-all-my-might for an indoor bathroom, and picture them–hiding behind the outhouse, waiting for me.

Despite the rumors, I never saw a bear in those berry bushes, or (thank the Lord in heaven) in the outhouse. To see a real Pennsylvanian black bear, I had to wait until we ran out of milk and bread. Then we climbed back into the van and bounced our way to the store.

The closest convenience store doubled as a mini-zoo, with animals in cages in the parking lot. There was a fox who was always hiding, and friendly deer you could feed. There were several other smaller animals I have forgotten completely, and there were… bears. Two bears, in steel cages, pacing back and forth, tracking us with small round eyes. Stay close to us, my parents warned, though the bars were thick and the bears well-fed. We stayed close. For a time.

When I was about seven, the bears were suddenly gone, and my parents said they heard someone shot them ‘out of pity.’ Shot them out of pity? This made absolutely no sense to me. If someone was so worried about the bears, why didn’t they just let them go? My parents just shook their heads sadly and let go of their tight grip on our hands. Go on, they said gently, go see the deer. After that, we still came to get our bread and milk, but the parking lot wasn’t so magical anymore.    

I was left only with the rumor of bears. And soon, I was left only with the rumor of camp.

On the last day of May in 1985, a week before my eighth birthday, twenty-one tornadoes touched down in Eastern Ohio and Western Pennsylvania. One of these raced through the woods behind my aunt and uncle’s hunting property, shifting the cabin two feet on its foundation, disappearing the outhouse, and turning over the berry bushes. The cabin was spared, but ‘camp’ was ruined.

We visited only once after the tornadoes came, and I can still see it all with my eight-year old eyes. The mountains, stripped bare. Trees turned into toothpicks; trailers flung like toys across the fields. The root balls of the trees towered above my head, ugly and unbelievable, and we couldn’t hike to our beloved big rocks because of all the destruction, blocking every trail. Thirty years later, I’m still not sure I’ve gotten over the shock.

Where can the bears live in a such a world?

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Photo by Jethro Taylor

 

Scents of Summer

“Watch out for the cow piles,” my grandmother said as we headed to the barn for milking. I skipped behind her, hopping over and around the cows’ contributions to the fertilization of the earth. Even a smidgen of one of these smelly deposits on my shoe would necessitate a thorough scrubbing to remove the odor.

Nannie stepped briskly in her black rubber boots, leaning forward with her bonneted head two feet in front of her body. Two wooden telephone poles, lying flat and butted up against one anotherFullSizeRender(27), formed a bridge across the creek. A thick wire was attached to the trunk of a tree on each side of the creek to grab hold to as we walked across.

Nannie made short work of walking the telephone poles, without using the wire, and continued the trek to the barn. I pulled up short, clinched my teeth, clutched the wiry life-line, lifted one red, dirt-stained sneaker, and stepped on one of the poles.

On the opposite bank, Nannie must have smelled my fear because she turned and coaxed me across in her low, comforting voice. “Don’t look down.”

I looked down. The crawdads were having a party in the water below, skimming and swirling along the silty bottom. Lazy leaves floated like tiny, green boats. It seemed miles lay between my feet and the life of the creek.

I sat down. Relief slowed my breathing. I sucked in air, exhaled, and began vigorously chewing the petrified piece of Juicy Fruit gum tucked in the back of my mouth.

Splinters posed a hazard to my palms and tender behind, yet I chose to scoot across. I pressed my palms and lifted my bottom, inching across until my fingers squeezed Nannie’s outstretched hand. I fell into the folds of her faded, calico work-dress, breathing in the fresh scent of washing powers. Together we walked to the musty barn where Granddad already had the cows attached to their milking machines.

My assignment was to stand sentry beside a large plastic bucket and shovel, its blade as wide as a toilet seat. Cows warned of impending bowel action by raising their tails. I watched. At the ready. Tails twitched. Lifted. Action! I moved with the shovel; the heft of it almost pulled my slight, eight-year-old body down. Granddad joined me. Leaning over, his hands gripped the handle above mine; we joined forces to catch the imminent splat.

The deadly odor of the thick, greenish-black ooze, coupled with the straw-dust tickling my nose, provoked a fit of spasmodic coughing and laughing. Delivered of her load, the cow mooed. I mooed back.

We maintained distance between excrement, barn floor, and milking machine. Teats—freed from the suction cups attached to them—dangled from udders, no longer swollen. I looked on as Nannie and Granddad poured the creamy milk from clean buckets into tall galvanized cans.

Granddad released the cows from their individual stalls and gave a holler to the line of bovine. They filed to the pasture to laze in the shade and chew on sweet-smelling grass.

***

Laundry was done once a week—more often during stifling Southern summers—after early morning chores. Soil, sour sweat, and animal smells wove into the fabric of garments, socks, bandanas, towels, and washcloths. Nannie’s washing machine was an old-fashioned vessel, large and round, situated in the center of her small, screened in back porch. I imagined it as a tub in which cartoon characters were riding the rapids.

Nannie fed sopping wet laundry through a wringer between two rollers that pressed out the water. With my bare feet planted on the smooth stone floor, I caught flattened pieces as they came through and tossed them in a basket. Nannie toted, I followed and watched as she pinned a parade of color to the clothesline.

***

Nannie ran a bath for me at bedtime. Splashing in the tub, I created an ocean of bubbles with a slippery bar of ZEST soap. Capturing it in my washcloth, I gave myself a vigorous scrub from head to toe, then grabbed the stopper’s shiny beaded pull and watched as dirty, brown water swirled down the drain, exiting with a loud gurgle.

Days lingered long those summers. Friday evenings, Granddad reclined in his easy chair and listened to the Grand Ole Opry on the radio, while rubbing his sore hands with Cornhusker’s Lotion. As strains of Bill Monroe’s fiddle drifted into my bedroom, I grew drowsy and snuggled under the sun-kissed sheets. Nannie’s moonflowers hugged clapboard along the side of the house. Blossoms opened large in the lunar light, offering their incense as a benediction to the day.

Scan 3Nannie and Granddad’s barn—worn by disuse and time— photographed in 1984 by my mother. 

Photo (above right)

Nannie’s Bonnet